Gears of war
•Download as DOCX, PDF•
0 likes•291 views
The document summarizes the sound design techniques used in the video game Gears of War. It describes the setting as a warzone conveyed through ambient helicopter and weapon firing sounds. The mood is tense and dangerous, established by enemy roars, shouting voice acting, and battle sounds. Specific production techniques are identified, such as recording helicopters, weapons, and explosions as well as altering the pitch of enemy roars and recording voice acting in a studio.
Report
Share
Report
Share
Recommended
Ig1 task 2 halo 4
The document summarizes sound elements from the game Halo 4. It describes the setting as a wide open cave or enclosed military base based on echoing and metallic mechanical sounds. The mood is described as tense due to military sounds and explosions and spaceship noises, giving a futuristic feeling. The genre is identified as a war or sci-fi game based on explosions, gunshots, and space noises. The narrative involves a main character listening to radio during spaceship takeoff, taking orders, and receiving a monologue, which was likely recorded and edited in a studio.
Ig1 task 2 analysis work sheet 6
The document discusses a student's analysis of the soundtrack elements in the video game "Battlefield 3" for a BTEC Extended Diploma course unit on sound design for computer games. The student describes the game's setting in various global war zones, its dark and confusing starting mood, genre as a first-person shooter, and narrative elements involving different war scenarios and terrorism as conveyed through voiceovers. The student also analyzes specific soundtrack elements like heavy breathing, constant drumming, gunshots, and plane sounds that establish the game's war-like feel through various production techniques.
Halo 4 analysis
The document provides an analysis of the sound design in the opening sequence of the video game Halo 4. It summarizes the setting as a secure headquarters where characters discuss previous threats from distant galaxies. The mood is described as exciting and mysterious. The narrative explains that children were abducted and turned into super soldiers to fight an alien race threatening humanity. Production techniques like high-quality microphones and sound editing software were likely used to record voices and add sound effects to the scene.
Ig1 task 2 analysis work sheet Deadpool
The document summarizes the soundtrack elements of the game Deadpool through 3 examples. For each example, it describes the soundtrack element and the likely production technique used to create it. This includes teleportation sounds that were probably recorded, voice actors reading from a script to set a comical mood, and a gun shot that may have been recorded in the field to indicate the game genre is a shooter.
Ig1 task 2 analysis work sheet 5
The document provides an analysis of the sound design in the video game "Call of Duty: Ghosts." It describes the game's setting across various global locations, its dark and serious mood as a war game, and its genre as a first-person shooter. Specific soundtrack elements are examined, including ambient natural sounds, a ominous repeated ding, explosions and destruction sounds, and the effectively dark tone of the introductory narration.
Task 2 analysis gears of war 3
This cutscene establishes an intense warzone setting through gunfire and explosions. The dialogue between characters indicates they are surrounded and in danger. Various production techniques were likely used to create the soundtrack elements, including field recordings, Foley artistry, MIDI, and voice acting. The intense sounds, aggressive dialogue, and sad music aim to build tension and show the serious, deadly atmosphere and sacrifice of the characters in this shooter game narrative.
Task 2 analysis gears of war 3
This document analyzes sound elements in the Gearsof War 3 game trailer to determine the production techniques used. Gunfire, explosions and shouting establish an intense war setting. Foley artistry was likely used to create the falling wood sound for emphasis during the cutscene. Voice acting with editing was used for character dialogue between multiple speakers. Trumpet music and vocals add tension while fire and explosions convey a serious atmosphere. The narrative involves characters being surrounded and in danger, showing it is an action shooter game genre through the dialogue and intense sound effects.
Gears of war analysis
This document analyzes sound elements in the Gearsof War 3 game trailer to determine the production techniques used. Gunfire, explosions and shouting establish an intense war setting. Foley artistry was likely used to create the collapsing wood sound for emphasis during the cutscene. Voice acting with editing was used for character dialogue between multiple speakers. Trumpet music and vocals add tension while fire and explosions convey a serious atmosphere of struggle. The narrative dialogue and variety of human and non-human shouts required extensive editing of different voice actors. Overall it analyzes how field recordings, Foley artistry, MIDI software and voice acting were used to construct the audio elements establishing the shooter game genre and mood.
Recommended
Ig1 task 2 halo 4
The document summarizes sound elements from the game Halo 4. It describes the setting as a wide open cave or enclosed military base based on echoing and metallic mechanical sounds. The mood is described as tense due to military sounds and explosions and spaceship noises, giving a futuristic feeling. The genre is identified as a war or sci-fi game based on explosions, gunshots, and space noises. The narrative involves a main character listening to radio during spaceship takeoff, taking orders, and receiving a monologue, which was likely recorded and edited in a studio.
Ig1 task 2 analysis work sheet 6
The document discusses a student's analysis of the soundtrack elements in the video game "Battlefield 3" for a BTEC Extended Diploma course unit on sound design for computer games. The student describes the game's setting in various global war zones, its dark and confusing starting mood, genre as a first-person shooter, and narrative elements involving different war scenarios and terrorism as conveyed through voiceovers. The student also analyzes specific soundtrack elements like heavy breathing, constant drumming, gunshots, and plane sounds that establish the game's war-like feel through various production techniques.
Halo 4 analysis
The document provides an analysis of the sound design in the opening sequence of the video game Halo 4. It summarizes the setting as a secure headquarters where characters discuss previous threats from distant galaxies. The mood is described as exciting and mysterious. The narrative explains that children were abducted and turned into super soldiers to fight an alien race threatening humanity. Production techniques like high-quality microphones and sound editing software were likely used to record voices and add sound effects to the scene.
Ig1 task 2 analysis work sheet Deadpool
The document summarizes the soundtrack elements of the game Deadpool through 3 examples. For each example, it describes the soundtrack element and the likely production technique used to create it. This includes teleportation sounds that were probably recorded, voice actors reading from a script to set a comical mood, and a gun shot that may have been recorded in the field to indicate the game genre is a shooter.
Ig1 task 2 analysis work sheet 5
The document provides an analysis of the sound design in the video game "Call of Duty: Ghosts." It describes the game's setting across various global locations, its dark and serious mood as a war game, and its genre as a first-person shooter. Specific soundtrack elements are examined, including ambient natural sounds, a ominous repeated ding, explosions and destruction sounds, and the effectively dark tone of the introductory narration.
Task 2 analysis gears of war 3
This cutscene establishes an intense warzone setting through gunfire and explosions. The dialogue between characters indicates they are surrounded and in danger. Various production techniques were likely used to create the soundtrack elements, including field recordings, Foley artistry, MIDI, and voice acting. The intense sounds, aggressive dialogue, and sad music aim to build tension and show the serious, deadly atmosphere and sacrifice of the characters in this shooter game narrative.
Task 2 analysis gears of war 3
This document analyzes sound elements in the Gearsof War 3 game trailer to determine the production techniques used. Gunfire, explosions and shouting establish an intense war setting. Foley artistry was likely used to create the falling wood sound for emphasis during the cutscene. Voice acting with editing was used for character dialogue between multiple speakers. Trumpet music and vocals add tension while fire and explosions convey a serious atmosphere. The narrative involves characters being surrounded and in danger, showing it is an action shooter game genre through the dialogue and intense sound effects.
Gears of war analysis
This document analyzes sound elements in the Gearsof War 3 game trailer to determine the production techniques used. Gunfire, explosions and shouting establish an intense war setting. Foley artistry was likely used to create the collapsing wood sound for emphasis during the cutscene. Voice acting with editing was used for character dialogue between multiple speakers. Trumpet music and vocals add tension while fire and explosions convey a serious atmosphere of struggle. The narrative dialogue and variety of human and non-human shouts required extensive editing of different voice actors. Overall it analyzes how field recordings, Foley artistry, MIDI software and voice acting were used to construct the audio elements establishing the shooter game genre and mood.
Ig1 task 2 far cry 3
The document analyzes the soundtrack of the game Far Cry 3 by describing different audio elements and proposing production techniques used to create them. It examines the setting, mood, genre, and narrative of the game through the lens of sounds of fighting, water, bubbles, droning, and a character's dialog. The summarizer infers that many sounds were likely recorded and then edited together, with some like the droning and character's performance possibly undergoing additional editing afterwards.
IG1 Task 2: Analysis of: Halo 4
The document analyzes the sound design of the video game Halo 4. It discusses how different sound effects and a dramatic soundtrack were used to set the futuristic science fiction setting in 2557, establish dramatic moods in cutscenes, and indicate the sci-fi/first-person shooter game genre through sounds of guns, spaceships, and things falling. It also notes how effects like spaceship engines, power generators, and dialogue between characters were used to narrate the story of the Master Chief battling the Didact.
Sound design in computer games analysis work sheet
The document discusses sound elements in the game Deadpool that establish setting, mood, genre, and narrative. For the setting sounds of characters discussing C4 and an explosion, the author believes voice acting was used to create the dialogue and licensed explosion sounds were incorporated. To set the mood of seriousness with comedy, the voice actors were likely directed on the intended tone and experimented with different deliveries. The explosions and conversational style suggest an action-comedy genre. Overall, the narrative centers around the antihero Deadpool getting his own video game.
Ig1 task 2 analysis work sheet 02
The document summarizes the opening cutscene of the video game "COD Black Ops II Zombies - Origins" in order to analyze the sound design techniques used. It describes the setting as a narrated scene on the front lines of WW1/2 with a voice actor overlaying other sounds. The mood is set through zombie sounds edited to convey anger, aggression, violence and fear. Game sounds of gunshots and zombies indicate the genre as a zombie shooter. The narrative involves uncovering creatures that eat and kill, with soldiers sent to stop them by sound effects like falling rocks and echoed voices.
Task 2 work number 3
The document provides an analysis of the sound design techniques used in the Halo 4 Epilogue cut scene video. It summarizes that the scene starts with a stranded Spartan being rescued by a spaceship. During conversations onboard, there is an echo effect showing an open setting. A single violin plays through the gloomy scene to set the mood as characters discuss loss. When people speak through radios or onboard, production techniques like added effects and recording in a booth were likely used to create these sounds. The sci-fi game genre is conveyed through computer generated rocket engine sounds.
Gears of war sound analysis
This document analyzes and summarizes the sounds used in the video game clip "Gears of War". It identifies sounds of helicopters, guns, explosions, footsteps, and animals that indicate the game is set in a war zone or jungle. Gunshots were likely created using audio field recordings or VST plugins. Shouting suggests moods of anger and stress. The sounds indicate the game genre is a first or third person shooter where the player fights as a soldier against hostile enemies, possibly an alien race. The narrative involves playing a soldier in a war, with the objective to stop fighting or kill the enemy leader heard speaking.
Modern warfare 2
This cut scene from Call of Duty: Modern Warfare 2 depicts a battle between Russian and American forces in a war-torn area of the United States. Gunshots and explosions create an atmosphere of danger and unrest. The soundtrack uses a computer-generated violin to convey feelings of sadness and betrayal as the player's commanding officer shoots and kills them and their friend, siding with the enemy. Sound effects of real gunshots and explosions were likely recorded and edited on a computer to make the setting seem immense and hazardous. The narrative focuses on betrayal within the ranks as a sergeant shoots two fellow soldiers, in line with a mission to obtain intelligence. The soundtrack reinforces the tragic nature of warfare through its emphasis on betrayal and loss of
Ig1 task 2 analysis work sheet kid icarus uprising
The document summarizes sound elements from the game Kid Icarus Uprising. It analyzes the setting, mood, genre, and narrative of a boss battle scene. For each element, it states that different production techniques were used to create the sounds, including recording sound effects and voices in a studio and using digital sound software. The genres is described as a third-person shooter, and both text boxes and voice actors were used to convey the narrative.
Battleffield 3
The document provides an analysis of a soundtrack excerpt from the game Battlefield 3. It describes the setting as an indoor interrogation with subtle ambient sounds like footsteps and machinery. The mood is described as tense due to the angry and pressing questioning. The genre is determined to be action based on the dialogue. The narrative centers around characters interrogating a third about someone named "Dima" and events in Paris, suggesting an intelligence or military scene. Production techniques identified include foley artistry, software sequencers, field recording, and studio recording.
Ig1 task 2 analysis work sheet (2)
The document summarizes key elements of the soundtrack for the game Halo Wars. It describes the setting as futuristic with sci-fi styled music and sounds of futuristic guns and vehicles. It notes that the mood starts tense but shifts to sad around 1:40 minutes when the main character appears to die. The genre is described as a real-time strategy game that incorporates cut scenes and a story line. The narrative includes dialogue at the beginning between soldiers and an exchange between the alien and main character discussing killing each other, with the voices modified with effects.
Cut Sequence Analysis 3
Ryse: Son of Rome is a third person strategy game set in ancient Rome. The soundtrack for a cutscene from the game helps establish the setting of a palace in ancient Rome and creates a sinister mood as the protagonist seeks revenge. Various production techniques are used, including changing the music when attacks occur and using sharp turns in pitch and tempo to match events and drive the narrative.
Ig1 task 2 analysis work sheet Hitman Absolution
The document summarizes sound elements from the game Hitman: Absolution. It describes the setting as present day based on a courtroom scene. The mood is described as dark, evidenced by rain sounds after gunfire. The genre is identified as a shooter based on gunfire sounds. Narrative elements include radio communications, conversations between characters, and an open room discussion with added ambient noise.
Ig1 task 2 analysis work sheet 06
The document provides an analysis of sound elements in the video game Assassin's Creed. It describes the setting of an interrogation room based on sounds of locks and handcuffs. It states the mood seems stressful or urgent based on voice actors. The genre is identified as a war shooter due to references to military operations. The narrative appears to be of a player being interrogated for a past mission that was done wrong. Production techniques are said to include recording voice actors and locks/cuffs in a sound booth.
Ig1 task 2 analysis work sheet 2
The document discusses a cut scene from the game Halo Wars. It analyzes the setting, mood, game genre, and narrative established by the cut scene. For each element, it describes what is seen and heard in the cut scene. It then states that an orchestra was likely used to create the soundtrack throughout the entire cut scene, based on the tense and dramatic nature of the music.
Ig1 task 2 analysis work sheet Assassin's Creed Black Flag
The document analyzes the soundtrack of the video game Assassin's Creed Black Flag. It discusses three key elements: the setting, mood, and genre of the game based on audio cues. For the setting, sounds of sails and swords suggest a pirate-era time period. The mood is described as dark based on a character's ominous warning. The genre is identified as action/adventure due to gunshots and sword combat heard. Voice acting was likely used to record dialogue that establishes the narrative and sets the mood.
Cod advanced warfare analysis work sheet
The document analyzes the sound design of the soundtrack from the video game Call of Duty: Advanced Warfare. It examines four different elements - the setting, mood, game genre, and narrative - and identifies the production techniques used to create the soundtrack for each element. For the setting, field recording was used to capture ambient environmental sounds. Both field recording and voice recording in a studio were used to convey the tense mood. Studio voice recording, foley artistry, and field recording combined to suit the action game genre. And studio recording was employed for the character dialog in the narrative passages.
Ig1 task 2 analysis work sheet halo 4 opening
This document provides an analysis of sound elements in the Halo 4 cinematic introduction.
It examines the setting, mood, game genre, and narrative based on audio cues. For the interrogation room setting, it suggests virtual studio technology (VST) was used to create echo effects. Sadness in the mood is attributed to fade effects and live orchestral recordings. Depicting the game as a sci-fi shooter is achieved through edited or virtual instrument-created weapon sounds, battle audio, and an explanatory script. The story is communicated through a live recorded conversation following an edited script to seem like an interrogation.
IG1 Analysis Work Sheet 5
This document summarizes a student's analysis of the sound design in the StarCraft II: Heart of the Swarm cinematic trailer. The student describes the sci-fi setting of the trailer, which is established through sounds of jets, roars, mechanical impacts, and large explosions that suggest a war between humans and an alien swarm. The mood is serious and dramatic, conveyed through dialogue about armies being shattered and a powerful background music. The student determines the game genre is sci-fi based on references to "The Swarm" and worlds burning. Production techniques analyzed include using a vacuum cleaner sound edited for a jet and capturing pounding and hitting sounds from simple surfaces. Dialogue recording is described as professional voice actors in a studio.
Ig1 task 2 analysis work sheet (1)
The document provides an analysis of the soundtrack elements in a cutscene from the video game Final Fantasy XIII. It describes the setting of the cutscene as taking place in an arena with combat occurring. The mood is exciting and action-packed to match the fighting. Being a Japanese role-playing game, the soundtrack uses typical anime-style sound effects and voices. While there is little dialogue, the music and sound effects convey the tense and dramatic nature of the battle through cues like clashing swords and a revving motorcycle.
PANAMWE TOURS & SAFARI
Panamwe Tours and Safari is a locally established company by a high experience Tanzanian who has been in Travel Business for ten years before opening his own company.We have been in operation successfully with more than a hundreds partnering agencies worldwide.
Due to our most reliable services, efficiencies in all needs of the customers, we become one of the most successful and youngest travel company in Zanzibar.
Nube de palabras Modulo 6_DUEVA
Nube de palabras como evidencia del trabajo realizado en el Módulo 6, Recursos Web del Programa de Perfeccionamiento DUEVA
More Related Content
What's hot
Ig1 task 2 far cry 3
The document analyzes the soundtrack of the game Far Cry 3 by describing different audio elements and proposing production techniques used to create them. It examines the setting, mood, genre, and narrative of the game through the lens of sounds of fighting, water, bubbles, droning, and a character's dialog. The summarizer infers that many sounds were likely recorded and then edited together, with some like the droning and character's performance possibly undergoing additional editing afterwards.
IG1 Task 2: Analysis of: Halo 4
The document analyzes the sound design of the video game Halo 4. It discusses how different sound effects and a dramatic soundtrack were used to set the futuristic science fiction setting in 2557, establish dramatic moods in cutscenes, and indicate the sci-fi/first-person shooter game genre through sounds of guns, spaceships, and things falling. It also notes how effects like spaceship engines, power generators, and dialogue between characters were used to narrate the story of the Master Chief battling the Didact.
Sound design in computer games analysis work sheet
The document discusses sound elements in the game Deadpool that establish setting, mood, genre, and narrative. For the setting sounds of characters discussing C4 and an explosion, the author believes voice acting was used to create the dialogue and licensed explosion sounds were incorporated. To set the mood of seriousness with comedy, the voice actors were likely directed on the intended tone and experimented with different deliveries. The explosions and conversational style suggest an action-comedy genre. Overall, the narrative centers around the antihero Deadpool getting his own video game.
Ig1 task 2 analysis work sheet 02
The document summarizes the opening cutscene of the video game "COD Black Ops II Zombies - Origins" in order to analyze the sound design techniques used. It describes the setting as a narrated scene on the front lines of WW1/2 with a voice actor overlaying other sounds. The mood is set through zombie sounds edited to convey anger, aggression, violence and fear. Game sounds of gunshots and zombies indicate the genre as a zombie shooter. The narrative involves uncovering creatures that eat and kill, with soldiers sent to stop them by sound effects like falling rocks and echoed voices.
Task 2 work number 3
The document provides an analysis of the sound design techniques used in the Halo 4 Epilogue cut scene video. It summarizes that the scene starts with a stranded Spartan being rescued by a spaceship. During conversations onboard, there is an echo effect showing an open setting. A single violin plays through the gloomy scene to set the mood as characters discuss loss. When people speak through radios or onboard, production techniques like added effects and recording in a booth were likely used to create these sounds. The sci-fi game genre is conveyed through computer generated rocket engine sounds.
Gears of war sound analysis
This document analyzes and summarizes the sounds used in the video game clip "Gears of War". It identifies sounds of helicopters, guns, explosions, footsteps, and animals that indicate the game is set in a war zone or jungle. Gunshots were likely created using audio field recordings or VST plugins. Shouting suggests moods of anger and stress. The sounds indicate the game genre is a first or third person shooter where the player fights as a soldier against hostile enemies, possibly an alien race. The narrative involves playing a soldier in a war, with the objective to stop fighting or kill the enemy leader heard speaking.
Modern warfare 2
This cut scene from Call of Duty: Modern Warfare 2 depicts a battle between Russian and American forces in a war-torn area of the United States. Gunshots and explosions create an atmosphere of danger and unrest. The soundtrack uses a computer-generated violin to convey feelings of sadness and betrayal as the player's commanding officer shoots and kills them and their friend, siding with the enemy. Sound effects of real gunshots and explosions were likely recorded and edited on a computer to make the setting seem immense and hazardous. The narrative focuses on betrayal within the ranks as a sergeant shoots two fellow soldiers, in line with a mission to obtain intelligence. The soundtrack reinforces the tragic nature of warfare through its emphasis on betrayal and loss of
Ig1 task 2 analysis work sheet kid icarus uprising
The document summarizes sound elements from the game Kid Icarus Uprising. It analyzes the setting, mood, genre, and narrative of a boss battle scene. For each element, it states that different production techniques were used to create the sounds, including recording sound effects and voices in a studio and using digital sound software. The genres is described as a third-person shooter, and both text boxes and voice actors were used to convey the narrative.
Battleffield 3
The document provides an analysis of a soundtrack excerpt from the game Battlefield 3. It describes the setting as an indoor interrogation with subtle ambient sounds like footsteps and machinery. The mood is described as tense due to the angry and pressing questioning. The genre is determined to be action based on the dialogue. The narrative centers around characters interrogating a third about someone named "Dima" and events in Paris, suggesting an intelligence or military scene. Production techniques identified include foley artistry, software sequencers, field recording, and studio recording.
Ig1 task 2 analysis work sheet (2)
The document summarizes key elements of the soundtrack for the game Halo Wars. It describes the setting as futuristic with sci-fi styled music and sounds of futuristic guns and vehicles. It notes that the mood starts tense but shifts to sad around 1:40 minutes when the main character appears to die. The genre is described as a real-time strategy game that incorporates cut scenes and a story line. The narrative includes dialogue at the beginning between soldiers and an exchange between the alien and main character discussing killing each other, with the voices modified with effects.
Cut Sequence Analysis 3
Ryse: Son of Rome is a third person strategy game set in ancient Rome. The soundtrack for a cutscene from the game helps establish the setting of a palace in ancient Rome and creates a sinister mood as the protagonist seeks revenge. Various production techniques are used, including changing the music when attacks occur and using sharp turns in pitch and tempo to match events and drive the narrative.
Ig1 task 2 analysis work sheet Hitman Absolution
The document summarizes sound elements from the game Hitman: Absolution. It describes the setting as present day based on a courtroom scene. The mood is described as dark, evidenced by rain sounds after gunfire. The genre is identified as a shooter based on gunfire sounds. Narrative elements include radio communications, conversations between characters, and an open room discussion with added ambient noise.
Ig1 task 2 analysis work sheet 06
The document provides an analysis of sound elements in the video game Assassin's Creed. It describes the setting of an interrogation room based on sounds of locks and handcuffs. It states the mood seems stressful or urgent based on voice actors. The genre is identified as a war shooter due to references to military operations. The narrative appears to be of a player being interrogated for a past mission that was done wrong. Production techniques are said to include recording voice actors and locks/cuffs in a sound booth.
Ig1 task 2 analysis work sheet 2
The document discusses a cut scene from the game Halo Wars. It analyzes the setting, mood, game genre, and narrative established by the cut scene. For each element, it describes what is seen and heard in the cut scene. It then states that an orchestra was likely used to create the soundtrack throughout the entire cut scene, based on the tense and dramatic nature of the music.
Ig1 task 2 analysis work sheet Assassin's Creed Black Flag
The document analyzes the soundtrack of the video game Assassin's Creed Black Flag. It discusses three key elements: the setting, mood, and genre of the game based on audio cues. For the setting, sounds of sails and swords suggest a pirate-era time period. The mood is described as dark based on a character's ominous warning. The genre is identified as action/adventure due to gunshots and sword combat heard. Voice acting was likely used to record dialogue that establishes the narrative and sets the mood.
Cod advanced warfare analysis work sheet
The document analyzes the sound design of the soundtrack from the video game Call of Duty: Advanced Warfare. It examines four different elements - the setting, mood, game genre, and narrative - and identifies the production techniques used to create the soundtrack for each element. For the setting, field recording was used to capture ambient environmental sounds. Both field recording and voice recording in a studio were used to convey the tense mood. Studio voice recording, foley artistry, and field recording combined to suit the action game genre. And studio recording was employed for the character dialog in the narrative passages.
Ig1 task 2 analysis work sheet halo 4 opening
This document provides an analysis of sound elements in the Halo 4 cinematic introduction.
It examines the setting, mood, game genre, and narrative based on audio cues. For the interrogation room setting, it suggests virtual studio technology (VST) was used to create echo effects. Sadness in the mood is attributed to fade effects and live orchestral recordings. Depicting the game as a sci-fi shooter is achieved through edited or virtual instrument-created weapon sounds, battle audio, and an explanatory script. The story is communicated through a live recorded conversation following an edited script to seem like an interrogation.
IG1 Analysis Work Sheet 5
This document summarizes a student's analysis of the sound design in the StarCraft II: Heart of the Swarm cinematic trailer. The student describes the sci-fi setting of the trailer, which is established through sounds of jets, roars, mechanical impacts, and large explosions that suggest a war between humans and an alien swarm. The mood is serious and dramatic, conveyed through dialogue about armies being shattered and a powerful background music. The student determines the game genre is sci-fi based on references to "The Swarm" and worlds burning. Production techniques analyzed include using a vacuum cleaner sound edited for a jet and capturing pounding and hitting sounds from simple surfaces. Dialogue recording is described as professional voice actors in a studio.
Ig1 task 2 analysis work sheet (1)
The document provides an analysis of the soundtrack elements in a cutscene from the video game Final Fantasy XIII. It describes the setting of the cutscene as taking place in an arena with combat occurring. The mood is exciting and action-packed to match the fighting. Being a Japanese role-playing game, the soundtrack uses typical anime-style sound effects and voices. While there is little dialogue, the music and sound effects convey the tense and dramatic nature of the battle through cues like clashing swords and a revving motorcycle.
What's hot (19)
Sound design in computer games analysis work sheet
Sound design in computer games analysis work sheet
Ig1 task 2 analysis work sheet kid icarus uprising
Ig1 task 2 analysis work sheet kid icarus uprising
Ig1 task 2 analysis work sheet Assassin's Creed Black Flag
Ig1 task 2 analysis work sheet Assassin's Creed Black Flag
Viewers also liked
PANAMWE TOURS & SAFARI
Panamwe Tours and Safari is a locally established company by a high experience Tanzanian who has been in Travel Business for ten years before opening his own company.We have been in operation successfully with more than a hundreds partnering agencies worldwide.
Due to our most reliable services, efficiencies in all needs of the customers, we become one of the most successful and youngest travel company in Zanzibar.
Nube de palabras Modulo 6_DUEVA
Nube de palabras como evidencia del trabajo realizado en el Módulo 6, Recursos Web del Programa de Perfeccionamiento DUEVA
Nazismo
O documento resume o que é o nazismo, incluindo a crença na superioridade da raça ariana e a política de eliminação de outras raças. Detalha também a vida de Adolf Hitler, líder do partido nazista, e a função dos campos de concentração. Por fim, descreve a história de Anne Frank, uma jovem judia que faleceu num campo de concentração e ficou famosa pelo seu diário.
Nazismo
O documento descreve o nazismo como uma ideologia de extrema-direita formulada por Adolf Hitler na Alemanha entre 1933-1945. O nazismo defendia a superioridade da raça ariana e promoveu o racismo como política de Estado, considerando outras raças inferiores. Após a Segunda Guerra Mundial, muitos líderes nazistas foram julgados por crimes de guerra e contra a humanidade em Nuremberg.
Переход от пассивного развития продукта к активному (Артур Тимофеев, Ask.fm)
Product Camp SPB, May 2015
SLBdiensten inspiratiesessie Microsoft Office Specialist: presentatie Ymke Ma...
De slides behorende bij de presentatie van Ymke Manders tijdens de Microsoft Office Specialist inspiratiesessie voor het voortgezet onderwijs van SLBdiensten en Microsoft in november 2013, over het opzetten van een Certiport Test Center voor het afnemen van MOS-examens. Zo weet u meer over het certificeren van docenten en studenten.
Arroyo antonia presentació_competic2
Este documento breve describe algunos lugares de interés en la ciudad costera española de Blanes, incluyendo la Plaza Cataluña, el Paseo del mar, el restaurante Sa Palomera y la iglesia de Santa María, así como menciona caracoles y una panadería.
Learning and Assessment
To help people get jobs, advance in their current roles, and progress their careers over their lifetimes. The organization aims to create lifelong partnerships through outreach to individuals and customers using all available tools to connect with people from early career through their entire professional development. They are committed to building special relationships between learners and the organization.
Written justification
Ellie Langton created a 3 minute soundscape inspired by a visit to the Liverpool Albert Dock museum. The soundscape focuses on the history of religion and cathedrals in Liverpool, featuring sounds like Gregorian chants, church bells, flowing water, and birds to represent the purity and natural elements associated with churches. Ellie manipulated and layered various found sounds using effects like reversing, fading, and changing volume levels to blend the sounds together into a cohesive piece that progresses from the past to present while maintaining a naturalistic and environmental atmosphere. Overall, Ellie felt the soundscape met the criteria of the assignment and incorporating both natural and human-made sounds from a historical perspective.
ILIF_Food Experience
I Love Italian Food is a non profit organization born out of great passion for italian food and cuisine.
This very same passion has united almost 500.000 friends from around the world and, day by day, it strengthened our mission: to defend and spread the culture and values of “Made in Italy” food.
Now, I Love Italian Food develops Food Experience to to illustrate why Italian products are a synonym of excellence.
Find our Food Experience
【數位膠囊】專題：[數位媒體 關鍵對談]系列五 2013.12 no.7
第五場的【數位媒體 關鍵對談】由達摩媒體執行長 許景泰與域動行銷總經理-顏玉芬同為聯播網媒體經營角度，如何跨電商領域看見數位媒體的轉化過程，以及未來Big Data在網路廣告/行銷上可以有什麼樣的拓展和應用？
數據建立新價值 媒體創造新服務 (上)http://goo.gl/5fG774
數據建立新價值 媒體創造新服務 (下)http://goo.gl/UOg9rE
Escuela del futuro alberto
Alberto envisions his ideal school of the future where students can use mobile devices and computers whenever they want, write with their minds, play games during breaks or free time, sit wherever they choose in class, and have weekly swimming lessons. Technology is integrated throughout the school day and students have flexibility in their learning.
virus vs antivirus
Malware refers to malicious software such as viruses, Trojan horses, rootkits, worms, and spyware. Viruses can infect files and boot sectors, while worms self-replicate clogging systems. Anti-virus software uses signature scanning to detect known viruses, heuristic scanning to find unknown viruses, and integrity checking to compare file hashes. However, signature databases require frequent updates as new viruses emerge daily.
Apple Product Professional 2016
This document is a progress report summarizing an individual's completion of Apple sales training courses. It shows that they have earned 11,000 points by completing two courses - "Test Your iPad Knowledge" and "Test Your iPhone Knowledge" - achieving 100% on both. It also notes they received an additional 5,000 bonus points from a previous period. The report provides their name, current points total, and status as an "Apple Product Professional."
Evaluating museum visitor engagement via social media
This document discusses evaluating social media engagement for visitor outreach. It recommends determining key objectives and metrics for success when planning a social media campaign. Lower effort activities like sharing digital collections online have medium potential for return, while higher effort goals like building a community have low potential to demonstrate clear ROI. The document provides tips for finding relevant audiences, monitoring engagement metrics from platforms like Facebook and Twitter, and evaluating campaign outcomes based on resonance.
Viewers also liked (16)
Переход от пассивного развития продукта к активному (Артур Тимофеев, Ask.fm)
Переход от пассивного развития продукта к активному (Артур Тимофеев, Ask.fm)
SLBdiensten inspiratiesessie Microsoft Office Specialist: presentatie Ymke Ma...
SLBdiensten inspiratiesessie Microsoft Office Specialist: presentatie Ymke Ma...
Evaluating museum visitor engagement via social media
Evaluating museum visitor engagement via social media
Similar to Gears of war
Ig1 task 2 analysis work sheet 03
The document summarizes the soundtrack analysis for the game Guild Wars 2. It describes the setting as the land of Ascalon based on the narration. Though a story is being told with a calm voice actor, background sounds of war, swords, and animals are added with adjusted volume and pitch to set a mood that contrasts calm with fighting despite being a narrative. Production techniques used to create specific soundtrack elements included a voice actor combined with other sounds having their volume and pitch modified.
Ig1 task 2 analysis work sheet 3
The document summarizes the sound design techniques used in the opening cut scene of the video game COD Ghosts. It analyzes the setting, mood, and narrative conveyed by the sounds of explosions, gunfire, and a male narrator talking over the background noise of war. The summary identifies the use of a sound booth and microphone for recording clear dialogue, as well as audio editing software to adjust the pitch and volume of background sounds so the narration can be heard over the noise of war.
Ig1 task 2 analysis work sheet 4
The document summarizes the sound design techniques used in the Battlefield 3 game soundtrack. For a cutscene setting a war environment, the male narrator's voice was likely recorded in a sound booth using a clear microphone. Background noises like constant beeping to represent a bomb were added using audio editing software to adjust pitch and volume. The tense mood is conveyed through the beeping and knocking sounds. The action game genre is indicated by the inclusion of pistol cocking sounds. Overall, the soundtrack uses voice recordings and digital audio editing techniques to set the mood of aftermath and tension through the mix of narration and background noises.
Ig1 task 2 analysis work sheet assassins creed 3
The document summarizes sound production techniques used in the Assassin's Creed 3 game soundtrack. Specific scenes involving gunfire, shouts, and explosions are described. For the gunfire, field recordings of actual guns being fired were likely edited and repeated. Shouts were probably recorded with high-quality microphones and edited for distance and volume. Explosions may have been either software-generated or field recordings edited for the scene. Overall, sound editing was used to make the effects match the historical time period of a few hundred years ago.
Ig1 task 2 analysis work sheet 2
The document discusses the soundtrack elements of the game Gears of War 4. It analyzes the setting, mood, genre, and narrative conveyed by the soundtrack. For each element, production techniques used are identified, such as using a sound booth and clear microphone for alien sounds and gunshots, and audio editing software to adjust pitch and volume of different soundtrack elements.
Dead space the review/thing by liam the king
The document provides analysis of sound elements from the video game DeadSpace 3. It summarizes:
1) Various sound effects are used to establish the setting including wind, space ambience, and radio static suggesting danger. Field recordings were likely used to create the wind and static sounds.
2) The mood is described as cold with icy tension between characters conveyed through music and sound effects that elicit fear, anger, and sadness. Musical instruments were probably used to create the background music.
3) The game genre is described as intense, fictional fantasy and adventure with mission-based and sci-fi elements. Foley artistry was mostly used for sound effects to grab attention through constant action.
4)
Sound design in computer games 2
The document provides an analysis of sounds used in the cinematic trailer for the game Devil May Cry. It analyzes the sounds used to establish the setting, mood, and game genre. For the setting, traffic and car alarm sounds create the feel of a busy city and gunshot and sword sounds portray fighting. Dark atmospheric music sets the mood. The genre of action is portrayed through fighting sounds, screams, and specially created sword sound effects. The narrative involves Dante fighting his way through to deliver a message.
Call of duty world at war
This document analyzes the soundtrack of the video game Call of Duty: World at War. It discusses how the soundtrack creates tension, drama, and excitement to match the mood of a war-based first person shooter. Specific soundtrack elements like trumpets, orchestra, and changing music to represent different locations are described. The narrative of portraying the horrors of World War 2 is outlined, and the soundtrack aims to highlight this through quieter sections that allow dialogue to be heard clearly.
Call of duty world at war
This document analyzes the soundtrack of the video game Call of Duty: World at War. It discusses how the soundtrack creates tension, drama, and excitement to match the mood of a war-based first person shooter. Specific soundtrack elements like trumpets, orchestra, and changing music to represent different locations are described. The narrative of portraying the horrors of World War 2 is also outlined, with the soundtrack aiming to show that war is shocking while prioritizing audibility for any in-game dialogue.
Cod ghosts analysis
The document analyzes the sound design of the Call of Duty: Ghosts trailer. It discusses the production techniques used to create different soundtrack elements for setting, mood, and game genre. Microphones were used for voiceovers and soundproof rooms were used for voice recordings. Instruments and sound editing software were used to add mysterious music and create sequences with the right tones and pitches. The narrative of the game and scenarios are clearly described through the sounds used.
Mass effect 3
The document provides instructions and examples for a unit on sound design for computer games. Students are asked to analyze soundtrack elements from chosen game examples, describing the production techniques used and how the sounds establish the setting, mood, genre, and narrative. Specific examples analyzed include a military-sounding beginning with electronic sci-fi battles and explosions to set an epic, intense fighting mood for a science fiction action shooter game.
Modern warfare 2
This document analyzes the soundtrack from the cut scene in Call of Duty: Modern Warfare 2. It describes the setting as a dangerous warzone with gunfire and explosions during a battle between Russia and the USA. It states the mood is one of sadness, betrayal, and anger due to the captain siding with the enemy and shooting the player. It believes the gunshots and explosions were recorded from real wars and modified digitally, while other sounds were computer-generated. It suggests the violin soundtrack was remixed on a computer to convey the mood of betrayal and sorrow. The genre of war games is said to always portray war as bad, so the soundtrack implies the sadness and betrayal of countries fighting.
Ig1 task 2 analysis work sheet (1)
The document provides an analysis of the soundtrack elements in a cutscene from the video game Final Fantasy XIII. It describes the setting of the cutscene as taking place in an arena with combat occurring. The mood is exciting and action-packed to match the fighting. Being a Japanese role-playing game, the soundtrack uses typical anime-style sound effects and voices. While there is little dialogue, the music and sound effects convey the tense and dramatic nature of the battle through cues like clashing swords and a revving motorcycle.
Ig1 task 2 analysis work sheet 967
The document analyzes sound elements from the game Wolfenstein: The New Order. It describes the setting, mood, game genre, and narrative established by the sound. For each section, it proposes production techniques used to create specific soundtrack elements, such as using a sound booth and clear microphone for character voices, audio editing software to adjust pitch and volume, and a sound program to adjust background music pitch to hear characters over effects.
Ig1 task 2 analysis work sheet halo reach ending
The document provides an analysis of the soundtrack from the ending of the game Halo Reach. It discusses the setting, mood, genre, and narrative established by the soundtrack. For each element, descriptions are given and production techniques that could have been used are identified. The setting establishes the end of a battle between humans and aliens. The mood is sad, conveyed through sad vocals with echo and dark tones. The genre is identified as an action/FPS based on gunfire and explosion sounds. The narrative depicts a human being defeated by alien enemies, with the sounds of his death mixed under the sad aftermath music.
Cod advanced warfare analysis work sheet
The document analyzes the sound design of the soundtrack from the video game Call of Duty: Advanced Warfare. It examines four different elements - the setting, mood, game genre, and narrative - and identifies the production techniques used to create the soundtrack for each element. For the setting, field recording was used to capture ambient environmental sounds. Both field recording and voice recording in a studio were used to convey the tense mood. Studio voice recording, foley artistry, and field recording combined to represent the action game genre. And studio recording was employed for the character dialog in the narrative passages.
Dead rising
The document summarizes the soundtrack of the game Dead Rising. It analyzes the setting, mood, game genre, and narrative based on specific audio clips. For the setting, footsteps with echo are used to create a dark, sinister atmosphere like an army base. Violins play high pitched notes for a scary mood that turns sad near the end. The audio contains elements of horror and action like fighting sounds, establishing the game genre. The narrative describes a scene where a soldier attacks the main character but says his last goodbyes, revealing he lost control after his granddaughter died. Production techniques like echo effects are used to make characters seem in large areas or add distance.
Ig1 task 2 god of war
The document summarizes the sounds used in different parts of the God of War 3 video game. It describes the crumbling rocks, rushing wind, and metallic clashing sounds were likely recorded outdoors, while the electrical sounds were computer generated or edited. It also states the shouting was recorded outside, the music was recorded in a studio, and the narrative was recorded outside or in a studio and edited.
Halo 2 analysis
This document analyzes the sounds used in the opening cutscene of the video game Halo 2. It describes the sounds that establish the setting as possibly a factory or building due to an alarm sound and later explosions and gunfire, suggesting a war zone. It identifies lifts and aircraft sounds that indicate the character is in a building set in the future. The document states the mood is serious due to violent sounds of gunshots and explosions, and an emotional musical score. It suggests the game genre is a sci-fi first or third person shooter due to futuristic laser and gunshot sounds. The narrative involves humans fighting another clan on earth, as indicated by references to attacking and defending the planet.
Ig1 task 2 analysis work sheet Halo wars
The document summarizes the sound elements used in the opening cutscene of the game Halo Wars. It identifies the setting as a futuristic war and notes the use of live narration to convey it is in the past tense. It describes the mood as grim and depressing, achieved through an orchestral soundtrack. The genre is identified as an action and fantasy game based on the futuristic gun sounds. While the narrative sets up the game, it is brief due to the focus on action sounds like gunfire through sound manipulation.
Similar to Gears of war (20)
More from JoeBrannigan
Risk assessment classrooms_09
This document provides a general risk assessment for curriculum lessons conducted in a standard classroom environment at all college sites. It identifies potential hazards such as electric shock, slips, trips and manual handling. Control measures are outlined, such as ensuring adequate supervision, safe storage of materials, and clear evacuation routes. The assessment will be reviewed annually.
Doc2
The creator added background music to an animation during post production. At the end of the animation, a still image of an e6 logo was included. Transitions to and from black were used between scenes to make them flow more smoothly than abrupt cuts.
Ideas Map
The document proposes animating a chase scene between a cat and a mouse logo to evoke nostalgia for classic cartoons like Tom and Jerry. It aims to recreate the feel of the iconic cat and mouse duo in a 3D environment to leverage the familiarity and recognition people have with that scenario.
Idea map
A document outlines ideas for a Black Friday brawl featuring Tim Allen and Shaq as characters who get into a fight while racing through a crowded mall on Black Friday to be the first to a store. Scenarios proposed include the characters fighting over sales in a shop, racing through the crowded mall to be the first to a store, and a crowd fighting to get into the busy mall first on Black Friday.
Bloodborne
The document analyzes and describes the sound design techniques used in the video game Bloodborne. It examines four different examples - the church bells, creaking wheelchair, background music, and water drops - and speculates on how each sound effect was likely produced. The assistant identifies field recordings, studio recordings with live instruments, and digital editing of found sounds as the main production techniques used to create the realistic and immersive soundscape that helps establish the game's setting, mood, genre, and narrative.
Unit 73 IG3 Task 2
This document discusses sounds used in a game. It notes that double clicking on sounds opens an editing menu and clicking a button allows choosing from accessible sound files to set as the activation sound. Examples are given of some sounds used in the game.
Ig2 task 1 work sheet 2
This document contains a glossary of terms related to sound design and production. It includes definitions for terms like foley artistry, sound libraries, .wav files, lossy compression, MP3s, sound processors, mono vs stereo audio, MIDI, software sequencers, plugins, and more. Each term has a short definition from an online source as well as a brief description of how the term relates to the author's own production practice. The glossary is intended to demonstrate the author's research into sound design methodology and technology.
Unit 73 ig3 assignment programming sound assets to a game 2013_y2
The assignment brief tasks the student with programming sound assets they have produced into a computer game for a submission deadline of June 6th. They must select sounds to embed in blog posts along with explanations, produce annotated screenshots showing their programming process, and include a gameplay video demonstrating the sounds in action. The goals are to apply sound assets to a game following industry practice and standards at a good technical level, with imagination and independence.
Sources
The document contains a collection of screenshots from various video games across multiple genres like platformers, fighting games, role-playing games, multiplayer online battle arena games, and cooperative defense games. The screenshots showcase the visual styles and gameplay elements from games such as Katamari Damacy, Rayman Origins, Dragons Crown, Foul Play, Dota 2, Dawn of War: Soulstorm, Castle Crashers, Awesomenauts, Muramasa, BattleBlock Theater, Street Fighter III, Street Fighter X Tekken, Muramasa Rebirth, and Orcs Must Die 2.
Ig2 task 1 work sheet 2
This document provides definitions for key terms related to sound design and production. It includes a glossary with over 20 terms defined, each with a short definition and URL reference. Examples of defined terms include Foley artistry, sound libraries, .wav and .mp3 file formats, sound processors, mono/stereo audio, MIDI, and sampling concepts like bit depth and sample rate. For most terms, the document also provides a one sentence description of how the term relates to the author's own production practice.
Fmp production log_070214
The document is a production log for a student named Joe Brannigan detailing his progress on a games design project for his BTEC Level 3 Extended Diploma in Creative Media Production. Over several weeks, Joe conducted research, created concept illustrations, pitched his ideas, storyboarded his project, designed backgrounds and characters, set up an animation in Flash, got feedback from a focus group, and finished the animation based on their suggestions before evaluating his completed project.
Fmp production log_070214
The document is a production log for a student named Joe Brannigan tracking his progress on a games design project for his BTec Level 3 Extended Diploma in Creative Media Production. Over several dates, Joe documents completing mood boards, research, pitches, storyboards, character and background designs, animation, and receiving feedback from a focus group to improve his project.
Annotatation 4
The document describes creating a fourth sound using the Rhythmus instrument. The creator adjusted the four sliders on the instrument until satisfied with the sound, then experimented with adding and removing the buttons below to further refine the sound until pleased with the result.
Annotatation 3
The document describes using a synsect instrument to create a sound like a frog ribitting that could be used to make areas like swamps sound like they have multiple creatures making the noise. The creator tried adding a range of pitches to the sound.
Annotatation 2
The creator used the Piano vintage instrument to make a short sound effect for a retro game. They made very few changes to the instrument and decided to make the sound a low pitched 8 bit sound.
Annotatation 2
The creator used the Piano vintage instrument to make a short sound effect for a retro game. They made very few changes to the instrument and decided to make the sound a low pitched 8 bit sound.
Annotatation 1
This 3 sentence document describes using an instrument with the bassboost, saturation and resonance turned up fully to create an echoed effect, and then using some of the higher pitched keys on the instrument to create a short music piece.
Project 6
This document describes how a sound was created by taking the sound of a whistle and adding effects in the VST plugin dblueGlitch. The author adjusted the frequency, FM amount, and FM spread dials, then manipulated the sections labeled with R letters to control when the sound would change and keep it at a desired part.
Project 4
By adjusting the hi and lo dials on an effect, it suddenly started making a revving noise for an unknown reason. Most of the other dials had little impact when the user was changing the hi and lo settings. The effect began revving unexpectedly when those two particular dials were adjusted.
Project 5
The document discusses editing a sound file called "sniggers" by cutting it to a smaller size and adding a "battery acid" VST effect. The author experimented with adjusting dials and sliders in the "battery acid" menu to create an 8-bit explosion sound, which was amplified using additional sliders and a number dial.
More from JoeBrannigan (20)
Unit 73 ig3 assignment programming sound assets to a game 2013_y2
Unit 73 ig3 assignment programming sound assets to a game 2013_y2
Gears of war
- 1. Salford City College Eccles Sixth Form Centre BTEC Extended Diploma in GAMES DESIGN Unit 73: Sound For Computer Games Game Title Gears of War Provide detailed descriptions from chosen examples that establish… Setting Mood Clearly state what production technique(s) you think have been used to create specific soundtrack elements The setting is of the main characters being dropped into a warzone which is shown through sounds of a helicopter, weapons being fired and explosions. I think the helicopter was recorded as an ambient sound which is put in the background during conversations and has the volume changed for different camera angles. The weapons would have been recorded at a firing range and then edited and the explosions sound like they could have been stock sounds from a war. The mood is set mostly on the danger and the tenseness of the fight with sounds of The roar of the enemies is quite monstrous so it the enemies roar at one point, the voice acting of people shouting and the sounds of sounds like they recorded a normal Pearson and a battle. then lowered the pitch and the voice acting would have been done in a recording studio. Game genre The game is a third Pearson shooter which is shown through the sounds of guns and explosions Narrative The narrative is shown through the voice acting and the beginning and ending of sound sequences such as the helicopter and the battle The voice acting was done by paid professionals who were recorded in a sound studio