2. Questions to Answer: 1.) What was the Harlem Renaissance? When and where did it happen? 2.) What are three factors that lead to the creation of the Harlem Renaissance? 3.) What was significant about the Harlem Community in New York that made it the cultural center of the Harlem Renaissance? 4.) What was the dilemma faced by African-American artists of the Harlem Renaissance? 5.) What two factors lead to the downfall of the Harlem Renaissance? 6.) Who are four of the main artists from this period? List three artworks for each artist. Include: Artist, Title, Date, Media, and Size. 7.) What were two influences on Harlem Renaissance artworks and artists? 8.) What four characteristics are found in most Harlem Renaissance artworks?
4. The Harlem Renaissance was an American cultural movement of the 1920’s and 1930’s . Named after the Harlem community of New York City , this period brought about some of the most influential African-American visual artists, musicians, writers, and dancers . In later decades, the Harlem Renaissance influenced the American Civil Rights Movement .
8. The Great Migration Even with changes to the Constitution, African-Americans still faced racial hardships and brutality in the south . Some of America’s most violent race riots happened during the early 1900’s. Black citizens were lynched, bombed, and burned out for trying to exercise their basic rights . From 1889 and 1918, over 2,552 black Americans were lynched.
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12. World War When America entered World War I in 1917, the U.S. Army was reluctant to enlist African-Americans at first. 400,000 Black Soldiers would eventually be enlisted. 200,000 served in Europe--50,000 on the Front Lines.
13. World War African American Soldiers , such as the 370th and 369th Infantries, became French war heroes. French High Command honored the 369th by choosing their regiment to lead Allied forces into the Rhine Area. This infantry became known as the “Hell Fighters”.
14. World War The U.S. War Department did not share the French admiration of African-American soldiers’ feats. Upon returning from the war successful, Black Americans were empowered and more confident in their abilities . This optimism was faced with horrific retaliation in over 25 violent race riots in 1919, called the “Red Summer” because of the bloodshed . Even with opposition, Black communities were determined to bring democracy to their people in the United States after doing so in France. This mentality would come to support the Harlem Renaissance .
16. Harlem, New York Before the Great Migration, most African-Americans lived in small, crowded, over-priced tenement homes . In the 1880’s and 90’s, Harlem, in midtown Manhattan, was a white upper-class community that was undergoing intense development . This included a mass transportation transit subway. With so much investing and developing, real estate values became so high that hardly anyone would move in . By 1902, whole buildings were vacant and soon developers were begging for tenants.
17. Harlem, New York In 1903, Philip A. Payton Jr., an African- American real estate agent, made deals with white landlords to lease some Harlem houses to middle-class Black families that were anxious to leave crowded tenements. Tensions increased as Harlem became racially blended. Racist property owners tried to organize companies to buy out tenements and evict the African American’s living their. To retaliate, Black property owners bought apartment buildings and evicted white tenants.
18. Harlem, New York By 1910, many white Harlem citizens abandoned the neighborhood . This left even more abandoned tenements. Eventually, the white property owners that resisted African-American tenants were forced to sell homes at prices much cheaper than market value . With the Great Migration was in full swing, Harlem’s affordable homes for African-Americans became a popular destination .
19. The “New Negro” Prominent African-American citizens began a propaganda campaign with the idea of inventing a “New Negro” identity . One of its main supporters, critic Alain Locke , spoke of the “New Negro” as promising new opportunity and respect for blacks in America . The Harlem Community celebrated this new age of awareness , which brought about the Harlem Renaissance .
20. The “New Negro” New Negro supporters knew how powerful propaganda tools were in creating cultural changes and used this to their advantages. As part of this campaign, African-American citizens deviated from their professional jobs to pursuit artistic ones . In order to support their artistic pursuits, black artists required economic alliances with white supporters . An example being art contests held by The Harmon Foundation. They knew that this would lead to racist censorship , but this would allow for “Black Progress.” Black artists knew that they could still be in charge of what was aesthetically important to them.
21. Dilemma of Harlem Renaissance Artists The New Negro campaign caused a dilemma for visual artists of the Harlem Renaissance: Would their work express the artist heritage of Western art or that of Africa? Some African-American artists were criticized negatively and called “Traditionalists” because they worked in a realistic style favored by the dominant white culture .
22. Dilemma of Harlem Renaissance Artists These artist felt that their African connection was the key factor in helping them to create a new kind of visual art. The most successful black visual artists were those that used a modernist, stylized aesthetic directly influenced by African heritage . In addition, these artists received support from New Negro backers, and were more celebrated . Famous European artists like Picasso and Matisse were successfully using African influences , and they felt that African-American artists had a legitimate claim to do so as well .
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24. The Great Depression October 29, 1929 was the day the stock market crashed , launching the United States into the Great Depression . Business owners adopted the slogan “Last Hired, First Fired” which caused black workers to lose their jobs long before white workers . The February 1930 New York Herald Tribune reported that the stock market crash had resulted in “ five times as much unemployment in Harlem as in other parts of the city.” Due to the lack of jobs and massive unemployment, Harlem tenements became slums where 2-3 families might live in a single apartment.
25. 1935 Harlem Riots Even though the Great Depression had left Harlem an undereducated, underemployed slum, Southern migrants continued to move to New York because conditions were worse in the southern United States. Tensions rose as businesses that served blacks refused to hire them , the community became overpopulated , and over 50% of Harlem’s African-American citizens were unemployed . In March of 1935 , the streets of Harlem broke out into a major riot. Over one hundred people were shot, stabbed, clubbed, or stoned--one death resulted . More than 500 policemen were called in to quiet to riot.
28. Aaron Douglas Self-Portrait 1954 Oil on Canvas 36 1/4” x 40 1/8” Douglas (1899-1979) was the most celebrated and successful of Harlem’s visual artists. As a young artist, he moved from Kansas City to Harlem in 1924. His artistic style was influenced by studying modern artists and African art collected by his friend Albert Barnes. Douglas is known for his paintings, murals, book and magazine illustrations . Following the Harlem Renaissance, he worked as a faculty member at Fisk University in Nashville, Tennessee.
33. Archibald Motley, Jr. Self-Portrait 1920 Oil on Canvas 30 1/8” x 22 1/8” Motley (1891-1981) is well known for his positive, everyday social scenes of African-American life. Born in New Orleans, as he got older, his family lived in different homes--Buffalo, St.Louis, and finally Chicago. By 1940, he was known as Chicago’s best-known black artist . His work showed that Harlem Renaissance ideas had spread to other cities in the United States . Motley’s paintings focused primarily on the interactions of color relationships on geometric, abstracted forms .
37. To Be Continued in : Jacob Lawrence, Romare Bearden, and Influences of the Harlem Renaissance PowerPoint
Editor's Notes
As part of the propaganda, African-American citizens deviated from their professional jobs to pursuit artistic ones. New Negro supporters knew how powerful propaganda tools were in creating cultural changes and used this to their advantage. In order to support their artistic endeavors, African-American artists required economic alliances with white supporters (such as art contests provided by The Harmon Foundation”. They knew that this would lead to racist censorship, but would allow for “Black Progress”
As part of the propaganda, African-American citizens deviated from their professional jobs to pursuit artistic ones. New Negro supporters knew how powerful propaganda tools were in creating cultural changes and used this to their advantage. In order to support their artistic endeavors, African-American artists required economic alliances with white supporters (such as art contests provided by The Harmon Foundation”. They knew that this would lead to racist censorship, but would allow for “Black Progress”