Aristotle's Poetics (Greek: Περὶ ποιητικῆς, Latin: De Poetica;[1] c. 335 BCE[2]) is the earliest surviving work of dramatic theory and the first extant philosophical treatise to focus on literary theory.[3]
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama—comedy, tragedy, and the satyr play—as well as lyric poetry and epic poetry).
Aristotle's Poetics (Greek: Περὶ ποιητικῆς, Latin: De Poetica;[1] c. 335 BCE[2]) is the earliest surviving work of dramatic theory and the first extant philosophical treatise to focus on literary theory.[3]
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama—comedy, tragedy, and the satyr play—as well as lyric poetry and epic poetry).
In linguistics, X-bar theory is a model of phrase-structure grammar and a theory of syntactic category formation[1] that was first proposed by Noam Chomsky in 1970[2] reformulating the ideas of Zellig Harris (1951,[3]) and further developed by Ray Jackendoff (1974,[4] 1977a,[5] 1977b[6]), along the lines of the theory of generative grammar put forth in the 1950s by Chomsky.[7][8] It attempts to capture the structure of phrasal categories with a single uniform structure called the X-bar schema, basing itself on the assumption that any phrase in natural language is an XP (X phrase) that is headed by a given syntactic category X. It played a significant role in resolving issues that phrase structure rules had, representative of which is the proliferation of grammatical rules, which is against the thesis of generative grammar.
In linguistics, X-bar theory is a model of phrase-structure grammar and a theory of syntactic category formation[1] that was first proposed by Noam Chomsky in 1970[2] reformulating the ideas of Zellig Harris (1951,[3]) and further developed by Ray Jackendoff (1974,[4] 1977a,[5] 1977b[6]), along the lines of the theory of generative grammar put forth in the 1950s by Chomsky.[7][8] It attempts to capture the structure of phrasal categories with a single uniform structure called the X-bar schema, basing itself on the assumption that any phrase in natural language is an XP (X phrase) that is headed by a given syntactic category X. It played a significant role in resolving issues that phrase structure rules had, representative of which is the proliferation of grammatical rules, which is against the thesis of generative grammar.
X-bar theory was incorporated into both transformational and nontransformational theories of syntax, including government and binding theory (GB), generalized phrase structure grammar (GPSG), lexical-functional grammar (LFG), and head-driven phrase structure grammar (HPSG).[9] Although recent work in the minimalist program has largely abandoned X-bar schemata in favor of bare phrase structure approaches, the theory's central assumptions are still valid in different forms and terms in many theories of minimalist syntax.
This presentation is for students of English literature. This presentation contains, History(social, political and economic) and literary features of Romantic age, poets, novelists and prose writers of the age.
We all have good and bad thoughts from time to time and situation to situation. We are bombarded daily with spiraling thoughts(both negative and positive) creating all-consuming feel , making us difficult to manage with associated suffering. Good thoughts are like our Mob Signal (Positive thought) amidst noise(negative thought) in the atmosphere. Negative thoughts like noise outweigh positive thoughts. These thoughts often create unwanted confusion, trouble, stress and frustration in our mind as well as chaos in our physical world. Negative thoughts are also known as “distorted thinking”.
Instructions for Submissions thorugh G- Classroom.pptxJheel Barad
This presentation provides a briefing on how to upload submissions and documents in Google Classroom. It was prepared as part of an orientation for new Sainik School in-service teacher trainees. As a training officer, my goal is to ensure that you are comfortable and proficient with this essential tool for managing assignments and fostering student engagement.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
1. Modern British Poetry 1890-1945Dylan Thomas 1914-1953 Sarah Law Modern British Poetry 1890-1945
2. Sarah Law Modern British Poetry 1890-1945 ‘And Death Shall Have No Dominion’ ‘A Refusal to Mourn the Death, by Fire, of a Child in London’ ‘Do Not Go Gentle Into That Good Night’ ‘In My Craft or Sullen Art’
3. 1934 Eighteen Poems published Key themes: the unity of time, the similarity between creative & destructive forces in the universe, the correspondence of all living things "He analogizes the anatomy of man to the structure of the universe . . . and sees the human microcosm as an image of the macrocosm, and conversely." (Elder Olson, The Poetry of Dylan Thomas) Sarah Law Modern British Poetry 1890-1945
4. 1936 ‘Twenty-Five Poems’ "The work of this very young man (he is twenty-two years of age) is on a huge scale, both in theme and structurally. . . . I could not name one poet of this, the youngest generation, who shows so great a promise, and even so great an achievement." (Dame Edith Sitwell in the Sunday Times ) Contains ten ‘religious’ sonnets ‘Altarwise by Owl-light’ Sarah Law Modern British Poetry 1890-1945
5. Sarah Law Modern British Poetry 1890-1945 ‘And Death Shall Have No Dominion’ – Thomas chose to place at the end of the collection [this poem was] ‘published in a time when notes of affirmation—philosophical, political, or otherwise—did not resound among intelligent liberal humanists, [and thus] it answered an emotional need’ Clarke Emory)
6. A religious poet? ‘ That which he celebrates is creation, and more particularly the human condition.’ (W. S. Merwin) ‘He has been called a pagan, a mystic, and a humanistic agnostic; his God has been identified with Nature, Sex, Love, Process, the Life Force, and with Thomas himself.’ (R. B. Kershner: Dylan Thomas, the Poet and his critics) ‘Written for the Love of Man and in praise of God’ (DT note to collected poems) A Pantheist? Sarah Law Modern British Poetry 1890-1945
7. 1939 ‘The Map of Love’ 16 poems and 17 stories Less successful commercially (outbreak of war) ‘I make this in a warring absence’ of his marriage ‘On no word of words’ poetic uncertainty ‘After the Funeral’ elegy for aunt Sarah Law Modern British Poetry 1890-1945
8. 1946 Deaths and Entrances ‘the figures and landscapes have a new solidity, a new self-sufficiency, and the dialectic vision no longer penetrates them as though they were no more than windows opening on a timeless universe.’ (Jacob Korg) Incls. ‘A Refusal to Mourn the Death, by Fire, of a Child in London’, ‘Poem in October’, ‘Fern Hill’. Sarah Law Modern British Poetry 1890-1945
9. A surrealist? Reacting against the political concerns of the thirties? ‘Surrealist poetry has been described a perpetual flow of irrational thoughts in the form of images.’ (David Gascoyne) ‘I do not mind from where the images of a poem are dragged up; drag them up, if you like, from the nethermost sea of the hidden self; but, before they reach paper, they must go through all the rational processes of the intellect.’ (DT) Sarah Law Modern British Poetry 1890-1945
10. The New Apocalyspe 1939, 1941, 1944 anthologies ed. by J F Hendry & Henry Treece incl. Thomas, Norman McCaig, Vernon Watkins, George Barker, D. H. Lawrence A romantic reaction against the classicism of Auden Concerned with imagery & the unconscious, like surrealism. Hendry’s essay ‘Writers and the Apocalypse’ identified the need to find a synthesis between man & the exterior world. Sarah Law Modern British Poetry 1890-1945
11. Style Sound as important as sense to Thomas. Use of alliteration, assonance, internal rhyme, and approximate rhyme In The Craft and Art of Dylan Thomas, William T. Moynihan describes his rhythm as ‘accentual syllabic’ May have been influenced by Hopkins’ ‘Sprung Rhythm’ Sarah Law Modern British Poetry 1890-1945
12. ‘Thomas may, in fact, have depended upon an iambic expectancy, as he varied his rhythms beyond any customary iambic formulation and then—by completely unprecedented innovations—created his own rhythm, which is very close to iambic.’ (Moynihan) Sarah Law Modern British Poetry 1890-1945
13. ‘An image must be born and die in another; and any sequence of my images must be a sequence of creations, recreations, destructions, contradictions.…Out of the inevitable conflict of images…I try to make that momentary peace which is a poem.’ (DT to Henry Treece) Sarah Law Modern British Poetry 1890-1945
14. 1952 Country Sleep Incls. ‘Poem on His Birthday’, ‘Do not go Gentle into that Good Night’. Wrote Scripts for the BBC during the War (Under Milk Wood initially written for BBC, finalised before his death) Toured America four times before his death. Subject of scandalous biography Dylan Thomas in America by John Malcolm Brinnin Sarah Law Modern British Poetry 1890-1945
15. Was Thomas a great poet? ‘His range was severely limited, he overdid a handful of images and phrases...many of his poems are clotted with an excess of parallel-seeking metaphors’ ‘It is enough that he wrote some poems that the world will not willingly let die’ (both quotes David Daiches, from his 1954 essay) Sarah Law Modern British Poetry 1890-1945