Comic
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Comics are a form used to tell many kinds of stories. They consist of illustrations or comics in panels, often with speech bubbles or captions to convey dialogue, thoughts or sounds. Some key elements of comics include panels, balloons for dialogue, thought bubbles, splash pages and captions. Famous comic artists use the form to tell both fictional stories through characters and plots, as well as more autobiographical stories based on their own lives.
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Comics, Arts and Crafts
Comics are a visual medium that uses images and text to express ideas and tell stories. There are different types of comics like comic strips, comic books, and political cartoons. Comic strips use a sequence of panels to display brief humor or narratives, while comic books tell longer stories using sequential art and are not always humorous. Political cartoons use illustrations and commentary to relate to current events. Comics communicate through captions, speech bubbles, thought bubbles, and sound effects. Perspective is important in comics, with shots like long shots, medium shots, close-ups, and point of view used to frame scenes from different angles.
Comics
This document provides an overview of comics and manga, including their basic elements and formats. It discusses panels, speech balloons, common forms of comics like comic strips and books, and camera shots used in storyboards. Examples are given of gesture lines and different types of speech balloons. The document concludes with activities instructing readers to design comic characters based on objects and simple shapes, and to draw short six-frame comic strips demonstrating character expressions and motion lines.
Cinematography | Film Production
Learn, Cinematography in Film production
Playlist: https://www.youtube.com/watch?v=tVlHQ...
---------------------------------
Book your one to one session with Mr. Rawaha to know more about film production.
--------------
Follow us on Social Media:
https://www.youtube.com/echaarstudio
https://echaarstudio.blogspot.com/
https://www.facebook.com/echaarstudio
https://www.instagram.com/echaarstudio/
--------------------
Presentation: https://www.slideshare.net/RawahaShah
--------------------
#filmproduction #cinematography #filmacademy
What Are Comics? Building A Workable Definition
A Power Point based on the first part of my lecture from the first day of my summer class on comic books.
Short History Of Comics
The document traces the origins of comics from early cave paintings and medieval church art that combined images and words, to the political cartoons of William Hogarth in the 18th century. It discusses how Rodolphe Topffer is widely considered the first to combine sequential images and words to tell narrative stories. In the 19th century, improvements in printing and literacy helped newspapers and magazines expand, including the emergence of penny dreadfuls and humor magazines containing early comic strips. By the early 20th century, comics were being published regularly in newspapers and magazines for both children and adults.
Cinematography
Cinematography involves capturing photographic images through controllable elements like film stock, camera lenses, framing, and movement. Different techniques like deep focus, shallow focus, racking focus, and zoom shots manipulate what is in or out of focus to direct audience attention or illustrate relationships. Framing also influences perspective through angles, heights, and point-of-view shots. Scale is controlled through shots like extreme long shots and close-ups. Movement is created through pans and tracking shots that follow action through space. These techniques are used in horror to build suspense, emphasize emotions, and create jump scares.
Introduction to Animation and its Thought Process
This document provides an introduction to animation, including its definition, thought processes, types, production process, and software/tools used. Animation is defined as the art of movements that are drawn between each frame, rather than what exists in each frame. The key types discussed are 2D, 3D, stop motion, VFX, and experimental animation. The production process involves pre-production, production, and post-production stages. Creative and critical thinking are essential thought processes for animators.
Figure Drawing Powerpoint
The document discusses three types of figure drawing: gesture drawing, contour drawing, and volume drawing. Gesture drawing focuses on capturing the pose quickly without details. Contour drawing emphasizes awareness of outer edges and looking at the model more than the paper. Volume drawing studies the human form through values without lines, noticing how clothing drapes and joins the body beneath. Examples are provided of each type of drawing.
Recommended
Comics, Arts and Crafts
Comics are a visual medium that uses images and text to express ideas and tell stories. There are different types of comics like comic strips, comic books, and political cartoons. Comic strips use a sequence of panels to display brief humor or narratives, while comic books tell longer stories using sequential art and are not always humorous. Political cartoons use illustrations and commentary to relate to current events. Comics communicate through captions, speech bubbles, thought bubbles, and sound effects. Perspective is important in comics, with shots like long shots, medium shots, close-ups, and point of view used to frame scenes from different angles.
Comics
This document provides an overview of comics and manga, including their basic elements and formats. It discusses panels, speech balloons, common forms of comics like comic strips and books, and camera shots used in storyboards. Examples are given of gesture lines and different types of speech balloons. The document concludes with activities instructing readers to design comic characters based on objects and simple shapes, and to draw short six-frame comic strips demonstrating character expressions and motion lines.
Cinematography | Film Production
Learn, Cinematography in Film production
Playlist: https://www.youtube.com/watch?v=tVlHQ...
---------------------------------
Book your one to one session with Mr. Rawaha to know more about film production.
--------------
Follow us on Social Media:
https://www.youtube.com/echaarstudio
https://echaarstudio.blogspot.com/
https://www.facebook.com/echaarstudio
https://www.instagram.com/echaarstudio/
--------------------
Presentation: https://www.slideshare.net/RawahaShah
--------------------
#filmproduction #cinematography #filmacademy
What Are Comics? Building A Workable Definition
A Power Point based on the first part of my lecture from the first day of my summer class on comic books.
Short History Of Comics
The document traces the origins of comics from early cave paintings and medieval church art that combined images and words, to the political cartoons of William Hogarth in the 18th century. It discusses how Rodolphe Topffer is widely considered the first to combine sequential images and words to tell narrative stories. In the 19th century, improvements in printing and literacy helped newspapers and magazines expand, including the emergence of penny dreadfuls and humor magazines containing early comic strips. By the early 20th century, comics were being published regularly in newspapers and magazines for both children and adults.
Cinematography
Cinematography involves capturing photographic images through controllable elements like film stock, camera lenses, framing, and movement. Different techniques like deep focus, shallow focus, racking focus, and zoom shots manipulate what is in or out of focus to direct audience attention or illustrate relationships. Framing also influences perspective through angles, heights, and point-of-view shots. Scale is controlled through shots like extreme long shots and close-ups. Movement is created through pans and tracking shots that follow action through space. These techniques are used in horror to build suspense, emphasize emotions, and create jump scares.
Introduction to Animation and its Thought Process
This document provides an introduction to animation, including its definition, thought processes, types, production process, and software/tools used. Animation is defined as the art of movements that are drawn between each frame, rather than what exists in each frame. The key types discussed are 2D, 3D, stop motion, VFX, and experimental animation. The production process involves pre-production, production, and post-production stages. Creative and critical thinking are essential thought processes for animators.
Figure Drawing Powerpoint
The document discusses three types of figure drawing: gesture drawing, contour drawing, and volume drawing. Gesture drawing focuses on capturing the pose quickly without details. Contour drawing emphasizes awareness of outer edges and looking at the model more than the paper. Volume drawing studies the human form through values without lines, noticing how clothing drapes and joins the body beneath. Examples are provided of each type of drawing.
Animation
Animation is created through displaying sequential images rapidly to create the illusion of movement. This is made possible by the persistence of vision, where the human eye retains images briefly after viewing, blending together rapid sequential images. Major pioneers of early animation included Winsor McCay and Emile Cohl, experimenting with techniques like cel animation and stop motion. The document discusses the history and types of animation including traditional cel animation, stop motion, computer-generated, and more.
Animation Summary
This document provides a brief history of animation from ancient times to modern computer generated imagery (CGI). It discusses early animation devices like the zoetrope and praxinoscope in the Victorian era. Major developments included the first animated films in the late 1800s, the introduction of sound and color in the 1920s-1930s, and the creation of CGI in the 1960s-1970s. The document also outlines different types of animation including cel, computer generated, and stop motion techniques. It provides definitions and examples for each type.
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A long and detailed look at what editing is in Film and how it helps to not only present a story to the audience but how it functions on a technical level. The presentation is broadly split into two areas: Pace and Transitions. Each section contains a definition, a range of examples (many of which are gifs and videos which obviously won't play on here) and some activities for students to engage with.
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The document discusses the concept of mise-en-scène in film analysis. Mise-en-scène refers to everything within the frame of a shot, including settings, costumes, lighting, positioning of characters, and more. There are five key elements of mise-en-scène: settings and props, costumes/hair/makeup, facial expressions and body language, lighting and color, and positioning of characters/objects. Each element conveys meaning and is used together to tell the story, set the atmosphere, and provide information to the audience.
Figure Drawing
Start by drawing an egg shape for the head and a curved line for the spine and neck. Draw lines to indicate the angles of the shoulders and hips and rectangles for the torso, adding an oval at the belly button. Draw circles for joints and rectangles or ovals for bones of the arms and legs, adding circles for elbows, wrists, knees and ankles. Draw squares for hands and triangles for feet, then practice more poses using magazines or photos as references before adding details like hair and clothing.
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The document provides information about cartoons and comics. It discusses different types of cartoons such as fine art cartoons, journalism/print media cartoons, political cartoons, and animated cartoons. It also profiles cartoonist Charles Schulz and his iconic comic strip Peanuts, focusing on key characters like Charlie Brown and Snoopy. The document then examines the production process for comics and influences on Schulz's work.
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There are many styles of animation that can be used to create the illusion of motion. Some key animation styles mentioned are traditional 2D animation where each frame is hand drawn, digital 2D animation where frames are drawn digitally, and 3D animation where realistic characters are created using software. Other styles discussed include stop motion animation where objects are animated frame by frame, puppetry animation using life-like puppets, and claymation which uses molded clay characters. The document provides a detailed overview of 19 different animation styles.
(CGI) Computer generated imagery ppt by Mubeen Momin
This document discusses computer-generated imagery (CGI) and its history and uses. It provides details on:
- CGI being the application of computer graphics to create scenes or effects in films, television, and games.
- The basic process involving modeling 3D surfaces, rendering to add shading/color, and compositing final images.
- Key developments like CGI's first major use in "Terminator 2: Judgment Day" in 1991 and the first fully CGI animated film "Toy Story" in 1995.
- Popular CGI software like Maya, RenderMan, and Bryce.
Animation
This document provides an overview of animation, including its history, techniques, uses, and future. It discusses how animation evolved from early devices like the zoetrope and thaumatrope in the late 1800s. Popular current techniques include cel animation, stop motion, and computer animation. Animated movies employ techniques like squash and stretch. Animation is widely used in entertainment, education, scientific visualization and more. Challenges include the time and human effort required, though the future promises more advanced 3D and virtual reality animation with lower costs.
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The document provides information on cartoon character making, including defining cartoons, how cartoon characters evolved from early cave drawings, and the different types of cartoons such as editorial cartoons, comic strips, and caricatures. Famous cartoon characters are discussed such as Mickey Mouse, Bugs Bunny, Homer Simpson, and Spongebob Squarepants. The document concludes with instructions on how to create your own cartoon character using computer-generated lines and shapes.
animation
Animation is created by displaying a series of images in rapid succession to give the illusion of motion. There are two main types of animation - frame animation which displays individual frames, and vector animation which uses mathematical equations. Morphing uses a series of frames to smoothly transition one shape into another. 2D animation can be cel-based where images change from frame to frame, or path-based where an object moves along a predetermined path. Virtual reality aims to immerse users in simulated environments. When creating animations for the internet, file size and download times must be considered.
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The document discusses key concepts in narrative structure and techniques used in films to tell stories. It defines narrative form as the structure through which movies convey stories. It then explores concepts like narrative elements being present across different media, the logical sequence of events in narratives, common narrative structures involving setup, rising action, climax, falling action and resolution, use of characters including traits, goals and obstacles, different types of conflict, and diegetic vs nondiegetic elements.
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Animation is the process of creating the illusion of motion by displaying a sequence of images that are slightly different from one another. The main types of animation are 2D animation, 3D animation, motion graphics, stop motion, and traditional animation. 2D animation involves hand-drawn or digitally created images, while 3D animation uses computer-generated 3D models. Motion graphics focuses on moving graphic elements or text, and stop motion animates real-world objects or puppets by moving them incrementally between photographs. Traditional animation historically involved drawing each frame by hand on transparent sheets called cels. The history of animation includes early inventions like the zoetrope and flip books in the 1800s and the first animated films in
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Gesture drawing focuses on capturing the essence and movement of a subject quickly before the moment passes. It is not meant to be a precise representation, but rather a way to depict the overall form through loose, quick lines that show weight and energy. Gesture drawings help practice capturing an object's movement and energy in a short time period without details, making them useful for warm-ups before more serious drawings.
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Two-dimensional structures in visual arts can be regular or irregular. Regular structures have an equal and regular distribution that can be natural or artificial, while irregular structures do not follow a regular pattern and can also be natural or artificial. Modules are regular or irregular forms that make a uniform surface by repeating themselves a specific number of times in a certain order, and submodules are parts of a module that appear in the same shape as the module an exact number of times. Examples of structures include grids of triangles, hexagons, triangles and squares, and irregular pentagons.
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Animation is created through displaying sequential images rapidly to create the illusion of movement. This is made possible by the persistence of vision, where the human eye retains images briefly after viewing, blending together rapid sequential images. Major pioneers of early animation included Winsor McCay and Emile Cohl, experimenting with techniques like cel animation and stop motion. The document discusses the history and types of animation including traditional cel animation, stop motion, computer-generated, and more.
Animation Summary
This document provides a brief history of animation from ancient times to modern computer generated imagery (CGI). It discusses early animation devices like the zoetrope and praxinoscope in the Victorian era. Major developments included the first animated films in the late 1800s, the introduction of sound and color in the 1920s-1930s, and the creation of CGI in the 1960s-1970s. The document also outlines different types of animation including cel, computer generated, and stop motion techniques. It provides definitions and examples for each type.
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Overview of cartoons: Single framed (caricatures, editorial and humourous; Comic Strips, Comic Books and animation
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A long and detailed look at what editing is in Film and how it helps to not only present a story to the audience but how it functions on a technical level. The presentation is broadly split into two areas: Pace and Transitions. Each section contains a definition, a range of examples (many of which are gifs and videos which obviously won't play on here) and some activities for students to engage with.
Understanding Mise-en-scene
The document discusses the concept of mise-en-scène in film analysis. Mise-en-scène refers to everything within the frame of a shot, including settings, costumes, lighting, positioning of characters, and more. There are five key elements of mise-en-scène: settings and props, costumes/hair/makeup, facial expressions and body language, lighting and color, and positioning of characters/objects. Each element conveys meaning and is used together to tell the story, set the atmosphere, and provide information to the audience.
Figure Drawing
Start by drawing an egg shape for the head and a curved line for the spine and neck. Draw lines to indicate the angles of the shoulders and hips and rectangles for the torso, adding an oval at the belly button. Draw circles for joints and rectangles or ovals for bones of the arms and legs, adding circles for elbows, wrists, knees and ankles. Draw squares for hands and triangles for feet, then practice more poses using magazines or photos as references before adding details like hair and clothing.
Cartoons pdf
The document provides information about cartoons and comics. It discusses different types of cartoons such as fine art cartoons, journalism/print media cartoons, political cartoons, and animated cartoons. It also profiles cartoonist Charles Schulz and his iconic comic strip Peanuts, focusing on key characters like Charlie Brown and Snoopy. The document then examines the production process for comics and influences on Schulz's work.
19 types of animation techniques and styles
There are many styles of animation that can be used to create the illusion of motion. Some key animation styles mentioned are traditional 2D animation where each frame is hand drawn, digital 2D animation where frames are drawn digitally, and 3D animation where realistic characters are created using software. Other styles discussed include stop motion animation where objects are animated frame by frame, puppetry animation using life-like puppets, and claymation which uses molded clay characters. The document provides a detailed overview of 19 different animation styles.
(CGI) Computer generated imagery ppt by Mubeen Momin
This document discusses computer-generated imagery (CGI) and its history and uses. It provides details on:
- CGI being the application of computer graphics to create scenes or effects in films, television, and games.
- The basic process involving modeling 3D surfaces, rendering to add shading/color, and compositing final images.
- Key developments like CGI's first major use in "Terminator 2: Judgment Day" in 1991 and the first fully CGI animated film "Toy Story" in 1995.
- Popular CGI software like Maya, RenderMan, and Bryce.
Animation
This document provides an overview of animation, including its history, techniques, uses, and future. It discusses how animation evolved from early devices like the zoetrope and thaumatrope in the late 1800s. Popular current techniques include cel animation, stop motion, and computer animation. Animated movies employ techniques like squash and stretch. Animation is widely used in entertainment, education, scientific visualization and more. Challenges include the time and human effort required, though the future promises more advanced 3D and virtual reality animation with lower costs.
TYPES OF CARTOON! eXAMPLES
The document provides information on cartoon character making, including defining cartoons, how cartoon characters evolved from early cave drawings, and the different types of cartoons such as editorial cartoons, comic strips, and caricatures. Famous cartoon characters are discussed such as Mickey Mouse, Bugs Bunny, Homer Simpson, and Spongebob Squarepants. The document concludes with instructions on how to create your own cartoon character using computer-generated lines and shapes.
animation
Animation is created by displaying a series of images in rapid succession to give the illusion of motion. There are two main types of animation - frame animation which displays individual frames, and vector animation which uses mathematical equations. Morphing uses a series of frames to smoothly transition one shape into another. 2D animation can be cel-based where images change from frame to frame, or path-based where an object moves along a predetermined path. Virtual reality aims to immerse users in simulated environments. When creating animations for the internet, file size and download times must be considered.
Narrative Structure in film
The document discusses key concepts in narrative structure and techniques used in films to tell stories. It defines narrative form as the structure through which movies convey stories. It then explores concepts like narrative elements being present across different media, the logical sequence of events in narratives, common narrative structures involving setup, rising action, climax, falling action and resolution, use of characters including traits, goals and obstacles, different types of conflict, and diegetic vs nondiegetic elements.
WHAT IS CINEMATOGRAPHY?
This document defines cinematography and discusses various cinematography techniques. It begins by defining cinematography as how the camera is used to create meaning through elements like camera movement, lenses, and lighting. It then discusses different shot types like close-ups, long shots, and over-the-shoulder shots and how they impact viewers. Finally, it covers concepts like depth of field, camera movement, framing, and the rule of thirds to guide visual storytelling.
Animation presentation
Animation is the process of creating the illusion of motion by displaying a sequence of images that are slightly different from one another. The main types of animation are 2D animation, 3D animation, motion graphics, stop motion, and traditional animation. 2D animation involves hand-drawn or digitally created images, while 3D animation uses computer-generated 3D models. Motion graphics focuses on moving graphic elements or text, and stop motion animates real-world objects or puppets by moving them incrementally between photographs. Traditional animation historically involved drawing each frame by hand on transparent sheets called cels. The history of animation includes early inventions like the zoetrope and flip books in the 1800s and the first animated films in
2D & 3D ANIMATION
2D animation involves manipulating digital images, while 3D animation uses 3D models and virtual worlds to create animated scenes with depth. Traditional 2D animation was a lengthy hand-drawn process, while modern 2D and 3D animation is digital. Popular 2D animated movies include The Lion King and Spirited Away, while popular 3D animated movies include How to Train Your Dragon and Toy Story.
Intro to film language
This document provides an overview of basic film terminology related to shot sizes, camera angles, camera movements, and lighting. It defines common shot sizes like wide shot, long shot, mid shot, close up, and extreme close up. It also explains basic camera movements like pan, tilt, track, crane, and roll. Additionally, it covers camera angles like low angle, high angle, and Dutch angle. Finally, it discusses lighting techniques such as backlighting, sidelighting, and highlighting.
Chapter 8: The Art of Directing
The document discusses the history and role of the director in theater. It traces the evolution of the director from the Greek didaskalos or teacher, to the modern director like George II, Duke of Saxe-Meiningen in the 19th century, who is credited as the first modern director for his use of long rehearsals, attention to detail, and advocacy for historical accuracy that influenced Stanislavsky. The document also outlines the various responsibilities of the director, such as script analysis, structural analysis, production concept, casting, blocking during rehearsals, and synthesizing the work of other artists into a unified theatrical production.
Gesture drawing
Gesture drawing focuses on capturing the essence and movement of a subject quickly before the moment passes. It is not meant to be a precise representation, but rather a way to depict the overall form through loose, quick lines that show weight and energy. Gesture drawings help practice capturing an object's movement and energy in a short time period without details, making them useful for warm-ups before more serious drawings.
Conventions of the Comedy Genre
The comedy genre aims to entertain audiences through lighthearted and humorous stories. Some of the earliest forms of comedy included slapstick in silent films. As dialogue was introduced in films in the 1930s, slapstick comedy remained popular. Types of comedy include slapstick using physical humor and gestures, black comedy dealing with darker topics, anecdotal comedy from true short stories, and stand-up comedy with a routine of jokes. Comedies are typically set in bright places like cities and feature vocal and physical humor from characters. The opening credits also have an upbeat soundtrack to set a lighthearted tone.
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Quadrilaterals in works of art
Quadrilaterals are shapes with four straight sides and four angles. Many famous works of art prominently feature quadrilaterals, using them as frames or boundaries for figures and scenes. Quadrilaterals are basic geometric forms that artists have employed for aesthetic purposes throughout history in paintings, sculptures, and other media.
Structures
Two-dimensional structures in visual arts can be regular or irregular. Regular structures have an equal and regular distribution that can be natural or artificial, while irregular structures do not follow a regular pattern and can also be natural or artificial. Modules are regular or irregular forms that make a uniform surface by repeating themselves a specific number of times in a certain order, and submodules are parts of a module that appear in the same shape as the module an exact number of times. Examples of structures include grids of triangles, hexagons, triangles and squares, and irregular pentagons.
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4) Achieving a sense of depth by using horizontal lines to depict a billiard table.
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This document discusses making rubbings of textures by placing paper over a textured surface and rubbing the paper with graphite, charcoal, or crayon to transfer the texture onto the paper. The process allows children to explore textures and patterns in their environment. Rubbings can be made of surfaces like stone walls, wood panels, or tree bark to capture the texture and bring it to life on the paper.
Isometric perspective
Isometric perspective is a type of technical drawing that represents a 3D object in a single view using three receding planes that project at the same angle onto the drawing plane, allowing the object's dimensions to be clearly seen from one viewpoint. The isometric system uses three planes (XOY, YOZ, ZOX) that form a trihedral and project at the same angle to the drawing surface, giving the isometric view. One can transition from an orthographic projection system to the isometric view by taking the front, left side, and plan views and projecting them together at a uniform angle.
School Agenda
El documento anuncia un concurso para diseñar la portada de la agenda escolar del próximo curso en el IES Gaspar Sanz. El trabajo ganador se distribuirá entre el alumnado. Debe ser un dibujo en formato DIN A4 sin texto ni logotipos, y debe estar relacionado con el instituto, los compañeros, el estudio, las instalaciones o los instrumentos de trabajo.
Interpreting a painting
Las Meninas is a 1656 painting by Diego Velázquez that depicts the artists and royalty in a palace room. It uses reflections, obscured views, and ambiguous spaces to draw viewers into attempting to understand the scene from different perspectives. The complex work challenges viewers to interpret its various visual elements and strategies to discern meaning.
Space and volume
This document defines key vocabulary related to space, volume, and three-dimensional art. It explains that space is the expanse where everything is located, while volume is the space occupied by an object that has height, width, and depth. It then defines additional terms like height, width, depth, overlap, intersect, size, contact, separation, transparency, and mixing techniques. The document provides examples of how to create three-dimensional pictures using relationships between different planes, including overlapping, transparency, and shapes passing through one another to demonstrate depth. It evaluates student work based on creativity, application of techniques, and successful completion of assignments.
Triangles in works of art
The document provides instructions for an art activity that involves creating a composition using different types of triangles. Students must use at least one of each type of triangle - equilateral, isosceles, acute, scalene, right, and obtuse. The composition will be evaluated based on its artistic merit, use of concepts from prior lessons, accurate use of drawing tools, and the overall neatness and completeness of the finished project.
Representing and composing
Representing and composing involves carefully arranging elements or figures to make them easier to understand while maintaining balance and interest. Key aspects include structure, introducing differences, and integrating elements through composition techniques like contrast and balance. The document discusses organizing form and its environment in a plane through visual elements.
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Public Library Collection Development Issues for Comix and Graphic Novels
The document summarizes a presentation on collection development for comics and graphic novels in libraries. It discusses various comic and graphic novel formats, provides examples to test readers' familiarity with different genres, outlines graphic language conventions, explores cultural traditions in comics from different regions, and offers suggestions for developing comic and graphic novel collections.
Graphic novels elementary 2003
This document discusses graphic novels and comics. It provides definitions of graphic novels, discusses their origins and how they differ from traditional novels and comics. It also explores various genres in graphic novels including manga, discusses important works and authors, and considers the educational benefits of graphic novels for readers.
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Graphic Rampage 2011 - Finals
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Uses fonts from Blambot ( www.blambot.com)
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SHORT STORY FROM HISTORY TO ELEMENTS
Short stories have their origins in oral storytelling traditions from ancient epics like Homer's works. Over time, short sections of stories told in verse evolved into short prose narratives that could be told in a single sitting. Some of the earliest published short stories appeared between 1790-1810, though true short story collections emerged between 1810-1830. During the 19th century, the growth of magazines and journals fueled demand for short fiction of 3,000-15,000 words. Many famous authors contributed short stories during this time, helping establish the short story as a popular genre. The 20th century saw continued experimentation and growth in the short story form across various regions and time periods.
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The document discusses the use of anthropomorphic animals in graphic novels and comics. It explores how Robert Crumb popularized subverting the wholesome reputation of funny animals with Fritz the Cat in the 1960s. Crumb influenced artists like Jim Woodring and Kim Deitch. Meanwhile, Art Spiegelman used animal characters in Maus to make the Holocaust more accessible, but he did not directly influence funny animal cartoonists as much as Crumb. Different artists were inspired by different predecessors, showing that anthropomorphic animals can be used to explore personal themes in many ways.
Brainstorming
This document provides information on different types of graphic narratives and examples of each type. It discusses fables, folktales, fairy tales, comic books/strips, and graphic novels. Fables are short stories that teach a moral lesson, often using animals as characters. Folktales pass traditions between generations and communicate a culture. Fairy tales include magic and are traditionally for children. Comic books use illustrations and speech bubbles to tell a narrative, while graphic novels are more expensive productions bound like books. Films have been inspired by examples from comic books and graphic novels.
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Kala Ghoda Arts Festival 2011 - Literature Quiz - Prelims
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Short stories originated from oral storytelling traditions such as Homeric epics. Early short stories were published separately in the late 18th century, but the first true short story collections emerged in the early 19th century across several countries. Edgar Allan Poe is considered a pioneer of the modern short story form, arguing they should be short enough to read in one sitting. The growth of magazines and journals in the late 19th century increased demand for short fiction of 3,000 to 15,000 words. Famous 20th century American short story authors include J.D. Salinger, Flannery O'Connor, and Raymond Carver.
[Burgess anthony 99_novels_best_in_english_since_b
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ENG125: Introduction to Literature
Types of Conflicts Found in Literature
Below is a list of possible conflicts found in literature. Select each conflict to learn more. To help you
better understand each conflict and how it might be apparent, examples from popular culture have been
provided. Please also note that it is possible for a text to have more than one conflict at work. The
repeated references to conflicts in The Simpsons provide further context on how multiple conflicts might
be present in a single work. Other examples of conflict are also provided.
Click on each type of conflict to learn more.
Individual versus Individual
Individual versus Nature
Individual versus Society
Individual versus Technology
Individual versus Self
Individual versus Individual (Kahn vs. Captain Kirk, Tom vs. Jerry) Return
Example: Homer Simpson’s profound dislike of Ned Flanders in The Simpsons is
unavoidably obvious. The two men are as different as night and day. Though Ned Flanders
seems unaware that he is Homer Simpson’s antagonist, to everyone who watches, it is
obvious that Ned plays this role.
Example: One of the funniest movies about individuals opposing each other is called The
Ref, where a cat burglar gets caught in a house with a warring husband and wife. Other
members of this dysfunctional family also add to the conflict. View The Ref (1994) fan
trailer or explore the film on the Internet Movie Database (IMDB).
http://www.youtube.com/watch?v=_26ROmuSyTQ&feature=youtu.be
http://www.youtube.com/watch?v=_26ROmuSyTQ&feature=youtu.be
http://www.imdb.com/title/tt0110955/
ENG125: Introduction to Literature
Individual versus Nature Return
Example: One of the first episodes of The Simpsons features a hilarious scenario in which
Homer takes the family camping in the woods. Things end disastrously for Homer and Bart,
while Marge, Lisa, and Maggie successfully brave the wild. This episode has an interesting
underlying argument at work about the relationship between humans today and nature.
Example: Several books and movies show mountain climbers daring to scale the most
formidable and highest mountains on earth where they face extremely difficult climates and
terrain. These accounts are usually full of adventure, action, and hardship. Here is an
example of human versus mountain in the video Touching the Void Atheism. You may also
explore the article “Mt. Everest: Why do people keep climbing it?”
Example: Many horror films feature scary and dangerous animals. One of the most popular
movies of all time is Alfred Hitchcock’s The Birds. Watch Crows Attack the Students - The
Birds (6/11) Movie CLIP (1963) HD.
Example: One of the most famous American novels, Moby Dick, features Captain Ahab
determined to kill the large white whale that took his leg.
Individual versus Society (V for Vendetta, Adventures of Huckleberry Finn, 1984) Return
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The document provides guidance for writing a movie review in 3-4 sentences. It explains that a movie review should give the reader enough details about the movie to decide if they want to watch it, without revealing essential plot points or surprises. It lists elements a good review should include: watching the movie, giving an opinion, providing an outline without details, discussing actors, structure, and cinematography/lighting. It then provides a sample movie review of The Twilight Saga: Breaking Dawn - Part 2 that discusses the director's style, an entertaining battle scene, and finds fun in watching the lovebirds tap into their inner monsters.
Signs
Graphic design develops symbols and pictograms for visual communication. Artists create signs and logos to convey information through simple geometric shapes and universal codes. This lesson teaches students to design appropriate pictograms that correctly represent their intended messages using pencil sketches and colored pens. Students are evaluated on how well they design pictograms, represent their meanings in context, and produce a finished project.
Different functions in visual language
Visual language is a communication system that expresses thoughts and ideas through visual and plastic signals. It involves a transmitter sending a message through a medium using a code that a receiver can understand. Visual language can serve informative, expressive, aesthetic, and exhortative functions when communicating through images rather than words. It allows people to communicate different types of messages in an artistic, emotional, or persuasive manner.
Symbols
Symbols are important visual representations that can convey meaning beyond what is literally depicted. Symbols acquire conceptual meanings that different societies and cultures can understand. Graphic design develops symbols to aid visual communication, with pictograms used to represent ideas or concepts through simplified graphic forms.
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Para recuperar la asignatura de Educación Plástica y Visual de 1o de ESO, el alumno debe completar y aprobar dos cuadernillos de actividades. Si no aprueba los cuadernillos, deberá presentarse a un examen en abril. El primer cuadernillo debe entregarse antes del 22 de enero de 2014.
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Para recuperar la asignatura de Educación Plástica y Visual de 3o de ESO, el alumno debe completar y aprobar dos cuadernillos de actividades. Si no aprueba los cuadernillos, deberá presentarse a un examen en abril. El primer cuadernillo debe entregarse antes del 22 de enero de 2014.
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Symmetrical smudges
The document provides instructions for a student art project on creating symmetrical smudges. It outlines the objectives of understanding composition and completing a finished project. Materials needed are listed as tempera paint and black felt pens. Students are tasked with using symmetrical techniques to create an aesthetic form, keeping their work surfaces clean. Their work will be evaluated based on criteria of completing the activity creatively and turning in a neat and tidy symmetrical composition.
Compositions using a triangular net
This document discusses compositions using a triangular net. A triangular net is a two-dimensional construction of triangles that can be folded along edges to form a three-dimensional triangular shape. The document focuses on how different triangular nets can be used to create various three-dimensional compositions and structures.
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To create compositions using a square net, a design is created and reproduced throughout the net. Different artistic effects can then be achieved by decorating and coloring the resulting design. The document provides examples of compositions made using both square and triangular nets.
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A regular star polygon is a shape formed by connecting every non-consecutive vertex of a regular polygon inside a circumference. To draw a star polygon, points are placed around the circumference equal to a regular polygon, but instead of consecutive connections, every other point is joined alternately until all are connected. Star polygons have properties of number of points, type of lines, step size of each line, and density of circumference coverage to close the shape.
Lines transmit sensations
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Drawing an object in linear perspective
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Comic
- 1. Comic
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- 8. Meister Bertram von Minden, The Grabower Altar, 1375-‐1383
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- 11. Alan Moore & Dave Gibbons, The Watchmen
- 12. Neil Gaiman (et al), Sandman Brian K. Vaughan (et al), Y: the Last Man
- 14. Posy Simmonds, Tamara Drewe
- 17. Alison Bechdel, Fun Home
- 19. Joe Sacco, Footnotes in Gaza
- 20. Apostolos Doxiadis, Christos Papadimitriou, Alecos Papadatos & Annie Di Donna, Logicomix: an Epic Search for Truth
- 21. Carol Lay, The Big Skinny
- 22. Making a comic
- 24. The panel This is the basic unit of a comic book page, consisting of a single illustration. It's most often contained within a square or rectangular frame, although circular and irregularlyshaped panels are also possible.
- 27. Speech balloon Balloon Panel Frank Miller, Sin City Daniel Clowes, Ghost World
- 29. The Text-Related Parts of a Comic Book Page: 1.Title. the name of the comic on the front cover. Given the nature of comics, the 3tle is nearly always large, colorful, and especially ornate. Jim Davies, Gardfield 2.Credits. the credits promote the "stars" of the comic: scriptwriter & comic ar3st. Bill Wa;erson, Calvin & Hobbes
- 30. 3.Le/ering. This refers to most of the text in a comic book. 4.Cap5ons. LeBering not in a speech or thought balloon is usually in a cap3on, in a separate frame. CAPTION Sonia Pulido
- 31. 5.Sound Effects. Any wriGng meant to convey a noise or sound is called a sound effect. Sound effects are shaped to suggest the kind of sound – loud or soQ, harsh or mellow. h;p://www.artsle;ers.com
- 32. Some Original Comic because of its Structure Frank Miller, Sin city, 1991
- 34. Jeffrey Brown, Gato saliendo de una bolsa, 2008
- 35. Jiro Taniguchi, The Lonely Gourmet, 2010
- 36. Some Original Comic because of its Plot We´ll see some example of comics in which the author tells stories about his own life to show aspects of his own culture. Marjane Satrapi, Persepolis, 2000
- 37. c strip . ectly. ographs rs which e shapes levels of en make needs of he comic limiting s to the es; using esthetic eria. The Moments in art...
- 38. Plot The events that make up a story
- 39. Characters
- 51. Script The document describing the narrative and dialogue of a comic in detail.
- 52. c strip . ectly. ographs rs which e shapes levels of en make needs of he comic limiting s to the es; using esthetic eria. The Moments in art...