This document is a worksheet that asks students to identify examples of various grammar concepts in fiction texts. It provides a list of grammar topics including punctuation, sentence structures, verbals, moods, and other concepts. For each topic, students are directed to find a sentence from a fiction book that uses the concept correctly and cite the source. There are also reflective questions asking students to explain the rules for each concept based on the examples provided. Suggestions are given for how teachers can use and modify the activity.
Language Arts and Reading Terms: Genre, Story Elements, Figurative Languagejenlynns
This PowerPoint presentation covers many of the common terms used in Lang. Arts such as genres, story elements and figurative language. Each term has an application practice and many include videos or mnemonic devices. Enjoy!
As a beneficiary of COMENIUS GRANT "METHODOLOGY AND LANGUAGE TEACHING" OXFORD, U.K.
7th grade, Highflyer Intermediate, Adventure Story - Relative Clauses
Demonstrative Lesson in front of the teachers of English Sector 5, Bucharest
Language Arts and Reading Terms: Genre, Story Elements, Figurative Languagejenlynns
This PowerPoint presentation covers many of the common terms used in Lang. Arts such as genres, story elements and figurative language. Each term has an application practice and many include videos or mnemonic devices. Enjoy!
As a beneficiary of COMENIUS GRANT "METHODOLOGY AND LANGUAGE TEACHING" OXFORD, U.K.
7th grade, Highflyer Intermediate, Adventure Story - Relative Clauses
Demonstrative Lesson in front of the teachers of English Sector 5, Bucharest
Benarkah Dukun Mengetahui Perkara Ghaib?Abu Muhammad
Benarkah Dukun Mengetahui Perkara Ghaib? Banyak kekeliruan dan kegelinciran akibat salah faham tentang dukun. Sebahagiannya melibatkan aqidah. Berhati hatilah kita semua
ENG 30 INTRODUCTION TO LITERATURE PROF. GENE MCQUILLANSPRTanaMaeskm
ENG 30: INTRODUCTION TO LITERATURE
PROF. GENE MCQUILLAN
SPRING 2021 FINAL EXAM
ALL OF THE QUESTIONS REQUIRE THAT YOU REFER TO
THESE FOUR TEXTS:
=Sherman Alexie, “Superman and Me”
=Isabel Allende, “Reading the History of the World”
=the “Transcript” of the interview between Michiko Kakutani and President Barack Obama
=Alison Bechdel, Fun Home
I expect a QUOTE from each text. Make sure to use the formats we have reviewed! Please write an essay—not a list. As always, please do more than just list examples and then stop—I expect a patient and challenging conclusion to the essay.
Please do NOT refer to any outside sources or to our other readings, such as The Great Gatsby.
There are THREE questions. Choose ONE. Please do not copy the question—just indicate the letter of your choice.
QUESTIONS:
A) In all of these texts, these writers speak of how reading allowed them to claim their identity, to raise their voice, to see their world more clearly, to find the words they had been unable to say. Refer to a specific example of this process from each of the texts. Which readings (or types of readings) are mentioned? What sort of effects did these readings have on the people reading them? What might be significant about the choices they made or the reactions they had?
B) In all of these texts, these writers speak of reading and writing as a social process, one that deeply involves their families. Refer to a specific example of this process from each of the texts. Which readings are chosen and shared? Who shares them with whom? Why and how might these exchanges of texts and ideas matter?
C) In all of these readings, the writers recall that they were very curious about a range of different texts. In what ways were they influenced by “classic literature” and in what ways did they also search for inspiration in texts that might not be considered “literature?” Refer to a specific example of this process from each of the texts. Which readings (or types of readings) are mentioned? What sort of readings seem to have the most profound effects on each author? What might be significant about the types of readings that they chose and considered most influential?
It is worth 8 points (all-or-nothing). It needs to be emailed in a Word file (or just “pasted” into an email), by NOON on Thursday, June 10th.
To get 8 points, you need to:
—Write at least 600 words.
—Refer to ALL four texts.
—Refer to specific and relevant statements. Please include a quote from EACH of the texts, and when you “quote,” follow the formats we’ve reviewed.
—Do more than write a “list” of references. What MATTERS about the statements and texts you chose?
One more key thing>>
Unlike all of our previous assignments, this one will NOT feature the option of sending me a “draft”—you have two weeks to do this, SO GET IT RIGHT!
Reflecting on the fire investigation process in your community, do you believe that it is thorough enough when it comes to determining the causes and ...
Literature, Culture & Society
Lecture 4: Solitary reading
Dr C. Harrison
1
Last week…
We considered the role of the implied reader in the reception of literature;
We explored the crossover/ young adult fiction genres – their content and readership;
We thought about the role of/ debates surrounding censorship in contemporary fiction;
Seminars
We explored the textual representation of the implied reader.
This week…
We will think about what is meant by the term ‘solitary reading’ and how it might be analysed;
We will consider the Costa-award winning experimental novel The Shock of the Fall as a case study;
Seminars
We will explore the ideas of identification and observation/distancing through a close analysis of particular language (stylistic) choices in the text and in reader reviews.
2
Solitary reading
& text analysis
In solitary reading ‘the written literary text is the substance of the discourse; it is the language which cues text-worlds in the readers’ minds’ (Peplow et al. 2016: 37);
The language of the text determines which schemas readers need to draw on in order to comprehend the text;
The purpose of (cognitive) stylistic approaches to literature ‘is to explicate how the interplay between written text and reader results in a particular interpretation or emotional response to the extract under discussion’ (Peplow et al. 2016: 38; emphasis added).
3
Reading as an emotional experience:
The Shock of the Fall
Costa award for best first novel
Experimental text: manipulates text and images
Central themes: grief, mental illness
Matt Homes, a 19-year-old schizophrenic struggling within the mental health system, is conducting his own writing therapy, urgently bashing out his thoughts on an old typewriter and interspersing them with letters, doodles and sketches. [The novel] is beautifully packaged, with drawings, varying typefaces and typographical tricks representing Matt's swelling bundle of papers. It is a gripping, exhilarating read.
(Feay 2014; Guardian review)
Nathan Filer was a mental health nurse
4
Experimental fiction
Destabilize the real world
Subvert a sense of the normal
Introduce debates about the status of the text and the act of writing
Present different world views
Have free playing voices none of which is privileged
Engage with the moving play of signifiers to construct endless cycles of meaning
Employ intrusion into the text by the narrator and/or author
Experiment with form and typography
Develop new ways of seeing
Apply multiple discourses
Mix and/ or subvert genres
Provoke the reader to consider new ideas and concepts
Imagine alternative realities
Use metaphoric qualities
Engage the reader on an intellectual/philosophical level
Deny closure (Armstrong 2014: 5)
5
‘Typographical tricks’
6
‘Typographical tricks’
7
‘Typographical tricks’
Also the PLEASE STOP READING OVER MY SHOULDER examples
8
Reading experience
How do these ‘experiments with form and typography’ impact on ...
Literature, Culture & Society
Lecture 4: Solitary reading
Dr C. Harrison
1
Last week…
We considered the role of the implied reader in the reception of literature;
We explored the crossover/ young adult fiction genres – their content and readership;
We thought about the role of/ debates surrounding censorship in contemporary fiction;
Seminars
We explored the textual representation of the implied reader.
This week…
We will think about what is meant by the term ‘solitary reading’ and how it might be analysed;
We will consider the Costa-award winning experimental novel The Shock of the Fall as a case study;
Seminars
We will explore the ideas of identification and observation/distancing through a close analysis of particular language (stylistic) choices in the text and in reader reviews.
2
Solitary reading
& text analysis
In solitary reading ‘the written literary text is the substance of the discourse; it is the language which cues text-worlds in the readers’ minds’ (Peplow et al. 2016: 37);
The language of the text determines which schemas readers need to draw on in order to comprehend the text;
The purpose of (cognitive) stylistic approaches to literature ‘is to explicate how the interplay between written text and reader results in a particular interpretation or emotional response to the extract under discussion’ (Peplow et al. 2016: 38; emphasis added).
3
Reading as an emotional experience:
The Shock of the Fall
Costa award for best first novel
Experimental text: manipulates text and images
Central themes: grief, mental illness
Matt Homes, a 19-year-old schizophrenic struggling within the mental health system, is conducting his own writing therapy, urgently bashing out his thoughts on an old typewriter and interspersing them with letters, doodles and sketches. [The novel] is beautifully packaged, with drawings, varying typefaces and typographical tricks representing Matt's swelling bundle of papers. It is a gripping, exhilarating read.
(Feay 2014; Guardian review)
Nathan Filer was a mental health nurse
4
Experimental fiction
Destabilize the real world
Subvert a sense of the normal
Introduce debates about the status of the text and the act of writing
Present different world views
Have free playing voices none of which is privileged
Engage with the moving play of signifiers to construct endless cycles of meaning
Employ intrusion into the text by the narrator and/or author
Experiment with form and typography
Develop new ways of seeing
Apply multiple discourses
Mix and/ or subvert genres
Provoke the reader to consider new ideas and concepts
Imagine alternative realities
Use metaphoric qualities
Engage the reader on an intellectual/philosophical level
Deny closure (Armstrong 2014: 5)
5
‘Typographical tricks’
6
‘Typographical tricks’
7
‘Typographical tricks’
Also the PLEASE STOP READING OVER MY SHOULDER examples
8
Reading experience
How do these ‘experiments with form and typography’ impact on.
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Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
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Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
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Francesca Gottschalk from the OECD’s Centre for Educational Research and Innovation presents at the Ask an Expert Webinar: How can education support child empowerment?
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Grammarin literatureactivityuseforanynovel
1. ELA Name: __________________
Objective: I can identify examples of how writers use grammar in fiction.
DIRECTIONS: For each grammar concept listed below, find a sentence from ANY fiction book that correctly uses the concept.
Topic Example Sentence(s) – Make sure you specify the book you’re quoting! Correct?
Punctuation
Semicolons
Colons
Dialogue
Commas
(in a list)
Commas
(nonessential clauses/
phrases)
Commas
(after an introductory
clause or phrase)
SentenceTypes
Simple sentence
Compound
sentence
Complex
sentence
Compound-
complex
sentence
3. ELA Name: __________________
Objective: I can identify examples of how writers use grammar in fiction.
DIRECTIONS: For each grammar concept listed below, find a sentence from ANY fiction book that correctly uses the concept.
Topic Example Sentence(s) – Make sure you specify the book you’re quoting! Correct?
Punctuation
Semicolons “Don’t be afraid of death; be afraid of an unlived life.” (Natalie Babbitt, Tuck Everlasting)
Colons
“Life, with its rules, its obligations, and its freedoms, is like a sonnet: You’re given the form, but you
have to write the sonnet yourself.” (Madeline L’Engle, A Wrinkle in Time)
Dialogue
“’What’s your name?’ he asked. ‘Wendy Moira Angela Darling,’ she replied with some satisfaction.
‘What is your name?’ ‘Peter Pan.’” (JM Barrie, Peter Pan)
Commas
(in a list)
“You are braver than you believe, stronger than you seem, and smarter than you think. But the most
important thing is, even if we’re apart, I’ll always be with you.” (A.A. Milne, The House at Pooh Corner)
Commas
(nonessential clauses/
phrases)
“And Max, the king of all wild things, was lonely and wanted to be where someone loved him
best of all.” (Maurice Sendak, Where the Wild Things Are)
Commas
(after an introductory
clause or phrase)
“Things were rough all over, but it was better that way. That way, you could tell the other guy
was human too.” (SE Hinton, The Outsiders)
SentenceTypes
Simple sentence “Not all those who wander are lost.” (JRR Tolkien, Lord of the Rings)
Compound
sentence
“It was a bright cold day in April, and the clocks were striking thirteen.” (George Orwell, 1984).
Complex
sentence
“Wherever you go, you take yourself with you.” (Nail Gaiman, The Graveyard Book)
Compound-
complex
sentence
“We feel cold, but we don’t mind it, because we will not come to harm.”
(Phillip Pullman, The Golden Compass)
4. ELA Name: __________________
Verbals
Gerunds “Destroying things is much easier than making them.” (Suzanne Collins, The Hunger Games)
Infinitives
“Becoming fearless isn’t the point. It’s learning how to control your fear, and how to be free from it.”
(Veronica Roth, Divergent)
Participles
“Narrowing his beady eyes, he read the title of one of the books.”
(Lemony Snicket, The Bad Beginning)
Moods
Indicative Mood “That’s the thing about pain. It demands to be felt.” (John Green, The Fault in Our Stars)
Interrogative
Mood
“Of course it is happening inside your head, Harry. But why on earth should that mean that it is not
real?” (JK Rowling, Harry Potter and the Deathly Hallows)
Imperative Mood
“Do not pity the dead, Harry. Pity the living, and above all, those who live without love.”
(J.K. Rowling, Harry Potter and the Deathly Hallows)
Conditional
Mood
“I would always rather be happy than dignified.” (Charlotte Bronte, Jane Eyre)
Subjunctive
Mood
“May the odds be ever in your favor.” (Suzanne Collins, The Hunger Games)
Other
Active Voice “Despite everything, I believe that people are really good at heart.” (Anne Frank)
Passive Voice
“There are few people whom I really love and still fewer of whom I think well.”
(Jane Austen, Pride & Prejudice)
Parallel Structure
“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of
foolishness…” (Charles Dickens, A Tale of Two Cities)
Ellipsis
“Just because we’ve been… dealt a certain hand… it doesn’t mean that we can’t choose to rise above –
to conquer the boundaries of a destiny that none of us wanted.” (Stephanie Meyer, Twilight)
5. ELA Name: __________________
Objective: I can identify examples of how writers use grammar in fiction.
DIRECTIONS: For each grammar concept listed below, find a sentence from ANY fiction book that correctly uses the concept.
Topic Example Sentence(s) – Make sure you specify the book you’re quoting! Correct?
7. ELA Name: __________________
Objective: I can identify examples of how writers use grammar in fiction.
DIRECTIONS: Find sentences from ANY fiction book that correctly uses the concept.
Topic: ___________________________________________
Book and Page # Example Sentence(s) – Make sure you specify the book you’re quoting!
Reflect: Based on the sentences above (and your own background knowledge), what is the rule for this topic?
(In other words, how will you know that a sentence using this concept is correct?
8. ELA Name: __________________
Ways to use this activity You might also like…
Use this as a diagnostic tool for ANY book to see if students
can identify grammar concepts as they occur in literature!
Use as formative practice after concepts have been taught
Use as a group scavenger hunt, working in a specified book
or anywhere in the library!
Distribute as a reference page for students to view all year
if they need to remember what something “looks” like.
Gradually add to it throughout the year as concepts are
taught OR as sentence types are identified while reading!
Click on the icons for details!
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