The document provides background information on Takoyaki, including:
- It discusses Takoyaki, a ball-shaped snack made of octopus pieces in a wheat flour-based batter that is deep fried.
- The origins of Takoyaki can be traced back to Osaka in the 18th century, where they became a popular street food.
- Today, Takoyaki stalls and festivals celebrating the snack can be found across Japan, especially in Osaka where the batter is said to be sauce-ier and the balls are larger than in other regions.
This document provides expert recommendations for writing case studies. It outlines two main approaches - the analytical approach which examines what happened and why, and the problem-oriented method which identifies and suggests solutions to major problems. A successful case study analyzes a real-life situation, identifies problems, selects major issues, recommends solutions, and details how the best solution should be implemented. It usually contains eight common sections - synopsis, findings, discussion, conclusion, recommendations, implementation, references, and appendices. The document encourages seeking professional help from qualified writers for guidance on case study formats.
This document discusses several key macroeconomic indicators:
1) GDP - the total market value of goods and services produced in a country in a given time period. GDP growth of 0.6% from 2006 to 2007 is modest and indicates the US economy had not fully recovered.
2) Inflation - the percentage increase in average prices as measured by the Consumer Price Index. High or hyperinflation can severely damage an economy by reducing the value of currency.
3) Unemployment - the percentage of the labor force that is jobless and seeking work. The natural rate is 4-6% but cyclical unemployment rises in recessions.
4) Business cycles - the ongoing pattern of economic expansions and
This document discusses the financial projections and assumptions required for a feasibility study of a new project. It outlines key factors that must be considered when formulating financial projections, including industry standards, previous feasibility studies, and governmental regulations. Assumptions must be based on realistic and verifiable facts. The document then provides details on determining initial project costs, sources of financing, pro forma financial statements including the income statement, cash flow statement, balance sheet, and financial ratio analyses. Financial analyses tools like break-even analysis, cash flow analysis, and return on investment are also described.
Under the topic Philippine Revolution (in Philippine History), this material focused on the nationalistic means of pursuit of liberty in the country, the Propaganda Movement.
(^_^)
Andres Bonifacio was a Filipino nationalist and revolutionary who founded the secret society Katipunan in 1892 which sought independence from Spanish colonial rule. He served as the supreme leader of the Katipunan and is considered a de facto national hero of the Philippines. Emilio Jacinto, known as the "Brains of the Katipunan", joined the secret society at a young age and served as Bonifacio's adviser, writing many of the Katipunan's principles and documents under various pseudonyms. Both men played pivotal roles in the Katipunan and Philippine Revolution before ultimately dying in the late 1890s.
This document provides expert recommendations for writing case studies. It outlines two main approaches - the analytical approach which examines what happened and why, and the problem-oriented method which identifies and suggests solutions to major problems. A successful case study analyzes a real-life situation, identifies problems, selects major issues, recommends solutions, and details how the best solution should be implemented. It usually contains eight common sections - synopsis, findings, discussion, conclusion, recommendations, implementation, references, and appendices. The document encourages seeking professional help from qualified writers for guidance on case study formats.
This document discusses several key macroeconomic indicators:
1) GDP - the total market value of goods and services produced in a country in a given time period. GDP growth of 0.6% from 2006 to 2007 is modest and indicates the US economy had not fully recovered.
2) Inflation - the percentage increase in average prices as measured by the Consumer Price Index. High or hyperinflation can severely damage an economy by reducing the value of currency.
3) Unemployment - the percentage of the labor force that is jobless and seeking work. The natural rate is 4-6% but cyclical unemployment rises in recessions.
4) Business cycles - the ongoing pattern of economic expansions and
This document discusses the financial projections and assumptions required for a feasibility study of a new project. It outlines key factors that must be considered when formulating financial projections, including industry standards, previous feasibility studies, and governmental regulations. Assumptions must be based on realistic and verifiable facts. The document then provides details on determining initial project costs, sources of financing, pro forma financial statements including the income statement, cash flow statement, balance sheet, and financial ratio analyses. Financial analyses tools like break-even analysis, cash flow analysis, and return on investment are also described.
Under the topic Philippine Revolution (in Philippine History), this material focused on the nationalistic means of pursuit of liberty in the country, the Propaganda Movement.
(^_^)
Andres Bonifacio was a Filipino nationalist and revolutionary who founded the secret society Katipunan in 1892 which sought independence from Spanish colonial rule. He served as the supreme leader of the Katipunan and is considered a de facto national hero of the Philippines. Emilio Jacinto, known as the "Brains of the Katipunan", joined the secret society at a young age and served as Bonifacio's adviser, writing many of the Katipunan's principles and documents under various pseudonyms. Both men played pivotal roles in the Katipunan and Philippine Revolution before ultimately dying in the late 1890s.
This document outlines what should be included in a comprehensive business plan. A business plan should include: an executive summary; description of the business concept and model; analysis of the target customer and market; overview of competition, suppliers, and distribution channels; details of the products/services; business strategy; and financial projections including expected returns. The business plan provides an overview and guide for starting and operating a new business venture.
This document provides an overview of musical genres and forms in the Lowlands of Luzon, Philippines during the American and Japanese periods. During the American period (1898-1941), the American education system influenced Philippine music education. Zarzuelas, or musical plays depicting Filipino characters and social issues, became popular vocal music. The Japanese occupation (1942-1945) failed to establish their "Co-Prosperity Sphere" and suppress Filipino culture. Filipinos reverted to traditional music and operas for entertainment during this dark time.
Between 1941-1945, Philippine literature was interrupted when Japan conquered the Philippines. Literature in English halted while Filipino literature grew as writers switched to writing in Filipino. The Japanese attacked military bases in the Philippines on December 8, 1941. Over 10,000 Filipino and American soldiers died on the Bataan Death March. Farmers in central Luzon banded together as the Huks to fight the Japanese occupation. Japan established a puppet government in the Philippines in 1943 with Jose P. Laurel as president.
The key party in making a letter of credit is the issuing bank. The issuing bank formally authorizes an obligation to pay the exporter's bank during a specific period of time, assuming documented conditions have been met. It creates the letter of credit and has control over its terms.
Building Bridges Across the Social Science Discipline
This slide covers the five themes of japan including the following:
1. Location
2. Place
3. Movement
4. Human and Environmental Resources
5. Region
Also have the interesting in Japan.
Noh theater developed in the 14th century from earlier sarugaku performances through the work of Kan'ami and his son Zeami, who introduced new musical and dance elements and refined the aesthetic principles of noh, establishing it as a major theatrical form centered around ritualistic and symbolic dramas performed through highly stylized gestures and choreographed movement.
The Japanese occupation of the Philippines was brief, lasting less than 36 months from 1942 to 1944. During this short time, the Japanese focused on forced labor to build fortifications and gathering collaborators rather than establishing cultural influences. Their control was also hampered by an ongoing guerilla resistance. The occupation caused major hardships for Filipinos through loss of freedoms and development being stopped.
Feasibility Study: Marketing , Technical and Management AspectLena Argosino
This document provides an overview of key considerations for the marketing and technical aspects of a business plan. It discusses conducting demand analysis to identify target markets and competitors. Product description, industry profile, demand segmentation, supply analysis, and marketing strategies are covered. For technical aspects, it outlines examining the production process, equipment needs, facility requirements, capacity, and operating costs. Organization and management factors like business structure and staffing are also mentioned.
THE REVOLUTIONARY MOVEMENT (PROPAGANDA AND KATIPUNAN)shielamae026
This document summarizes the Propaganda Movement and Katipunan Movement that fought for Philippine independence from Spain in the late 19th century. It describes the goals of the Propaganda Movement, which included establishing representation in the Spanish government and equal rights for Filipinos. Key figures like Jose Rizal published works advocating these reforms. Dissatisfied with the results, Andres Bonifacio then founded the secret revolutionary society Katipunan in 1892 to work toward outright independence. The Katipunan grew rapidly and published its own newspaper. Its discovery by the Spanish led to many arrests in 1896, though Bonifacio and others escaped, as the Philippine Revolution began.
The document discusses the technical feasibility study that should be conducted for a new business. It outlines key areas that must be addressed including selecting products/services, determining production needs, estimating costs, evaluating required equipment and technology, identifying suitable locations and facilities, sourcing raw materials, and calculating labor requirements. Conducting an thorough analysis of these areas is necessary to determine if the business has the technical expertise and resources to operate successfully.
Ito ay isang handout na tumatalakay sa paksang o aralin tungkol sa La Liga Filipina. Dito din matatagpuan ang kaunting kasaysayan patungkol sa La Liga Filipino at ang kanilang mga layunin.
The document summarizes Pre-Spanish literature in the Philippines. It describes how our ancestors had their own alphabet and forms of literature like legends, folk tales, and epics that were passed down orally and provided insights into customs and traditions. It also lists different forms of folk songs and poetry that existed during this period, including kundiman (love songs), riddles, maxims and sayings that reflected early Philippine culture and ways of life before the influence of Spanish colonizers.
This research proposal investigates the influence of museum and gallery programs on teaching and learning visual arts in Malaysian schools. The proposal outlines the following:
1. The Malaysian education system has made progress but traditional classroom learning may not fully engage students in subjects like visual arts. Museum programs offer hands-on, project-based learning outside the classroom.
2. The study will assess students' perceptions of how museum programs impact their understanding and effectiveness of learning visual arts.
3. A literature review discusses how museums have increasingly taken on educational roles and how programs can strengthen cultural appreciation. Research methods will include interviews of visual art teachers and students.
During the Japanese occupation of the Philippines from 1941-1945:
- Writing in English was banned except for two newspapers, forcing writers to switch to Filipino.
- Filipino literature experienced a revival as genres like poetry, drama, and short stories flourished with nationalistic themes.
- Three new poetic forms emerged - Haiku, Tanaga, and traditional forms.
- Philippine literature in English was suppressed but a few writers persisted, including Carlos P. Romulo who won the Pulitzer Prize.
- After the war, Philippine literature celebrated its rebirth of freedom across languages.
This document introduces the SAVANT framework for strategic tax management of transactions. SAVANT is an acronym that stands for Strategy, Anticipation, Value-adding, Negotiating, and Transforming. It describes each element of the framework: [1] Strategy involves engaging in transactions consistent with strategic objectives; [2] Anticipation means considering future tax status and timing transactions accordingly; [3] Value-adding is about maximizing post-tax value over time; [4] Negotiating aims to shift more of the tax burden to other entities; and [5] Transforming works to minimize taxes by changing the tax treatment of transactions. The framework provides a transactions-based approach for managers to increase
Micromarket Analysis for Goldilocks and Red Ribbonlfolegario
Red Ribbon and Goldilocks are two popular bakery chains in the Philippines. While both target customers aged 20 and above, Red Ribbon caters more to professionals and businessmen with its higher prices and more spacious facilities, while Goldilocks reaches more of the masses with lower prices. Both aim to bring families and friends together through their pastries and cakes.
This document provides a summary of Japan's historical periods from 11,000 BC to 1868 AD through its artistic productions and political developments. It describes the early Jomon Period when nomadic hunter-gatherers began settling in villages and created sculptural pottery and figurines. During the Yayoi Period, powerful chieftains ruled stratified societies practicing wet-rice cultivation and produced elegant wheel-turned pottery and bronze weapons. The Kofun Period saw the emergence of a ruling aristocracy with close ties to Korea and the construction of large burial mounds decorated with haniwa sculptures. Buddhism was introduced to Japan in the Asuka Period, influencing artistic styles. The Nara Period was marked by the growth of Buddhism and construction
The document provides a brief history of Japan from prehistoric times through the Heian period. It summarizes the main periods as follows:
The Jomon period lasted from 14,000 BC to 300 BC and was characterized by a hunter-gatherer lifestyle and the earliest pottery in Japan. The Yayoi period from 400/300 BC to 250 AD saw the introduction of wet-rice farming and metallurgy from mainland Asia. The Kofun period from around 250 AD featured large burial mounds and the establishment of powerful military states centered around clans. The Asuka period from 538 to 710 AD saw the development of a centralized state and the introduction of Buddhism. The Nara period of the
This document outlines what should be included in a comprehensive business plan. A business plan should include: an executive summary; description of the business concept and model; analysis of the target customer and market; overview of competition, suppliers, and distribution channels; details of the products/services; business strategy; and financial projections including expected returns. The business plan provides an overview and guide for starting and operating a new business venture.
This document provides an overview of musical genres and forms in the Lowlands of Luzon, Philippines during the American and Japanese periods. During the American period (1898-1941), the American education system influenced Philippine music education. Zarzuelas, or musical plays depicting Filipino characters and social issues, became popular vocal music. The Japanese occupation (1942-1945) failed to establish their "Co-Prosperity Sphere" and suppress Filipino culture. Filipinos reverted to traditional music and operas for entertainment during this dark time.
Between 1941-1945, Philippine literature was interrupted when Japan conquered the Philippines. Literature in English halted while Filipino literature grew as writers switched to writing in Filipino. The Japanese attacked military bases in the Philippines on December 8, 1941. Over 10,000 Filipino and American soldiers died on the Bataan Death March. Farmers in central Luzon banded together as the Huks to fight the Japanese occupation. Japan established a puppet government in the Philippines in 1943 with Jose P. Laurel as president.
The key party in making a letter of credit is the issuing bank. The issuing bank formally authorizes an obligation to pay the exporter's bank during a specific period of time, assuming documented conditions have been met. It creates the letter of credit and has control over its terms.
Building Bridges Across the Social Science Discipline
This slide covers the five themes of japan including the following:
1. Location
2. Place
3. Movement
4. Human and Environmental Resources
5. Region
Also have the interesting in Japan.
Noh theater developed in the 14th century from earlier sarugaku performances through the work of Kan'ami and his son Zeami, who introduced new musical and dance elements and refined the aesthetic principles of noh, establishing it as a major theatrical form centered around ritualistic and symbolic dramas performed through highly stylized gestures and choreographed movement.
The Japanese occupation of the Philippines was brief, lasting less than 36 months from 1942 to 1944. During this short time, the Japanese focused on forced labor to build fortifications and gathering collaborators rather than establishing cultural influences. Their control was also hampered by an ongoing guerilla resistance. The occupation caused major hardships for Filipinos through loss of freedoms and development being stopped.
Feasibility Study: Marketing , Technical and Management AspectLena Argosino
This document provides an overview of key considerations for the marketing and technical aspects of a business plan. It discusses conducting demand analysis to identify target markets and competitors. Product description, industry profile, demand segmentation, supply analysis, and marketing strategies are covered. For technical aspects, it outlines examining the production process, equipment needs, facility requirements, capacity, and operating costs. Organization and management factors like business structure and staffing are also mentioned.
THE REVOLUTIONARY MOVEMENT (PROPAGANDA AND KATIPUNAN)shielamae026
This document summarizes the Propaganda Movement and Katipunan Movement that fought for Philippine independence from Spain in the late 19th century. It describes the goals of the Propaganda Movement, which included establishing representation in the Spanish government and equal rights for Filipinos. Key figures like Jose Rizal published works advocating these reforms. Dissatisfied with the results, Andres Bonifacio then founded the secret revolutionary society Katipunan in 1892 to work toward outright independence. The Katipunan grew rapidly and published its own newspaper. Its discovery by the Spanish led to many arrests in 1896, though Bonifacio and others escaped, as the Philippine Revolution began.
The document discusses the technical feasibility study that should be conducted for a new business. It outlines key areas that must be addressed including selecting products/services, determining production needs, estimating costs, evaluating required equipment and technology, identifying suitable locations and facilities, sourcing raw materials, and calculating labor requirements. Conducting an thorough analysis of these areas is necessary to determine if the business has the technical expertise and resources to operate successfully.
Ito ay isang handout na tumatalakay sa paksang o aralin tungkol sa La Liga Filipina. Dito din matatagpuan ang kaunting kasaysayan patungkol sa La Liga Filipino at ang kanilang mga layunin.
The document summarizes Pre-Spanish literature in the Philippines. It describes how our ancestors had their own alphabet and forms of literature like legends, folk tales, and epics that were passed down orally and provided insights into customs and traditions. It also lists different forms of folk songs and poetry that existed during this period, including kundiman (love songs), riddles, maxims and sayings that reflected early Philippine culture and ways of life before the influence of Spanish colonizers.
This research proposal investigates the influence of museum and gallery programs on teaching and learning visual arts in Malaysian schools. The proposal outlines the following:
1. The Malaysian education system has made progress but traditional classroom learning may not fully engage students in subjects like visual arts. Museum programs offer hands-on, project-based learning outside the classroom.
2. The study will assess students' perceptions of how museum programs impact their understanding and effectiveness of learning visual arts.
3. A literature review discusses how museums have increasingly taken on educational roles and how programs can strengthen cultural appreciation. Research methods will include interviews of visual art teachers and students.
During the Japanese occupation of the Philippines from 1941-1945:
- Writing in English was banned except for two newspapers, forcing writers to switch to Filipino.
- Filipino literature experienced a revival as genres like poetry, drama, and short stories flourished with nationalistic themes.
- Three new poetic forms emerged - Haiku, Tanaga, and traditional forms.
- Philippine literature in English was suppressed but a few writers persisted, including Carlos P. Romulo who won the Pulitzer Prize.
- After the war, Philippine literature celebrated its rebirth of freedom across languages.
This document introduces the SAVANT framework for strategic tax management of transactions. SAVANT is an acronym that stands for Strategy, Anticipation, Value-adding, Negotiating, and Transforming. It describes each element of the framework: [1] Strategy involves engaging in transactions consistent with strategic objectives; [2] Anticipation means considering future tax status and timing transactions accordingly; [3] Value-adding is about maximizing post-tax value over time; [4] Negotiating aims to shift more of the tax burden to other entities; and [5] Transforming works to minimize taxes by changing the tax treatment of transactions. The framework provides a transactions-based approach for managers to increase
Micromarket Analysis for Goldilocks and Red Ribbonlfolegario
Red Ribbon and Goldilocks are two popular bakery chains in the Philippines. While both target customers aged 20 and above, Red Ribbon caters more to professionals and businessmen with its higher prices and more spacious facilities, while Goldilocks reaches more of the masses with lower prices. Both aim to bring families and friends together through their pastries and cakes.
This document provides a summary of Japan's historical periods from 11,000 BC to 1868 AD through its artistic productions and political developments. It describes the early Jomon Period when nomadic hunter-gatherers began settling in villages and created sculptural pottery and figurines. During the Yayoi Period, powerful chieftains ruled stratified societies practicing wet-rice cultivation and produced elegant wheel-turned pottery and bronze weapons. The Kofun Period saw the emergence of a ruling aristocracy with close ties to Korea and the construction of large burial mounds decorated with haniwa sculptures. Buddhism was introduced to Japan in the Asuka Period, influencing artistic styles. The Nara Period was marked by the growth of Buddhism and construction
The document provides a brief history of Japan from prehistoric times through the Heian period. It summarizes the main periods as follows:
The Jomon period lasted from 14,000 BC to 300 BC and was characterized by a hunter-gatherer lifestyle and the earliest pottery in Japan. The Yayoi period from 400/300 BC to 250 AD saw the introduction of wet-rice farming and metallurgy from mainland Asia. The Kofun period from around 250 AD featured large burial mounds and the establishment of powerful military states centered around clans. The Asuka period from 538 to 710 AD saw the development of a centralized state and the introduction of Buddhism. The Nara period of the
The document provides background information on Japan's geography, climate, agriculture, and early history. It discusses Japan's ties to Korea in the Yayoi period, the development of keyhole-shaped tombs and haniwa figures. It also summarizes the origins of Shinto religion and the introduction of Buddhism from China.
This document provides a brief history of Japan from ancient times to the Middle Ages. It discusses the earliest inhabitants during the last ice age and the Jomon period when pottery was developed. It then covers the Yayoi period when rice farming and bronze/iron tools were introduced, leading to a more settled lifestyle. The next Kofun period saw Japan becoming unified under powerful rulers buried in large tombs. Buddhism was introduced in the 6th century. Over time Japan developed a centralized government and moved its capital several times, eventually establishing Heian-kyo (Kyoto) in 794. Feudalism emerged and samurai warriors rose to power outside the emperor's control. This led to civil war and the
The document summarizes the history of feudal Japan from the Yamato period to the Tokugawa shogunate period. It discusses how Japan adopted Chinese culture and Confucianism starting in the Yamato period. The Heian period saw the growth of arts and literature as well as the development of the samurai class. The Kamakura and Ashikaga shogunates established a feudal system led by shoguns. The Warring States period was marked by conflict between daimyo until Oda Nobunaga and Toyotomi Hideyoshi unified parts of Japan. Finally, the Tokugawa shogunate centralized power and established a strict class system, closing Japan off from foreign influence.
Japanese HistoryANCIENT JAPANThe First JapaneseHum.docxvrickens
1) Ancient Japan was first inhabited over 30,000 years ago via a land bridge from Asia. The Jomon period from 8,000 BC to 300 BC saw the development of pottery and shellfish gathering. From 300 BC to 300 AD, the Yayoi period brought rice farming and the use of bronze and iron tools.
2) The Kofun period from 300 AD to 710 AD saw a more unified Japan with powerful families buried in large tombs. Buddhism was introduced in 552 AD. In the 7th century, the emperor became more powerful and the capital was moved to Nara in 710, establishing a centralized state.
3) The Heian period from 794 to 1
The document provides an overview of Japanese art from prehistoric times through 1392 CE. It summarizes the key periods and developments in art including Jomon pottery, Dogu figures, Yayoi agricultural developments, Kofun burial mounds and Haniwa figures, the introduction of Buddhism and its influences in the Asuka and Nara periods, religious art in the Heian period featuring Esoteric and Pure Land Buddhism, and the rise of the samurai class in the Kamakura period.
The document summarizes the early history of Japan from prehistoric times through 1500 CE. It discusses the major time periods and cultures, including the Jomon period beginning 14,000 BCE, the Yayoi period beginning 400 BCE which saw the introduction of wet-rice agriculture from Korea and China, and the Kofun period from 250-538 CE characterized by large keyhole-shaped burial mounds. It also describes the Asuka period from 538-710 CE when Buddhism was introduced and the Japanese nation began taking form, as well as the Nara period from 710-794 CE when the capital was moved to Nara.
- Japan is mostly volcanic rock, so most pagodas are made of wood and built to withstand earthquakes and storms, featuring curved roofs. The oldest wooden structure is the Pagoda at Horyuji built in 616 AD.
- Story scrolls illustrated Japanese history in a realistic style and were read from right to left, such as the nearly 23 foot long "Burning of the Sanjo Palace" scroll.
- Japanese sculpture and woodblock prints tend to be highly stylized to fit their surroundings, like temples featuring Buddhas and castles protected by statues of samurai.
This document provides an overview of Japan's geography, history, and culture. It begins with a description of Japan's island geography and climate. It then summarizes Japan's early history, including Chinese cultural influences, the Heian period, and the rise of feudalism. The document outlines the Tokugawa Shogunate period and Japan's isolationist policies. It discusses Japan's modernization after opening to the West in the 1800s, its expansion into Asia, and involvement in World War II, ending with the country's surrender in 1945.
This document summarizes the history of pre-colonial Asia, focusing on Japan and Korea. It outlines 11 distinct periods in Japanese history from 12,500 BCE to 1573 CE, characterized by developments like the creation of pottery, introduction of agriculture and iron tools, construction of large burial mounds, acceptance of Buddhism, and the establishment of a feudal system. It also notes Korea was dominated by three kingdoms: Goguryeo, Baekje, and Silla. Archaeological and historical evidence are used to understand these societies.
Japanese literature has a long history dating back to the Yamato/Kofun period in the 3rd-8th centuries CE. Major developments include the introduction of Chinese writing, Buddhism, and Confucianism during this time. The Tale of Genji, written by Murasaki Shikibu in the early 11th century, is considered the world's first novel and provides insights into aristocratic Heian period culture and society. Traditional Japanese genres that developed include haiku poetry, Noh drama, and Kabuki theater. Modern Japanese media like anime and films continue to be influenced by traditional literary and artistic forms.
The document provides historical context on classical Japanese literature and culture. It discusses:
1) Early Japanese culture was influenced by both indigenous Shinto beliefs and Chinese
influences, with the Japanese adapting influences to their own culture.
2) During the Tokugawa Shogunate period, Japan closed itself off from most outside contact for over 200 years, using the period to strengthen itself before opening to the West.
3) After opening to Western influence, Japan rapidly modernized its military and industries, becoming a world power but keeping traditional arts alive as well.
The history of Japan prior to 1868 saw the development of distinct cultural periods beginning with the prehistoric Jomon Period and ending with the isolated Tokugawa Period. Key developments included the introduction of rice farming and metallurgy during the Yayoi Period, the establishment of a centralized imperial system in the Yamato Period, the flourishing of classical Japanese culture under imperial patronage in the Nara and Heian Periods, the rise of warrior rule under military governments in the Kamakura and Ashikaga Periods, and the reunification of the country following the Sengoku period of civil war in the Azuchi-Momoyama Period. Throughout these periods, Japanese culture was influenced by cultural exchange with neighboring countries while
Japan's geography influenced its history in several ways:
1) As a nation of islands, it was able to remain isolated from other countries when it chose but was still near enough to China to borrow from its civilization.
2) Its mountainous terrain and appreciation for nature shaped Japanese culture, religion, and arts which emphasized simplicity and natural beauty.
3) Its isolation allowed feudal systems and samurai warriors to develop with their own cultural traditions and codes of conduct before eventually closing itself off from the world during the Tokugawa period.
- Feudal Japan began with the Yamato Period from 300-710 CE when Japanese rulers began adopting Chinese culture like Confucianism, Buddhism, language, and architecture.
- The Heian Period from 794-1156 CE saw the growth of large estates and refinement of court life, with the development of Japanese literature and arts influenced by but distinct from Chinese models.
- Feudalism developed in Japan with the emperor at the top and a system of loyalty and military service between shoguns, daimyo, and samurai down to peasants, as in medieval Europe. This period saw the rise of bushido, the samurai code of honor.
The document discusses literature during the Ming Dynasty and Tokugawa Period in China and Japan. It notes that literature played a larger role in daily life in Japan during this time compared to China, where technological advancements were prioritized more. Literature flourished as an art form in Japan during the Tokugawa Period after the country isolated itself, while in China literature remained more for entertainment than an important part of life. Both time periods saw significant cultural developments through their literature.
The document summarizes key aspects of Japanese history from ancient times to the Tokugawa Shogunate. It discusses Japan's geography and location, the sacred Mt. Fuji volcano, and unclear early history due to lack of records. It describes the myth of Japan's origins, Prince Shotoku's rule in the 6th century CE which introduced Buddhism and a constitution. It outlines the Nara and Heian periods where the imperial capital shifted locations, and the Kamakura, Ashikaga, and Tokugawa Shogunates which ruled as military governments. It notes the 16th century unifiers Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu who established the
The document summarizes the history of Japan from the Asuka period to the Tokugawa shogunate period. It discusses how early Japan adopted Chinese culture, the rise of the samurai class, the development of feudalism, and the eventual unification of the country. It then describes the isolationist Tokugawa shogunate that closed Japan off from foreign influence and centralized power.
This document provides an overview of economic globalization and Japan. It defines economic globalization as the increasing integration of economies through movement of goods, services, and capital across borders. It then discusses attributes and history of economic globalization. For Japan, it summarizes key facts about its geography, flag, mythology surrounding its creation, historical periods including the influence of Buddhism, and periods of governance like the Kamakura and Ashikaga periods. It concludes with noting Japan's first contact with Europeans in the 15th century.
Similar to C&C Project Two - TAKOYAKI Full Report (20)
Theories Comparative Paper: Quiapo & Jalan TAREuxuan Ong
This document provides a comparative analysis of public spaces in Quiapo, Manila and Jalan Tuanku Abdul Rahman in Kuala Lumpur. It analyzes the urban patterns, human activities, contact points, and intensity of interactions in both areas. In Quiapo, the streets are irregular with minimal infrastructure improvements, while Jalan TAR has a more organized street grid. Both areas have roadside vendors and plazas that facilitate social interactions. Key contact points that enable passive to active contacts are identified, such as Plaza Miranda in Quiapo and the open space by the Coliseum Theatre in Jalan TAR.
Theories Reaction Paper (Text 2): Learning From Las VegasEuxuan Ong
The document summarizes Robert Venturi's analysis of architecture and urbanism in Las Vegas as presented in his 1977 work "Learning From Las Vegas". Venturi argues that Las Vegas, with its billboard-filled commercial strip, demonstrates bold symbolic communication through signs that modern architecture rejected. While the Strip exhibits order, individual buildings are arranged loosely with glamorous facades and neon signs to attract consumers. Venturi also notes the accumulation of different architectural styles within the casinos' large interior spaces designed to manipulate visitors' sense of time and portray monumentality through artificial light.
Theories Reaction Paper (Text 5&6): Towards a Critical RegionalismEuxuan Ong
Frampton argues that critical regionalism in architecture emphasizes the geographical context and values of a place. Clean slates that strip away cultural identity should be avoided. A building's identity is lost when its history and transformation over time are ignored. Critical regionalism sets off user perception of an architectural space, but perception is often limited to sight alone rather than incorporating other senses. The author believes connecting buildings to their natural contexts through materials and elements creates a poetic experience for users.
Theories Reaction Paper (Text 4): The Geometry of FeelingEuxuan Ong
The document summarizes a reaction paper about the book "The Geometry of Feeling" by Juhani Pallasmaa. Pallasmaa argues that architecture should evoke emotions and feelings in users rather than just focusing on technical and visual aspects. He believes the form of a building triggers emotions through what it represents and that architecture should have associations for those who use it. Pallasmaa also connects architecture to other art forms that can elicit strong emotions. He thinks architectural considerations should first focus on familiarity and feelings for users before practical purposes.
The document provides details about the acoustic design of an auditorium located in Bangunan Yin, Kuala Lumpur. It belongs to Sidang Injil Borneo Kuala Lumpur, a protestant church. The auditorium seats over 1500 people and uses various sound absorbing materials and treatments to control reverberation, including carpeted floors, fabric-wrapped wall panels, upholstered seats, and hardwood surfaces. The sound system includes different types of speakers to adequately cover the large space. Reflective ceiling and wall surfaces help distribute sound while limiting echoes.
Building Science II: Auditorium PresentationEuxuan Ong
The document describes an auditorium with a fan-shaped volume of 11393 cubic meters that can seat 1500 people and is used for both speeches and music. It details the various acoustic paneling used, including porous and membrane absorbers with different absorption coefficients, as well as the speaker system including speakers on the stage, in front of the stage, hanging from the ceiling, and under the balcony. The document also notes design elements like irregularly shaped and tilted surfaces, folded walls, and a cantilevered balcony that affect the acoustics and dispersion of sound in the large space.
Building Science II: Studio V IntegrationEuxuan Ong
This document provides lighting analyses for two spaces in a proposed community library project:
1) The expandable event space on the second floor receives abundant natural daylight from openings on all sides. Daylight factor calculations show it receives 700 lux of illumination. Artificial recessed lights are added to further illuminate the space.
2) The west-facing cafeteria relies on artificial lighting. Calculations determine 11 LED pendant lights spaced 2.4m apart would provide the required 200 lux of illumination. Pendant lights are placed along walls and across the coffee bar.
The document proposes a street community initiative called H.O.J.P. that aims to provide comfort to the homeless community, engage pedestrians in street activities, and enhance the street experience. It cites objectives of treating all people with dignity and respect while helping the homeless community reintegrate into society. Case studies of portable, multifunctional, and lightweight equipment will be proposed to achieve the initiative's goals.
This internship report summarizes the student's internship experience at Citylab Studio, an architecture firm in Kuala Lumpur, Malaysia. It describes the various stages and tasks the student was involved in during projects, including schematic design with 3D modeling and renderings, design development with detailed drawings, and permit application support with site visits. The student gained exposure to software like Rhino, Revit, Lumion and Photoshop and assisted with tasks like modeling, drawing, rendering, and material selection. Site visits provided guidance on construction methods and compliance with local authorities' regulations. Overall, the internship helped the student understand the workflow in an architecture practice.
Building Services: Elderly care center servicesEuxuan Ong
The document summarizes the building services required for an Elderly Care Centre, including the fire protection, air conditioning, mechanical ventilation, and mechanical transportation systems. It discusses the key components and requirements of each system based on research and relevant building codes and guidelines. For the fire protection system, it covers the active components like smoke detectors, alarm sounders, portable extinguishers, and external hydrants, as well as passive elements like compartmentalization and fire doors.
Building Structures: Column & Beam analysisEuxuan Ong
This document outlines a project analyzing the structural design of a two-story bungalow. It includes architectural plans, structural plans, load distribution plans, and individual analyses of beams and columns. Students were assigned to frame the structural skeleton, identify load-bearing members, examine the structure and load distribution, and calculate loads on each beam and column. Formulas used for structural analysis are also defined. The conclusion states that the project helped students understand structural systems and analyze critical structural members and loads.
Asian Architecture: Ningbo Historic MuseumEuxuan Ong
The document discusses the use of the traditional Chinese Wapan tiling technique in the construction of the Ningbo Historic Museum in Ningbo, China. The museum facade was built using over 20 types of recycled bricks, stones, and tiles collected from demolished villages. This revived a traditional method that was disappearing due to modernization. The Wapan technique allowed for quick rebuilding after natural disasters and reflected the local culture and memories embedded in the materials.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help boost feelings of calmness, happiness and focus.
The document provides details about a project to document the State Chinese Penang Association building through measured drawings, photographs, and other documentation methods. A group of 25 students divided into teams to measure, photograph, and collect historical information about the 96-year-old heritage building. The documentation aims to preserve the history and culture of the association for younger generations and raise awareness of the building to the public. The teams produced measured drawings, a report, video, photo book, and physical model of the building as part of the assignment.
This document provides an analysis of existing structures at Cape Rachado site in Port Dickson, Malaysia. It describes various pathways, stairs, railings, retaining walls, gazebos, signboards, benches, observatory decks, picnic tables, and a beach gazebo. For each structure, it details materials used, dimensions, strengths, and weaknesses. Concrete and reinforced concrete are widely used for durable surfaces. Timber, steel, and zinc are also utilized. The structures provide access and amenities for visitors, while attempting to blend in with the natural surroundings.
The document provides information about a low density housing development called Ramal Villa located in Kajang, Malaysia. It has 71 units including single detached homes and semi-detached homes. The development has a modern design with flat rooftops and simple facades. Each unit also has a rooftop garden. The site is well connected to major highways and is close to the LDP and Sungai Besi Highway. The location plan shows the site layout with single detached homes on one corner and three storey semi-detached duplex units and quadriplex units on the rest of the site, with a small recreational park in the center.
Culture and History II: Menara Maybank ReportEuxuan Ong
Menara Maybank is located in a busy area of Kuala Lumpur with good accessibility by various modes of transportation. The building has 5 entry points, with the two main entries from Jalan Tun Perak leading to the lobby area. The building features a free floor plan with minimal internal partitions to allow for open circulation. Key access points include the main entrance, central core, and two main staircases located for optimal accessibility between floors. The design prioritizes ease of movement throughout the building.
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
How to Fix the Import Error in the Odoo 17Celine George
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
2. TAKOYAKI
THE JAPAN GROUP
FOUNDATION IN NATURAL
& BUILT ENVIRONMENTS
CULTURE & CIVILIZATIONS
LECTURERS: MS. NORMA JEAN & MS. IDA MAZLAN
IRYNNA ANNUAR
ARVINDHAN BALASINGAM
CANISIUS BONG
LIEW JIN
MAXIMILIAN LIM
ONG EUXUAN
OSCAR WONG
TAN YIT FONG
TANG ZE ZHENG
YONG YU JOON
6. TIMELINE
Heian Period
Heian period, in Japanese history, the period between 794 and 1185, named for the location of the
imperial capital, which was moved from Nara to Heian-kyō (Kyōto) in 794. The period was characterized
by the flourishing culture of the court aristocracy,which actively engaged in the pursuit of aesthetic
refinement, leading to new developments in art and literature.
The Heian period was one of those amazing periods in Japanese history. During this period, there
was a gradual decline of Chinese influence. One of the most influential groups of the Heian era was the
aristocratic Fujiwara family. The Fujiwaras succeeded in dominating the royal family by marrying female
clan members to emperors and then ruling on behalf of the offspring of these unions when they assumed
the throne. Not only did the powerful aristocratic Fujiwaras control the politics of this era, but they also
dominated the cultural milieu. Fujiwara courtiers encouraged an aura of courtly sophistication and
sensitivity in all of their activities, including the visual and literary arts, and even religious practice. This
refined sensibility and interest in the arts is clearly expressed in the literary classic The Tale of Genji,
written by a member of the Fujiwara clan, Murasaki Shikibu.
Literature and art of the period were thus often infused with nuances of sadness,melancholy, and
regret. The consolations of Buddhism stressed the impermanence of life and served to reinforce for
aristocratic believers the deeper meaning of readily apparent social developments. Indeed the shifting
emphases found in Buddhist iconography during the Heian period are incomprehensible unless viewed in
the context of doctrinal responses to social change. Most significant among these are the establishment of
two Japanese schools of Esoteric Buddhism, Tendai and Shingon, in the early 9th century, the increasing
appeal of Amidism in the 10th century, and, with the understanding that Buddhism entered a final
millenarian era in the mid-11th century, a florescence of various iconography produced in the hopes of
gaining religious merit.
9. TRADITION
Kimono
The word "kimono", literally means a "thing to wear". Kimono are T-shaped,straight-lined robes worn so
that the hem falls to the ankle, with attached collars and long, wide sleeves. Kimonos are wrapped around
the body, always with the left side over the right (and secured by a sash called an obi, which is tied at the
back.
Women’s kimono is usually more colourful than men’s kimono.
It has openings under the arm/shoulder - the better to adjust the
many layers of garments and ties underneath. Women's kimonos
are made much longer. The extra length is folded over at the
waist, to both reduce any "hourglass" shape.
Men’s kimonos are usually in dark colours such as black or dark
blue.
They are sewn closed under the arm. Men’s sleeves are square
shaped. The length for a man's kimono brings the hem to graze
the tops of his feet
10. CULTURE
The Tenjin Festival in Japan honors the scholar and statesman Sugawara Michizane (845-903),
who was deified as Tenjin after his death and regarded as the god of literature. The festival began about
950 c.e. as a purification rite.
Tenjin Matsuri is the festival of the Tenmangu Shrine and honors its principle deity Sugawara
Michizane, the deity of scholarship. The festival begins by ceremonially inviting the deity out of the
shrine and parading him through the city, carrying out various exuberant festivities to entertain him,
before taking him back to the shrine. For the people, the lively festivities manifest in a wonderful
occasion to enjoy the hot summer day, filled with traditional costumes, spectacular processions and a
celebratory atmosphere.
The long procession features costumed characters,including Sarutahiko, a long-nosed goblin
riding a horse, a ceremonial float accompanied by festival music, lion dancers,umbrella dancers and
geishas.
11. HISTORY
Japan has a long history with the first humans arriving around 35,000 B.C. Throughout most of Japan's
history, it hasbeen closed to the outside world refusing to open its borders to foreigners. The sakoku policy,
literal translation "locked country", enactedin 1633 by the Tokugawa Shogunate prevented foreigners from
entering Japan on penalty of death. The same policy also prevented Japanese from leaving Japan.
The first historical documents mentioning Japan date to around the 5th century. Japanese myth holds that
Emperor Jimmu was the first emperor of an imperial line that is still in place today.
The Nara Period
Before 710, the site of the capital was moved every time a new Emperor came to the throne. In 710,
however, a permanent court was established in Nara,which witnessed seven successive Emperors over the
next 77 years. Buddhism flourished, and thousands of temples were constructed throughout the land.
Buddhism had tremendous influence on the arts, including sculpture, painting, and lacquerware. It was
during this period, in 752, that a great bronze image of Buddha was erected at Todaiji Temple in Nara. It
remains the largest Buddha statue in Japan.
The Heian Period
In 794, the capital was moved to Heiankyo. Following the checkerboard pattern of Chang'an in China, the
new city's streets were laid out in grid fashion. The Heian Period ushered in a new era of prosperity and
peace,allowing the noble class to attain new heights in the arts and culture. New ideas and practices flowed
to Japan from abroad, mainly China, and were then modified to become uniquely Japanese. Chinese
characters,for example, were used to create a new Japanese writing system that allowed for the first time a
blossoming of Japanese literature and poetry. Among these were The Tale of Genji, the world's first major
novel, and the Pillow Book, both written by Murasaki Shikibu.
Towards the end of the Heian Period, military clans in the provinces began clashing for power, pushing
Japan into a series of civil wars and eventually the feudal era.
The Kamakura Period
Afterthe Genji clan emerged victorious in battles with the Heike clan, Yoritomo, the headof the Genji clan,
established a military government in a fishing village called Kamakura and became the nation's first shogun,
or military leader. This marked the beginning of Japan's 700 years of shogunate rule (it was only in 1868,
in the Meiji Restoration, that the Emperor was restored to power) and the ascendancy of the warrior caste,
known as samurai. Bound to their feudal lord by a strict code of honor, the samurai led a Spartan lifestyle
exemplified by the tenets of Zen Buddhism, introduced to Japan in 1190, which espoused mental and
physical discipline and had a tremendous influence on the arts and literature.
12. The Muromachi and Azuchi-Momoyama Periods
With the fall of the Kamakura government, a new feudal government was established at Muromachi in
Kyoto in 1336. The shogun led an extravagant life, building villas like the Golden and Silver Pavilions and
the rock garden at Ryoanji Temple, which are still major attractions today. It was a time also of newfound
cultural pursuits, with Noh drama, the tea ceremony, flower arranging and landscape gardening becoming
the rage of the privileged class. In the provinces, however, trouble brewed as feudal lords vied for power,
eventually erupting into civil wars that consumed the nation for more than a century. Mighty castles
mushroomed throughout the land, built by feudal lords not only for defense but as a symbol of military
strength and power.
The Edo Period
In 1603, Tokugawa Ieyasu, who emerged from the power struggle as the most powerful statesman in the
land, established his shogunate government in Edo (present-day Tokyo). To secure his supremacy, he
instituted laws that managed to keep feudal lords in check for another 260-some years. In 1639, the
Tokugawa shogunate adopted a policy of isolation and banned all international trade. The sole exception
was Nagasaki, where a small colony of Dutch and Chinese merchants were allowed to trade, giving Japan
only a small peephole through which to view the rest of the world. For the next two centuries, Japan lived
a life cut off from the modern world, with its own feudal system of samurai, farmers, craftsmen, and
merchants. Kabuki theater and festivals emerged as a popular form of entertainment for the masses,while
woodblock printmaking, silk for kimono, and lacquerware became status symbols for the merchant class'
nouveau riche. To maintain control over the nation, the shogun required feudal lords throughout the land to
travel to Edo every other year, bringing with them a seemingly endless procession of samurai.
By the middle of the 19th century, a budding commercial economy led by the merchantsand a sophisticated
urban culture had arisen to challenge the feudal system under the Tokugawa shogunate. In 1853,
Commodore Perry of the U.S. Navy sailed his fleet to the port of Uraga, near Edo, eventually forcing the
shogun to enter into a trade agreement with the U.S. Two ports, Shimoda and Hakodate, were opened to
trade. This sudden encounter with the West and its advanced technology contributed to the downfall of the
Tokugawa shogunate and ignited Japan's desire to catch up with the outside world.
13. MYTHS
Izanagi (He Who Invites) and Izanami (She Who Invites) are the central deities in the Japanese creation
myth. They were the eighth pair of brother and sister gods to appear after heaven and earth separated out
of chaos. By standing on the floating bridge of heaven and stirring the primeval ocean with a heavenly-
jeweled spear, they created the first land mass. Stories about Izanagi and Izanami are told in two works
from the A . D . 700S, the Kojiki (Records of Ancient Matters) and the Nihongi (Chronicles of Japan).
According to legend, Izanagi and Izanami stood on the floating bridge of heaven and stirred the primeval
ocean with a jeweled spear. When they lifted the spear, the drops that fell back into the water formed the
first solid land, an island called Onogoro. Izanagi and Izanami descended to the island and became
husband and wife. Their first attempt at sexual union resulted in a deformed child, Hiruko (“Leech
Child,” known in later Shintō mythology as the god Ebisu), and they set him adrift in a boat.
The couple performed another wedding ceremony, this time correctly. Izanami soon gave birth to eight
lovely children, who became the islands of Japan; Oki, Yamato,Sado, Iki, Tsukusi, Tsushima, Iyo and
Awaji.
15. ACT ONE – CREATION OF JAPAN
Izanagi and Izanami
Izanagi and Izanami are of the seventh generation of Shinto’s celestial Gods.
The first Gods summoned two divine beings into existence, Izanagi (the male) and Izanami (the female).
They were given a special spear,and were charged into creating the lands of Japan. Together they were the
creators of the ancient islands of Japan, or better known as the parents of Japan.
Izanagi and Izanami got married and created a ritual to celebrate. During the ceremony, Izanami cried out
delightfully upon seeing Izanagi. He returned the excitement but reminded her that the male should speak
first in this manner.
The first result of their lovemaking were two deformed, devil-looking children. Together, they sailed the
children out on boats to the Gods to determine the cause of their children’s deformity. Soon, they learned
that Izanami’s outburst during their wedding polluted their marriage.
They repeatedthe wedding ritual. Izanami remained silent
until spoken to. Their next lovemaking attempt createdthe
eight largest islands of Japan.
They then created deities of the sea, wind, mountains,
rivers,treesand ofrice. Izanamigave birth to a fire God,
and was burned during birth. In anger, Izanagi sliced his
son up with a sword, His pieces became Gods and his
spattered blood formed the stars of Milky Way.
16. Izanami-no-Mikoto
Izanami, also known as Izanami-no-Mikoto, meaning she who invites, is the goddess of creation and
death.
She married her brother and spouse, hoping to build the ancient island of Japan together. But due to her
outburst during their marriage ceremony, she polluted their marriage and gave birth to devil-looking
children. They repeated the ceremony with her remaining silent until spoken to, she then gave birth to the
eight largest islands of Japan: Awaji, Iyo, Ogi, Tsukushi, Iki, Tsushima, Sado and Yamado.
She then died during childbirth. Herlover, Izanagi wasdevastatedand took a journey to Yomi, the Japanese
underworld. He found her in the darkness and begged her to go back to the living world but she refused.
She told him that she has eaten the food of Yomi and she couldn’t return.
While she was sleeping, Izanagi lit up a torch and saw the horrid and rotting form of his once graceful and
beautiful wife. He ran away and Izanami declared that if he left she would kill 1000 of the living residents
every day.
17. Izanagi-no-Mikoto
Izanagi, or also known as Izanagi-no-Mikoto (Lord Izanagi),
which means he who invites, or Izanagi-no-Okami (The
Great God of Izanagi), is one of the two deities being created
into existence to create the lands of Japan.
He married his sister and spouse, hoping to build the ancient
island of Japan together. He was given the heavenly spear,
Amenonuhoko by the older generations to build the largest
islands of Japan. They then gave birth to eight of the largest
islands of Japan:Awaji, Iyo,Ogi,Tsukushi,Iki,Tsushima,
Sado and Yamado.
Then, Izanami gave birth to the God of Fire and died during childbirth. Devastated over his lover’s death,
Izanagi executed his own son, Kagutsuchi (the Fire God) who was the cause of Izanami’s death during
childbirth. He then paid a visit to Yomi, the Japanese underworld in hopes of retrieving her and bringing
her back to the living world.
He found her in the darkness but as soon as he lit a torch and saw her body rotting with maggots all over,
he ran as fast as he could to leave the underworld. Izanami found out and declared that she would kill 1000
of the living residents every day. Izanagi offered her 1500.
18. ACT TWO – THE HEIAN PERIOD
Emperor Kanmu
Kanmu-tenno (Emperor Kanmu) was the 50th
Emperor of Japan, according to the traditional order of
succession.
Emperor Kanmu reigned over the establishment of Kyoto, asthe capital of Japan. He is thus one of the most
important emperors in history. Kyoto would remain the imperial capital for over 1000 years, even after
Emperor Kanmu’s death.
Ten years prior to the establishment of Kyoto, Emperor Kanmu also presided over the moving of the first
capital first to Nagaoka-kyo from Heijo-kyo, which had been the capital for the prebious 74 years or so.
His reign saw battles against the Emishi (natives to the north), meaning further expansion and securing of
the borders of the state; he also sponsored the journeys of Saicho and Kukai to China – they returned to
schools of Buddhism, and to become hugely prominent Japanese historical figures.
Emperor Kanmu is buried in Fushimi; just over 1100 years later, in 1912, the tomb of Emperor Meiji was
established nearby.
19. Empress Shōshi
Empress Shōshi,born Fujiwara no Shōshi, or also known as Jōtōmon-in was the Empress of Japan and
the eldest daughter of Fujiwara no Michiga.
Because of her father’s power, influence and political machinations, she quickly achieved the status of
second empress. As empress she was able to surround herself with a court of talented and educated ladies-
in waiting such as Murasaki Shikibu, the writer of The Tale of Genji.
By the age of 20, she bore two songs to Ichijo, both of whom went on to become emperors and secured the
status of the Fujiwara line. In her late 30s she took vows as a Buddhist nun, renouncing imperial duties and
titles, assuming the title of Imperial Lady. She continued to be an influential member of the imperial family
until her death at age 86.
20. Shogun
Shogun (将軍), (military commander or general) was a hereditary military governor in Japan during the
shogunate period. In this period, the shoguns were the de facto rulers of the country, though officially they
were appointed by the Emperor.
The original meaning of ‘shogun’ is simply a ‘general’, as a title, it is used as the short form of seii
taishogun (征夷大将軍), the governing individual at various times in the history Japan.
A shogun’s office of administration is known in English as the ‘office’.In Japanese it wasknown as bakufu
(幕府), which literally means ‘tent office’, and originally meant ‘house of the general’, and later also
suggested a private government.
Heian Period
Originally, the title of Sei-i Taishogun (Commander-in-Chiefof
the Expeditionary Force Against the Barbarians) were given to
military commanders during the early Heian Period for the duration
of military campaigns against the Emishi who resisted the
governance of the Imperial court based in Kyoto.
Otomo no Otomaro became the first Sei-I Taishogun in history. The
most famous of these shoguns was Sakanoue no Tamuramaro who
conquered the Emishi in the name of Emperor Kanmu.
21. Murasaki Shikibu
Murasaki Shikibu (Lady Murasaki) was a Japanese novelist,poet and lady-in-waiting at the Imperial
court during the Heian period. She is best known as the author of The Tale ofGenji. Murasaki Shikibu is
a nickname; her real name is unknown but she may have been Fujiwara Takako.
Heian women were traditionally excluded from learning Chinese, the written language of government, but
Murasaki, raised in her erudite father’s household, showed a precocious aptitude for the Chinese classics
and managed to acquire fluency. She married to her mid-to late twenties and gave birth to a daughter before
her husband died two years after their marriage.
Murasaki was invited to serve as a lady-in-waiting to Empress
Shoshi at the Imperial court, probably because of her
reputation as a writer. She continued to write during her
service, adding scenes from court life to her work.
Murasaki wrote The Diary of Lady Murasaki,a volume of
poetry, and The Tale of Genji. Within a decade of its
completion, Genji was distributed throughout the provinces;
within a century it was recognized as a classic of Japanese
literature and had become a subject of scholarly criticism.
Early in the 20th
century her work was translated; a six-volume
English translation was completed in 1933. Scholars continue
to recognize the importance of her work, which reflects Heian
court society at its peak.
22. Emperor Daigo
Daigo-tenno (醍醐天皇),Emperor Daigo was the 60th
emperor of Japan, according to the traditional order
of succession.
The era name was changed to mark the beginning of Emperor Daigo’s reign. The highlight of Daigo’s 34
year reign was that he ruled by himself without the regency of the Fujiwara clan, though he himself was
part Fujiwara.
Through Sugawara Michizane’s rival Fujiwara no Tokihira, The Sugawara Michizane incident developed,
but more details cannot be known because Daigo ordered that diaries and record from theis period be
burned.
Floods devastated the country and many perished. A huge black storm cloud traveled from the sloped of
Mt. Atago to Heian-kyo accompanied by frightful thunder. Lightning struck the Imperial Palace. Many
subaltern officers were killed and their bodies were consumed in the subsequent fires. The deaths were
construed as an act of revenge by unsettled spirit of the late Sugawara Michizane.
23. Sugawara Michizane
Sugawara no Michizane (菅原道真),was a scholar, poet and politian of the Heian Period. He is regarded
as an excellent poet, particularly in Chinese poetry, and is today revered as the God ofLearning,Tenman-
Tenjin (天満天神), often shortened to Tenjin.
Sugawara Michizane had an exceptional talent in poetry both for kanshi (Chinese poetry) and waka
(Japanese poetry). His primary interest was kanshi, because in those days the immersion in the Chinese
culture was regarded as a proof of refinement and scholarship. Since his excellence in kanshi was well
known throughout the Court, Emperor Daigo suggested him to compile his Chinese poems, and therefore
he published Kanke Bunso and dedicated it to the emperor.
In 901, through the political maneuverings of his rival, Fujiwara no Tokihira, Sugawara Michizane was
demoted from his aristocratic rank of junior second to a minor official post at Dazaifu. After his lonely
death, plague and drought spread and sons of Emperor Daigo died in succession. The Imperial Palace’s
Great Audience Hall was struck repeatedly by lightning, and the city experienced weeks of rainstorms and
floods. Attributing this to the angry spirit of the exiled Sugawara,the imperial court built a Shinto shrine
called Kitano Tenman-gu in Kyoto, and dedicated it to him. They posthumously restoredhis title and office,
and struck from the record any mention of exile. Even this was not enough, and 70 years later, Sugawara
was defied as Tenjin-sama. Today many Shinto shrines in Japan are dedicated to him.
24. Samurai Warriors
Samurais, or in Japanese, bushi (武士) were the military nobility of medieval and early-modern Japan.
The term samurai were nominalized to mean ‘those who serve in close attendance to the nobility’, the
pronunciation in Japanese changing to saburai.
By the end of the 12th
century, samurai became almost entirely synonymous with bushi, and the word was
closely associated with the middle and upper echelons of the warrior class. The samurai followed a set of
rules that came to be known as bushido. While the samurai numbered less than 10% of Japan’s population,
their teachings can still be found today in both everyday life in modern Japanese martial arts.
Heian Period
In the early Heian period, Emperor Kammu sought to consolidate and expand his rule in northern Honshu,
but the armies he sent to conquer the rebellious Emishi people lacked motivation and discipline, and failed
in their task. Emperor Kammu introduced the title of sei'i-taishōgun (征夷大将軍) or Shogun, and began
to rely on the powerful regional clans to conquer the Emishi. Skilled in mounted combat and archery,these
clan warriors became the Emperor's preferred tool for putting down rebellions.
25. ACT THREE – TENJIN FESTIVAL
Shishimai
Shishimai (獅子舞), the Japanese Lion Dance,thought to have been imported from China during the Tang
Dynasty.
The dance is commonly performed during the New Year where lion dancers may be accompanied by flute
and drum musicians. Its main purpose is to bless houses and business, to bring good luck and fortune to
families. Lion heads are used to bless people by softly hitting the teeth of the lion head on a person’s head.
The lion dance has been completely absorbed into the Japanese tradition, and the style of dancing and
design of the lion heads differ by region.
The Japanese lion consists of a wooden, lacquered head called a shishi-gashira, often with a characteristic
body of green dyed cloth with white designs. It can be manipulated by a single person, or by two or more
persons, one of whom manipulates the head. The mask may however sometimes have horns appearing to
be a deer, while the word shishi may also mean beast, dear, or wild boar.
26. Geisha
Geisha (芸者),are traditional professional Japanese female entertainers who attend guests during meals,
banquets and other occasions. They are trained in various traditional Japanese arts,such as classical music,
dance, games, as well as the art of communication. Their role is to make guests feel at ease with
conversation, drinking games and dance performances.
The traditions of the geisha are beautiful and create an environment for
Japanese women that empowered them during the time when the women
of the rest of the world were unable to have power.
A geisha’s make up, hair, clothing and manner are calculated to indulge
a man’s fantasy of the perfect woman,and men pay huge sums of money
to have geisha attend to their every whim. A true geisha is successful
because she projects a sense of unattainable perfection. Men hire geisha
to entertain at a party, she entertains with singing, music, dance, story-
telling, attentiveness and flirtation.
However, the majority of the world thinks of a geisha as a white-faced
lady with her hair in a bun and a kimono on. The geishas are much more
than women with too much make-up on. To become a geisha, it takes
years of training that begins when a young teenage is slowly transformed
into an entertainer of high society.
28. CLOTHING
Traditional Costumes
Worn by Izanagi and Izanami,
(Hachiko, Hanako and Kuro)
The kimono is a traditional garment.
Japanese kimonos are wrapped around
the body, sometimes in several layers,
and are secured in place by sashes with a
wide obi to complete it.
Kimono are T-shaped, straight-lined
robes worn so that the hem falls to the
ankle, with attached collars and long,
wide sleeves. Kimono are wrapped
around the body, always with the left side
over the right (except when dressing the
dead for burial) and secured by
a sash called anobi, which is tied at the
back. Kimono are generally worn with
traditional footwear with socks.
Kimonos for men should fall
approximately to the ankle without
tucking. A woman's kimono has
additional length to allow for
the ohashori, the tuck that can be seen
under the obi, which is used to adjust the
kimono to the wearer. An ideally tailored
kimono has sleeves that fall to the wrist
when the arms are lowered.
29. HEIAN PERIOD
The clothing of the "Heian" period was much softer and flowing with a lot of focus on color and texture.
Emperor and Empress
Worn by Emperor Kanmu, Emperor Daigo, and Empress Fujiwara no Shoshi
30. Junitoe
Worn by Murasaki Shikibu
The jūnihitoe is an extremely elegant and highly complex kimono that was only worn by court-
ladies in Japan. Literally translated, it means "twelve-layer robe". The older term, still used by scholars but
not widely recognised in mainstream Japan/ This is in reference to its Chinese coat (Karaginu) and apron-
like train (Mo), the defining parts of the costume.
The colours and the arrangements of the layers are very important. The colours have poetic names, such as
"crimson plum of the spring". The only place where the layers are discernible is around the sleeves and the
neck. The arrangements of the layers and their colours were a good indication to any outsider what taste
and what rank the lady had. Apart from their robes, Japanese court ladies also wore their hair very long,
only cut at the sides of their faces in a layered fashion; the longer hair was sometimes worn tied back.
31. Japanese Samurai Armors
Worn by Samurai warriors
The Japanese suit of Samurai Armor where only worn by the highest military class; samurai, shogun and
emperors. Japanese Samurai Armor and Samurai Swords are both powerful and unique works of art that
become a focal point and demand respect in any room. The Japanese Samurai armor and katana featured
on our site are all made by craftsmen of the highest skill. Each suit of Japanese Samurai Armor (Yori),
Samurai Helmet (Kabuto)andSamurai Sword (Katana)trulyhas a soul or chi and personality all of its own.
These stunning works of art are made strictly in the authentic, traditional manner - all by hand by highly
skilled craftsmen.
Japanese suits of armor are typically worn in cultural cerimonies, re-enactmentgroups, martial artstraining,
weddings and costume. They can also be displayed in dojos, home, restaurant, corporate office, cultural
events and museum. Japanese armor is an excellent symbol of Japanese history, culture and art and can be
adapted to most any interior situation.
32. Geisha
Worn by the geisha
The geisha’s appearance is part of her allure, it is true to say that not every geisha is traditionally beautiful.
These geisha work much harder to get to the top of their art.
Unlike a regular kimono, a geisha kimono exposes her neckline -- in Japanese culture, this is considered
the most sensual part of a woman. Geisha kimono can cost thousands of pounds. A maiko wearsa kimono
that has extra long sleeves,is very long, colourful and intricately adorned with embroidery or hand-painted
designs. Her collar is red, and her obi (darari obi) is long and wide.
She wears high wooden shoes to keep her kimono from dragging on the ground. Learning to walk in this
outfit without falling over is an integral part of her training.
The white makeup that is a trademark of the geisha was once lead-based and poisonous, sometimes even
containing larks droppings! Thankfully it is now harmless.
A geisha wears variations on the shimada hairstyle and typically wears a series of wigs instead of styling
her real hair.
33. PROPS
Byōbu (Japanese Folding Screens)
These Japanese folding screens are made from several joined panels, bearing decorative painting and
calligraphy. They’re used to separate interiors and enclose private spaces, among other uses.
Tatami Mats
The tatami mat is used as a flooring material in traditional Japanese style rooms. Modern tatami mats are
made out of compressed wood chip boards with cloth edgings.
34. Amenonuhoro (Heavenly Jeweled Spear)
The heavenly jeweled spear is a spear decorated with jewels, which was given to Shinto’s genesis Gods
Izanagi and Izanami by the older heavenly Gods, to create the first land of Japan. Izanagi and Izanami then
went to the bridge between heaven and earth and churned the sea below. When drops of salty water fell
from the tip, they formed into the first island.
Ama-no-Mihashira (Pillar of Heaven)
The pillar of heaven was built by Izanagi and Izanami to hold their marriage ritual. They had to circle the
pillar to get married.
35. Mikoshi
The mikoshi is a divine palanquin—a portable Shinto shrine. Shinto followers believe that it serves as the
vehicle to transport deity in Japan while moving between main shrine and temperory shrine during festival
or when moving a new shrine. Often, the mikoshi resembles a miniature building, with pillars, walls, a
roof, a veranda and a railing.
During a Japanese festival (for example the Tenjin festival), people bear the mikoshi on their shoulders by
means of two, four poles.They bring the mikoshi from the shrine, carrying it around the neighborhoods that
worship at the shrine.
36. Kuzumochi
Mochi are Japanese rice cakes, made of super sticky glutinous rice; the rice is soaked overnight, cooked,
pounded. It is then cooled and formed into shapes.
Kuzumochi are mocha cakes that are made of kuzu powder, a starch that powder made from the root of our
favorite itinerant weed, kudzu. Since this type of mocha is made with kuzuko instead of glutinous rice or
mochiko, this dessert is glutten-free.
Kuzumochi are often served drizzled with the kuromitsu and plenty of kinako. People often add various
toppings such as honey and sweetened condensed milk, or even nectar.
38. ACT 1
Hanako and Hachiko acted in a play as Izanami and Izanagi.
Izanagi and Izanami created the 8 ancient Islands of Japan. They circled a pillar to get married and in the
greeting Izanami spoke first. When they had their first child, it was deformed so they set it out to sea. The
gods told them their mistake and they re-married. This time Izanagi spoke first, and their marriage was
valid.
ACT 2
Emperor Kammu appointed a Shogun to help in the resistance of the Emishi people. Empress Fujiwara
appointed Murasaki Shikibu, a poet, as her lady in waiting. Suguwara Michizane was demoted by
Emperor Daigo
ACT 3
Hanako, Hachiko and their Kuro go out to the Tenjin Festival. They meet a shishimai and a geisha.
STORYBOARD
41. Characters
Narrator - Irynna Annuar
Kuro - Arvindhan Balasingam
Hachiko - Yong Yu Joon
Hanako - Tan Yit Fong
Act 1 – CREATION OF JAPAN
Izanagi - Yong Yu Joon
Izanami - Tan Yit Fong
Act 2 – HEIAN PERIOD
Emperor Kammu / Empress Fujiwara no Shisho - Canisius Bong
Shogun (military general) - Tang Ze Zheng
Sugawara Michizane - Oscar Wong
Emperor Daigo - Maximilian Lim
Fujiwara - Ong Euxuan
Murasaki Shikibu - Liew Jin
Samurai Warrior 1 - Yong Yu Joon
Samurai Warrior 2 - Tan Yit Fong
Act 3 – TENJIN FESTIVAL
Geisha - Irynna Annuar
Shishimai - Ong Euxuan
Sugawara Michizane - Oscar Wong
42. ACT 1 – CREATION OF JAPAN
ACT 1 - INTRO
[Kuro, Hanako and Hachiko enter the stage]
NARRATOR:One fine summer’s day, Grandfather Kuro and his two grandchildren, Hachiko and
Hanako, enter a theatre where a play is about to be conducted.
KURO:Good luck, Ganbatte Hachiko and Hanako on your play!
HACHIKO & HANAKO:Thank you Oji-san!
NARRATOR:As the family sits down, the play on the Creation of Japan begins.
[The three take their seats in front at the audience.The stage is set up to a heavenly setting]
NARRATOR:In the Land of the Gods, Izanami and Izanagi are seated across each other. Suddenly, the
voice of Amenominakanushi blares throughout the land.
AME: IZANAGI,IZANAMI.
IZANAMI & IZAMAGI: (stutters) Yes?
AME: IS THIS HOW YOU ADDRESS YOUR GODS (THUNDER STARTS BLARING). IS
THIS HOW YOU ADDRESS YOUR “HEAVENLYANCESTRAL GOD OF THE ORIGINATING
HEART OF THE UNIVERSE”? (say this part at a fast pace)
IZANAGI: No great Kami no, we ask for your forgiveness.
AME: GOOD,KUNITOKOTACHI ANDAND I,AMENOMINAKANUSHIHAVE CHARGE BOTH
OF YOU IN CREATINGTHE FIRST LANDS. YOU WILL GO TO THE FLOATINGBRIDGE OF
HEAVEN AND HERE IS THE HEAVENLY SPEAR (AME-NO NUBOKO) TO HELP YOUWITH
YOUR TASK. (a heavenly spear falls from the sky. Izanagi catches it)
IZANAGI: Let’s go then
NARRATOR:Izanami and Izanagi take the heavenly spear, Ame-No Nuboko, and head to the bridge.
[IZANAMI and IZANAGI head to the bridge]
IZANAGI: What do we do with this? (waves the spear around)
IZANAMI:Look! Something’s happening! Wave it at the sea.
[The sea moves a little]
IZANAGI: Let’s build some islands.
[Music starts blaring and islands form]
ACT 1 - SCENE1
NARRATOR:The two are on one of the islands when Izanagi turns to Izanagi with a question in mind.
43. IZANAGI: I have something to ask you.
IZANAMI:What is it?
IZANAGI: Uhmmmmmmm
IZANAMI:Go on?
IZANAGI: Uhmmmmmmmm
IZANAMI:OK WHAT.
IZANAGI: “Do you... Do you..want to lie in the same grave with me?”
IZANAMI:Are you asking what I think you’re asking?
IZANAGI: I think you’re asking what you think I’m asking
IZANAMI:So are you thinking what I’m thinking, Izanagi?
IZANAGI: I am, Izanami. Marry me!
NARRATOR:An indirect proposal is a tradition in Japan. Instead of saying “Will you marry me?” then
male says “Do you want to lie in the same grave with me?”
[IZANAMI & IZANAGI scurry off]
[LIGHTS OFF]
ACT 1 - SCENE 2
[LIGHTS ON]
NARRATOR:Izanami and Izanagi are getting ready for their marriage. They put the final touched to the
heavenly pillar.
[They put the last touch to the heavenly pillar]
IZANAGI: We’ll circle the pillar in opposite directions and when we meet on the other side, we’ll be,
well, married.
IZANAMI:(nods in excitement)
[IZANAMI AND IZANAGI CIRCLE AROUND THE PILLAR AND DRAMATIC ROMANTIC MUSIC
PLAYS]
IZANAMI:Konichiwa Goshujin, ah, I like the sound of that.
IZANAGI: I was supposed to greet first, but nevermind. Konichiwa Okusan.
NARRATOR:They head behind the Japanese screen to mate. Some time later, Izanami bore two children
but they was something wrong witht them.
[IZANAMI screams fromchildbirth and Izanagi sees all these devil children]
44. IZANAGI: What are these… these DEVILS?
IZANAMI:(wailing) I don’t know I don’t know.
IZANAGI: Put them on the boat and sail them out to the gods for an answer.
[THUNDER BLARING]
DISTORTED VOICE:I HEAR YOUR ENQUIRY IZANAGI ANDIZANAMI.IZANAGI YOU
SHOULD HAVE SPOKEN FIRST DURINGTHE GREETINGAT THE MARRIAGE AS A FEMALE
SHAN’T SPEAK FIRST. IF SUCH DISRESPECT WASN’T SHOWN,YOUR CHILDREN
WOULDN’T HAVE BEEN DEVILS.
[IZANAMI and IZANAGI look at each other]
DISTORTED:DON’T JUST STAND THERE ARE YOU GUYS GOINGTO MARRY AGAIN OR
WHAT? *Thunders blare more* Creation deities can’t even mate properly.
[WHEN THUNDERS BLARE, IZANAMI AND IZANAGI QUICKLY CIRCLE AROUND THE PILLAR]
IZANAGI: KONICHIWA OKUSAN [everything becomes calm in an instant]
[Both exhale]
IZANAMI:Konichiwa Goshujin
[LIGHTS OFF]
[Then a sharp pain hits her]
IZANAMI:I’m going into labour!
IZANAGI: Ok, breathe.
[LIGHTS ON]
[IZANAMI throws out great eight islands of Japan, labelled and in order]
NARRATOR:Thus the 8 ancient Islands of Japan are born; Awaji, Iyo, Oki, Tsukusi, Iki, Tsushima,
Sado and Yamado.
DISTORTED VOICE:YOU HAVE CREATED THE 8 ANCIENT ISLANDS OF JAPAN. YOUR
TASK IS COMPLETE.
[LIGHTS OFF]
45. ACT 2 : HEIAN PERIOD
NARRATOR:And that ladies and gentleman, is the play of The Creation of Japan. Our next play, The
Heian period of Japan will be starting in a few minutes!
KURO:Good job on your play! Come let’s watch the next play on the Heian period
HANAKO:Thank you for support Oji-san. The play is starting already!
[Scene on stage changes to Heian period]
--
SCENE 2
NARRATOR:The second play, The Heian Period of Japan, begins. Emperor Kammu was at the Heian
castle when his general walked into the room.
OTOMO [walks in the room and bows]: Tenno (heavenly sovereign, used to address the emperor), I am
here at your service.
EMPEROR KANMU:My general, do you know what the land of the rising sun needs now?
OTOMO: No, I do not know. Tell me, wise Tenno.
EMPEROR KANMU:We need to expand our rule up the Honshu region [refers to the map of Japan] but
the armies that I sent to conquer the Emishi people failed me. There is no discipline! [Bangs the table]
OTOMO: What would you propose then, Tenno?
EMPEROR KANMU:Shhhh, I am trying to think. [pauses and strokes beard] Ah! We need a Seii
Taishogun (Commander-in-Chief of the expeditionary force against the Babarians) to set up regional clan
warriors to stop all this resistance from the Emishi people.
OTOMO: That is an excellent idea.
EMPEROR KANMU:Now I want you to do the job. On your knees.
OTOMO: (kneels)
EMPEROR KANMU:I hearby appoint you to be our first ever Shogun. Pick your best warriors to be
under you and they shall be called Samurais. Don’t disappoint me.
SCENE 3
NARRATOR: Years passed and the Fujiwara clan completely took over the court. The Heian Period is
known flourishing culture of the court aristocracy, which actively engaged in the pursuit of aesthetic
refinement, leading to new developments in art and literature. During that period of time, there are two
well known noble novelists and poets around Heian Kyo, which are Murasaki Shikibu and Sugawara
Michizane.
EMPRESS FUJIWARA NO SHISHO:Send me our very well known novelist, Murasaki Shikibu.
46. NARRATOR:Murasaki Shikibu was well known especially in literature and novel writing. She was the
one who wrote The Tale of Genji which still lives up until today.
[GUARDS INVITED HER IN]
MURASAKI:yes my lord?
EMPRESS FUJIWARA NO SHISHO:I heard so much about you and your reputation as a noble writer. I
would like to invite you to serve as a lady-in-waiting at the Imperial Court.
MURASAKI:Yes I will serve you as far as the
NARRATOR:And not forgetting, it was also rumoured that Murasaki Shikibu and a few other poets are
the ones who wrote the national athem of Japan, Kimigayo. [NATIONAL ATHEM PLAYS WHILE
NARRATOR SPEAKS]
[JAM SESSION]
NARRATOR:Now,let me talk about real roots of Tenjin festival. It all started from a very well known
poet, named Sugawara, who unfortunately died. This was what happened.
FUJIWARA NO TOKIHIRA:EMPEROR EMPEROR
EMPEROR DAIGO:WHAT IS IT YOU CRAZY PEASANT
FUJIWARA:I have something to announce. It’s about our country’s very well knowed poet, Sugawara
Michizane.
EMPEPOR DAIGO:What is it that made you so excited? Make it quick. I have no time for your pesky
peasanty requests.
FUJIWARA:He has been trying to plot against you.
EMPEROR:You can’t just barge in and make all these presumptuous claims. Show me what he has been
doing. This better be good bitch
FUJIWARA:Tenno, I’ve seen his work several times and he’s been working out with something fishy.
EMPEROR:UNACCEPTABLE.Bring Michizane to me immediately.
………….
MICHIZANE:yes, Tenno?
EMPEROR: YOU ARE HEREBY DEMOTED TO DAZAIFU.
MICHIZANE:what? But why, Tenno? I can explain everything blablabla
EMPEROR:I’ve heard about your acts of treason in writing and I’m showing no mercy for you whom
have brought down the name of the country and the royals.
MICHIZANE:(says the poem) WHERE’S THE JUSTICE?!
POEM: 東風吹かば にほひをこせよ 梅花
主なしとて 春を忘るな
47. kochi fukaba / nioi okose yo / ume no hana / aruji nashi tote / haru o wasuru na
loosely: When the east wind blows, flourish in full bloom, you, plum blossoms! Even though you lose
your master,don't be oblivious to spring.
(MICHIZANE DIES)
NARRATOR:Such tragedy did take place. And so, to solve Suguwara’s angry spirits, the imperial court
decided to build a Shinto shrine. 70 years later, Sugawara was deified as Tenjin-sama, GOD OF
SCHOLARASHIP ANDLEARNING.
[LIGHTS OUT]
48. ACT 3 – THE TENJIN FESTIVAL
[LIGHTS ON]
NARRATOR:And that is our series of plays but go on ahead and enjoy the rest of the Tenjin festival!
KURO:Today, many Shinto shrines are dedicated to Michizane. Even the one I work in too.
HANAKO:Oji-san! Oji-san! Can we go into the Tenjin parade now please?
KURO:: Okay kids, let’s go.
[They walk off the stage and the scene on stage changesto the festival parade. Musicians begin playing
on pots and bowlsand shishimai begin to dance]
NARRATOR:The family walk around the Tenjin Festival, amazed at the sights before them. Hachiko
approaches a Shishimai.
HACHIKO:Is this the equivalent of the Chinese Lion dance?
LION WOMAN:The roots of the Shishimai are said to be from China but if you watch my style of
dancing, it’s different!But my purpose is the same, it is to bless business and houses.
HANAKO:The parade is starting! [runs to the people that are carrying the shinto shrine]
[BUNCH OF PEOPLE CARRYING THE SHINTO SHRINE]
HANAKO:Suguwara at the back!
HACHIKO:This whole festival for him. That’s so cool! Oh look its a pretty geisha!
GEISHA: Konichiwa. I am a member of a professional class of women in Japan whose traditional
occupation is entertainment. Here have some kuzumochi, a cool sweet summer dessert. Go on, it’s a type
of mocha cake.
HANAKO:It’s so good
HACHIKO:I know, can you guys smell it? [to the audience] Come, come try it, join us!
HANAKO:Why do we celebrate Tenji festival again?
KUDO:Because,dearest Hanako and Hachiko, it is to celebrate our unity and identity of Japan.