The document provides analysis of the poem "Remember" by Christina Rossetti. It summarizes the themes of dying, love, and forgetfulness explored in the poem. The poem is written in Petrarchan sonnet form with an octave describing the speaker's request to be remembered after death, and a sestet where the speaker's tone changes and says it is better to forget and smile than remember and be sad. The document analyzes the tone, structure, and themes within the poem.
“Mirror” is a short, two-stanza poem written by Sylvia Plath in 1961. “Mirror” is an exploration of uncertain self and was probably influenced by the poem of James Merrill written under the same title.Sylvia Plath's poem has her hallmark stamp of powerful language, sharp imagery and dark undertones.
“Mirror” is a short, two-stanza poem written by Sylvia Plath in 1961. “Mirror” is an exploration of uncertain self and was probably influenced by the poem of James Merrill written under the same title.Sylvia Plath's poem has her hallmark stamp of powerful language, sharp imagery and dark undertones.
:-“Mac Flecknoe; or, A satyr upon the True-Blew-Protestant Poet, T.S.” was a lampoon by John Dryden against the poet laureate Thomas Shadwell who superseded him in 1669.
Mac means ‘son of’. So, MacFlecknoe means ‘Son of Flecknoe’, while the word ‘True-Blew’ means an extreme ‘Whig Blue’ which was the colour of the Tories.
Richard Flecknoe (c. 1600 – 1678) was an English dramatist and poet. His works were praised by some critics and derided by others. Why John Dryden used his name to ridicule and satirize Thomas Shadwell, his contemporary and one time friend who later became an enemy, is not clear. Flecknoe was a minor poet having religious inclinations and most of his writings were private writings. So, Dryden calling him ‘the monarch of absolute nonsense’ was similar to Iago’s ‘motive hunting of a motiveless malignity’. Thomas Shadwell was called the ‘son and successor’ of Flecknoe’.
Shakespeare wrote 154 sonnets. His sonnets talk about love, friendship etc.The sonnets to the young man express overwhelming, obsessional love. The main cause of debate has always been whether it remained platonic or became physical.The first 17 poems, traditionally called the procreation sonnets, are addressed to the young man urging him to marry and have children in order to immortalize his beauty by passing it to the next generation.Other sonnets express the speaker's love for the young man; brood upon loneliness, death, and the transience of life; seem to criticise the young man for preferring a rival poet; express ambiguous feelings for the speaker's mistress; and pun on the poet's name. The final two sonnets are allegorical treatments of Greek epigrams referring to the "little love-god" Cupid.
:-“Mac Flecknoe; or, A satyr upon the True-Blew-Protestant Poet, T.S.” was a lampoon by John Dryden against the poet laureate Thomas Shadwell who superseded him in 1669.
Mac means ‘son of’. So, MacFlecknoe means ‘Son of Flecknoe’, while the word ‘True-Blew’ means an extreme ‘Whig Blue’ which was the colour of the Tories.
Richard Flecknoe (c. 1600 – 1678) was an English dramatist and poet. His works were praised by some critics and derided by others. Why John Dryden used his name to ridicule and satirize Thomas Shadwell, his contemporary and one time friend who later became an enemy, is not clear. Flecknoe was a minor poet having religious inclinations and most of his writings were private writings. So, Dryden calling him ‘the monarch of absolute nonsense’ was similar to Iago’s ‘motive hunting of a motiveless malignity’. Thomas Shadwell was called the ‘son and successor’ of Flecknoe’.
Shakespeare wrote 154 sonnets. His sonnets talk about love, friendship etc.The sonnets to the young man express overwhelming, obsessional love. The main cause of debate has always been whether it remained platonic or became physical.The first 17 poems, traditionally called the procreation sonnets, are addressed to the young man urging him to marry and have children in order to immortalize his beauty by passing it to the next generation.Other sonnets express the speaker's love for the young man; brood upon loneliness, death, and the transience of life; seem to criticise the young man for preferring a rival poet; express ambiguous feelings for the speaker's mistress; and pun on the poet's name. The final two sonnets are allegorical treatments of Greek epigrams referring to the "little love-god" Cupid.
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Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
2. Christina Rossetti
With an Italian ex-patriot-turned-professor for a father (Gabriele
Rossetti), a well-read mother, two siblings who became writers, and
another (Dante Gabriel Rossetti) who became an influential painter
and poet, the Rossetti household was a hot bed of intellectual and
cultural discussions of all kinds (a steady stream of intellectuals
frequently passed through the Rossetti home). The wide variety of
available books in the house (Italian works, English novels and poetry,
fairy tales, etc.) in particular bred in the young Christina Rossetti a
love for literature, and a deep familiarity with the sonnet, a form she
would utilise with tremendous success.
4. Remember
Remember me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go yet turning stay.
Remember me when no more day by day
You tell me of our future that you planned:
Only remember me; you understand
It will be late to counsel then or pray.
Yet if you should forget me for a while
And afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad.
Structure:
A Petrarchan sonnet in iambic
pentameter, consisting of an ABBA
ABBA octave and a CDDECE sestet.
2 quatrains to the Octave
Change of point-of-view at the VOLTA
Then the sestet
5. Quatrain 1
Remember me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go yet turning stay.
The focus of the
poem is the opening
word. We will
explore the idea of
memory.
Repeated but
strengthened
suggesting the
finality of death
Euphemism for death
1st person
focus
2nd character
introduced
couples can no longer share
their dreams of the future
with one another; place
where darkness reigns
Alliteration – ‘h’
Soft Hs make the section seem
less sharp and demanding.
Sets
imperative
tone
6. Quatrain 2
Remember me when no more day by day
You tell me of our future that you planned:
Only remember me; you understand
It will be late to counsel then or pray.
Reinforces the
subject under
discussion
2nd
character
seems to be
controlling
– not
necessarily
a bad thingNot asking
much – no
need to
memorialise
Consider : why are these
words set in opposition?
What is suggested?
Romantic
imagery
7. Remember me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go yet turning stay.
Remember me when no more day by day
You tell me of our future that you planned:
Only remember me; you understand
It will be late to counsel then or pray.
The tone of the octave is contemplative and
reconciliatory on the topic of death. The
narrator can finally be at peace because she
has renounced her desire for earthly pleasures,
such as the physical presence of her beloved.
She is even accepting of death, content to exist
only in her beloved's memory. However, she
has not yet made peace with the possibility
that her lover will forget her; this form of
death would be more painful than her physical
expiration.
The octave as a whole
8. The sestet
Yet if you should forget me for a while
And afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad.
Highlights a
new
direction of
thought
1st part of
conditional
sentence Imperative:
strength
Conditional is completed. The poem has
totally changed direction.
‘had' and ‘sad'
structurally highlights
difference between
remembering and
forgetting.
9. The sestet
Yet if you should forget me for a while
And afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be
sad.
The narrator’s tone changes with the volta.
The narrator even renounces the need to be
remembered, which is ironic because the
poem is titled “Remember.” She wishes for
her beloved to be happy, even if that means
forgetting her. The narrator sacrifices her
personal desire in an expression of true love.
10. Remember
"Remember" ultimately deals with the struggle
between physical existence and the afterlife. Rossetti
grapples with the idea of a physical body, which is
subject to decay and death, and how it relates to an
eternal soul.