This document summarizes different Creative Commons licenses that can be applied to creative works and data to grant copyright permissions. It describes the main CC licenses including Attribution (CC BY), Attribution-ShareAlike (CC BY-SA), Attribution-NonCommercial (CC BY-NC), Attribution-NonCommercial-ShareAlike (CC BY-NC-SA), Attribution-NoDerivs (CC BY-ND), and Attribution-NonCommercial-NoDerivs (CC BY-NC-ND). It also discusses combining works with different licenses, applying licenses to software and data, and resources for finding content with CC licenses.
This PPT Aims to provide knowledge and understanding about Creative Common License, Various Types of Creative Common License, Attribution (CC BY), Attribution-ShareAlike (CC BY-SA), Attribution-NoDerivs (CC BY-ND), Attribution-NonCommercial (CC BY-NC), Attribution-NonCommercial-ShareAlike (CC BY-NC-SA), Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) and So on
Explains the concept of Open Source Software and argues why Libraries should use it. Also provides a glimpse of OSS Applications that can be used in Libraries
A presentation from 4/8/09 for my graduate Industrial Training class at University of Memphis. Covers the basics of Wordpress, installation, plugins, themes, and video.
A presentation on Digital Content Management by Rupesh Kumar A, Assistant Professor, Department of Studies and Research in Library and Information Science, Tumkur University, Tumakuru, Karnataka, India.
This PPT Aims to provide knowledge and understanding about Creative Common License, Various Types of Creative Common License, Attribution (CC BY), Attribution-ShareAlike (CC BY-SA), Attribution-NoDerivs (CC BY-ND), Attribution-NonCommercial (CC BY-NC), Attribution-NonCommercial-ShareAlike (CC BY-NC-SA), Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) and So on
Explains the concept of Open Source Software and argues why Libraries should use it. Also provides a glimpse of OSS Applications that can be used in Libraries
A presentation from 4/8/09 for my graduate Industrial Training class at University of Memphis. Covers the basics of Wordpress, installation, plugins, themes, and video.
A presentation on Digital Content Management by Rupesh Kumar A, Assistant Professor, Department of Studies and Research in Library and Information Science, Tumkur University, Tumakuru, Karnataka, India.
In 2010, IBM conducted The Global Chief Executive Office study, one of the largest studies of executive leaders. Consisting of more than 1,500 interviews with CEOs from 60 nations and 33 industries, the study resulted in the comprehensive report, "Capitalizing on Complexity." According the Letter from the Chairman introduction to Capitalizing on Complexity, the "world’s private and public sector leaders believe that a rapid escalation of “complexity” is the biggest challenge confronting them."
The 1,500 CEO participants identified 3 leadership qualities that are the most valuable when navigating the challenge of "complexity."
Ethos3 explores those 3 leadership qualities with this sleek, modern presentation.
To learn more about this topic...
Read "How to Lead With Your Presentation"
on the Ethos3 Blog: http://ethr.ee/15YQ5CA
If you need help creating professional presentations, email us at: info@ethos3.com
Ethos3 is a presentation design agency with premier PowerPoint and presentation designers. We can create the perfect presentation for you: www.ethos3.com
Motivational and Inspirational Quotes for Startups and Small BusinesssesVirtuoso Assistant
It's tough being a start-up or a small business owner. There are times when you feel on top of the world and there are times when you feel like the pits!
I've always found inspirational quotes to be a good way to give myself a kick in the pants and get my 'MoJo' back again.
I hope this collection of some of the best motivational quotes I posted in 2015 are a fun way to give yourself a boost when you're having a tough day.
Tired of losing sales pitches? Look no further, get some timeless advice from high-stakes presentation consultant: Cliff Atkinson on how to throw out your old sales pitch and make your next one count.
Download here: http://www.paywithapost.de/pay?id=80eb8437-7393-4e61-b8a6-175d76d9eb5b
Présentation des six licences Creative Commons en français.
Méthode: approche participative, destinée à un public débutant.
Objectif: inciter au respect et à l'utilisation des licences CC; présentation du site CC.
SlideShare now has a player specifically designed for infographics. Upload your infographics now and see them take off! Need advice on creating infographics? This presentation includes tips for producing stand-out infographics. Read more about the new SlideShare infographics player here: http://wp.me/p24NNG-2ay
This infographic was designed by Column Five: http://columnfivemedia.com/
No need to wonder how the best on SlideShare do it. The Masters of SlideShare provides storytelling, design, customization and promotion tips from 13 experts of the form. Learn what it takes to master this type of content marketing yourself.
10 Ways to Win at SlideShare SEO & Presentation OptimizationOneupweb
Thank you, SlideShare, for teaching us that PowerPoint presentations don't have to be a total bore. But in order to tap SlideShare's 60 million global users, you must optimize. Here are 10 quick tips to make your next presentation highly engaging, shareable and well worth the effort.
For more content marketing tips: http://www.oneupweb.com/blog/
Are you new to SlideShare? Are you looking to fine tune your channel plan? Are you using SlideShare but are looking for ways to enhance what you're doing? How can you use SlideShare for content marketing tactics such as lead generation, calls-to-action to other pieces of your content, or thought leadership? Read more from the CMI team in their latest SlideShare presentation on SlideShare.
How to Make Awesome SlideShares: Tips & TricksSlideShare
Turbocharge your online presence with SlideShare. We provide the best tips and tricks for succeeding on SlideShare. Get ideas for what to upload, tips for designing your deck and more.
Creative Commons Webinar for the Center for Adult Learning in LouisianaJane Park
I gave this talk on Creative Commons, copyright basics, and CC in education to the Center for Adult Learning in Louisiana. This slide set has been updated to reflect current language on the redesigned creativecommons.org and has been remixed from my previous slides with other CC staff slides, including Policy Coordinator Timothy Vollmer's slides and former CC Counsel Lila Bailey's slides.
Presentation I gave to U.S. Department of Labor Region 5 TAACCCT grantees (Rounds 2 & 3) on their Technical Assistance convening on 9 July, 2014. Applicable to all TAACCCT grantees.
Presentation by Catharina Maracke, Director of Creative Commons International.
Licensed under CC BY-SA 2.0
http://creativecommons.org/licenses/by-sa/2.0/de/
General overview of Creative Commons licenses and Open Educational Resources (OER). I first gave this talk at NYU's Open Access Week and am referencing it for the Peer 2 Peer University (P2PU) Orientation: p2pu.org/general/course-design-orientation.
Webinar given on October 17, 2013 (1:00pmEDT / 10:00amPDT) to Roane State faculty and other TA program grantees as part of http://open4us.org.
I give a basic overview of Creative Commons, Creative Commons license use in education, and Creative Common’s integral role in the Open Educational Resources (OER) movement. I explain the Creative Commons Attribution license (CC BY) requirement for TAACCCT program grantees, how the CC BY license works, and the free support CC will offer to grantees around application of the license to grantee materials.
Link to recording: https://sas.elluminate.com/site/external/jwsdetect/nativeplayback.jnlp?sid=2008170&psid=2013-10-17.0955.M.5E7B928FC11E94D844B1405E5A750C.vcr
Puneet Kishor - The new Creative Commons 4.0 Licence – what’s new and why it’...dri_ireland
Presentation given by Puneet Kishor (Manager of Science and Data Policy, Creative Commons) on Creative Commons 4.0 and its application to cultural data.
Overview: Creative Commons (OPEN Kick-off)Jane Park
Session description from http://open4us.org/events/kick-off-conference-agenda/:
Creative Commons celebrates the 10th anniversary of its license suite later this year. CC’s Education and Technology Coordinator, Greg Grossmeier, and Communications Manager, Jane Park, will give a brief overview of CC license use in education and its integral and infrastructural role in open educational resources (OER). They will also explain the Creative Commons Attribution license (CC BY) and its requirement for TA program grantees.
Emerging Fields of Application for RMI: Search Engines and UsersMike Linksvayer
WIPO Information Seminar on Rights
Management Information: Accessing
Creativity in a Network Environment
Geneva, 2007-09-17
Emerging Fields of Application for RMI:
Search Engines and Users
Mike Linksvayer
Vice President, Creative Commons
Making Money is Important! Open Business Models as an Integrated Part of Crea...Haggen So
Creative Commons was found due to the failure to stop the Copyright Term Extension Act. This ever increasing control is imposed on us in the name of the benefits of the creators, with the latest incarnation as the Directive on Copyright in the Digital Single Market. By giving creators tools to receive revenue without retaining full copyright, we can demonstrate that open business models are viable alternatives other than control. The success of "Made with Creative Commons" strongly indicated that Open Business Models should be an integrated part of the Creative Commons Movement
https://ccglobalsummit2019lisbonportugal.sched.com/event/MmjR/opening-night-program
Presentation on the suitability of Creative Commons licenses for research data, held at the meeting of UKB working group Research Data on 18 April 2018 by Leon Osinski, Eindhoven University of Technology
Creative Commons and the CC BY license, Overview for 2013 OPEN Kick-offJane Park
Summary of session from OPEN Kickoff Conference for DOL TAACCCT Round 2 Grantees: Jane Park from Creative Commons will give a brief overview of Creative Commons, Creative Commons license use in education, and Creative Common's integral role in the Open Educational Resources (OER) movement. She will explain the Creative Commons Attribution license (CC BY) requirement for TAACCCT program grantees, how the CC BY license works, and the free support CC will offer to grantees around application of the license to grantee materials.
More info: http://open4us.org/events/
This presentation will help you to build on your knowledge about Creative Commons by exploring in detail the principles of the licences, the conditions that underpin all the licence expressions, and the resulting licences and their characteristics.
This presentation will introduce you to the Creative Commons organisation; the licences; and the way in which application of those licences has facilitated some inspirational examples of sharing in the GLAM sector.
Creative Commons Update Seminar, State Library, Brisbane, 18 July 2014 - Anne...ccAustralia
Presentation on Creative Commons licences, providing an overview of the features of the version 4.0 international Creative Commons licences, as well as examples of the adoption of CC licensing in Australia and in other countries
Overview of the Version 4.0 international Creative Commons licences ccAustralia
Slide presentation by Professor Anne Fitzgerald (Creative Commons Australia), providing an overview of the version 4.0 international Creative Commons licences; presented in December 2013
eDevelopment in Sri Lanka progress towards building an Open Government - a c...ccAustralia
Internet Governance of Open Government Data
Workshop 303
Internet Governance Forum
22 October 2013
Bali, Indonesia
Priyanthi Daluwatte (Remote Panellist) Registrar
Northshore College of Business and Technology
Sri Lanka
Internet Governance of Open Government Data
Workshop 303
Internet Governance Forum
22 October 2013
Bali, Indonesia
Tomoaki Watanabe
Senior Research Fellow& Associate Professor at Center for Global Communications (GLOCOM)
Advocate (volunteer): open licensing
Creative Commons Japan; Executive director for its host organization CommonSphere)
Open Knowledge Foundation (Co-founder)
A Review of Technology and Transparency in Indonesia and the PhilippinesccAustralia
Internet Governance of Open Government Data
Workshop 303
Internet Governance Forum
22 October 2013
Bali, Indonesia
Shita Laksmi
Program Manager
Southeast Asia Technology and Transparency Initiative
Open Data and Re-use of Public Sector Information (PSI) ccAustralia
Internet Governance of Open Government Data
Workshop 303
Internet Governance Forum
22 October 2013
Bali, Indonesia
Jim Wretham
Head of Information Policy
The National Archives
United Kingdom
Internet Governance and Open Government Data ccAustralia
Internet Governance of Open Government Data
Workshop 303
Internet Governance Forum
22 October 2013
Bali, Indonesia
22nd October 2013, Bali, Indonesia
Professor Anne Fitzgerald
Queensland University of Technology
Australia
Internet Governance of Open Government Data
Workshop 303
Internet Governance Forum
22 October 2013
Bali, Indonesia
Keitha Booth
Programme Leader
New Zealand Open Government Information and Data Programme
22nd October 2013, Bali, Indonesia
Exploring Internet Governance Implications of an Expanded Open Data Agenda: C...ccAustralia
Internet Governance of Open Government Data
Workshop 303
Internet Governance Forum
22 October 2013
Bali, Indonesia
Audio Presentation also available here http://blog.ajantriks.net/2013/10/can-open-data-open-up-internet-governance/
Sumandro Chattapadhyay
Researcher
HasGeek Media LLP
The Sarai Programme, CSDS
CC and Government in Australia: Melbourne, 24 October 2013ccAustralia
"CC and Government in Australia", presented by Neale Hooper (Creative Commons Australia) in Melbourne on 24 October 2013. Slides prepared by Professor Anne Fitzgerald, QUT Law Faculty.
Creative Commons in practice: Understanding CC, and applying and using CC lic...ccAustralia
Presentation by Professor Anne Fitzgerald to the Griffith University Film School, South Bank, Brisbane, Queensland, Australia, on 26 September 2013. Presentation provides an overview of Creative Commons licences, and explains how to apply CC licences and how to attribute CC-licensed material
Getting a Grip on Creative Commons: What CC licences are and how to work wit...ccAustralia
Presentation on Creative Commons licences by Professor Anne Fitzgerald to the Australasian Medical Writers Association (AMWA( Webinar, 26 September 2013
Creative Commons Licences: Applying CC licences, searching for CC-licensed ma...ccAustralia
Presentation to staff of the State Library of New South Wales, Sydney, Australia, on 24 June 2013. Presentation explains how to apply the Creative Commons licences to copyright materials; how to search for and retrieve Creative Commons licensed materials on the web; and how to correctly attribute Creative Commons materials.
Getting a grip on Creative Commons Licences: Creative Commons Workshop, State...ccAustralia
Presentation on Creative Commons Licences to staff of the State Library of New South Wales, Sydney, Australia, on 24 June 2013. Presentation explains Creative Commons licences and how they are used. Presentation is designed for those in the GLAM sector.
Creative Commons licensing: application, search and attribution (2013)ccAustralia
"Creative Commons licensing: application, search and attribution", presented by Professor Anne Fitzgerald at Museums Australia National Conference, Canberra, 17 May 2013
Sharpen existing tools or get a new toolbox? Contemporary cluster initiatives...Orkestra
UIIN Conference, Madrid, 27-29 May 2024
James Wilson, Orkestra and Deusto Business School
Emily Wise, Lund University
Madeline Smith, The Glasgow School of Art
0x01 - Newton's Third Law: Static vs. Dynamic AbusersOWASP Beja
f you offer a service on the web, odds are that someone will abuse it. Be it an API, a SaaS, a PaaS, or even a static website, someone somewhere will try to figure out a way to use it to their own needs. In this talk we'll compare measures that are effective against static attackers and how to battle a dynamic attacker who adapts to your counter-measures.
About the Speaker
===============
Diogo Sousa, Engineering Manager @ Canonical
An opinionated individual with an interest in cryptography and its intersection with secure software development.
This presentation by Morris Kleiner (University of Minnesota), was made during the discussion “Competition and Regulation in Professions and Occupations” held at the Working Party No. 2 on Competition and Regulation on 10 June 2024. More papers and presentations on the topic can be found out at oe.cd/crps.
This presentation was uploaded with the author’s consent.
This presentation, created by Syed Faiz ul Hassan, explores the profound influence of media on public perception and behavior. It delves into the evolution of media from oral traditions to modern digital and social media platforms. Key topics include the role of media in information propagation, socialization, crisis awareness, globalization, and education. The presentation also examines media influence through agenda setting, propaganda, and manipulative techniques used by advertisers and marketers. Furthermore, it highlights the impact of surveillance enabled by media technologies on personal behavior and preferences. Through this comprehensive overview, the presentation aims to shed light on how media shapes collective consciousness and public opinion.
Have you ever wondered how search works while visiting an e-commerce site, internal website, or searching through other types of online resources? Look no further than this informative session on the ways that taxonomies help end-users navigate the internet! Hear from taxonomists and other information professionals who have first-hand experience creating and working with taxonomies that aid in navigation, search, and discovery across a range of disciplines.
Acorn Recovery: Restore IT infra within minutesIP ServerOne
Introducing Acorn Recovery as a Service, a simple, fast, and secure managed disaster recovery (DRaaS) by IP ServerOne. A DR solution that helps restore your IT infra within minutes.
29. Credits by slide number…
4 “Three Atmospheric "Dragons": Low Pressure Areas Around the U.S.” Rob Gutro
NASA's Goddard Space Flight Center
https://www.flickr.com/photos/gsfc/13545312904/in/photostream/ CC BY 2.0
11 “Yet another Eiffel tower shot” Rafael Matsunaga https://www.flickr.com/photos/rednuht/ CC BY
2.0
12 “Red Face” marco antonio torres https://www.flickr.com/photos/torres21/3733654187/ CC BY-SA
13 Trent Reznor / Jon Snyder/Wired.com / CC BY-NC
14 African Elephant by Arno Maintjes
https://www.flickr.com/photos/arnolouise/705454064/ is licenced CC BY-NC-SA
15 Image via Creative Commons/Andrew E. Larsen (CC BY-ND 2.0)
16 Operation Honey Collector by Tom Heinze on Flickr is licensed CC BY-NC-ND 2.0
17 Ruby throated hummingbird archilochus colubris at cardinal flower royalty free stock
photograph in gallery Hummingbirds is in public domain
18 Bibliotheca Buloviana (Ausschnitt) / Georg Daniel Heumann / Public Domain
19 Jelly Beans in verschiedenen Sorten
http://de.wikipedia.org/wiki/Jelly_Belly#/media/File:Jelly_Belly_jelly_beans_(2),_Dece
mber_2008.jpg CC BY 2.0
20 Source: http://www.businesskorea.co.kr/article/8611/promotion-software-industry-
korean-govt-focus-qualitative-growth-software-industry
21 Source: http://nationalmap.nicta.com.au/ Image courtesy of NASA
24 "Creative Commons 10th Birthday Celebration San Francisco" by tvol is licensed under CC
BY 2.0
30. Except where otherwise noted: CC BY
creativecommons.org/licenses/by/4.0
Creative Commons and the double C in a circle are registered trademarks of
Creative Commons in the United States and other countries. Third party marks
and brands are the property of their respective holders.
This work, “Creative Commons Licences", is a derivative of Jessica
Coates presentation “Creative Commons for educators
http://www.slideshare.net/Jessicacoates/creative-commons-for-
educators-presentation?type=powerpoint CC BY; and, Jane Park’s
presentation "Creative Commons and cultural heritage" CC BY. "
Editor's Notes
This presentation will help you to build on your knowledge about Creative Commons by exploring in detail the principles of the licences, the conditions that underpin all the licence expressions, and the resulting licences and their characteristics.
Creative Commons licences provide a standardized way to give the public permission to share and use your creative work — on conditions of your choice.
CC licenses let you easily change your copyright terms from the default of “all rights reserved” to “some rights reserved.”
A CC licence sits alongside copyright. CC licenses do not reduce, limit, or restrict any rights under exceptions and limitations to copyright, such as fair use or fair dealing. If your use of CC-licensed material would otherwise be allowed because of an applicable exception or limitation, you do not need to rely on the CC license or comply conditions. In general, private personal use does not require the permission of the licensor and, therefore, does not require that the conditions of the CC license be followed.
Note that moral rights still apply
CC is suitable for all copyright-able material (except software)
CC filled the gap between “all rights reserved” and the public domain. Before CC, a creator could either reserve all rights or give them all way. With CC, a creator can now maintain their copyright, while granting certain reuse permissions to the public.
When you find a work that has been released under a Creative Commons licence, you are always free to share, copy, and redistribute it in any medium or format. This permission cannot be taken away, as long as you follow the license conditions.
CC uses icons which have gained full international recognition and which are not language specific
For version 3.0 and earlier, Creative Commons has also offered ported versions of its six core licenses for many jurisdictions (which usually correspond to countries, but not always). These ported licenses are based on the international license suite but have been modified to reflect local nuances in the expression of legal terms and conditions, drafting protocols, and language. The ported licenses and the international licenses are all intended to be legally effective everywhere. CC expects that few, if any, ports will be necessary for 4.0.
CC recommends that you take advantage of the improvements in the 4.0 suite explained on the license versions page unless there are particular considerations you are aware of that would require a ported license.
All of our legal tools are designed with the web in mind. CC licenses have a unique 3 layer design, which is a fancy way of saying that you can communicate the license in three ways: one way for lawyers, one way for normal users, and one way for machines.
This layered design is part of what makes CC the global standard for copyright licensing.
So just a quick snapshot of each - the first, base layer is the actual license, the document that lawyers around the world have drafted and vetted so that the license works like it’s supposed to according to domestic and international copyright laws. We call this the legal code - written by and for lawyers.
The second layer is written in a format that any user could read and understand.
We call this the “human readable” summary of the license, which sums up the most important terms and conditions of the license in non-technical language.
One way to think of it is as the user-friendly interface to the actual license.
The third and final layer is the machine-readable metadata. This is what really makes our tools really relevant for the digital age. This small snippet of HTML code summarizes the license and associated metadata (such as author and date) into a format that software, search engines, and other kinds of technology can understand.
When you choose a licence, the licence chooser automatically generates HTML code to produce the following licence notice for you (see licence chooser later in the presentation). All you have to do is copy and paste it into you your webpage editor.
When someone clicks on the icon or the licence name in the notice, they are taken to the Commons Deed for that licence.
Some Rights Reserved
allow content creators to specify the limits that apply to reuse of their work when they make it available online.
The four different licence terms are:
Attribution: You must always provide credit to the original author.
Share-Alike: If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original.
Non-Commercial: You may not use the material for commercial purposes.
No-Derivatives: You may not distribute modified versions of the work.
The four conditions can be combined legally in six ways, resulting in six CC licenses. They are featured here on a spectrum of the most open license, which is CC Attribution, to the most restrictive license, which is CC Attribution-Noncommercial-NoDerivatives.
At the top is CC0, our public domain dedication tool, which is another legal tool we offer for those institutions wishing to waive their copyright in a work. In addition to our licenses, we offer two public domain tools which are used the most by cultural heritage institutions. CC0 will figure in the examples of museum uses of CC later.
The “free cultural Works seal” is applied to the Creative Commons licences that qualify as Free Culture Licenses according to the Definition of Free Cultural Public domain is not a license, but is also an acceptable copyright status for free cultural works according to the Definition. This seal and approval signals an important delineation between less and more restrictive licenses, one that creators and users of content should be aware of.
some important projects accept only freely (as defined) licensed or public domain content, in particular Wikipedia and Wikimedia sites, which use the Definition of Free Cultural Works in their licensing guidelines.
A free cultural work must not restrict any particular kind of use-
Freedom to use the work itself
Freedom to use the information in the work for any purpose
Freedom to share copies of the work for any purpose
Freedom to make and share remixes and other derivatives for any purpose
“Cultural works” is simply the term chosen by Freedom Defined to distinguish non-software works that should be under a free content license rather than a free software license.
This license lets others distribute, remix, tweak, and build upon your work, even commercially, as long as they credit you for the original creation. This is the most accommodating of licenses offered. Recommended for maximum dissemination and use of licensed materials. It receives the free cultural seal as it allows unrestricted re-use with attribution.
The required mode of attribution differs slightly among the versions, and is progressively more flexible with each version.
It is also possible under all license versions for a licensor to release works anonymously, and to waive the requirement by not providing authorship information. Where an element of attribution information is not provided by the licensor, the licensee is not required to provide it.
Examples of Creative Commons License Use
PLOS- In 2003, the Public Library of Science (PLOS) launched a nonprofit scientific and medical publishing venture that provides scientists and physicians with high-quality, high-profile journals in which to publish their most important work. Under the Open Access model, PLOS journals are immediately available online, with no charges for access and no restrictions on subsequent redistribution or use, as long as the author(s) and source are cited, as specified by the Creative Commons Attribution License. PLOS publishes approximately 50,000 CC BY articles every year. Says former PLOS CEO Peter Jerram, “The work of Creative Commons ensures that [other projects] can use the papers we publish without requiring the additional time and cost that asking special permissions would require.”
This license lets others remix, tweak, and build upon your work even for commercial purposes, as long as they credit you and license their new creations under the identical terms. This licence also gets the “free cultural works” seal. This is the license used by Wikipedia, and is recommended for materials that would benefit from incorporating content from Wikipedia and similarly licensed projects.
The ShareAlike licenses require that licensees make their contributions to adapted material available under the same conditions.
When you adapt a Share alike licensed material you must apply a SA license that is compatible with the version of the adapted material. There is a list http://creativecommons.org/compatiblelicenses
Compatible version licences-
http://creativecommons.org/compatiblelicenses
Use examples-
Wikipedia and Wikimedia Commons Says Wikipedia founder Jimmy Wales, “Creative Commons is about building infrastructure for a new kind of culture — one that is both a folk culture, and wildly more sophisticated than anything before it.” Much of the media that accompanies Wikipedia articles, such as photos and illustrations, are also licensed under CC BY-SA or a more liberal license
P2PU The Peer 2 Peer University (P2PU) is a grassroots open education project that organizes learning outside of institutional walls and gives learners recognition for their achievements. The P2PU community chose CC BY-SA as the default license for its platform in order to enable maximum reusability and simultaneously encourage participation and contributions back to the community. P2PU produced a report on its commmunity process and reasoning for choosing the CC BY-SA license.
This license lets others remix, tweak, and build upon your work non-commercially, and although their new works must also acknowledge you and be non-commercial, they don’t have to license their derivative works on the same terms.
Creative Commons NC licenses expressly define NonCommercial as “not primarily intended for or directed towards commercial advantage or monetary compensation.” [2] The inclusion of “primarily” in the definition recognizes that no activity is completely disconnected from commercial activity; it is only the primary purpose of the reuse that needs to be considered.
The definition of NonCommercial is intentionally flexible; the definition is specific enough to make its intended operation and reach clear, but versatile enough to cover a wide variety of use cases. The definition sets out a principle for determining what uses do and do not qualify, but generally does not list specific use cases. *
CC cannot advise you on what is and is not commercial use. If you are unsure, you should either contact the rights holder for clarification, or search for works that permit commercial uses.
Use examples-
Brooklyn Museum- The Brooklyn Museum is a major contributor to the commons on Flickr and licenses its online image collection under a CC Attribution-NonCommerical license license. According to chief of technology Shelley Bernstein, “We had started with [the] CC-BY-NC-ND [license] back in 2004 and having had a good experience, wanted to open it up a bit more. CC allows us to change as we grow and that’s very valuable — it means we can take small steps toward larger goals and do so as the institution feels comfortable.”
Wired.com photography- Wired.com staff-produced photos are released under a CC BY-NC license. Says Wired.com’s former Editor in Chief Evan Hansen, “At Wired.com, we’ve benefited from CC-licensed photos for years — thank you sharers! Now we’re going to start sharing ourselves.”
………………………………………………………………………………………………………………………………….
(aside from peer-to-peer file sharing)- the exchange of an NC-licensed work for another copyrighted work via peer-to-peer file sharing networks or otherwise is not a violation of the NC term provided no compensation changes hands
This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.
Use examples-
MIT Open CourseWare
MIT OpenCourseWare has been releasing its materials — web versions of virtually all MIT course content — under a CC BY-NC-SA license since 2004. Today, MIT OCW has over 2000 courses available freely and openly online for anyone, anywhere to adapt, translate, and redistribute. MIT OCW have been translated into at least 10 languages, including Spanish, Portuguese, Chinese, French, German, Vietnamese, and Ukrainian. In 2011, MIT OCW celebrated its 10th anniversary, having reached 100 million individuals, and announced MITx, an initiative to provide certification for completion of its courses. The OpenCourseWare concept has now spread to hundreds of universities worldwide.
Cory Doctorow- Boing Boing editor Cory Doctorow is a writer, blogger, and science fiction author with a vast amount of work under his name. As an early adopter of Creative Commons, Cory has produced many publications under CC licenses since 2003, including Little Brother under CC BY-NC-SA which spent 4 weeks on the NYTimes bestseller list. “I use CC for my speeches, for my articles and op-eds, and for articles and stories that I write for ‘straight’ magazines from Forbes to Radar. My co-editors and I use CC licenses for our popular blog, Boing Boing, one of the most widely read blogs in the world. These licenses have allowed my work to spread far and wide, into corners of the world I never could have reached.”
This license allows for redistribution, commercial and non-commercial, as long as it is passed along unchanged and in whole, with credit to you.
Adaptations of NoDerivatives material permitted when not shared
In Version 4.0, licensees are granted permission to create adaptations of material licensed under one of the NoDerivatives licenses, but not permission to share the adaptations publicly. In general, private personal use does not require the permission of the licensor and, therefore, does not require that the conditions of the CC license be followed.
No Derivatives licenses do not prevent people from making fair uses of the work, which may include copying excerpts, creating parodies, and other activities that involve using the work without making an exact reproduction.
Use example- GNU and FSF
The Free Software Foundation (FSF) is dedicated to promoting computer users’ right to use, study, copy, modify, and redistribute computer programs. The FSF promotes the development and use of free software, in particular the GNU operating system and its GNU/Linux variants, and free documentation for free software. The FSF also helps to spread awareness of the ethical and political issues of freedom in the use of software, and its websites (fsf.org and gnu.org) are an important source of information about GNU/Linux. The FSF licenses both websites under the CC BY-ND license, particularly recommending this license for its works of opinion.
CC BY NC ND This license is the most restrictive of our six main licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.
Use examples-
TED Talks videos- The popular TED Talks are licensed under the CC BY-NC-ND license, which allows them to be redistributed unmodified for noncommercial purposes. Says TED Media’s Executive Producer June Cohen, “Creative Commons was the most efficient way to empower the growth of our product and free us from conversations about what could or couldn’t be done with our videos.” Though TED doesn’t allow remixes of its videos without its consent and the consent of the speaker, TED does encourage translations through its Open Translation Project. Since releasing videos under CC, TED Talks have been viewed over 200 million times.
CC zero is a tool for your to waive all of your copyrights in a work, effectively dedicating it to the public domain. In this sense, CC0 is often called the public domain dedication tool. CC ZERO = you waiving all of YOUR rights so that you have zero rights left in a work.
Examples of Creative Commons License Use
Europeana — Europe’s digital library — releases its metadata into the public domain using CC0.
Figshare- figshare allows researchers to publish all of their research outputs in an easily citable, searchable, shareable manner. Figshare has adopted CC0 as the default tool for researchers to share their datasets.
A work is in the public domain when it is free of copyright by virtue of
No copyright
copyright has expired
Creator has
Most films and photographs before 1955; other materials if author died before 1955.
Can do anything you want without asking extra permission (even if a donor doesn’t like it)
Can be re-used from archive websites without the archive’s permission (even if archivedoesn’t like it)
Watch out for . . . underlying works that are still in copyright (eg script);
Bad practice to claim copyright in PD works (even high quality) - Bridgeman v Corel Don't use terms of use to try to restrict – probably not effective and bad practice Ownership of object =/ right to prevent copying
Users not subject to donor agreements
Do mark works as PD - use CC's PD Mark (it has metadata)
Use CC0 to make things PD if you have the rights
If cautious use custom statement - eg “no known rights”
Examples of Creative Commons License Use
Europeana — Europe’s digital library — releases its metadata into the public domain using CC0.
Figshare- figshare allows researchers to publish all of their research outputs in an easily citable, searchable, shareable manner. Figshare has adopted CC0 as the default tool for researchers to share their datasets.
Open Goldberg Variations- before OGV- public domain recordings of Bach’s Goldberg Variations were hard to find, even though the scores themselves were in the public domain.
Make it work for you – Eg Rijkstudio – 150,000 PD works, high res, commercial use; massive publicity (competition), community, sales (see also Powerhouse, Pratham Books)
The Public Domain Mark is for marking works that are already in the public domain.
Developed with reference to “no known copyright” statements adopted by many leading cultural heritage institutions, including contributors to Flickr Commons, the PDM is the only mark of its kind, and the only widely-adopted and globally accepted mark that communicates a work’s public domain status worldwide.
“This work has been identified as being free of known restrictions under copyright law, including all related and neighboring rights”
Users not subject to donor agreements
Do mark works as PD - use CC's PD Mark (it has metadata)
Use CC0 to make things PD if you have the rights
If cautious use custom statement - eg “no known rights”
Examples of Creative Commons License Use
Europeana—Europe’s digital library, museum and archive—is the first major adopter of the Public Domain Mark. Europeana estimates that by mid-2011, the Public Domain Mark will be used in connection with millions of out-of-copyright works made available through its portal.
“An important part of our mandate is to ensure that digitized works made available through Europeana are properly labeled with rights information, including when a work is free of known copyright restrictions so that teachers, students and others can freely use it in their work, changing it and remixing it as they wish,” noted Jill Cousins, Executive Director of Europeana.
Flickr- supports both the CC0 & the Public Domain Mark
Including a CC-licensed work in a collection (a work comprised of separate and independent works) is permitted by all CC licenses. However the collective work as a whole is licensed, the license on the collection does not affect the CC license applied to the work.
If the combination does not create an adaptation, then you may combine any CC-licensed content so long as you provide attribution and comply with the NonCommercial restriction if it applies.
If you want to combine material in a way that results in the creation of an adaptation (i.e. a “remix”), then you must pay attention to the particular license that applies to the content you want to combine.
The NoDerivatives licenses do not permit remixing except for private use. All the other CC licenses allow remixes, but may impose limitations or conditions on how the remix may be used.
For example, if you create a remix with material licensed under a ShareAlike license, you need to make sure that all of the material contributed to the remix is licensed under the same license
Similarly, if you want to use a remix for commercial purposes, you cannot incorporate material released under one of the NonCommercial licenses.
Not recommended for software. CC recommends Free Software Foundation or Open Source Initiative.
Unlike software-specific licenses, CC licenses do not contain specific terms about the distribution of source code, which is often important to ensuring the free reuse and modifiability of software.
Many software licenses also address patent rights, which are important to software but may not be applicable to other copyrightable works.
Additionally, our licenses are currently not compatible with the major software licenses, so it would be difficult to integrate CC-licensed work with other free software. Existing software licenses were designed specifically for use with software and offer a similar set of rights to the Creative Commons licenses.
Our licenses are currently not compatible with the GPL, though the CC0 Public Domain Dedication is GPL-compatible and acceptable for software. For details, see the relevant CC0 FAQ entry. We are looking into compatibility of BY-SA with GPL in the future; see the license compatibility page for more information.)
While we recommend against using a CC license on software itself, CC licenses may be used for software documentation, as well as for separate artistic elements such as game art or music.
CC licences can be applied to data.
There a huge benefits to open data societally. Making research data open is a big topic.
All levels of Aus Government committed to open data and supporting the open data movement- Open Data Initiatives…
Govt geo-spatial data sets- national map
Qld Govt Open Data Portal…
ODI Q- open data institute Qld-
Govhack.org- civic hackers- encouraging creative re-use of govt data-
One of the outcomes is driving traffic on to govt websites
I’ll refer you to the Ccau affiliate AusGOAL website for information
When you choose a licence using the Creative Commons licence chooser, you are provided with metadata in the form of HTML code for that licence.
By copying and pasting it into your website you can display the notice anywhere you choose on a page.
When someone clicks on the icon or the licence name in the notice, they are taken to the Commons Deed for that licence.
Under the standard questions on the licence chooser, you can also include descriptive metadata such as who created it, the name of the work and where it is hosted. This is useful for helping potential licensees identify the original work and attribute it.
You can of course also add your own notice information into the metadata.
Answer the questions
Describe the work
Select normal or compact icon
Copy/paste- embed the button and notice onto the work
Guidance on marking your content in different mediums
Title
Author
Source
License
Requirements have changed with versioning, but generally and currently-
attribution is explicitly allowed to be reasonable to the means, medium, and context of how one shares a work
In V 4 licensees are required to indicate if they made modifications to the licensed material. E.g. "This section is an excerpt of the original." cropped a photo
The title is not required for proper attribution in the 4.0 licenses. It is required in all earlier versions.
a URI is required for proper attribution, if it is reasonably practicable to include
This add-in for Microsoft Office enables authors and editors to embed Creative Commons licenses directly into Microsoft Word, PowerPoint, and Excel documents. With a Creative Commons license, authors can express their intentions regarding how their works may be used by others. The add-in allows the selection of a license, downloads it from the Creative Commons website, and inserts it directly into the working document.e embedded in Microsoft Word, Excel and Powerpoint documents.
CC Search-new search interface coming. In the meantime- useful for identifying different open media sources
Google image- locate open licenced images; and; reverse image search for licence information
Bing- filter for “License”; and, reverse image search