Camera shots and movement
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This document discusses various camera shots and movements that are used in filmmaking. It provides definitions for common establishing shots like wide shots and close-ups that give certain information or emotional impacts. It also explains point-of-view shots and shot reverse shots used for dialogue. Various camera movements are also defined, including pans, tilts, tracking shots, and zooms, each of which can be used to follow or focus on action in different ways.
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Film shots and their effect on the audience
1) Different camera shots are used to convey different information to the audience and manipulate their perspective.
2) A mid-angle shot of a confrontation between two characters establishes tension and focuses on a threatening gesture.
3) A high-angle shot of characters crouching conveys their vulnerability and alerts viewers to potential danger ahead.
4) An extreme close-up of a character's bewildered face forces viewers to focus only on his reaction, building tension.
Camera shots and angles
This document defines and describes various camera shots and angles used in film and television. A high angle shot looks down on a subject, making them appear small and insignificant, while a low angle looks up, making the subject appear larger and more powerful. A slanted angle shows an unnatural point of view that can reveal things only the audience can see. An eye level angle portrays equal power between the subject and viewer. Other shots described include aerial, close up, long, medium, wide, two-shot, over the shoulder, and point of view shots.
Camera shots and angles
Camera shots and angles are used in media to convey information to audiences. Extreme long shots establish the scene's location and setting. Medium shots allow audiences to see a character's full body and costume as well as most of the background. Close ups focus on a character's facial expressions to show their emotions. High or low camera angles are used to make characters appear weak or powerful respectively.
Camera shots
This document discusses various camera shots used in film and their purposes and effects. It describes long shots as establishing shots that show the whole scene or body from a distance. Mid shots provide background information while focusing on the subject from the waist up. Wide shots present a lot of visual information to set the scene. Close ups focus on details of expressions or reactions by showing the head or shoulders. Extreme close ups emphasize a small body part or object's significance. Aerial shots provide a bird's eye view from above while over the shoulder shots film conversations between characters.
Media: Shot types
Establishing shots establish the location and time for the audience. Long shots show the entire body from head to toe to emphasize scale. Medium shots are the most common, showing subjects from the waist up. Close-ups show details like facial expressions. Extreme close-ups are rarely used as they are reserved for intense emotions. Point-of-view shots allow the audience to experience what a character sees. Over-the-shoulder shots similarly show interactions between characters. Two shots show the relationship between two characters in a scene.
Camera shots camera movements camera angles
The document discusses various camera techniques used in filmmaking including shots, angles, movements, and lighting. It provides definitions and examples of different shot types like extreme long shot, long shot, mid shot, and close-up. It also defines high angles, eye-level angles, and low angles. Camera movements like panning, tracking shots, and dolly shots are explained. The document stresses that these techniques are used purposefully by filmmakers to shape meaning and influence the audience.
Camera shots angles
This document defines and describes various camera shots and angles used in filmmaking:
[1] Establishing shots are wide shots at the beginning of a scene that establish the location and context.
[2] Master shots capture all actors in a wide frame.
[3] Close-ups magnify details like faces to focus attention or show emotion. Mid-shots show a human figure from the waist up. Long shots show characters as small in a scene. Wide shots use a wide-angle lens to capture more of the scene.
Camera angles, shots, movement and positions
This document defines and describes various camera angles, shots, movements, and positions used in filmmaking. It provides definitions for establishing shots, low-angled shots, high-angled shots, close-ups, medium close-ups, extreme close-ups, long shots, medium long shots, two/three shots, aerial shots, point of view shots, panning, tilting, tracking, dollying, zooming in and out, handheld shots, focus pulling, canted angles, and the rule of thirds. The document establishes the context and purpose for each technique.
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Film shots and their effect on the audience
1) Different camera shots are used to convey different information to the audience and manipulate their perspective.
2) A mid-angle shot of a confrontation between two characters establishes tension and focuses on a threatening gesture.
3) A high-angle shot of characters crouching conveys their vulnerability and alerts viewers to potential danger ahead.
4) An extreme close-up of a character's bewildered face forces viewers to focus only on his reaction, building tension.
Camera shots and angles
This document defines and describes various camera shots and angles used in film and television. A high angle shot looks down on a subject, making them appear small and insignificant, while a low angle looks up, making the subject appear larger and more powerful. A slanted angle shows an unnatural point of view that can reveal things only the audience can see. An eye level angle portrays equal power between the subject and viewer. Other shots described include aerial, close up, long, medium, wide, two-shot, over the shoulder, and point of view shots.
Camera shots and angles
Camera shots and angles are used in media to convey information to audiences. Extreme long shots establish the scene's location and setting. Medium shots allow audiences to see a character's full body and costume as well as most of the background. Close ups focus on a character's facial expressions to show their emotions. High or low camera angles are used to make characters appear weak or powerful respectively.
Camera shots
This document discusses various camera shots used in film and their purposes and effects. It describes long shots as establishing shots that show the whole scene or body from a distance. Mid shots provide background information while focusing on the subject from the waist up. Wide shots present a lot of visual information to set the scene. Close ups focus on details of expressions or reactions by showing the head or shoulders. Extreme close ups emphasize a small body part or object's significance. Aerial shots provide a bird's eye view from above while over the shoulder shots film conversations between characters.
Media: Shot types
Establishing shots establish the location and time for the audience. Long shots show the entire body from head to toe to emphasize scale. Medium shots are the most common, showing subjects from the waist up. Close-ups show details like facial expressions. Extreme close-ups are rarely used as they are reserved for intense emotions. Point-of-view shots allow the audience to experience what a character sees. Over-the-shoulder shots similarly show interactions between characters. Two shots show the relationship between two characters in a scene.
Camera shots camera movements camera angles
The document discusses various camera techniques used in filmmaking including shots, angles, movements, and lighting. It provides definitions and examples of different shot types like extreme long shot, long shot, mid shot, and close-up. It also defines high angles, eye-level angles, and low angles. Camera movements like panning, tracking shots, and dolly shots are explained. The document stresses that these techniques are used purposefully by filmmakers to shape meaning and influence the audience.
Camera shots angles
This document defines and describes various camera shots and angles used in filmmaking:
[1] Establishing shots are wide shots at the beginning of a scene that establish the location and context.
[2] Master shots capture all actors in a wide frame.
[3] Close-ups magnify details like faces to focus attention or show emotion. Mid-shots show a human figure from the waist up. Long shots show characters as small in a scene. Wide shots use a wide-angle lens to capture more of the scene.
Camera angles, shots, movement and positions
This document defines and describes various camera angles, shots, movements, and positions used in filmmaking. It provides definitions for establishing shots, low-angled shots, high-angled shots, close-ups, medium close-ups, extreme close-ups, long shots, medium long shots, two/three shots, aerial shots, point of view shots, panning, tilting, tracking, dollying, zooming in and out, handheld shots, focus pulling, canted angles, and the rule of thirds. The document establishes the context and purpose for each technique.
Camera Movements/Angles Examples
The document discusses different camera angles and shots, including high angles, low angles, crane shots, aerial shots, close ups, and pans. High angles make characters seem weak while low angles make them seem powerful. Crane shots capture wide establishing shots from high above. Aerial shots provide an extreme high angle birds-eye view. Close ups emphasize expressions and emotions. Pans follow moving subjects horizontally.
Camera shots, angles and movements
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Media Cinematography
Cinematography involves camera shots, movement, and angles used in filming. Different shot types communicate different information through the camera's distance from and perspective of the subject. Shots establish settings, convey scale, emphasize importance, and involve viewers by showing what characters see or implying they look at each other. Common shots include establishing shots to set a scene, wide shots showing scale, and close-ups magnifying details or faces.
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This document discusses various camera shots and techniques used in cinematography. It describes shots like extreme close-ups, long shots, medium shots, and point-of-view shots and how they are used to convey different meanings or perspectives. It also covers camera movements like pans, tilts, tracking shots, dolly shots, and zooms and how they frame and follow the action. The various shots, angles, and camera movements allow filmmakers to establish settings, focus attention, and influence the audience's perspective in purposeful ways.
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This document provides descriptions of various camera angles and shot types that will be used in filming scenes for a trailer. It includes definitions and examples of extreme wide shots, long shots, mid shots, medium close ups, close ups, extreme close ups, two shots, over the shoulder shots, and point of view shots. Specific shots are identified for how they will be used, such as long shots for a montage scene and close ups to emphasize facial expressions. The document aims to clearly depict the visual plan for shooting the trailer scenes.
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There are three main camera shots - long shot, medium shot, and close-up shot. A long shot shows the full subject and surroundings. A medium shot shows the subject and immediate surroundings. A close-up shot shows only a small part of the subject. These shots can be used in establishing scenes, showing interactions, and focusing on details. Camera angles like high, eye-level, and low provide different perspectives that can influence meaning. Camera movements like pans, tracks, tilts, zooms, and dollies add dynamism but should only be used intentionally.
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The document discusses different types of shots used in filmmaking including mid shots, long shots, close ups, extreme close ups, wide shots, zoom shots, pan shots, tilt shots, tracking shots, crane shots, aerial shots, handheld shots, high angle shots, low angle shots, point of view shots, over the shoulder shots, two shots, and the rule of thirds. Each shot type is chosen for a specific effect on the audience to convey meaning about characters, themes, and the story.
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Camera shots
The document defines and provides examples of various camera shots and techniques used in filmmaking. It discusses long shots, establishing shots, wide shots, medium long shots, medium shots, medium close ups, close ups, big close ups, extreme close ups, aerial shots, overhead shots, high-angle shots, eye-level shots, low-angle shots, two-shots, over the shoulder shots, tracking shots, tilting shots, static shots, panning shots, zooms, zoom in/track outs, focus, foreground focus, and deep focus. Examples are provided from various Harry Potter films to illustrate each technique.
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The document discusses different types of camera shots and angles used in filmmaking to convey emotion, context, and perspective. It defines shots like extreme close-up, big close-up, close-up, medium close-up, medium shot, medium long shot, long shot, very long shot, two shot, over the shoulder shot, high angle shot, and low angle shot. Each shot emphasizes different parts of a scene, character expressions, surroundings, or the relationship between subjects.
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This document provides examples and descriptions of various camera shots and angles used in filmmaking. It begins with long shots that show a wide area to establish context, then discusses medium shots that frame subjects from the torso up. Closer shots like medium close-ups and close-ups focus on subjects' faces to convey emotions. Extreme close-ups show fine details. Shot angles like high angles and low angles are also explained in terms of how they influence the viewer's perception of subjects. Examples from movies demonstrate how different shots and angles are used.
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The document discusses different types of camera shots and movements that can be used in filmmaking. It describes establishing shots, wide shots, crane shots, and aerial shots that provide context and scope. Close-up shots focus attention on specific objects or characters' expressions. Point-of-view and over-the-shoulder shots involve the audience. Two shots capture conversations, while shot-reverse shots follow dialogue. The document also outlines camera movements like pans, tilts, high and low angles, dolly shots, handheld shots, and zooms, and how they can be used to frame scenes and create tension.
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In Inception, various camera angles are used to convey information to the audience about characters and the type of film. Close ups are used to show that Leo's character is under pressure and a criminal. A close up of stolen papers establishes his character as a thief. Medium shots show a character has a gun and power over others, and a criminal surrendering. Additional close ups reveal a hostage in pain and an angry character. Long shots display falling glass indicating violence and rushing water for action. Extreme close ups and shots of technology place the story in the future or as psychological science fiction. A medium close up presents a scared, anxious character.
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a presentation showing all the different camera shots and angles that are used in both TV and Cinema.
Camera shots and angles
Long shots and wide shots show a large subject and their surroundings to establish context. Point of view shots enable the audience to see from a character's perspective. Two shots show two characters in dialogue. Close ups focus attention on a person's expression or actions. High and low camera angles influence how powerful or important a character seems. Over the shoulder shots look from behind one person at another subject. Medium close shots still show the setting while focusing on actors. Overhead shots are made from directly above the action. Tilted shots disorient the viewer by slanting vertical lines.
Micro elements
My description on the micro-elements of film to help me understand how I can use these elements to help me create my film opening.
Media prezzie bap bap
This document defines and describes various camera shots and techniques used in filmmaking. It explains that extreme close-ups are used to show detailed facial expressions, big close-ups can build suspense, and close-ups help examine emotions. Medium shots capture a whole setting, establishing shots introduce locations, and high or low angles influence perceived status or power. Other techniques like over the shoulder shots, point of view, rule of thirds, shallow focus, pans, and handheld shots enhance realism, involvement, or emphasize certain parts of the scene. Deep focus keeps both near and far objects in focus.
cinematography
The document defines and describes various camera shot types used in filmmaking. An establishing shot sets the scene by showing when and where a character is located. A long shot shows a person or object from far away to get their full body in frame, while a medium shot shows a person from the middle up and allows clearer views of facial expressions. A close-up shot focuses on facial expressions or important objects by showing little background. An extreme close-up can show details the naked eye would not see like tears or gritted teeth.
Camera, angles & movement
This document defines and describes various camera shots and angles used in filmmaking. It discusses extreme close-ups, mid shots, close-ups, long shots, two shots, point of view shots, low angle shots, high angle shots, panning shots, tilt shots, arc shots, crab shots, crane shots, zoom shots, and tracking shots. Each shot type is defined and its purpose in engaging the audience and conveying information about characters, settings, and narratives is explained.
Camera angles
Different camera angles and shots can be used to convey different meanings and emotions. An extreme close-up shows only part of a face or object to create a powerful mood. A close-up shows a person's full face, allowing viewers to see emotions. A mid shot shows one or more actors and their interactions. A long shot establishes a setting. An extreme long shot shows a landscape to set a location. A high angle shot looks down on a subject, making them seem vulnerable. A low angle shot looks up, making a subject seem powerful. A pan shot follows a moving object. A point of view shot shows what a character sees to involve the audience.
Camera shots.
This document defines and describes various camera shots and angles used in filmmaking. It explains establishing shots, long shots, crane shots, and aerial shots which provide context about the location and surroundings. Close-up shots and extreme close-ups focus on a character's facial expressions to convey emotions. Point-of-view shots allow the audience to see from the character's perspective. Two shots and shot reverse shots capture interactions between characters. High and low angle shots can influence how powerful or vulnerable a character seems. Zooming and panning shots add drama or tension.
Micro elements in the dark knight rises
The document discusses different camera shots used in filmmaking, including extreme long shots, long shots, medium shots, close-ups, panning shots, and tracking shots. Extreme long shots establish the location and set the scene and mood. Long shots show the full object and its surroundings. Medium shots show the subject from the knees or waist up, allowing viewers to see facial expressions. Close-ups display details like emotions on characters' faces. Panning shots turn the camera horizontally without moving it. Tracking shots follow subjects while moving the camera on rails.
02 high angle shot
This document discusses different types of camera shots including high angle shots, low angle shots, over the shoulder shots, establishing shots, two person shots, point of view shots, long shots, medium shots, close ups, and extreme close ups. Each shot type is used to convey different information to the audience such as making a subject seem vulnerable or powerful, demonstrating interactions between people, setting the scene, and showing facial expressions or details.
Camera angles
The document discusses various camera angles used in filmmaking, including high angle shots, low angle shots, establishing shots, extreme long shots, long shots, medium long shots, medium shots, medium close ups, close ups, extreme close ups, point of view shots, two shots, and over the shoulder shots. Each shot type is defined and an example is given from a popular film to illustrate its use. The different shots allow filmmakers to convey meaning about characters and situations.
Camera shots and movements
This document provides definitions and examples of common camera shots and movements used in filmmaking. It describes shots like establishing shots, wide shots, close-ups, and point-of-view shots that set a scene or focus attention. It also explains moving shots like crane shots, aerial views, pans, tilts, dolly shots, and handheld shots that follow or scan a scene. Each shot type has a different dramatic or technical purpose, such as emphasizing scale, highlighting emotion, or portraying movement.
Shots and camera movements
This document defines and describes various shots and camera movements used in filmmaking. It discusses close-up shots that focus on details and magnify objects, extreme close-ups that show even smaller elements, and medium shots that capture figures from the knees up. It also outlines wide shots that show some of the setting, long shots that approximate life-size scale, and extreme long shots that establish exterior landscapes from far away. Additionally, it defines point-of-view shots, two shots, vertical shots, over the shoulder shots, and zoom lenses that change magnification without moving. Rounds out descriptions of high and low camera angles, tilts, pans, tracking shots, dolly shots, and crane shots.
Media glossary
This document defines and provides examples of various camera angles, shots, movements, and compositions. It explains that a high angle shot looks down on the subject to make them seem smaller, while a low angle looks up to make the subject seem taller. It also discusses camera movements like pans, tilts, tracks, zooms and different shot types like close-ups, medium shots and establishing shots. Finally, it covers compositional techniques such as rule of thirds, depth of field, and eye-line matching.
Camera angles
The document defines and describes different camera angles used in filmmaking. Camera angles refer to the angle of the camera relative to the subject and influence how the subject is perceived. Some key camera angles discussed are establishing shots from a distance, eye-level shots mimicking normal human vision, high angles making subjects appear less powerful, low angles making subjects appear more powerful, bird's eye shots from above, slanted shots with a tilted horizon, long shots showing a scene from a distance, medium shots framing subjects from the waist up, over-the-shoulder shots focusing attention between interacting subjects, and close ups focusing on details.
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Types of music video
Performance music videos simply show the artist performing the song, providing a cheap and easy format. Narrative music videos tell a story related or unrelated to the song, potentially including clips from associated films. Conceptual music videos are based on a concept rather than a narrative, using editing and effects but being more expensive and less relatable. Most successful music videos combine elements from different types to appeal to wider audiences while remaining costly to produce.
Types of music video
There are three main types of music videos: performance videos which simply show the artist performing the song, narrative videos which tell a story related or unrelated to the song featuring the artist, and conceptual videos based on a concept or idea rather than a literal performance or narrative that use editing and effects and are more expensive to produce.
Production feedback
The student's two-minute film opening received a score of 37 out of 60 and was assessed as being at a Level 3. There was evidence of creative technical skills used in the footage, including some controlled camera work with varied shots and framing. The editing used well-placed cuts and transitions, and attempted to include titles. While the dialogue was unclear at times, the music and sound effects helped build tension as the film transitioned from a dream to waking up. Overall, the assessor viewed it as a good opening that fit the genre well and demonstrated some proficient abilities.
Pre production feedback
The document provides feedback on a student's pre-production tasks for an AS media project. It evaluates 14 blog posts related to research, planning, and pre-production. Overall, the teacher found the work to be at a basic level and provided suggestions for adding more detail and analysis to improve several posts. While some posts were revised satisfactorily, more work was needed on others such as genres, target audiences, locations, and the production schedule. The teacher awarded an initial mark of 8 out of 20 and suggested ways to boost the final mark through further improvements.
Overall feedback
Matthew Wood received a C grade for his AS coursework with marks of 12/20 for planning, 37/60 for construction, and 13/20 for evaluation. The evaluation comments indicate that his answers showed a good understanding of the task, audience and genre, with some answers providing analytical detail, images, and research. However, there were lapses in spelling, punctuation and capitalization. Overall it was a good piece of work that made good use of technologies.
Evaluation questions 4 & 5
The document discusses the target audience for a media product about a football player's career. It would primarily target football fans, who are mostly male, though it also aims to attract children and teens who make up a large portion of football audiences. The film would not target older adults primarily. It would need to attract parents as well since they would accompany children to view it. Social media and television would be good platforms to advertise to the target audiences.
Question 3
Vertigo would be a suitable company to distribute the filmmaker's football film for three reasons: 1) Vertigo has experience producing and distributing similar football films; 2) The filmmaker's target audience of 12-18 year olds is younger than Vertigo's typical audience, allowing them to attract new viewers; and 3) Football films have proven popular and their sports genre means there is a built-in audience, increasing the potential for profit.
Props
Matt Wood is using his own football for a film prop because he already owns one that is in good condition and high quality, which will help make it look like an important football match is taking place. He will also use a water bottle in the film as a prop because it is accessible and can be used to suggest it is during a football match.
Film beginning analysis star wars a new hope
1) The document provides an analysis of the opening scene of Star Wars: A New Hope (1977). It describes a scene where a large star destroyer chases and boards a smaller ship, exchanging gunfire with Stormtroopers.
2) Two droids try to escape and find Princess Leia who is in distress and wants to deliver a message to Obi Wan Kenobi asking for help before she is captured by Darth Vader. The droids flee on an escape pod.
3) The analysis notes various directorial techniques used in this opening scene that establish the science fiction genre and set up Darth Vader as an antagonist, including camera angles, character costumes, and musical score.
Film beginning analysis rocky v
1) The opening scene of Rocky V shows Rocky Balboa fighting Ivan Drago in a boxing match billed as "the most watched event in boxing history." Rocky is dominated in the early rounds but makes a dramatic comeback to win the fight.
2) Rocky wears red, white, and blue trunks representing the American flag while Drago wears red and yellow representing the Soviet Russian flag, making American viewers favor Rocky given tensions of the Cold War era.
3) Unusual close-up camera shots are used instead of the standard wide shots of boxing, making viewers feel like they are part of the intense action and linked to the characters.
Film beginning analysis bend it like beckham
The opening scene of Bend It Like Beckham establishes the central conflict of the film. Jess dreams of becoming a famous footballer, but her traditional Hindu family disapproves and tries to restrict her ambitions. This is shown through her mother bursting into her room while Jess is watching football, turning off the TV, and forcing her to attend her sister's engagement party instead. Cultural and generational divides are highlighted between Jess, who wears active clothes and idolizes David Beckham, and her mother, who wears traditional clothes and wants Jess to conform to family expectations. The scene foreshadows Jess' struggle to balance her dreams with her family's desires.
Film beginning analysis the dark knight rises
Bane escapes from CIA custody by hijacking the plane transporting him. In the opening scene, we see Bane being questioned by the CIA aboard the plane. When asked about his plan, Bane responds "Crashing this plane" and launches an attack, overpowering the CIA and escaping. Editing techniques like quick cuts create tension during the action sequence, while longer shots of Bane portray him as calm and intimidating. Sound design with diegetic noises from the plane and fight alongside non-diegetic music also builds tension.
Genre analysis
Sports films have been made for over a century, starting as comedies and dramas but more recently incorporating documentary styles. The sports genre is popular in films because there is a built-in audience of fans of the particular sport who filmmakers can easily advertise to. This ensures there is already interest from a large fan base. Successful sports films often focus on boxing or American football and feature prominent actors like Sylvester Stallone or Harrison Ford. Sports films generally fall into categories - documentaries using interviews and footage, tribute films looking back at great athletes, or fictional films following made-up careers.
Recce
This document lists three short phrases: "Recce", "My Bedroom", and "Ringwood Leisure Centre Astro Turf". It appears to be a list of three separate topics or locations but provides no other context or details about them.
Recce
This document lists three short phrases: "Recce", "My Bedroom", and "Ringwood Leisure Centre Astro Turf". It appears to be a list of three brief topics or locations but provides no other context or details about them.
Production schedule
Matt Wood created a production schedule for filming scenes on January 10th, 2016. The schedule details that scene 1 will be filmed at Ringwood astro turf and requires Matt, Will, and Mischa along with a camera, tripod, and microphone. Scene 2 is scheduled to be filmed at Matt's house and will involve Matt and Ian using a camera, tripod, and microphone.
Script
Matt is preparing to take a penalty kick during a football match. He ties his shoes, drinks some water, and places the ball on the penalty spot as his teammate Mischa wishes him good luck. Matt successfully scores the penalty, and Mischa celebrates with him. The scene then dissolves to Matt asleep in his bedroom. His father wakes him up, concerned that Matt will be late for school. Matt sits up groggily in response.
Equipment list
Matt Wood outlines the equipment he will use for his film project, including a Canon 600D camera that can shoot in 1080p HD, a tripod to provide stable footage without shaking, an SD card to store large amounts of footage during filming, and Adobe Premiere Pro editing software that he is familiar with from prior experience.
Floor plan
This floor plan document outlines the positioning of characters and camera in a bedroom scene, with the main character in bed and the dad in another area of the room. An astroturf document then positions characters and camera for a sports scene, placing the main character and teammates in different spots on the field along with a goalie and camera.
Costumes
The document describes costumes for characters in a football-themed scene, including a main character in a red shirt and black shorts, a goalie in a black shirt and shorts to show they are opponents, and bed clothes of a white shirt and shorts for another scene. It also lists a dad in a blue jumper and jeans to create the image of being at home.
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Camera shots and movement
- 1. Matt Wood Camera Shots and Movement Shots Establishingshot Firstshot isused to describe where youare (longshot,extreme longshotetc.).Itshowsuswhere the filmisset. Wide shot Givesuslotsof information includingacharacters importance throughsize. Crane shot Givesan aerial viewandprovidesversatilityasitcan move. Aerial shot/Birdseye view It isdynamicand usuallyshotfroma helicopter andusedtoshow where everythingis. Close up Little inthe backgroundso the audience focusesonacertain thingallowinganemotionalimpact. Extreme close up Can go furtherthanthe close up and oftenusedtofocuson eyestoshow emotion. Point ofview The camera is inthe positionof a character sothe audience becomesthe characterandseesthrough the actor’s eyes. Over the shoulder It letsthe audience be inthe scene bylookingoveracharacter’sshoulderandgivesusa similarpoint of viewtothe actor. Two shot Two people inashoton screenat the same time as theyare talking. Shot reverse shot Focuson the persontalkingthenswitchestothe othertalkingpersonthenbacktothe firstas they talkagain.
- 2. Matt Wood Movement Pan A movementfromlefttorightwhere acamera ison a tripodoftenusedtofollow anobject Tilt A vertical movementsoshow something’sheight.Similartoapan. High angle Usedto filmwhenlookingdownonsomethingorsomeone givingthe effectthatit/theyissmall in size or status. Low angle Opposite toa highangle,itlooksupto a character or objectto show that theyare large insize or status. Dolly shot/tracking The camera is physicallymovingonatrack/vehicle allowingformovementanditcan follow the action. Handheldshot Heldinsomeone’shandtogive a shakyeffect whichcanbe usedinactionsequencesorrunning. Createssuspense andurgency. Zoom An effectthathappensonthe camerato create a focuson whatit iszoomingontoor takesfocus away fromwhatit iszoomingoutfrom.