Camera Shots and Movements
Shots
EstablishingShot/ wide angle shot/Extreme long shot – Givesaudience keyinformationof location.
Wide Shot – Broad shot togive size andscale/situation.
Crane Shot – Givessense of movement/Ariel view/versatilityof movementandshots.
Ariel Shot/Birdseye View– variationof crane shot,usuallymore excitingandflexible asitcan be
takenfroma helicoptertodisplaysetting/locationorfollow characters(chase.)
Close-up– concentrates/magnifiesobjectwithlittlebackground,focussingaudience’sattention,
may highlightintenseemotion,orfeel uncomfortable aboutacharacter as itis an intimate shot.
Extreme Close-up– Generallymagnifiesbeyondwhatthe human eye wouldexperience,highlighting
detail.
Point ofView– The audience see throughthe actorseyestriggeringemotionsuchassympathyor
terror/discomfortif the shotishostile.
SubjectPoint of View/Over the Shoulder– The shotmakesthe audience partof the scene as an
accomplice tothe action as theydonot see specificallyfromanactor’spointof view.
Two Shot – Showingconversationorrelationshipbetweencharactersandfeaturessuchas
positioningandcutswill helpestablishthe connection.
Shot Reverse Shot - The editingof the shotfollowing180 degree rule establishestothe audience
whichwaythe charactersare positionedinrelationtoeachother.
Movement
Pans – A movementthatscansa scene horizontally,the tripodasastationaryaxisso thatthe
movingobjectsstayswithinthe middle of the frame.
Tilt – Movementscanningscene verticallyoftenusedtodisplayscale/size.
High Angle – Dominating,shotlooksdownonactionfromsuperiorposition.
Low Angle– Vulnerability,shotlooksuponactionfrominferiorposition.
Dolly/Tracking Shots – Generallyfollowingactiononamovingvehicle movingalongwiththe action.
Hand-HeldShots – Givesjerkyraggedshotgivingagrittyrealism whichinvolvesthe audience closely
withthe sequence.
Zoom Reverse Zoom – Where the cameramovescloseror awayin quickmovementandthe zoom
lensesmeansthe cameraneednotmove,mayimplysurveillance.Equallythe cameramay move
forwardwhilstzoomingoutorvisversaoftensymbolisingvisualisation.
Camera shots and movements

Camera shots and movements

  • 1.
    Camera Shots andMovements Shots EstablishingShot/ wide angle shot/Extreme long shot – Givesaudience keyinformationof location. Wide Shot – Broad shot togive size andscale/situation. Crane Shot – Givessense of movement/Ariel view/versatilityof movementandshots. Ariel Shot/Birdseye View– variationof crane shot,usuallymore excitingandflexible asitcan be takenfroma helicoptertodisplaysetting/locationorfollow characters(chase.) Close-up– concentrates/magnifiesobjectwithlittlebackground,focussingaudience’sattention, may highlightintenseemotion,orfeel uncomfortable aboutacharacter as itis an intimate shot. Extreme Close-up– Generallymagnifiesbeyondwhatthe human eye wouldexperience,highlighting detail. Point ofView– The audience see throughthe actorseyestriggeringemotionsuchassympathyor terror/discomfortif the shotishostile. SubjectPoint of View/Over the Shoulder– The shotmakesthe audience partof the scene as an accomplice tothe action as theydonot see specificallyfromanactor’spointof view. Two Shot – Showingconversationorrelationshipbetweencharactersandfeaturessuchas positioningandcutswill helpestablishthe connection. Shot Reverse Shot - The editingof the shotfollowing180 degree rule establishestothe audience whichwaythe charactersare positionedinrelationtoeachother. Movement Pans – A movementthatscansa scene horizontally,the tripodasastationaryaxisso thatthe movingobjectsstayswithinthe middle of the frame. Tilt – Movementscanningscene verticallyoftenusedtodisplayscale/size. High Angle – Dominating,shotlooksdownonactionfromsuperiorposition. Low Angle– Vulnerability,shotlooksuponactionfrominferiorposition. Dolly/Tracking Shots – Generallyfollowingactiononamovingvehicle movingalongwiththe action. Hand-HeldShots – Givesjerkyraggedshotgivingagrittyrealism whichinvolvesthe audience closely withthe sequence. Zoom Reverse Zoom – Where the cameramovescloseror awayin quickmovementandthe zoom lensesmeansthe cameraneednotmove,mayimplysurveillance.Equallythe cameramay move forwardwhilstzoomingoutorvisversaoftensymbolisingvisualisation.