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Egypt: Land of God-Kings

By Caroline Seawright
The Rise of the Old Kingdom
☥ The origins of ancient Egypt date from the
Predynastic period to the Unification of Upper and
Lower Egypt (5000-2920BC).
☥ Scattered Predynastic chiefdoms become a
civilisation through the imposition of order from
chaos, derived from divinely conferred kingly
power.
☥ Early evidence of such rulership is found at the
Predynastic city of Nekhen.
Tomb 100
☥ Dated to the Naqada IIC period (3600-3300BC),
tomb 100 (“Painted Tomb”) is a tomb at the royal
Nekhen cemetery.

Figure 1: Plan of Tomb 100
Tomb 100
☥ Structure: a rectangular brick-lined pit, which had
been plastered and painted to symbolically depict
the ruler and his place in the universe.

Figure 2: Tomb 100 wall painting
Kingship
☥ The art displays links to later themes of kingship:
– The smiting of bound prisoners;

Figure 3a: From Tomb 100 (above)
Figure 3b: The Narmer Palette,
Old Kingdom (above)
Kingship

Figure 3d: Mentuhotep II,
Middle Kingdom (above)

Figure 3d: Thothmose
III, New Kingdom (above)
Kingship
– The royal heb-sed ritual;

Figure 4a: From Tomb 100

Figure 4b: Hatshepsut’s Heb-sed festival, New Kingdom
Kingship

Figure 4c: Djoser running the
heb-sed, Old Kingdom (above)

Figure 4d: Senusret I,
Middle Kingdom (above)
Kingship
– And the white sed-cloaked ruler with a flail.

Figure 5a: From Tomb 100 (above)

Figure 5b: King Sneferu, Old Kingdom
(right)
Kingship

Figure 5c: Amenemhat I,
Middle Kingdom (above)

Figure 5d: Akhenaten,
New Kingdom (above)
Religion
☥ The artwork also depicts religious activities, the
basis for much of the power of Egypt’s god-kings:

Figure 6: Possible religious activities
Religion
– The king in a heb-sed naos (shrine).

Figure 7a: From Tomb 100 (above)

Figure 7b: Ebony Label of Den, Old
Kingdom (right)
Religion

Figure 7c: Senusret III, Middle
Kingdom (above)

Figure 7d: Amenhotep I, New
Kingdom (above)
Religion
– And priests in leopard skins.

Figure 8a: From Tomb 100 (above)

Figure 8b: Ay wearing a leopard skin to
perform the Opening of the Mouth
Ceremony, New Kingdom (right)
Order and Chaos
☥ The painting also exhibits a common ancient
Egyptian motif: order versus chaos:
– Chaos (isfet) in the form of wild animals and warfare;

Figure 9a: From Tomb 100

Figure 9b: War relief, Middle Kingdom
Order and Chaos
– Order (ma’at) in the form the ruler subduing the chaos.

Figure 10a: From Tomb 100

Figure 10b: A pharaoh
spearing a lion, New Kingdom
Order and Chaos

Figure 11: War chest of Tutankhamen, New Kingdom
Note the overall composition, showing order on the left and chaos on the
right, with the king dominating the centre.
Conclusion
☥ From Predynastic beginnings, rulers evolved from
petty chiefs vying for power to god-kings ruling over
a unified Egypt.
☥ The owner of Tomb 100 was one of the very first
Predynastic kings, who helped establish a pattern
for future rulers.
☥ Through this combination of religion and the
establishment of order, such kings forged the
ancient Egyptian civilisation.
Questions?

Figure 12: 1898-9 Excavation of Tomb 100
References
☥ Beyoku 2008, Mentuhotep Smiting, image, Flickr.com, viewed 24 August 2013, <http
://www.flickr.com/photos/8350072@N05/2826116984/>.

☥ Braverman, A 2007, Tutankhamun, image, Flickr.com, viewed 24 August 2013, <
☥

☥
☥
☥
☥

http://www.flickr.com/photos/theheartindifferentkeys/2451975178/>.
CaptMondo 2008, Ebony Label of Den from the British Museum, image, Wikimedia
Commons,
viewed
16
August
2013,
<
http://commons.wikimedia.org/wiki/File:EbonyLabelOfDen-BritishMuseum-August19-08
>.
Case, H, and Crowfoot-Payne, J 1962, ‘Tomb 100: The Decorated Tomb at
Hierakonpolis’, The Journal of Egyptian Archaeology, vol. 48, pp. 5-18.
Crowfoot-Payne, J 1973, ‘Tomb 100: The Decorated Tomb at Hierakonpolis
Confirmed’, The Journal of Egyptian Archaeology, vol. 59, pp. 31-35.
Friedman, R 2005, ‘Finding Lost Souls’, Nekhen News, vol. 17, pp. 11-12.
Incredible Egypt 2012, Wall decoration in the tomb of Ay, image, Nile Wave Travel,
viewed
17
August
2013,
<
http://nilewavetravel.wordpress.com/destinations/luxor/what-to-do-in-luxor-west-bank
/>.
References
☥ Joukowsky Institute for Archaeology n.d., Hierakonpolis Tomb 100 wall painting,
image,
Brown
University,
viewed
13
August
2013,
<
http://proteus.brown.edu/introtoegypt/6526>.
☥ Joukowsky Institute for Archaeology n.d.(b), Fragmentary war relief of Nebhepetre
Montuhotep, image, Brown University, viewed 17 August 2013, <
http://proteus.brown.edu/historyofegyptone10/10119>.
☥ Joukowsky Institute for Archaeology n.d.(c), One side of the Narmer palette, image,
Brown
University,
viewed
17
August
2013,
<
http://proteus.brown.edu/historyofegyptone10/10119>.
☥ Joukowsky Institute for Archaeology n.d.(d), Osiris statue of Nebhepetre Mentuhotep II,
image,
Brown
University,
viewed
17
August
2013,
<
http://proteus.brown.edu/introtoegypt09/8999>.
☥ Joukowsky Institute for Archaeology n.d.(e), Thutmosis III smiting, from Karnak,
image,
Brown
University,
viewed
24
August
2013,
<http://
proteus.brown.edu/introtoegypt09/9001>.
☥ Kairoinfo4u 2008, Museum Cairo Sesostris III, image, Flickr.com, viewed 24 August
2013, <http://www.flickr.com/photos/manna4u/2719445474>.
References
☥ Kairoinfo4u 2008b, Heb Sed Amenhotep I, image, Flickr.com, viewed 24 August 2013,
<http://www.flickr.com/photos/manna4u/2254702849/>.
☥ Kemp, BJ 2007, Ancient Egypt: Anatomy of a Civilization, 2nd edn, Routledge,
Abingdon, UK.
☥ Matthews, A 2009, This is a close up of king Sneferu in his Heb Sed robes, image,
Flickr.com,
viewed
24
August
2013,
<http://www.flickr.com/photos/allanmatthews/6519095313/>.
☥ Quibell, JE, and Green, FW 1902, Hierakonopolis Part II, William Clowes and Sons
Ltd, London.
☥ Rothenflug, R 2011, Course rituelle d'Hatchepsout, image, Les temples de Louxor,
viewed
17
August
2013,
<http://www.thebeslouxor.net/dynastie18/hatchepsout/karnak/chapelleRouge/murSud/opetRetour/op
etRetourB.html>.
☥ Scarre, C, and Fagan, BM 2008, Ancient Civilizations, 3rd edn, Pearson Prentice Hall,
USA.
☥ Study Blue Inc 2013, Running relief of Zoser, image, StudyBlue.com, viewed 24 August
2013, <http://www.studyblue.com/notes/note/n/old-kingdom-egypt-dynasties-iiiand-iv-/deck/1313742>.
References
☥
☥

Teeter, E 2011, Before the Pyramids: The Origins of Egyptian Civilization, The Oriental
Institute, Chicago.
Tutincommon 2002, Akhenaten, image, Flickr.com, viewed 24 August 2013,
<http://www.flickr.com/photos/10647023@N04/1074742473>.

☥ Tutincommon 2007, DSC03596.JPG, image, Flickr.com, viewed 24 August 2013,
<http://www.flickr.com/photos/10647023@N04/1056285673/>.
☥ Williams, B, Logan, TJ, and Murnane, WJ 1987, ‘The Metropolitan Museum Knife
Handle and Aspects of Pharaonic Imagery before Narmer’, Journal of Near Eastern
Studies, vol. 46, no. 4, pp. 245-285.

Figure 13: 1898-9 Excavation of Tomb 100

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Egypt: Land of God Kings

  • 1. Egypt: Land of God-Kings By Caroline Seawright
  • 2. The Rise of the Old Kingdom ☥ The origins of ancient Egypt date from the Predynastic period to the Unification of Upper and Lower Egypt (5000-2920BC). ☥ Scattered Predynastic chiefdoms become a civilisation through the imposition of order from chaos, derived from divinely conferred kingly power. ☥ Early evidence of such rulership is found at the Predynastic city of Nekhen.
  • 3. Tomb 100 ☥ Dated to the Naqada IIC period (3600-3300BC), tomb 100 (“Painted Tomb”) is a tomb at the royal Nekhen cemetery. Figure 1: Plan of Tomb 100
  • 4. Tomb 100 ☥ Structure: a rectangular brick-lined pit, which had been plastered and painted to symbolically depict the ruler and his place in the universe. Figure 2: Tomb 100 wall painting
  • 5. Kingship ☥ The art displays links to later themes of kingship: – The smiting of bound prisoners; Figure 3a: From Tomb 100 (above) Figure 3b: The Narmer Palette, Old Kingdom (above)
  • 6. Kingship Figure 3d: Mentuhotep II, Middle Kingdom (above) Figure 3d: Thothmose III, New Kingdom (above)
  • 7. Kingship – The royal heb-sed ritual; Figure 4a: From Tomb 100 Figure 4b: Hatshepsut’s Heb-sed festival, New Kingdom
  • 8. Kingship Figure 4c: Djoser running the heb-sed, Old Kingdom (above) Figure 4d: Senusret I, Middle Kingdom (above)
  • 9. Kingship – And the white sed-cloaked ruler with a flail. Figure 5a: From Tomb 100 (above) Figure 5b: King Sneferu, Old Kingdom (right)
  • 10. Kingship Figure 5c: Amenemhat I, Middle Kingdom (above) Figure 5d: Akhenaten, New Kingdom (above)
  • 11. Religion ☥ The artwork also depicts religious activities, the basis for much of the power of Egypt’s god-kings: Figure 6: Possible religious activities
  • 12. Religion – The king in a heb-sed naos (shrine). Figure 7a: From Tomb 100 (above) Figure 7b: Ebony Label of Den, Old Kingdom (right)
  • 13. Religion Figure 7c: Senusret III, Middle Kingdom (above) Figure 7d: Amenhotep I, New Kingdom (above)
  • 14. Religion – And priests in leopard skins. Figure 8a: From Tomb 100 (above) Figure 8b: Ay wearing a leopard skin to perform the Opening of the Mouth Ceremony, New Kingdom (right)
  • 15. Order and Chaos ☥ The painting also exhibits a common ancient Egyptian motif: order versus chaos: – Chaos (isfet) in the form of wild animals and warfare; Figure 9a: From Tomb 100 Figure 9b: War relief, Middle Kingdom
  • 16. Order and Chaos – Order (ma’at) in the form the ruler subduing the chaos. Figure 10a: From Tomb 100 Figure 10b: A pharaoh spearing a lion, New Kingdom
  • 17. Order and Chaos Figure 11: War chest of Tutankhamen, New Kingdom Note the overall composition, showing order on the left and chaos on the right, with the king dominating the centre.
  • 18. Conclusion ☥ From Predynastic beginnings, rulers evolved from petty chiefs vying for power to god-kings ruling over a unified Egypt. ☥ The owner of Tomb 100 was one of the very first Predynastic kings, who helped establish a pattern for future rulers. ☥ Through this combination of religion and the establishment of order, such kings forged the ancient Egyptian civilisation.
  • 19. Questions? Figure 12: 1898-9 Excavation of Tomb 100
  • 20. References ☥ Beyoku 2008, Mentuhotep Smiting, image, Flickr.com, viewed 24 August 2013, <http ://www.flickr.com/photos/8350072@N05/2826116984/>. ☥ Braverman, A 2007, Tutankhamun, image, Flickr.com, viewed 24 August 2013, < ☥ ☥ ☥ ☥ ☥ http://www.flickr.com/photos/theheartindifferentkeys/2451975178/>. CaptMondo 2008, Ebony Label of Den from the British Museum, image, Wikimedia Commons, viewed 16 August 2013, < http://commons.wikimedia.org/wiki/File:EbonyLabelOfDen-BritishMuseum-August19-08 >. Case, H, and Crowfoot-Payne, J 1962, ‘Tomb 100: The Decorated Tomb at Hierakonpolis’, The Journal of Egyptian Archaeology, vol. 48, pp. 5-18. Crowfoot-Payne, J 1973, ‘Tomb 100: The Decorated Tomb at Hierakonpolis Confirmed’, The Journal of Egyptian Archaeology, vol. 59, pp. 31-35. Friedman, R 2005, ‘Finding Lost Souls’, Nekhen News, vol. 17, pp. 11-12. Incredible Egypt 2012, Wall decoration in the tomb of Ay, image, Nile Wave Travel, viewed 17 August 2013, < http://nilewavetravel.wordpress.com/destinations/luxor/what-to-do-in-luxor-west-bank />.
  • 21. References ☥ Joukowsky Institute for Archaeology n.d., Hierakonpolis Tomb 100 wall painting, image, Brown University, viewed 13 August 2013, < http://proteus.brown.edu/introtoegypt/6526>. ☥ Joukowsky Institute for Archaeology n.d.(b), Fragmentary war relief of Nebhepetre Montuhotep, image, Brown University, viewed 17 August 2013, < http://proteus.brown.edu/historyofegyptone10/10119>. ☥ Joukowsky Institute for Archaeology n.d.(c), One side of the Narmer palette, image, Brown University, viewed 17 August 2013, < http://proteus.brown.edu/historyofegyptone10/10119>. ☥ Joukowsky Institute for Archaeology n.d.(d), Osiris statue of Nebhepetre Mentuhotep II, image, Brown University, viewed 17 August 2013, < http://proteus.brown.edu/introtoegypt09/8999>. ☥ Joukowsky Institute for Archaeology n.d.(e), Thutmosis III smiting, from Karnak, image, Brown University, viewed 24 August 2013, <http:// proteus.brown.edu/introtoegypt09/9001>. ☥ Kairoinfo4u 2008, Museum Cairo Sesostris III, image, Flickr.com, viewed 24 August 2013, <http://www.flickr.com/photos/manna4u/2719445474>.
  • 22. References ☥ Kairoinfo4u 2008b, Heb Sed Amenhotep I, image, Flickr.com, viewed 24 August 2013, <http://www.flickr.com/photos/manna4u/2254702849/>. ☥ Kemp, BJ 2007, Ancient Egypt: Anatomy of a Civilization, 2nd edn, Routledge, Abingdon, UK. ☥ Matthews, A 2009, This is a close up of king Sneferu in his Heb Sed robes, image, Flickr.com, viewed 24 August 2013, <http://www.flickr.com/photos/allanmatthews/6519095313/>. ☥ Quibell, JE, and Green, FW 1902, Hierakonopolis Part II, William Clowes and Sons Ltd, London. ☥ Rothenflug, R 2011, Course rituelle d'Hatchepsout, image, Les temples de Louxor, viewed 17 August 2013, <http://www.thebeslouxor.net/dynastie18/hatchepsout/karnak/chapelleRouge/murSud/opetRetour/op etRetourB.html>. ☥ Scarre, C, and Fagan, BM 2008, Ancient Civilizations, 3rd edn, Pearson Prentice Hall, USA. ☥ Study Blue Inc 2013, Running relief of Zoser, image, StudyBlue.com, viewed 24 August 2013, <http://www.studyblue.com/notes/note/n/old-kingdom-egypt-dynasties-iiiand-iv-/deck/1313742>.
  • 23. References ☥ ☥ Teeter, E 2011, Before the Pyramids: The Origins of Egyptian Civilization, The Oriental Institute, Chicago. Tutincommon 2002, Akhenaten, image, Flickr.com, viewed 24 August 2013, <http://www.flickr.com/photos/10647023@N04/1074742473>. ☥ Tutincommon 2007, DSC03596.JPG, image, Flickr.com, viewed 24 August 2013, <http://www.flickr.com/photos/10647023@N04/1056285673/>. ☥ Williams, B, Logan, TJ, and Murnane, WJ 1987, ‘The Metropolitan Museum Knife Handle and Aspects of Pharaonic Imagery before Narmer’, Journal of Near Eastern Studies, vol. 46, no. 4, pp. 245-285. Figure 13: 1898-9 Excavation of Tomb 100