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The Great
Migration: art
and history
connections
The Black Belt
• The Black Belt is a region of
the Southern United States.
• Because this area was developed for
cotton plantations based on enslaved
African-American labor.
• agricultural region in the American
South characterized by a history of
plantation agriculture in the 19th
century and a high percentage of
African Americans outside metropolitan
areas
• they were enslaved before the Civil
War and many continued to work in
agriculture for decades afterward.
THE CENSUS OF 1850 YEAR GAVE “PITT COUNTY 13,397
POPULATION, DIVIDED AS FOLLOWS:
WHITES, 6,677;
SLAVES, 6,633;
FREE NEGROES, 87.” SOURCE: SKETCHES OF PITT COUNTY BY HENRY T. KING (1909)
 World War One
1914-1918
 USA neutral until
1917
 US economy
benefits from
munitions sales
 Job opportunities
in cities.
 In 1900, only
740,000 African
Americans lived
outside the South,
just 8 percent of the
nation's total black
population.
 By 1970, more than
10.6 million African
Americans lived
outside the South,
47 percent of the
nation's total.
Factory jobs in northern cities
Other factors to the GREAT
MIGRATION
 1913 to 1915, falling
cotton prices brought
on an economic
depression that
seriously hurt
southern farmers,
both black and white.
Other factors to the GREAT
MIGRATION
An infestation
of boll weevils
destroyed much
of the cotton
crop between
1914 and 1917
Other factors to the GREAT
MIGRATION
 In the Mississippi
Valley, severe floods in
1915 ruined crops and
homes,
 Blacks especially
suffered because they
lived in
disproportionate
numbers in the
Mississippi Valley's
bottomlands.
Pull Push
GREAT
MIGRATION
$$ Job
Opportunities
Hope for better
life and MAYBE
an escape from
racism
Floods
Boll weevils /
Cotton
Lack of Economic
Opportunity
Racism
The Harlem Renaissance
 the name
given to the
cultural,
social, and
artistic
explosion that
took place in
Harlem
between the
end of World
War I and the
middle of the
1930s.
Aaron Douglas
 Moved to NYC in 1925
 Settled in Harlem
 He gained the attention of
W. E. B. Du Bois who was
calling for young African
American artists to express
their African heritage and
African American folk culture
in their art.
 Called the "Father of African
American arts."
Jacob Lawrence
 1917-2000
 Parents moved from the rural
South to find a better life in the
North.
 He came to New York in 1930,
at the age of thirteen, and
quickly discovered art as a
means of expression.
 Lawrence’s education in art was
both informal—observing the
activity and rhythms of the
streets of Harlem—and formal,
in after-school community
workshops at Utopia House and
later at the Harlem Art
Workshop.
Jacob Lawrence:
Migration of the Negro (series)
 In 1941, Jacob Lawrence,
then just 23 years old,
completed a series of 60
small tempera paintings
with text captions about
the Great Migration
 The collection of
paintings in this series are
divided between two
museums,
 the even numbers going
to the Museum of
Modern Art in New York
City ( MOMA )
 the odd numbers to
the Phillips Collection
in Washington, D.C.
Assignment:
 Locate and research a painting by Jacob
Lawrence and/or Aaron Douglas
 The Phillips Collection
 Upload it to your thinglink account
(www.thinglink.com)
 Connect the image to history by “tagging” it
with at least three informational tags that
explain how the image reflects events
American History.

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Great Migration: Art and History

  • 1. The Great Migration: art and history connections
  • 2.
  • 3. The Black Belt • The Black Belt is a region of the Southern United States. • Because this area was developed for cotton plantations based on enslaved African-American labor. • agricultural region in the American South characterized by a history of plantation agriculture in the 19th century and a high percentage of African Americans outside metropolitan areas • they were enslaved before the Civil War and many continued to work in agriculture for decades afterward.
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  • 5. THE CENSUS OF 1850 YEAR GAVE “PITT COUNTY 13,397 POPULATION, DIVIDED AS FOLLOWS: WHITES, 6,677; SLAVES, 6,633; FREE NEGROES, 87.” SOURCE: SKETCHES OF PITT COUNTY BY HENRY T. KING (1909)
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  • 7.  World War One 1914-1918  USA neutral until 1917  US economy benefits from munitions sales  Job opportunities in cities.
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  • 9.  In 1900, only 740,000 African Americans lived outside the South, just 8 percent of the nation's total black population.  By 1970, more than 10.6 million African Americans lived outside the South, 47 percent of the nation's total.
  • 10. Factory jobs in northern cities
  • 11. Other factors to the GREAT MIGRATION  1913 to 1915, falling cotton prices brought on an economic depression that seriously hurt southern farmers, both black and white.
  • 12. Other factors to the GREAT MIGRATION An infestation of boll weevils destroyed much of the cotton crop between 1914 and 1917
  • 13. Other factors to the GREAT MIGRATION  In the Mississippi Valley, severe floods in 1915 ruined crops and homes,  Blacks especially suffered because they lived in disproportionate numbers in the Mississippi Valley's bottomlands.
  • 14. Pull Push GREAT MIGRATION $$ Job Opportunities Hope for better life and MAYBE an escape from racism Floods Boll weevils / Cotton Lack of Economic Opportunity Racism
  • 15. The Harlem Renaissance  the name given to the cultural, social, and artistic explosion that took place in Harlem between the end of World War I and the middle of the 1930s.
  • 16. Aaron Douglas  Moved to NYC in 1925  Settled in Harlem  He gained the attention of W. E. B. Du Bois who was calling for young African American artists to express their African heritage and African American folk culture in their art.  Called the "Father of African American arts."
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  • 19. Jacob Lawrence  1917-2000  Parents moved from the rural South to find a better life in the North.  He came to New York in 1930, at the age of thirteen, and quickly discovered art as a means of expression.  Lawrence’s education in art was both informal—observing the activity and rhythms of the streets of Harlem—and formal, in after-school community workshops at Utopia House and later at the Harlem Art Workshop.
  • 20. Jacob Lawrence: Migration of the Negro (series)  In 1941, Jacob Lawrence, then just 23 years old, completed a series of 60 small tempera paintings with text captions about the Great Migration  The collection of paintings in this series are divided between two museums,  the even numbers going to the Museum of Modern Art in New York City ( MOMA )  the odd numbers to the Phillips Collection in Washington, D.C.
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  • 22. Assignment:  Locate and research a painting by Jacob Lawrence and/or Aaron Douglas  The Phillips Collection  Upload it to your thinglink account (www.thinglink.com)  Connect the image to history by “tagging” it with at least three informational tags that explain how the image reflects events American History.