These handouts were prepared by Violet Davis-Maurice and distributed to participants at FashionTT's Fashion UPDGRADE! Workshop. Topics covered include:
Criteria for Assessing Materials to be Used in Apparel and Sewn Products
Assessment of Quality in Finished Garments
Selection of Fabrics for Specific End Use
Applying Fabric Selection Guidelines
Fabric Properties
Sample Fabric Specification Sheet
Meeting Design Requirements
Globalization has made it easier than ever to ignore where our clothes come from. The fashion industry has complex connections to many other fields, including manufacturing, advertising, production of raw materials, transportation and retailing. Begin to educate consumers about the importance of APPAREL STANDARDS.
Globalization has made it easier than ever to ignore where our clothes come from. The fashion industry has complex connections to many other fields, including manufacturing, advertising, production of raw materials, transportation and retailing. Begin to educate consumers about the importance of APPAREL STANDARDS.
Sample Section
Maintaining buyer Specification standard
Checking the sample and its different issues
Measurements checking
Fabric color, GSM, Fastness, etc properties required checking
SPI and other parameter checking
Store section:
Store section is centralized in apparel industry and all the fabric comes to this unit first from the supplier and audited here and kept until it is distributed to other section. Following controlling are checked here.
Inventory
Fabrics
Material
Swatch board making
Cleanliness
Reporting
Quality control in cutting section
Marker Making:
To check notch or drill mark
Fabric width must be higher than marker width
Fabric length must be higher than marker length
Matching of green line
Check pattern size and dimension
Matching of check and stripe taking into consideration
Considering garments production plan
Cutting table length consideration
Pattern direction consideration
Fabric Spreading:
Fabric spreading according to correct alignment with marker length and width
Maintain requirements of spreading
Matching of check and stripe
Lay contains correct number of fabric ply
Correct Ply direction
To control the fabric splicing
Tension control
Fabric Cutting:
The dimension of the pattern and the cut piece should be same and accurate
Cut edge should be smooth and clean
Notch should be cut finely
Drill hole should made at proper place
No yarn fraying should occur at cut edge
Avoid blade deflection
Maintain cutting angle
Objectives of Production Planning :
To determine capacity of all manufacturing departments and to plan systematically coordinated
To translate orders received from sales department into orders on the works department and to ensure steady plans of production activities.
To promote fuller utilization of plants.
To assist labor towards right and greater earnings.
To train staff in the effective performance of their duties
This presentation was made to have an elaborate sense of fabric spreading. Different types of fabric spreading and the pros and cons of different fabric spreading is illustrated into the presentation.
Apparel Quality Control & Quality AssuranceSAMultimedia
Quality control of apparels or garments, garments quality assurance, garments inspection, fabric inspection. By this file easily understand about garments quality.
Dezyne E'cole College student portfolio made after her 1year duration of study at the college.B.Sc.Fashion Technology student are given technical inputs to make them industry ready . Presenting her work just after 9 months of her period of study at Dezyne E'cole College , Ajmer.
Sample Section
Maintaining buyer Specification standard
Checking the sample and its different issues
Measurements checking
Fabric color, GSM, Fastness, etc properties required checking
SPI and other parameter checking
Store section:
Store section is centralized in apparel industry and all the fabric comes to this unit first from the supplier and audited here and kept until it is distributed to other section. Following controlling are checked here.
Inventory
Fabrics
Material
Swatch board making
Cleanliness
Reporting
Quality control in cutting section
Marker Making:
To check notch or drill mark
Fabric width must be higher than marker width
Fabric length must be higher than marker length
Matching of green line
Check pattern size and dimension
Matching of check and stripe taking into consideration
Considering garments production plan
Cutting table length consideration
Pattern direction consideration
Fabric Spreading:
Fabric spreading according to correct alignment with marker length and width
Maintain requirements of spreading
Matching of check and stripe
Lay contains correct number of fabric ply
Correct Ply direction
To control the fabric splicing
Tension control
Fabric Cutting:
The dimension of the pattern and the cut piece should be same and accurate
Cut edge should be smooth and clean
Notch should be cut finely
Drill hole should made at proper place
No yarn fraying should occur at cut edge
Avoid blade deflection
Maintain cutting angle
Objectives of Production Planning :
To determine capacity of all manufacturing departments and to plan systematically coordinated
To translate orders received from sales department into orders on the works department and to ensure steady plans of production activities.
To promote fuller utilization of plants.
To assist labor towards right and greater earnings.
To train staff in the effective performance of their duties
This presentation was made to have an elaborate sense of fabric spreading. Different types of fabric spreading and the pros and cons of different fabric spreading is illustrated into the presentation.
Apparel Quality Control & Quality AssuranceSAMultimedia
Quality control of apparels or garments, garments quality assurance, garments inspection, fabric inspection. By this file easily understand about garments quality.
Dezyne E'cole College student portfolio made after her 1year duration of study at the college.B.Sc.Fashion Technology student are given technical inputs to make them industry ready . Presenting her work just after 9 months of her period of study at Dezyne E'cole College , Ajmer.
How to Develop Product Specifications for Fashion Design. FashionMentorOnline
Slide show presentation of how to Develop Product Specifications for Fashion Design.
Session 1 - task 1 and 2
Includes:
resources
assessment tasks (introduction)
key features
top, middle and bottom of sample specification
'graded spec'
task 1
measuring a garment (introduction)
crtical points
Coordinated with this ethos, Manjushree Spntek is taking shape, for the manufacture of high-performance nonwoven fabrics for the hygiene and medical industry.
Everything You Need To Know About Scrubs Fabric!Garment Printing
Doctors, nurses, and other medical personnel commonly wear scrubs when treating patients in healthcare. The most popular scrub colours used in operating rooms are solid light grey, light blue, and green. A broad array of colours and patterns are utilised for non-surgical scrubs. Selecting the proper scrubs fabric as workwear is crucial because medical professionals must feel comfortable wearing them.
Regarding scrubs clothing, there are several fabrics to choose from. And with so many options, it can be challenging to choose the best one. However, we are here to assist. This article will discuss the detailed guidelines on scrubs and the various fabrics used to make them. By the end of this article, you will know precisely which cloth is ideal for you and your needs. So, let’s get started!
All about the essentials of a sewing notionsLuisa Shields
In order to ensure a superior end product of sewing, the sewing notions that are a must have are Good Sewing Scissors which should be sharp and have elongated blades so that it easily cuts through the fabric.
Material exploration yarns & fabricsNeeraj Sinha
THIS PRESENTATION WILL HELP A DESIGN PROFESSIONAL IN GETTING AN INITIAL EXPOSURE TO THE WORLD OF FABRICS WHICH IS THE CORE OF THE INDUSTRY. IT IS SUITABLE FOR ANY FOUNDATION COURSE STUDENTS IN FASHION & TEXTILE DEPARTMENT.
Sandra Carr, Senior Lecturer, The Academy for Caribbean Fashion and Design, University of Trinidad and Tobago, shares her presentation on Production Management. Mrs. Carr presented on this topic at FashionTT's Business of Fashion Workshop on Friday 21st July, 2017.
Andre Taitt, Adjunct Lecturer in Finance and Management Accounting, Arthur Lok Jack Graduate School of Business, provides guidelines on financial statements, accounting concepts, etc. at FashionTT's recent Business of Fashion workshop.
Register to participate in CARIFESTA XIII in August:
https://docs.google.com/forms/d/e/1FAIpQLSdrnrtLWQB4awIqEPZHqFOAVW0DDA_SM6316DRDQjzv1lWnEQ/viewform?c=0&w=1
A presentation by Shiveta Sooknanan, Legal Officer II, Intellectual Property Office at MusicTT, IPO & WIPO's How to Make a Living from Music workshop.
OUTLINE:
Copyright and Neighbouring Rights
Exclusive rights of the copyright owner
Individual management of rights
Collective management
Models of collective management: Traditional CMO, One-stop-shop, Rights Clearance Centre
CMOs in the Caribbean
CMOs Legislation/Regulations
Licensing Formats/Royalties
Copyright infringement
Issues faced by the music industry in Trinidad and Tobago
Proposed Solutions
A presentation by Dimiter Gantchev, Deputy Director, Copyright and Creative Industries Sector, WIPO on making the Creative Industries a tool for national economic development
Dr. Vanus James, Professor at the University of Technology, Kingston, Jamaica discusses Creative Industries as a Factor of Economic Development in Trinidad and Tobago and the World at MusicTT, WIPO & IPO's How to Make a Living from Music workshop
Deborah Beard's Tech Pack handout shared with participants of the Creativity & Business of Fashion Workshop. A tech pack is "an informative sheet that designers create to communicate with a manufacturer all the necessary components needed to construct a product." -Maker's Row (makersrow.com)
Sharpen existing tools or get a new toolbox? Contemporary cluster initiatives...Orkestra
UIIN Conference, Madrid, 27-29 May 2024
James Wilson, Orkestra and Deusto Business School
Emily Wise, Lund University
Madeline Smith, The Glasgow School of Art
Acorn Recovery: Restore IT infra within minutesIP ServerOne
Introducing Acorn Recovery as a Service, a simple, fast, and secure managed disaster recovery (DRaaS) by IP ServerOne. A DR solution that helps restore your IT infra within minutes.
Have you ever wondered how search works while visiting an e-commerce site, internal website, or searching through other types of online resources? Look no further than this informative session on the ways that taxonomies help end-users navigate the internet! Hear from taxonomists and other information professionals who have first-hand experience creating and working with taxonomies that aid in navigation, search, and discovery across a range of disciplines.
This presentation, created by Syed Faiz ul Hassan, explores the profound influence of media on public perception and behavior. It delves into the evolution of media from oral traditions to modern digital and social media platforms. Key topics include the role of media in information propagation, socialization, crisis awareness, globalization, and education. The presentation also examines media influence through agenda setting, propaganda, and manipulative techniques used by advertisers and marketers. Furthermore, it highlights the impact of surveillance enabled by media technologies on personal behavior and preferences. Through this comprehensive overview, the presentation aims to shed light on how media shapes collective consciousness and public opinion.
This presentation by Morris Kleiner (University of Minnesota), was made during the discussion “Competition and Regulation in Professions and Occupations” held at the Working Party No. 2 on Competition and Regulation on 10 June 2024. More papers and presentations on the topic can be found out at oe.cd/crps.
This presentation was uploaded with the author’s consent.
0x01 - Newton's Third Law: Static vs. Dynamic AbusersOWASP Beja
f you offer a service on the web, odds are that someone will abuse it. Be it an API, a SaaS, a PaaS, or even a static website, someone somewhere will try to figure out a way to use it to their own needs. In this talk we'll compare measures that are effective against static attackers and how to battle a dynamic attacker who adapts to your counter-measures.
About the Speaker
===============
Diogo Sousa, Engineering Manager @ Canonical
An opinionated individual with an interest in cryptography and its intersection with secure software development.
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CRITERIA FOR ASSESSING MATERIALS TO BE USED IN
APPAREL AND SEWN PRODUCTS
Fabric
Should be suitable for the type of garment and the style
Should be suitable in weight and texture
Should have no obvious flaws
If printed the print should be appropriate for the garment/article
Thread
Should be a suitable match for the fabric-colour and fibre type
Avoid transparent thread
Lining
Should be similarly assessed to fabric
Fastenings Zips
Correct colour, type, weight
Should use a suitable method of application for the position
Buttons
Must be well chosen for colour, style, size shape
Buttonholes
Should be the correct size for the buttons
Should be in the correct positions
Should be strong especially at the ends
Other fastenings (Velcro, press studs, hooks and eyes)
Should be suitable in size and type
Should be correctly positioned (well aligned)
Should be well secured
Belt
Should be suitable in size
Should be an appropriate style
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Should have matching coloured eyelets
Should be compatible to the garment in regards to washing Ironing etc (or
be separately labelled)
ASSESSMENT OF QUALITY IN FINISHED GARMENTS
Stitches
Should be correct type for the fabric
Should be uniform in size
Should be well secured at the ends
Seams
Should be flat on outside of the garment with no puckering
Should be even width
Seam allowance should be generous not skimped
Should be appropriately neatened
Should be suitable for the type of fabric used and the garment style
Hems
Should be suitable type for the fabric and the style of the garment
Should be inconspicuous on the right side
Should be a suitable depth
Should have a smooth flat lower edge there should be no sign of puckering
Openings
Should be suitable for the style of garment
Should be an adequate length
Should be strong particularly at the end where most strain occurs.
Darts
Should be the correct length
Be correctly positioned
Should be well pressed
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Pockets
Can be functional for decoration only
If functional should be in the correct position
Should be strongly made and lined if possible
Collars
Should be set on evenly and centrally
Under collar must not show
Should be cut on the correct grain
Sleeves
Must hang correctly
Should be appropriate length and width in keeping either style and design
requirements
Should have well neatened armhole
Labels
Should be secured and attached in an appropriate position for the type of
garment
SELECTION OF FABRICS FOR SPECIFIC END USE
Selecting a fabric that is best suited for a particular use involves knowledge of fabric
behaviour and an understanding of textile properties in finished fabric.
Selecting for Aesthetics.
Selection of fabric for particular uses is usually initially made on the basis of
appearance. Colour, luster touch and drape must first be correct and appealing for
the product before any further considerations can be made. Having accepted these
first criteria of taste and fashion, the choices for selection then becomes a matter
based on the performance properties of the fabric. This can be accomplished by
using specific guidelines. These guidelines can be equally useful to a fashion
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designer creating a line, a store buyer or merchandiser placing purchase orders, an
interior designer decorating a home or to a consumer shopping for a new outfit.
Examination of the fabric for defects is also important. Many of these are easily seen.
The following are examples of these imperfections.
1 Missing Yarns
2 Uneven yarns- thick or thin areas on the fabric
3 Bowing or skewing- stripe is not straight across the fabric and does not
match up at the selvedges
4 Missed yarn or missed knit- error in the design
5 Unevenness in colour – colour shading or colour streaking occurring on
the fabric
6 Off balance- parts of a printed fabric, pattern does not fit properly on the
fabric
7 Uneven finish- fabric does not have the same degree of finish throughout.
Selecting for Suitability
The important guideline determining suitability of a fabric for a particular use is
how must it perform? Obviously fabric for a formal gown worn on infrequent
occasions will have different performance expectation than a fabric for a blouse or
shirt that is worn frequently and is laundered or dry cleaned often. Likewise the
fabric for a man’s work overall that will be laundered at home and worn again with
little or no ironing will need to have different expectations than the fabric for a suit
that will be worn infrequently and dry cleaned. Once having determined the fabric’s
ultimate use and performance expectations certain definitive knowledge based
judgments can be applied.
Selecting for Durability and Serviceability
How durable do textile products need to be? Most fabrics in clothing are not worn
to a point where a garment has to be discarded because it is worn out. For the most
part clothes are discarded because they are no longer in style or because the
consumer wants something new. What is expected however is that the textile
product remains in reasonably good appearance and not show undue signs of wear,
of fading, or shrinking or stretching out of shape during its expected useful life. It
should be remembered that there is a clear need to define how and where a fabric
will be used.
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Many textile products however require maximum durability (i.e. high strength, high
abrasion resistance, excellent colour retention and high seam strength). These
products are items subject to high stress during wear and in many instances are
purely utilitarian rather than fashion or style related. Such items include most utility
work and uniform clothes, active sportswear, camping gear, children’s playwear and
many home fabrics whose expected life may be a few years.
APPLYING FABRIC SELECTION GUIDELINES
A fabric should be examined based on its properties to determine its suitability for
its particular end use. There are various guidelines that should be applied to
selecting the appropriate fabric and these are as follows
Fibre Content
The main key to optimum fabric selection lies in a thorough understanding of fiber
properties. Fibre the initial building block governs physical and chemical properties
of the ultimate fabric. Properties can be modified, as for example crease resistant
finishes for cotton; but a fibre that is completely unsuitable for a particular use will
nevertheless fail, if not initially then during use. Fibre properties should be
considered in fabric selection decisions. Fabrics of acetate for example may be
strongly considered when softness and excellent drapability are needed but would
be undesirable where high strength and abrasion resistance are required.
When considering fibre properties, blends or mixtures (and their performance) as
well as 100% one fibre content should be taken into account. Many fibre
modifications of man-made fibres are produced that offer improved fabric
performance for certain uses. Some natural fibre fabrics made from premium grades
of fibre such as Pima cotton or Merino wool may be desirable if the end use of the
fabric warrants the additional cost.
Yarn Properties
In addition to the properties inherent in the fibre, the type of yarn made from these
fibres has considerable effect on the aesthetics and the performance of a fabric.
Appearance differences between spun and filament yarns are obvious. The end use
of the fabric must be considered in making an optimum selection say in choosing
combed or carded yarns, single or plied yarns or woolen or worsted yarns.
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Pilling Propensity
Yarn configuration bears importantly on the likelihood of pill formation in those
fibres that are subject to that occurrence. Yarns that have high amount s of fibres
protruding are likely to pill while filament yarns or highly twisted yarns are less
likely to create a pilling problem.
Abrasion Resistance
Yarns that are not uniform in thickness either because of poor spinning quality or
by design as in novelty yarns will have lower resistance to abrasion than uniform
yarns. Active sportswear, children’s playwear, upholstery, and fabrics used for
seating require excellent resistance to abrasion. Yarns in the fabric should be
examined carefully to check for the uniformity of yarn thickness. Holding the fabric
up to light can help in this examination.
Strength and Softness
Yarn strength and yarn softness in spun yarns are interrelated and are primarily
governed by the amount of twist in the yarn. Low twist yarns will be more flexible
and drapable and are usually satisfactory for casual and leisure wear or window
fabrics. By contrast fabrics with high twist yarns should be selected for higher
strength fabric uses such as active sportswear, children’s wear and upholstery. The
high twist yarns will tend to be less flexible and hence less drapable however.
Filament yarns are stronger that spun yarns of the same thickness and fibre content,
but flexibility and drapability are dependent on the size of the individual filaments
making up the yarn. Caution for yarn distortion and seam slippage need to be
observed however depending on the use of the fabric.
FABRIC PROPERTIES
The fabric structure and the properties created by the structure need to be
considered in the selection process. This must be done with the understanding that
there is an interrelationship with the fibre and yarn properties.
Fabric Structure –Woven
Ends and picks per inch/cm are a definite indicator of fabric quality. In most end
uses a higher ends and picks per inch/cm would be preferable to a lower count for
end use where durability is important. Children’s wear, active sportswear and
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similar applications are examples. Some applications require the lightest possible
fabric consistent with the desired serviceability, blouses and shirts for example. Yarn
and seam slippage and fabric strength are of particular concern in lightweight fabric
Fabric Structures- Knitted
One of knitted fabrics most important properties is the ability of these materials to
mould easily to body shapes and thus contribute to wearer comfort. The ability to
recover from stretching and to retain shape is equally important. Note however that
some fabrics that stretch too easily have a tendency to have poor recovery also which
is an undesirable property.
Yarn and Seam slippage
Slippage occurs because of the smoothness and low friction of the filaments,
conversely the propensity toward yarn ad seam slippage if reduced if the yarn
friction is increased. Plain weave fabrics which have high interlacing are less likely
to slip than a satin weave fabric with long floats.
Fabric Strength
Three major types of strength are tensile or breaking strength, tearing strength and
bursting strength used for knits. Of the three tearing strength has the more direct
relationship to fabric performance. In general the tear strength will tend be lower if
the yarns in a fabric cannot easily move or shift. Other Fabric properties that may
be considered are wrinkling, drapability and air permeability.
Finish Properties
Various finishing procedures often affect fabrics in ways that need to be considered
in fabric selection decisions.
Resin finishes. These include durable press, which reduces both strength and
abrasion resistance of fabrics.
Napped finish. Fabric with a napped finish particularly outerwear fabrics has greatly
reduced abrasion resistance.
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SAMPLE FABRIC SPECIFICATION SHEET
Fibre Content 100% Polyester
Weight 260±5 gm²(min)
Fabric Count 50X50 (even count)
Bursting Strength 267N (60 lbf) min
Pilling Resistance 4-5 (min)
Abrasion Resistance 4-5 (min)
Dimensional Stability (each direction)
Pressing and Finishing 2%max shrinkage 0% growth
After 5 washes 3% max
Colourfastness
Laundering
Colour Change Class 4 minimum
Staining Class 3-4 min
Crocking
Dry Class 4 min
Wet Class 3 min
Perspiration
Colour Change Class 4 min
Staining Class 3 min
MEETING DESIGN REQUIREMENTS
The International Standards Organization (ISO) defines quality as – “The totality
of features and characteristics that bear on its ability to satisfy stated or
implied needs”.
Quality is also referred to as “fitness for use”, “fitness for purpose” or “customer
satisfaction”.
Expressed another way, quality may be defined as:
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The degree of conformance of all the relevant features to the customer’s needs and
expectations at a price he is prepared to pay.
Within the terms of a contract, needs are specified i.e. specific needs or stated needs.
Implied needs must, however, be identified and defined. Market surveys may be
used as a source of reliable information for the identification of needs.
A Specification is defined as:
A concise statement of a set of requirements to be satisfied by a product, a material or
a process indicating, whenever appropriate, the procedure by means of which it may
be determined whether the requirements given are satisfied.
When a customer makes the decision to purchase a garment or other sewn product
he/she has certain needs that there is an attempt to satisfy, whether these are
verbalised or not.
A good designer/manufacturer should be able to translate these needs into a
suitable design that would fulfill the requirements of customer in terms of suitability
of design and all the other criteria, ease of care, suitability for purpose, value for
money, suitability for figure type etc.
The purchaser of textiles and textile products is likely to expect his need to be
satisfied in the following areas:
(i) Colour fastness;
(ii) Correct quantities, colours and dimensions;
(iii) Correct orientation of design;
(iv) Suitability for his purpose e.g. weight, design, fibre type etc
(v) Information on care
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The following tables indicate some aspects of the customer’s implied needs.
AESTHETIC APPEAL
FOCUS APPLICATIONS
Cleanliness All parts.
Fabric defects All exposed parts.
Matching - colour, type Thread, zipper and other notionsfindings
Neatness Belts, buttonholes, collar facings, fly fronts,
front stands, pockets, seams of linings, top
stitching.
Shading All panels or components parts.
Stretch Pocket edges.
Symmetry Buttons, checks, stripes, collar and lapels, cuffs,
darts, hooks and bars, pleats, tucks and folds,
pockets, one way designs/patterns on fabrics,
Belts and loops, collars
Trimmings Wherever used on garment.
Undesirable visible parts Facings, pocket linings
PERFORMANCE
FOCUS APPLICATIONS
Adequacy for function Seam type, stitch length and tension, thread
type.
Colour fastness Braids, laces, motifs, threads, and zippers.
Secure attachment Buckles, hooks and bars, lining (at seams),
loops, pockets (upper corners reinforced).
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FINISH
GARMENT PARTS QUALITIES
Bartacks Uniformly positioned, all sewn with the same
thread unless otherwise dictated by design.
Button holes No strands of fabric, no frayed ends.
Collars Flat finish, no facings visible at seam edge.
Edges Overlocked - not raw, cleanly cut.
Facings Flat finish.
Flies and fly fronts Flat finish.
Hems and trimmings Clean finish.
Turn-ups shall lie flat, with joins seam-on-seam
except when these are diagonal.
On transparent fabrics, first turning shall not be
visible.
Interlinings Not visible from outside or inside.
Linings Not visible from outside.
Pleats, tucks, folds Constructed on the true grain of the fabric.
Pressing Shall be smooth or produce sharp creases where
required.
Shall not produce (a) distortion of the finished
shape, or (b) glazing of the fabric surface, or (c)
embossing at the seams, pockets, lapels or (d)
pressed-in creases.
Seams Open seams where necessary (dictated by
design)
Underarm seams and side seams should meet
where required. Shoulder seams should be
correctly positioned unless they are designed to
be forward seams.
Thread Colour matched to fabric unless contrast is
specified.
.
Slits Shall be level at the top.
Straight-edged and correctly folded
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Zippers Shall be colour matched and not visible except
when intended for decorative effect.
The length shall match the opening.
RELATIONSHIPS BETWEEN COMPONENT PARTS OF
FINISHED GARMENTS
FOCUS ACCEPTABLE QUALITY
Size Loops shall comfortably accommodate the
belts.
Buttonholes shall be suited to the button size.
Cuffs and plackets shall fit the sleeves.
Shrinkage Differences in shrinkage are undesirable in
components which are attached on to the
other. Thus body fabric shall have similar
shrinkage properties as braids, laces, motifs,
interlinings and linings.