THINKING
CHAPTER 8
WHAT IS THINKING?
• A HIGHER MENTAL PROCESS THROUGH WHICH WE MANIPULATE AND ANALYSE THE
ACQUIRED OR EXISTING INFORMATION.
• INVOLVES:
o ABSTRACTING
o REASONING
o IMAGINING
o PROBLEM SOLVING
o JUDGING
o DECISION-MAKING
WHAT ARE THOUGHTS MADE OF?
I. MENTAL IMAGES
• AN IMAGE IS A MENTAL REPRESENTATION OF A SENSORY EXPERIENCE; IT CAN BE USED TO THINK
ABOUT THINGS, PLACES, AND EVENTS.
• MAPS, VISULAIZATIONS, GUIDED IMAGERY….
II. CONCEPTS
• CONCEPT FORMATION HELPS US IN ORGANISING OUR KNOWLEDGE SO THAT WHENEVER WE NEED
TO ACCESS OUR KNOWLEDGE, WE CAN DO IT WITH LESS TIME AND EFFORT.
CONCEPT FORMATION
• CONCEPTS USUALLY FALL INTO HIERARCHIES OR LEVELS OF UNDERSTANDING. THE LEVELS ARE
CLASSIFIED AS
 SUPERORDINATE (THE HIGHEST LEVEL)- TOO VAGUE
 BASIC (AN INTERMEDIATE LEVEL)- USED MOST WIDELY
 SUBORDINATE (THE LOWEST LEVEL)- TOO SPECIFIC
• PROTOTYPES: A PROTOTYPE IS THE BEST REPRESENTATIVE MEMBER OF THE CATEGORY.
• IN PROTOTYPE MATCHING, PEOPLE DECIDE WHETHER AN ITEM IS A MEMBER OF A CATEGORY BY
COMPARING IT WITH THE MOST TYPICAL ITEM(S) OF THE CATEGORY.
THE PROCESSES OF THINKING
• PROBLEM SOLVING
• REASONING
• DECISION-MAKING
PROBLEM SOLVING
• PROBLEM SOLVING IS THINKING THAT IS GOAL-DIRECTED.
OBSTACLES TO SOLVING PROBLEMS
• MENTAL SET- TENDENCY OF A PERSON TO SOLVE PROBLEMS BY FOLLOWING ALREADY TRIED
MENTAL OPERATIONS OR STEPS.
• FUNCTIONAL FIXEDNESS- OPPOSITE OF JUGAAD.
• LACK OF MOTIVATION
REASONING
• REASONING IS THE PROCESS OF GATHERING AND ANALYZING INFORMATION TO ARRIVE AT CONCLUSIONS.
• DEDUCTIVE REASONING
• BASED ON ASSUMPTIONS
• GENERAL TO SPECIFIC
• BUT WHAT IF ASSUMPTION IS WRONG???
• INDUCTIVE REASONING
• BASED ON PARTICULAR OBSERVATION
• SPECIFIC TO GENERAL
• BUT WHAT IF OBSERVATION IS BIASED???
ANALOGY: A IS TO B, AS C IS TO D………….
JUDGMENT & DECISION-MAKING
• IN JUDGMENT WE DRAW CONCLUSIONS, FORM OPINIONS, EVALUATE EVENTS, OBJECTS, BASED ON
KNOWLEDGE AND AVAILABLE EVIDENCES.
• TO MAKE A DECISION- CHOOSE AMONG OPTIONS BASED ON CHOICES OF PERSONAL SIGNIFICANCE.
• CHOOSE AMONG ALTERNATIVES BY EVALUATING THE COST AND BENEFIT ASSOCIATED WITH EACH
ALTERNATIVE.
• CHOCOALTE CAKE OR ICE-CREAM?
• TEA OR COFFEE?
• MOVIE OR DINNER?
• THIS GUY OR THAT GIRL???
CREATIVE THINKING
• PRODUCTION OF NOVEL AND ORIGINAL IDEAS OR SOLUTIONS TO PROBLEMS
• THINKING DIFFERENTLY
• ORIGINAL
• NOVEL
• OUT OF THE BOX
• IMPROVIZATION
• UNIQUENESS
CAUTION IN CREATIVE THINKING!!
• APPROPRIATENESS IN A PARTICULAR CONTEXT
• REALITY-ORIENTED, APPROPRIATE, CONSTRUCTIVE, AND SOCIALLY DESIRABLE
• CREATIVE THINKING IS NOT
• BEING DIFFERENT WITHOUT ANY PURPOSE
• DOING THINGS IN ONE’S OWN WAYS
• BEING NON-CONFORMIST
• INDULGING IN FANTASY WITHOUT ANY PURPOSE
• COMING OUT WITH A BIZARRE IDEA
TYPES OF CREATIVE THINKING
• GUILFORD GAVE:
• CONVERGENT THINKING- ONLY ONE CORRECT ANSWER
• DIVERGENT THINKING- MANY POSSIBLE ANSWERS
DIVERGENT THINKING REQUIRES:
• FLUENCY IS THE ABILITY TO PRODUCE MANY IDEAS FOR A GIVEN TASK OR A
PROBLEM
• FLEXIBILITY INDICATES VARIETY IN THINKING (JUGAAD AGAIN!!)
• ORIGINALITY IS THE ABILITY TO PRODUCE IDEAS THAT ARE RARE OR UNUSUAL
• ELABORATION IS THE ABILITY THAT ENABLES A PERSON TO GO INTO DETAILS AND
WORKOUT IMPLICATIONS OF NEW IDEAS
PROCESS OF CREATIVE THINKING
• PREPARATION
• INCUBATION
• ILLUMINATION- EUREKA
• VERIFICATION
BARRIERS TO CREATIVE THINKING
• HABITUAL
• PERCEPTUAL
• MOTIVATIONAL
• EMOTIONAL
• CULTURAL
STRATEGIES FOR CREATIVE THINKING
• BECOME MORE AWARE
• RESPOND TO FEELINGS, SIGHTS, SOUNDS, TEXTURES
• SPOT PROBLEMS, MISSING INFORMATION, ANOMALIES, GAPS, DEFICIENCIES
• WIDER READING
• DEVELOP THE ART OF ASKING QUESTIONS
• PONDERING OVER THE MYSTERIES OF SITUATIONS AND OBJECTS
• GENERATE AS MANY IDEAS, RESPONSES, SOLUTIONS OR SUGGESTIONS ON A GIVEN TASK OR
SITUATION TO INCREASE YOUR FLOW OF THOUGHTS.
• IMAGINATION SHOULD BE GIVEN PRIORITY OVER JUDGMENT
• UNUSUAL AND UNEXPECTED ASSOCIATIONS USING ANALOGIES
STRATEGIES FOR CREATIVE THINKING
• ENGAGE YOURSELF MORE FREQUENTLY IN ACTIVITIES WHICH REQUIRE USE OF IMAGINATION AND
ORIGINAL THINKING
• IMPROVISING OR REDESIGNING OF OLD OBJECTS, MAKING USE OF WASTE PRODUCTS IN MULTIPLE
WAYS
• COMPLETING INCOMPLETE IDEAS IN UNIQUE WAYS
• GIVING NEW TWIST TO STORIES OR POEMS, DEVELOPING RIDDLES, PUZZLES, SOLVING MYSTERIES
• NEVER ACCEPT THE FIRST IDEA OR SOLUTION
• GET AN OBJECTIVE FEEDBACK
• GIVE YOUR IDEAS THE CHANCE TO INCUBATE
• BE SELF-CONFIDENT AND POSITIVE
• NEVER UNDERMINE YOUR CREATIVE POTENTIAL
• EXPERIENCE THE JOY OF YOUR CREATION
THOUGHT AND LANGUAGE
• ARE THEY RELATED?
• IN WHAT LANGUAGE DO YOU THINK?
chap 8 THINKING (1).ppt
chap 8 THINKING (1).ppt
chap 8 THINKING (1).ppt
chap 8 THINKING (1).ppt

chap 8 THINKING (1).ppt

  • 1.
  • 2.
    WHAT IS THINKING? •A HIGHER MENTAL PROCESS THROUGH WHICH WE MANIPULATE AND ANALYSE THE ACQUIRED OR EXISTING INFORMATION. • INVOLVES: o ABSTRACTING o REASONING o IMAGINING o PROBLEM SOLVING o JUDGING o DECISION-MAKING
  • 3.
    WHAT ARE THOUGHTSMADE OF? I. MENTAL IMAGES • AN IMAGE IS A MENTAL REPRESENTATION OF A SENSORY EXPERIENCE; IT CAN BE USED TO THINK ABOUT THINGS, PLACES, AND EVENTS. • MAPS, VISULAIZATIONS, GUIDED IMAGERY…. II. CONCEPTS • CONCEPT FORMATION HELPS US IN ORGANISING OUR KNOWLEDGE SO THAT WHENEVER WE NEED TO ACCESS OUR KNOWLEDGE, WE CAN DO IT WITH LESS TIME AND EFFORT.
  • 4.
    CONCEPT FORMATION • CONCEPTSUSUALLY FALL INTO HIERARCHIES OR LEVELS OF UNDERSTANDING. THE LEVELS ARE CLASSIFIED AS  SUPERORDINATE (THE HIGHEST LEVEL)- TOO VAGUE  BASIC (AN INTERMEDIATE LEVEL)- USED MOST WIDELY  SUBORDINATE (THE LOWEST LEVEL)- TOO SPECIFIC • PROTOTYPES: A PROTOTYPE IS THE BEST REPRESENTATIVE MEMBER OF THE CATEGORY. • IN PROTOTYPE MATCHING, PEOPLE DECIDE WHETHER AN ITEM IS A MEMBER OF A CATEGORY BY COMPARING IT WITH THE MOST TYPICAL ITEM(S) OF THE CATEGORY.
  • 5.
    THE PROCESSES OFTHINKING • PROBLEM SOLVING • REASONING • DECISION-MAKING
  • 6.
    PROBLEM SOLVING • PROBLEMSOLVING IS THINKING THAT IS GOAL-DIRECTED.
  • 7.
    OBSTACLES TO SOLVINGPROBLEMS • MENTAL SET- TENDENCY OF A PERSON TO SOLVE PROBLEMS BY FOLLOWING ALREADY TRIED MENTAL OPERATIONS OR STEPS. • FUNCTIONAL FIXEDNESS- OPPOSITE OF JUGAAD. • LACK OF MOTIVATION
  • 8.
    REASONING • REASONING ISTHE PROCESS OF GATHERING AND ANALYZING INFORMATION TO ARRIVE AT CONCLUSIONS. • DEDUCTIVE REASONING • BASED ON ASSUMPTIONS • GENERAL TO SPECIFIC • BUT WHAT IF ASSUMPTION IS WRONG??? • INDUCTIVE REASONING • BASED ON PARTICULAR OBSERVATION • SPECIFIC TO GENERAL • BUT WHAT IF OBSERVATION IS BIASED??? ANALOGY: A IS TO B, AS C IS TO D………….
  • 9.
    JUDGMENT & DECISION-MAKING •IN JUDGMENT WE DRAW CONCLUSIONS, FORM OPINIONS, EVALUATE EVENTS, OBJECTS, BASED ON KNOWLEDGE AND AVAILABLE EVIDENCES. • TO MAKE A DECISION- CHOOSE AMONG OPTIONS BASED ON CHOICES OF PERSONAL SIGNIFICANCE. • CHOOSE AMONG ALTERNATIVES BY EVALUATING THE COST AND BENEFIT ASSOCIATED WITH EACH ALTERNATIVE. • CHOCOALTE CAKE OR ICE-CREAM? • TEA OR COFFEE? • MOVIE OR DINNER? • THIS GUY OR THAT GIRL???
  • 11.
    CREATIVE THINKING • PRODUCTIONOF NOVEL AND ORIGINAL IDEAS OR SOLUTIONS TO PROBLEMS • THINKING DIFFERENTLY • ORIGINAL • NOVEL • OUT OF THE BOX • IMPROVIZATION • UNIQUENESS
  • 13.
    CAUTION IN CREATIVETHINKING!! • APPROPRIATENESS IN A PARTICULAR CONTEXT • REALITY-ORIENTED, APPROPRIATE, CONSTRUCTIVE, AND SOCIALLY DESIRABLE • CREATIVE THINKING IS NOT • BEING DIFFERENT WITHOUT ANY PURPOSE • DOING THINGS IN ONE’S OWN WAYS • BEING NON-CONFORMIST • INDULGING IN FANTASY WITHOUT ANY PURPOSE • COMING OUT WITH A BIZARRE IDEA
  • 14.
    TYPES OF CREATIVETHINKING • GUILFORD GAVE: • CONVERGENT THINKING- ONLY ONE CORRECT ANSWER • DIVERGENT THINKING- MANY POSSIBLE ANSWERS
  • 15.
    DIVERGENT THINKING REQUIRES: •FLUENCY IS THE ABILITY TO PRODUCE MANY IDEAS FOR A GIVEN TASK OR A PROBLEM • FLEXIBILITY INDICATES VARIETY IN THINKING (JUGAAD AGAIN!!) • ORIGINALITY IS THE ABILITY TO PRODUCE IDEAS THAT ARE RARE OR UNUSUAL • ELABORATION IS THE ABILITY THAT ENABLES A PERSON TO GO INTO DETAILS AND WORKOUT IMPLICATIONS OF NEW IDEAS
  • 16.
    PROCESS OF CREATIVETHINKING • PREPARATION • INCUBATION • ILLUMINATION- EUREKA • VERIFICATION
  • 17.
    BARRIERS TO CREATIVETHINKING • HABITUAL • PERCEPTUAL • MOTIVATIONAL • EMOTIONAL • CULTURAL
  • 18.
    STRATEGIES FOR CREATIVETHINKING • BECOME MORE AWARE • RESPOND TO FEELINGS, SIGHTS, SOUNDS, TEXTURES • SPOT PROBLEMS, MISSING INFORMATION, ANOMALIES, GAPS, DEFICIENCIES • WIDER READING • DEVELOP THE ART OF ASKING QUESTIONS • PONDERING OVER THE MYSTERIES OF SITUATIONS AND OBJECTS • GENERATE AS MANY IDEAS, RESPONSES, SOLUTIONS OR SUGGESTIONS ON A GIVEN TASK OR SITUATION TO INCREASE YOUR FLOW OF THOUGHTS. • IMAGINATION SHOULD BE GIVEN PRIORITY OVER JUDGMENT • UNUSUAL AND UNEXPECTED ASSOCIATIONS USING ANALOGIES
  • 19.
    STRATEGIES FOR CREATIVETHINKING • ENGAGE YOURSELF MORE FREQUENTLY IN ACTIVITIES WHICH REQUIRE USE OF IMAGINATION AND ORIGINAL THINKING • IMPROVISING OR REDESIGNING OF OLD OBJECTS, MAKING USE OF WASTE PRODUCTS IN MULTIPLE WAYS • COMPLETING INCOMPLETE IDEAS IN UNIQUE WAYS • GIVING NEW TWIST TO STORIES OR POEMS, DEVELOPING RIDDLES, PUZZLES, SOLVING MYSTERIES • NEVER ACCEPT THE FIRST IDEA OR SOLUTION • GET AN OBJECTIVE FEEDBACK • GIVE YOUR IDEAS THE CHANCE TO INCUBATE • BE SELF-CONFIDENT AND POSITIVE • NEVER UNDERMINE YOUR CREATIVE POTENTIAL • EXPERIENCE THE JOY OF YOUR CREATION
  • 21.
    THOUGHT AND LANGUAGE •ARE THEY RELATED? • IN WHAT LANGUAGE DO YOU THINK?