Cod advanced warfare analysis work sheet
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The document analyzes the sound design of the soundtrack from the video game Call of Duty: Advanced Warfare. It examines four different elements - the setting, mood, game genre, and narrative - and identifies the production techniques used to create the soundtrack for each element. For the setting, field recording was used to capture ambient environmental sounds. Both field recording and voice recording in a studio were used to convey the tense mood. Studio voice recording, foley artistry, and field recording combined to represent the action game genre. And studio recording was employed for the character dialog in the narrative passages.
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Cod advanced warfare analysis work sheet
The document analyzes the sound design of the soundtrack from the video game Call of Duty: Advanced Warfare. It examines four different elements - the setting, mood, game genre, and narrative - and identifies the production techniques used to create the soundtrack for each element. For the setting, field recording was used to capture ambient environmental sounds. Both field recording and voice recording in a studio were used to convey the tense mood. Studio voice recording, foley artistry, and field recording combined to suit the action game genre. And studio recording was employed for the character dialog in the narrative passages.
Battleffield 3
The document provides an analysis of a soundtrack excerpt from the game Battlefield 3. It describes the setting as an indoor interrogation with subtle ambient sounds like footsteps and machinery. The mood is described as tense due to the angry and pressing questioning. The genre is determined to be action based on the dialogue. The narrative centers around characters interrogating a third about someone named "Dima" and events in Paris, suggesting an intelligence or military scene. Production techniques identified include foley artistry, software sequencers, field recording, and studio recording.
the order 1886
The document analyzes and summarizes the sounds used in a scene from the video game The Order: 1886. It identifies the setting as indoors, likely a room or jail cell in Britain based on ambient sounds and accents. The mood is described as tense with anger from a character being interrogated and tortured by being drowned. Software sequencers were used for background sounds and low volume music, while foley artistry and studio recording were used for water sounds and muffled voices when the character is underwater. The narrative involves two men torturing and interrogating someone for information, and the closest game genre is action based on the dialogue. Studio recording was used for dialogue and narratives, while software handled muffled dialogue when underwater
Infamous second son analysis work sheet
The document analyzes and describes the sound techniques used in the soundtrack for the video game Infamous: Second Son. Field recordings of nature sounds like birds were used to create ambient outdoor backgrounds. Aggressive music and changes in the characters' tones supported the tense mood of an interrogation scene. Foley artistry and software-generated instruments were employed for sound effects and music to match the action genre and narrative of confrontation between two main characters.
Cod ghosts analysis
The document analyzes the sound design of the Call of Duty: Ghosts trailer. It discusses the production techniques used to create different soundtrack elements for setting, mood, and game genre. Microphones were used for voiceovers and soundproof rooms were used for voice recordings. Instruments and sound editing software were used to add mysterious music and create sequences with the right tones and pitches. The narrative of the game and scenarios are clearly described through the sounds used.
Dead space 3 cutscene analysis
The document provides an analysis of sound design techniques used in three scenes from the video game DeadSpace 3. In the first snowy scene, ambient wind and snow sounds establish the isolated winter setting. The second public space scene features broadcast sounds and vehicle engines. The third interior scene includes personal phone dialogue and papers being shuffled. Foley artistry was likely used to recreate footsteps and gunshots, while vehicles sounds were probably digitally created. String instruments set a tense, dark mood. The sci-fi and action elements indicate the game's genre. Dialogue reveals a plot involving danger to Earth and a mission the main character is forced to undertake.
Dead space 3 sound analysis
The document provides an analysis of the sounds used in a video game cut scene from DeadSpace 3. It describes how the sounds establish the setting as stormy and futuristic. The sounds create a cold and chilling atmosphere filled with danger, helping to set the mood. The audio reinforces the game genre as a futuristic shooter in open space. The sounds also help provide narrative and background story between characters. Field recordings, traditional instruments, and studio recordings were likely used to create specific soundtrack elements and establish the proper ambience, mood, and quality of sounds.
Halo 2 analysis
This document analyzes the sounds used in the opening cutscene of the video game Halo 2. It describes the sounds that establish the setting as possibly a factory or building due to an alarm sound and later explosions and gunfire, suggesting a war zone. It identifies lifts and aircraft sounds that indicate the character is in a building set in the future. The document states the mood is serious due to violent sounds of gunshots and explosions, and an emotional musical score. It suggests the game genre is a sci-fi first or third person shooter due to futuristic laser and gunshot sounds. The narrative involves humans fighting another clan on earth, as indicated by references to attacking and defending the planet.
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Cod advanced warfare analysis work sheet
The document analyzes the sound design of the soundtrack from the video game Call of Duty: Advanced Warfare. It examines four different elements - the setting, mood, game genre, and narrative - and identifies the production techniques used to create the soundtrack for each element. For the setting, field recording was used to capture ambient environmental sounds. Both field recording and voice recording in a studio were used to convey the tense mood. Studio voice recording, foley artistry, and field recording combined to suit the action game genre. And studio recording was employed for the character dialog in the narrative passages.
Battleffield 3
The document provides an analysis of a soundtrack excerpt from the game Battlefield 3. It describes the setting as an indoor interrogation with subtle ambient sounds like footsteps and machinery. The mood is described as tense due to the angry and pressing questioning. The genre is determined to be action based on the dialogue. The narrative centers around characters interrogating a third about someone named "Dima" and events in Paris, suggesting an intelligence or military scene. Production techniques identified include foley artistry, software sequencers, field recording, and studio recording.
the order 1886
The document analyzes and summarizes the sounds used in a scene from the video game The Order: 1886. It identifies the setting as indoors, likely a room or jail cell in Britain based on ambient sounds and accents. The mood is described as tense with anger from a character being interrogated and tortured by being drowned. Software sequencers were used for background sounds and low volume music, while foley artistry and studio recording were used for water sounds and muffled voices when the character is underwater. The narrative involves two men torturing and interrogating someone for information, and the closest game genre is action based on the dialogue. Studio recording was used for dialogue and narratives, while software handled muffled dialogue when underwater
Infamous second son analysis work sheet
The document analyzes and describes the sound techniques used in the soundtrack for the video game Infamous: Second Son. Field recordings of nature sounds like birds were used to create ambient outdoor backgrounds. Aggressive music and changes in the characters' tones supported the tense mood of an interrogation scene. Foley artistry and software-generated instruments were employed for sound effects and music to match the action genre and narrative of confrontation between two main characters.
Cod ghosts analysis
The document analyzes the sound design of the Call of Duty: Ghosts trailer. It discusses the production techniques used to create different soundtrack elements for setting, mood, and game genre. Microphones were used for voiceovers and soundproof rooms were used for voice recordings. Instruments and sound editing software were used to add mysterious music and create sequences with the right tones and pitches. The narrative of the game and scenarios are clearly described through the sounds used.
Dead space 3 cutscene analysis
The document provides an analysis of sound design techniques used in three scenes from the video game DeadSpace 3. In the first snowy scene, ambient wind and snow sounds establish the isolated winter setting. The second public space scene features broadcast sounds and vehicle engines. The third interior scene includes personal phone dialogue and papers being shuffled. Foley artistry was likely used to recreate footsteps and gunshots, while vehicles sounds were probably digitally created. String instruments set a tense, dark mood. The sci-fi and action elements indicate the game's genre. Dialogue reveals a plot involving danger to Earth and a mission the main character is forced to undertake.
Dead space 3 sound analysis
The document provides an analysis of the sounds used in a video game cut scene from DeadSpace 3. It describes how the sounds establish the setting as stormy and futuristic. The sounds create a cold and chilling atmosphere filled with danger, helping to set the mood. The audio reinforces the game genre as a futuristic shooter in open space. The sounds also help provide narrative and background story between characters. Field recordings, traditional instruments, and studio recordings were likely used to create specific soundtrack elements and establish the proper ambience, mood, and quality of sounds.
Halo 2 analysis
This document analyzes the sounds used in the opening cutscene of the video game Halo 2. It describes the sounds that establish the setting as possibly a factory or building due to an alarm sound and later explosions and gunfire, suggesting a war zone. It identifies lifts and aircraft sounds that indicate the character is in a building set in the future. The document states the mood is serious due to violent sounds of gunshots and explosions, and an emotional musical score. It suggests the game genre is a sci-fi first or third person shooter due to futuristic laser and gunshot sounds. The narrative involves humans fighting another clan on earth, as indicated by references to attacking and defending the planet.
Brienna hick hyrule warriors cutscene audio
The document summarizes sounds used in the opening scene of the video game Hyrule Warriors. It analyzes the background sounds of birds tweeting and low rumbling that set a relaxed outdoor scene. The mood then changes quickly as the music takes a darker tone. While the genre is difficult to determine from the short scene, the voice acting and music suggest an action-adventure RPG. The narrative is driven primarily by the music and background effects with little dialogue, introducing the threat of the game.
Ig1 task 2 analysis work sheet lost planet 2
The document analyzes sound elements from the game Lost Planet 2. It examines 4 examples of sounds and their production techniques:
1. The strong winds and train sounds in the first scene were likely field recordings edited in software or hardware to set the isolated, desert-like setting. Dialogue was recorded in a studio using hardware synthesizers.
2. The monster's roar in the second scene attack was also probably a field recording edited using software to make it sound like the alien's roar.
3. The sad, hopeless music and dialogue establishing the mood were most likely created with musical instruments and foley artistry in studios.
4. The wind, train, and monster sounds establishing the sci-
Sound design in computer games skyrim opening scene
The document provides an analysis of sounds used in the opening scene of the game Skyrim. It describes the sounds that establish the setting, mood, and game genre. For the setting, hoof sounds and wind create a sense of distance and cold, barren feel. Bird sounds add a forest feel. Orchestral music sets a calm mood that shifts between silence and an epic genre, feeling isolated. The orchestral music suggests an adventure game genre that feels grand and heroic. Character dialogue has both a calm and rushed, panicking tone, revealing they are prisoners being transported or fleeing, consistent with the hoof sounds.
Dead space 3 analysis work sheet 1
The document analyzes sound elements from the DeadSpace 3 game soundtrack between 3:45 and 9:22 minutes. It identifies the setting as outdoors in the future based on wind, snow, and robotic walking sounds. Field recordings and foley artistry were likely used to create these setting sounds. The mood is described as nervous and courageous based on the soldier's radio dialogue and orchestral music. Only musical instruments were used to set the mood. The game genre is identified as adventure and action based on the orchestral music during a mission briefing. Musical instruments and studio recordings were used to portray the narrative and genre.
Analysis 4
The document analyzes sound elements from the game Farcry 3. It describes the dialogue as being recorded in an open space to capture both dialogue and background ambient noise, possibly using a single recording. The mood is described as dark and suspenseful, set by the loud and angry dialogue tones. The genre is difficult to determine from the short video but hints at an open-world shooter given gunshot and screaming sounds during a character being thrown into water. Directional and waterproof recording equipment were likely used to capture these elements professionally.
Ig1 task 2 analysis work sheet
The document analyzes sound design elements in the first two scenes of the game DeadSpace 3. In the first scene, field recordings of winds and snow were likely used to establish an isolated, arctic setting. In the second scene, vehicle sounds imply an indoor location in a city. Music and dialogue were used to create moods of confusion, loneliness, tension, anger and frustration. The game genre is described as a sci-fi shooter with horror elements, driven by a narrative focused on finding something important to humanity's survival. Field recordings and studio recordings were used for sound effects and dialogue to advance the plot.
Jake sound design in computer games analysis work sheet saw 2
The document summarizes sounds used in the video game Saw 2 – Flesh&Blood. It analyzes 4 examples of sounds:
1) The setting introduces crackling TV and talking sounds, which would have been recorded voice overs and Foley artistry.
2) Mood conveys fear and struggling through screaming and movement sounds, which would be voice overs and studio recorded without background noise.
3) Genre is identified as horror/adventure based on pain and atmosphere sounds created by pure silence.
4) Narrative features a voice on TV, moving metal objects, and bad signal sounds created through Foley artistry and voice overs.
Dead space 3
The document provides descriptions of sounds from the video game Deadspace 3 and analyzes the production techniques used to create the different sound elements. It summarizes that the opening sounds establish a cold, windy remote location through field recordings or foley work. Background music builds suspense and the genre is established as sci-fi through futuristic sound effects that were likely digitally created using MIDI. Voices were recorded in a studio with voice actors.
Ig1 task 2 analysis work sheet
This document provides an analysis of sounds used in the cut scene for the video game DeadSpace 3. It describes the sounds used to establish the snowy setting, including wind sounds and footsteps crunching in the snow. It notes that field recordings were likely used to create the ambient snow and wind sounds. The mood is described as anxious, scared, and confused at first, and then scared with a serious dramatic musical score. The genre is identified as sci-fi and action/adventure based on sounds of aircraft and spaceship doors. Software like MIDI is suggested to have been used to create the sci-fi sound effects. The narrative involves two people talking over a satellite phone with no signal in the snow before meeting another person and
Skyrim analysis
The document analyzes the soundtrack of the video game Elder Scrolls 5: Skyrim. It describes the setting as outdoors in the wilderness based on ambient sounds of footsteps and trees. It states the mood is exciting based on sounds of combat and running. It identifies the game genre as an action adventure open world role playing game based on the audio. It notes the narrative voiceover describes the player's goals and main threats. The techniques used to create the soundtrack included hiring an orchestra, sound editing software, and recording the voiceover in a soundproof room.
Nathan mather dead space 3 sound design in computer games analysis work sheet
The document provides analysis of a sound sequence from the video game Dead Space 3. It summarizes the setting, mood, genre, and narrative established by the sounds. For the setting, strong winds and crunching snow sounds create the impression of a barren, snowy outdoor area that later changes to indoor city sounds. The mood of confusion is created by mysterious background music from a studio orchestra combined with field recordings and foley artistry in the sound effects. The genre is described as a horror/action adventure game based on the intensity of the orchestra music and narrative cues from the characters' voices. Regarding narrative, the emotions in the characters' voices change from confused to urgent to panicked and proud and then angry, creating
Bioshock
The document summarizes key elements of the soundtrack from the video game Bioshock. It describes the setting as moving from a plane crash into the ocean to an underwater city. It notes the mood was meant to be creepy and mysterious. Production techniques used included recorded or stock sounds edited for the setting, lowering the pitch and slowing playback of sounds to suggest being underwater, string instruments and drums to set the ominous tone, and voice acting with added effects to sound like 1940s recordings.
Dead space the review/thing by liam the king
The document provides analysis of sound elements from the video game DeadSpace 3. It summarizes:
1) Various sound effects are used to establish the setting including wind, space ambience, and radio static suggesting danger. Field recordings were likely used to create the wind and static sounds.
2) The mood is described as cold with icy tension between characters conveyed through music and sound effects that elicit fear, anger, and sadness. Musical instruments were probably used to create the background music.
3) The game genre is described as intense, fictional fantasy and adventure with mission-based and sci-fi elements. Foley artistry was mostly used for sound effects to grab attention through constant action.
4)
Sound design in computer games 2
The document provides an analysis of sounds used in the cinematic trailer for the game Devil May Cry. It analyzes the sounds used to establish the setting, mood, and game genre. For the setting, traffic and car alarm sounds create the feel of a busy city and gunshot and sword sounds portray fighting. Dark atmospheric music sets the mood. The genre of action is portrayed through fighting sounds, screams, and specially created sword sound effects. The narrative involves Dante fighting his way through to deliver a message.
Halo 4 analysis
The document provides an analysis of the sound design in the opening sequence of the video game Halo 4. It summarizes the setting as a secure headquarters where characters discuss previous threats from distant galaxies. The mood is described as exciting and mysterious. The narrative explains that children were abducted and turned into super soldiers to fight an alien race threatening humanity. Production techniques like high-quality microphones and sound editing software were likely used to record voices and add sound effects to the scene.
Ig1 task 2 analysis work sheet 3
The document provides an analysis of sounds from the game Wolfenstein: The New Order. It describes sounds that establish setting, mood, game genre, and narrative. For each category, it clearly states the production techniques used to create the specific soundtrack elements. These include using editing software to modify recorded sounds, field recording and studio recording of sounds like saws and screams, and editing recorded dialogue in a studio booth.
Task 2 analysis modern warfare 3
The document discusses the sounds used in a cut scene from the video game Modern Warfare 3. It analyzes the setting, mood, genre, and narrative established by the sounds. Production techniques like Foley artistry, field recordings, MIDI, voice acting, and editing software are identified as having been used to create specific sound elements like explosions, wind, glass breaking, gunfire, and dialogue. The cut scene sounds establish an intense, action-packed mood for a first-person shooter game through realistic violent sounds of combat.
Sound in Games - Nashandra Analysis
The document summarizes the sounds used in an alternate cutscene from the video game Dark Souls 2. It describes the setting as a dark, dusty final area before the game's end where the player must face bosses. Sounds of a heartbeat and a strange, distorted woman's voice establish a tense, scary mood. The woman mocks the player in a way that confirms she is not human due to fleshy, rustling walking sounds. The sounds of wind, dust and stones were likely created using Foley techniques, while the non-human sounds were probably digitally made. The scene reveals the true motives of the speaking non-human woman and important narrative elements through edited studio recordings that remove her human nature.
Force unleashed 2 analysis
This document analyzes the sound design of a scene from the video game Star Wars: The Force Unleashed 2. It describes the setting as a futuristic space station based on the door sounds. It states the mood at the beginning is somewhat depressing, conveyed through betrayal-themed music. The genre is identified as an action RPG due to the action-packed nature. It also notes the narrative of Darth Vader explaining the main character's betrayal by his former master, and that a directional recording system was likely used to capture clear character voices.
Nathan mather alan wake sound design in computer games analysis work sheet
The document analyzes the sounds used in a video game sequence from Alan Wake. It describes the sounds used to establish the setting, mood, game genre, and narrative. The setting is described as a bird's eye view of the woods based on a lack of environmental sounds and use of narration. The mood is set as mysterious through background music and a stressed narrator voice. The game genre of adventure is determined by the narration being used to set multiple scenes in different locations. The voices of three characters, two men and a woman, were likely recorded separately in a sound booth, with each character conveying different emotions.
The last of us
The document provides analysis of sound elements from the video game The Last of Us. It describes how the hum at the beginning establishes a calm setting that intensifies as drums are added to indicate action. Breeze sounds at the start suggest a silent place while drums build an action feel as fighting ensues. The genre is identified as action-adventure and fighting through beats and cut scenes. Dialogue between two females with one describing the game is enhanced with a voice over and voice effects like echo.
Sound design in computer games resident evil
This document contains a student's analysis of the sounds used in the ending scenes of the video game Mortal Kombat 9 Komplete Edition. The student describes the sounds as establishing a serious, dramatic, and fast-paced setting and mood through the use of orchestral instruments. The sounds of punches also indicate the game genre is fighting. The dialogue and accompanying music further the narrative in a serious and storytelling manner.
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The document summarizes sounds used in the opening scene of the video game Hyrule Warriors. It analyzes the background sounds of birds tweeting and low rumbling that set a relaxed outdoor scene. The mood then changes quickly as the music takes a darker tone. While the genre is difficult to determine from the short scene, the voice acting and music suggest an action-adventure RPG. The narrative is driven primarily by the music and background effects with little dialogue, introducing the threat of the game.
Ig1 task 2 analysis work sheet lost planet 2
The document analyzes sound elements from the game Lost Planet 2. It examines 4 examples of sounds and their production techniques:
1. The strong winds and train sounds in the first scene were likely field recordings edited in software or hardware to set the isolated, desert-like setting. Dialogue was recorded in a studio using hardware synthesizers.
2. The monster's roar in the second scene attack was also probably a field recording edited using software to make it sound like the alien's roar.
3. The sad, hopeless music and dialogue establishing the mood were most likely created with musical instruments and foley artistry in studios.
4. The wind, train, and monster sounds establishing the sci-
Sound design in computer games skyrim opening scene
The document provides an analysis of sounds used in the opening scene of the game Skyrim. It describes the sounds that establish the setting, mood, and game genre. For the setting, hoof sounds and wind create a sense of distance and cold, barren feel. Bird sounds add a forest feel. Orchestral music sets a calm mood that shifts between silence and an epic genre, feeling isolated. The orchestral music suggests an adventure game genre that feels grand and heroic. Character dialogue has both a calm and rushed, panicking tone, revealing they are prisoners being transported or fleeing, consistent with the hoof sounds.
Dead space 3 analysis work sheet 1
The document analyzes sound elements from the DeadSpace 3 game soundtrack between 3:45 and 9:22 minutes. It identifies the setting as outdoors in the future based on wind, snow, and robotic walking sounds. Field recordings and foley artistry were likely used to create these setting sounds. The mood is described as nervous and courageous based on the soldier's radio dialogue and orchestral music. Only musical instruments were used to set the mood. The game genre is identified as adventure and action based on the orchestral music during a mission briefing. Musical instruments and studio recordings were used to portray the narrative and genre.
Analysis 4
The document analyzes sound elements from the game Farcry 3. It describes the dialogue as being recorded in an open space to capture both dialogue and background ambient noise, possibly using a single recording. The mood is described as dark and suspenseful, set by the loud and angry dialogue tones. The genre is difficult to determine from the short video but hints at an open-world shooter given gunshot and screaming sounds during a character being thrown into water. Directional and waterproof recording equipment were likely used to capture these elements professionally.
Ig1 task 2 analysis work sheet
The document analyzes sound design elements in the first two scenes of the game DeadSpace 3. In the first scene, field recordings of winds and snow were likely used to establish an isolated, arctic setting. In the second scene, vehicle sounds imply an indoor location in a city. Music and dialogue were used to create moods of confusion, loneliness, tension, anger and frustration. The game genre is described as a sci-fi shooter with horror elements, driven by a narrative focused on finding something important to humanity's survival. Field recordings and studio recordings were used for sound effects and dialogue to advance the plot.
Jake sound design in computer games analysis work sheet saw 2
The document summarizes sounds used in the video game Saw 2 – Flesh&Blood. It analyzes 4 examples of sounds:
1) The setting introduces crackling TV and talking sounds, which would have been recorded voice overs and Foley artistry.
2) Mood conveys fear and struggling through screaming and movement sounds, which would be voice overs and studio recorded without background noise.
3) Genre is identified as horror/adventure based on pain and atmosphere sounds created by pure silence.
4) Narrative features a voice on TV, moving metal objects, and bad signal sounds created through Foley artistry and voice overs.
Dead space 3
The document provides descriptions of sounds from the video game Deadspace 3 and analyzes the production techniques used to create the different sound elements. It summarizes that the opening sounds establish a cold, windy remote location through field recordings or foley work. Background music builds suspense and the genre is established as sci-fi through futuristic sound effects that were likely digitally created using MIDI. Voices were recorded in a studio with voice actors.
Ig1 task 2 analysis work sheet
This document provides an analysis of sounds used in the cut scene for the video game DeadSpace 3. It describes the sounds used to establish the snowy setting, including wind sounds and footsteps crunching in the snow. It notes that field recordings were likely used to create the ambient snow and wind sounds. The mood is described as anxious, scared, and confused at first, and then scared with a serious dramatic musical score. The genre is identified as sci-fi and action/adventure based on sounds of aircraft and spaceship doors. Software like MIDI is suggested to have been used to create the sci-fi sound effects. The narrative involves two people talking over a satellite phone with no signal in the snow before meeting another person and
Skyrim analysis
The document analyzes the soundtrack of the video game Elder Scrolls 5: Skyrim. It describes the setting as outdoors in the wilderness based on ambient sounds of footsteps and trees. It states the mood is exciting based on sounds of combat and running. It identifies the game genre as an action adventure open world role playing game based on the audio. It notes the narrative voiceover describes the player's goals and main threats. The techniques used to create the soundtrack included hiring an orchestra, sound editing software, and recording the voiceover in a soundproof room.
Nathan mather dead space 3 sound design in computer games analysis work sheet
The document provides analysis of a sound sequence from the video game Dead Space 3. It summarizes the setting, mood, genre, and narrative established by the sounds. For the setting, strong winds and crunching snow sounds create the impression of a barren, snowy outdoor area that later changes to indoor city sounds. The mood of confusion is created by mysterious background music from a studio orchestra combined with field recordings and foley artistry in the sound effects. The genre is described as a horror/action adventure game based on the intensity of the orchestra music and narrative cues from the characters' voices. Regarding narrative, the emotions in the characters' voices change from confused to urgent to panicked and proud and then angry, creating
Bioshock
The document summarizes key elements of the soundtrack from the video game Bioshock. It describes the setting as moving from a plane crash into the ocean to an underwater city. It notes the mood was meant to be creepy and mysterious. Production techniques used included recorded or stock sounds edited for the setting, lowering the pitch and slowing playback of sounds to suggest being underwater, string instruments and drums to set the ominous tone, and voice acting with added effects to sound like 1940s recordings.
Dead space the review/thing by liam the king
The document provides analysis of sound elements from the video game DeadSpace 3. It summarizes:
1) Various sound effects are used to establish the setting including wind, space ambience, and radio static suggesting danger. Field recordings were likely used to create the wind and static sounds.
2) The mood is described as cold with icy tension between characters conveyed through music and sound effects that elicit fear, anger, and sadness. Musical instruments were probably used to create the background music.
3) The game genre is described as intense, fictional fantasy and adventure with mission-based and sci-fi elements. Foley artistry was mostly used for sound effects to grab attention through constant action.
4)
Sound design in computer games 2
The document provides an analysis of sounds used in the cinematic trailer for the game Devil May Cry. It analyzes the sounds used to establish the setting, mood, and game genre. For the setting, traffic and car alarm sounds create the feel of a busy city and gunshot and sword sounds portray fighting. Dark atmospheric music sets the mood. The genre of action is portrayed through fighting sounds, screams, and specially created sword sound effects. The narrative involves Dante fighting his way through to deliver a message.
Halo 4 analysis
The document provides an analysis of the sound design in the opening sequence of the video game Halo 4. It summarizes the setting as a secure headquarters where characters discuss previous threats from distant galaxies. The mood is described as exciting and mysterious. The narrative explains that children were abducted and turned into super soldiers to fight an alien race threatening humanity. Production techniques like high-quality microphones and sound editing software were likely used to record voices and add sound effects to the scene.
Ig1 task 2 analysis work sheet 3
The document provides an analysis of sounds from the game Wolfenstein: The New Order. It describes sounds that establish setting, mood, game genre, and narrative. For each category, it clearly states the production techniques used to create the specific soundtrack elements. These include using editing software to modify recorded sounds, field recording and studio recording of sounds like saws and screams, and editing recorded dialogue in a studio booth.
Task 2 analysis modern warfare 3
The document discusses the sounds used in a cut scene from the video game Modern Warfare 3. It analyzes the setting, mood, genre, and narrative established by the sounds. Production techniques like Foley artistry, field recordings, MIDI, voice acting, and editing software are identified as having been used to create specific sound elements like explosions, wind, glass breaking, gunfire, and dialogue. The cut scene sounds establish an intense, action-packed mood for a first-person shooter game through realistic violent sounds of combat.
Sound in Games - Nashandra Analysis
The document summarizes the sounds used in an alternate cutscene from the video game Dark Souls 2. It describes the setting as a dark, dusty final area before the game's end where the player must face bosses. Sounds of a heartbeat and a strange, distorted woman's voice establish a tense, scary mood. The woman mocks the player in a way that confirms she is not human due to fleshy, rustling walking sounds. The sounds of wind, dust and stones were likely created using Foley techniques, while the non-human sounds were probably digitally made. The scene reveals the true motives of the speaking non-human woman and important narrative elements through edited studio recordings that remove her human nature.
Force unleashed 2 analysis
This document analyzes the sound design of a scene from the video game Star Wars: The Force Unleashed 2. It describes the setting as a futuristic space station based on the door sounds. It states the mood at the beginning is somewhat depressing, conveyed through betrayal-themed music. The genre is identified as an action RPG due to the action-packed nature. It also notes the narrative of Darth Vader explaining the main character's betrayal by his former master, and that a directional recording system was likely used to capture clear character voices.
Nathan mather alan wake sound design in computer games analysis work sheet
The document analyzes the sounds used in a video game sequence from Alan Wake. It describes the sounds used to establish the setting, mood, game genre, and narrative. The setting is described as a bird's eye view of the woods based on a lack of environmental sounds and use of narration. The mood is set as mysterious through background music and a stressed narrator voice. The game genre of adventure is determined by the narration being used to set multiple scenes in different locations. The voices of three characters, two men and a woman, were likely recorded separately in a sound booth, with each character conveying different emotions.
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The document provides an analysis of sound elements in a scene from the video game Assassin's Creed II. Specifically, it examines the sounds used between 16:21 and 17:34 that establish the nighttime setting of a dark place. Dialogue and background music with a violin are used to set a calm but intense mood. The gameplay genre of an action-adventure stealth game is conveyed through grunts and heavy breathing during climbing. Narrative elements like scripted dialogue, story, and musical background are enhanced with sound effects of rocks during roof climbing.
Ig1 task 2 analysis work sheet 06
The document provides an analysis of sound elements in the video game Assassin's Creed. It describes the setting of an interrogation room based on sounds of locks and handcuffs. It states the mood seems stressful or urgent based on voice actors. The genre is identified as a war shooter due to references to military operations. The narrative appears to be of a player being interrogated for a past mission that was done wrong. Production techniques are said to include recording voice actors and locks/cuffs in a sound booth.
Ig1 task 2 analysis work sheet lollipop chainsaw
The document analyzes the sound design of the game Lollipop Chainsaw. It describes the setting as a destroyed farm shown through burning fires and screams. The mood is established as scary at first but becomes funnier due to the voice acting. The genre is identified as hack and slash based on the sound of chainsaws and mentions of zombies. Production techniques are assessed, finding that some sounds like instruments and effects seem recorded on location while others like voices and effects were made in a studio.
Ig1 task 2 analysis work sheet 2
The document discusses a cut scene from the game Halo Wars. It analyzes the setting, mood, game genre, and narrative established by the cut scene. For each element, it describes what is seen and heard in the cut scene. It then states that an orchestra was likely used to create the soundtrack throughout the entire cut scene, based on the tense and dramatic nature of the music.
Unit 73 Task 2
The document provides analysis of sound design in video game cutscenes from several popular games including World of Warcraft, Gears of War 3, Borderlands, League of Legends, and Heroes of the Storm. Production techniques used to create specific soundtrack elements are identified, such as foley artistry, field recordings, and audio editing software. Mood, setting, genre, and narrative are described for each cutscene example through analysis of soundtrack, sound effects, and visuals.
Ig1 task 2 analysis work sheet
The document analyzes the sounds used in the trailer for the game Rainbow Six: Siege. It describes hearing engines of a vehicle, sounds of struggle from a tied-up hostage, and footsteps of people rushing through a house. The mood is described as a serious action/panic situation. The game genre is identified as FPS and action. The narrative is summarized as four team-mates cooperating to save a hostage held in her house by criminals. For each section, the document states that most sounds were likely created in a game engine sound editor or by recording real-life sounds outdoors and manipulating them.
watch dogs analysis
The document discusses the sound design of the game Watch Dogs. It analyzes specific soundtrack elements and effects used to set the urban setting of a Chicago-like city with ambient street sounds. The mood is described as serious, using distorted and "static" sounds to convey a sense of a terrorist attack. The narrative voiceover was likely recorded in a professional sound studio using high-quality soundproofing and condenser microphones to achieve clear audio quality.
Sound design in computer games the last of us
This document analyzes the sounds used in a video game soundtrack clip from The Last of Us. It describes the sounds that establish the setting, mood, and narrative. It suggests that sounds like the wind were created using field recordings or a MIDI soundboard, while dialogue and fighting noises were recorded and edited in a studio. Musical instruments or an orchestra likely created the intense music. Foley artistry was used to capture sword clashing sounds clearly without ambient noise. All dialogue was recorded in a studio given its high audio quality.
Ig1 task 2 analysis work sheet halo 4 opening
This document provides an analysis of sound elements in the Halo 4 cinematic introduction.
It examines the setting, mood, game genre, and narrative based on audio cues. For the interrogation room setting, it suggests virtual studio technology (VST) was used to create echo effects. Sadness in the mood is attributed to fade effects and live orchestral recordings. Depicting the game as a sci-fi shooter is achieved through edited or virtual instrument-created weapon sounds, battle audio, and an explanatory script. The story is communicated through a live recorded conversation following an edited script to seem like an interrogation.
Rainbow six seige
The document analyzes the sounds used in the Rainbow Six: Siege trailer video. It describes the setting as a vehicle driving up to a mansion with a struggle occurring inside where a person is tied up. The mood is described as a serious action/panic situation. The genre is identified as a first or third person shooter based on the sounds. The narrative is summarized as a team cooperating to save a hostage being held in a house by criminals.
Gears of war
The document summarizes sound design elements in the video game Gears of War 3. It describes how sounds were used to establish setting, mood, and game genre. Specifically, it notes that alien screams set a post-apocalyptic setting, somber music conveyed the serious mood as characters took cover from sniper fire, and gunshots and dialogue implied a war game genre. It also analyzes the narrative of a character getting shot by a sniper and explains that voice actors likely recorded scripts to sync dialogue with cut scenes.
Ig1 task 2 analysis work sheet 5
The document provides analysis of sounds used in the game Deadpool that establish setting, mood, game genre, and narrative. For setting, the sounds of heavy rain and an answering machine beep were likely field recorded and added straight into the game. To set mood, gunshots and explosions recorded in the field or on a computer establish a tone of danger, mystery, and humor suited for younger audiences. The edited, cartoony sounds and different voice actors imply a comedy action game genre. Narrative is the primary source of humor, advanced through jokes between Deadpool's head voices, and is the main way to understand the story as character development is emphasized.
Force unleashed 2 analysis
The document summarizes the sound design of a scene from the game Star Wars: The Force Unleashed 2. It describes the setting as a futuristic space station with dangerous destruction. The mood at the beginning is somewhat depressing with a betrayal-themed soundtrack. Production techniques used to create the soundtrack included sound recording in a studio with professional microphones and audio editing software to adjust pitch, volume, frequency, amplitude, and intensity. The game genre is described as an action RPG due to its action-packed nature. The narrative is part of the story where the main character is betrayed by his former master, as told through a voice over of Darth Vader.
Ig1 task 2 analysis work sheet kid icarus uprising
The document summarizes sound elements from the game Kid Icarus Uprising. It analyzes the setting, mood, genre, and narrative of a boss battle scene. For each element, it states that different production techniques were used to create the sounds, including recording sound effects and voices in a studio and using digital sound software. The genres is described as a third-person shooter, and both text boxes and voice actors were used to convey the narrative.
Ig1 task 2 analysis work sheet 5
The document provides an analysis of the sound design in the video game "Call of Duty: Ghosts." It describes the game's setting across various global locations, its dark and serious mood as a war game, and its genre as a first-person shooter. Specific soundtrack elements are examined, including ambient natural sounds, a ominous repeated ding, explosions and destruction sounds, and the effectively dark tone of the introductory narration.
Ig1 task 2 halo 4
The document summarizes sound elements from the game Halo 4. It describes the setting as a wide open cave or enclosed military base based on echoing and metallic mechanical sounds. The mood is described as tense due to military sounds and explosions and spaceship noises, giving a futuristic feeling. The genre is identified as a war or sci-fi game based on explosions, gunshots, and space noises. The narrative involves a main character listening to radio during spaceship takeoff, taking orders, and receiving a monologue, which was likely recorded and edited in a studio.
Ig1 task 2 analysis work sheet 3
The document provides descriptions of sounds used in the game Wolfenstein: The New Order and analyzes the production techniques used to create them. It summarizes four examples of sounds that establish the setting, mood, game genre, and narrative. For each, it states what sounds are used and the likely production techniques, such as using editing software to modify recorded sounds.
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Sound design in computer games analysis work sheet tom crook
Sound design in computer games analysis work sheet tom crook
Ig1 task 2 analysis work sheet kid icarus uprising
Ig1 task 2 analysis work sheet kid icarus uprising
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Sound design in computer games analysis work sheet
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Cod advanced warfare analysis work sheet
- 1. Salford City College Eccles Sixth Form Centre BTEC Extended Diploma in GAMES DESIGN Unit 73: Sound For Computer Games Game Title Call of duty - Advancedwarfare Provide detailed descriptions from chosen examples that establish… Clearly state what production technique(s) you think have been used to create specific soundtrack elements Setting The settingseemstobe ina war environmentinside the barracksfromthe narrative and the othermechanical noisesitseemslike it’sjustbefore goingintoamissionor war.IN the backgroundyoucan hearthe windrustling,doorsmechanical doors openingandvehicles,itseems tobe abig openspace indoor. The production techniques usedforthisisfield recordingforthe windand vehiclesinthe background.Theyhave alsousedsome folly artistryfor the doorsand otherroboticsounds. Fieldrecordinghasalsobeensuedtogetthe soundsof get the othersubtle soundstogive life to the environmentaround. Mood Judgingfromthe dialogsthe character“Mitchel”seemstobe nervousandtense in the beginningbuthisfriendtriestocheerhimup. Itmore of a tense andnervous feelingwhenthe charactersspeak all aroundbecause itseemsliketheyare soldiers rightbefore a dangerousmission. The backgroundsoundslikethe marchingsounds givesina more tense pre-warfeeling. Thisis done byvoice recordingina studiosince the moodis mostlyshownthrough narratives. There issome fieldrecordingused too. Game genre Judgingfromthe narrativesandall the backgroundnoise thisseemstobe inthe actiongenre.Inthe narrativesyoucan clearlyhere the charactersare soldiersgoing for war.The othercharacter doingthe inductionorpre battle preptalk,that makes it soundlike I ismore like shootgame andfast pacedaction. The soundslike the roboticsand hearingthe tone of the character’svoices Studiovoice recordinghasbeenusedforthis. Follyartistryhasbeenusedtoget those noisesof doorsclosing,robots anddoors closingetc. Fieldrecordinghasalsobeensuedtogetthe soundsof get the othersubtle soundstogive life to the environmentaround. Narrative The firstnarrative withinthe twocharacters Mitchell andIronsseemstobe based on howand whytheyjoinedthe armyor thismilitaryorganization. Bothof the character joinedthe armybecause of theirfathers,one characterwantedtoget away fromhimand the otherdidIt for hiswill.Thenthe nextnarrative isthe commandergettingthe teamreadyforthe battle,The change of histone seemslike he is tryingto getthe squad readyto fight. Studiorecordinghasbeenusedforthisto getthe voicesof the characters. Theyalsohave usedsoftware toget the voices and the othernoisesinthe backgroundright,like changingthe volume levelsof the separate sounds.
- 2. Salford City College Eccles Sixth Form Centre BTEC Extended Diploma in GAMES DESIGN Unit 73: Sound For Computer Games https://www.youtube.com/watch?v=idphc8MlwDs (0:0:48)- (1:45)