Eclecticism was an architectural style in the late 19th century that incorporated elements from historical styles to create original designs. It allowed architects more freedom and inspiration compared to reviving a single historical style. Some eclectic styles discussed are Gothic Revival, Orientalism, Beaux-Arts, Arts and Crafts, Art Nouveau, and Art Deco. Eclecticism used elements and motifs from different eras and places in creative combinations suited to the project. It emphasized creation over nostalgia and sought original rather than derivative designs.
Short power point showing the various styles and transitions of architecture. Also includes models built by architects. This is a good piece to introduce a model building project with high school or college age students.
OUTLINE
Definition
Birth of arts and crafts
Influences
Social reforms of arts and crafts
Principles
Characteristics
Ideals
Architecture
Features
John ruskin
William morris
Architects
Decline of arts and crafts movement
Arts and crafts movement in US
Arts and crafts movement vs arts nouveau
HISTORY OF ARCHITECTURE
"MODERN ARCHITECTURE"
Le Corbusier
Frank Lloyd Wright
Ludwig Mies van der Rohe
Walter Gropius
Louis Sullivan
C.R. Mackintosh
Edwin Lutyens
Antoni Gaudi
THE HISTORY OF ARCHITECTURE IS EXPLAINED IN A BRIEF FORMAT THROUGH THE SLIDES THAT RUN THROUGH THE ARTS MOVEMENT FOLLOWED BY THE PRAIRIE STYLE OF ARCHITECTURE.
Short power point showing the various styles and transitions of architecture. Also includes models built by architects. This is a good piece to introduce a model building project with high school or college age students.
OUTLINE
Definition
Birth of arts and crafts
Influences
Social reforms of arts and crafts
Principles
Characteristics
Ideals
Architecture
Features
John ruskin
William morris
Architects
Decline of arts and crafts movement
Arts and crafts movement in US
Arts and crafts movement vs arts nouveau
HISTORY OF ARCHITECTURE
"MODERN ARCHITECTURE"
Le Corbusier
Frank Lloyd Wright
Ludwig Mies van der Rohe
Walter Gropius
Louis Sullivan
C.R. Mackintosh
Edwin Lutyens
Antoni Gaudi
THE HISTORY OF ARCHITECTURE IS EXPLAINED IN A BRIEF FORMAT THROUGH THE SLIDES THAT RUN THROUGH THE ARTS MOVEMENT FOLLOWED BY THE PRAIRIE STYLE OF ARCHITECTURE.
INTODUCTION
Art Nouveau, ornamental style of art that flourished between about 1890 and 1910 throughout Europe and the United States.
The most important places for architecture during this period were Brussels, Paris and Barcelona. The name 'Art nouveau' is French for 'new art'.
It represents the beginning of modernism in design(Modern Architecture). It occurred at a time when
Mass-produced consumer goods began to fill the marketplace, and
Designers, architects, and artist began to understand that the handcrafted work of centuries past could be lost.
Flourished in major European cities and emerged in the early 1890s in all the visual arts:
1. Painting 7. jewellery
2. Sculpture 8. clothing and
3. Architecture 9. furniture
4. Interior design
5. graphic arts
6. Posters
The presentation deals with the colour theory to be taught to the first-year students of different design backgrounds. This primarily deals with colour theory of RYB Scheme
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Transforming Brand Perception and Boosting Profitabilityaaryangarg12
In today's digital era, the dynamics of brand perception, consumer behavior, and profitability have been profoundly reshaped by the synergy of branding, social media, and website design. This research paper investigates the transformative power of these elements in influencing how individuals perceive brands and products and how this transformation can be harnessed to drive sales and profitability for businesses.
Through an exploration of brand psychology and consumer behavior, this study sheds light on the intricate ways in which effective branding strategies, strategic social media engagement, and user-centric website design contribute to altering consumers' perceptions. We delve into the principles that underlie successful brand transformations, examining how visual identity, messaging, and storytelling can captivate and resonate with target audiences.
Methodologically, this research employs a comprehensive approach, combining qualitative and quantitative analyses. Real-world case studies illustrate the impact of branding, social media campaigns, and website redesigns on consumer perception, sales figures, and profitability. We assess the various metrics, including brand awareness, customer engagement, conversion rates, and revenue growth, to measure the effectiveness of these strategies.
The results underscore the pivotal role of cohesive branding, social media influence, and website usability in shaping positive brand perceptions, influencing consumer decisions, and ultimately bolstering sales and profitability. This paper provides actionable insights and strategic recommendations for businesses seeking to leverage branding, social media, and website design as potent tools to enhance their market position and financial success.
Between Filth and Fortune- Urban Cattle Foraging Realities by Devi S Nair, An...Mansi Shah
This study examines cattle rearing in urban and rural settings, focusing on milk production and consumption. By exploring a case in Ahmedabad, it highlights the challenges and processes in dairy farming across different environments, emphasising the need for sustainable practices and the essential role of milk in daily consumption.
Can AI do good? at 'offtheCanvas' India HCI preludeAlan Dix
Invited talk at 'offtheCanvas' IndiaHCI prelude, 29th June 2024.
https://www.alandix.com/academic/talks/offtheCanvas-IndiaHCI2024/
The world is being changed fundamentally by AI and we are constantly faced with newspaper headlines about its harmful effects. However, there is also the potential to both ameliorate theses harms and use the new abilities of AI to transform society for the good. Can you make the difference?
White wonder, Work developed by Eva TschoppMansi Shah
White Wonder by Eva Tschopp
A tale about our culture around the use of fertilizers and pesticides visiting small farms around Ahmedabad in Matar and Shilaj.
3. • Eclecticism is a nineteenth and twentieth-century architectural style in which
a single piece of work incorporates a mixture of elements from previous
historical styles to create something that is new and original.
• In architecture and interior design, these elements may include structural
features, furniture, decorative motives, distinct historical ornament, traditional
cultural motifs or styles from other countries, with the mixture usually chosen
based on its suitability to the project and overall aesthetic value.
• Eclecticism came into practice during the late 19th century, as Architects
sought after a style that would allow them to retain previous historic
precedent, but create unseen designs.
• From a complete catalogue of past styles, the ability to mix and combine
styles allowed for more expressive freedom and provided an endless source of
inspiration.
• Eclecticism differed, as the main driving force was creation, not nostalgia and
there was a desire for the designs to be original.
4. • Gothic Revival
• Orientalism
• Beaux-Arts
• Arts and Crafts
• Art Nouveau
• Art Deco
Different Styles in Eclecticism
19. Beaux-Art
• Beaux-Arts architecture expresses the academic neoclassical architectural
style taught at the École des Beaux-Arts in Paris.
• The Beaux-Arts training emphasized the mainstream examples
of Imperial Roman architecture, Italian Renaissance, and French and
Italian Baroque models especially, but the training could then be applied to a
broader range of models.
• Beaux-Arts training emphasized the production of quick conceptual sketches,
highly finished perspective presentation drawings, close attention to
the program, and knowledgeable detailing.
• Beaux-Arts architecture depended on sculptural decoration along
conservative modern lines, employing French and Italian Baroque
and Rococo formulas combined with an impressionistic finish and realism.
20. Characteristics
• Flat roof
• Rusticated and raised first story
• Arched windows
• Arched and pedimented doors
• Classical details: references to a synthesis of historicist styles and a tendency
to eclecticism; fluently in a number of "manners"
• Symmetry
• Statuary, sculpture (bas-relief panels, figural sculptures, sculptural groups),
murals, mosaics, and other artwork, all coordinated in theme to assert the
identity of the building
• Classical architectural details
• Subtle polychromy.
21. Modern Building Types-Reed and Stem and Warren and Wetmore, Grand Central Terminal, New York City, 1903-
13
25. Arts and Crafts
• Led by William Morris
• Aesthetic and idealistic reaction to the forces and the conditions of
modernity. A revolt against the hard mechanical conventional life and its
insensibility to beauty (quite another thing to ornament).
• Reintegration of high aesthetic and everyday craftsmanship.
• If artists and architect became craftsmen once more, the tyranny of the
machine could be overthrown
• Characterised by a romantic historicism that harked back to the traditional
rural lifestyle before the advent of modernity and the squalor of industrial
cities.
• Traditional building crafts were combined with an eclectic range of
architectural styles like, Dutch Renaissance and English Baroque.
32. Art Nouveau
• By the 1890s in Europe, the supremacy of French Beaux- Art and English
Victorian styles were being challenged by Architects in places that were
somewhat remote from the English and French spheres of influence like in
Spain, Austria, Germany, Scotland and Holland.
• Emerging at the end of the 19th century and prevalent until the outbreak of
World War I in 1914.
• Arguably the first avant-garde architectural style.
• Whereas the Arts and Crafts movement aimed to heal the alienation that had
arisen as a consequence of industrialization, Art Nouveau stressed creativity.
• Art Nouveau artists tended to avoid the heavy, neo medieval look of the Arts
and Crafts, preferring sinuous organic shapes and plant like motifs.
33. Art Nouveau
• By the end of the 19th Century, Art Nouveau had drifted toward a virtuostic
display of form, a complicated intermingling of materials, and an interlacing of
structure and ornament. It was unabashedly expensive.
• Art Nouveau provided a connection between the inherent subjectivity of craft
and the objectivity of modern mechanized production.
40. Art Deco(between World Wars)
• Art Deco burst onto the world stage at the Exposition Internationale des Arts
Decoratifs et Industriels Modernes in Paris 1925.
• The aim of the exhibition, which gave Art Deco its name, was to re-establish
Paris as the centre of Design, Fashion and high-end consumer products.
• The exhibition asked for the submissions that were modern. But the
submissions were somewhere between tradition and modernity.
• Art Deco, later was devoid of any intellectual content or of a social or moral
agenda. It was style in its purest sense, and embrace of eclectic ornament,
colour, rich materials and lustrous surfaces.
• Art Deco represented a vague optimism in the possibilities of modernity, not
as a break from the past, but in a way that ‘consumerized’ luxury.