Presentation about autors's rights and intellectual property in digital and collaborative environments. How to use Creative Commons i n documents: books, web, videos, blog..
Creative commons, an alternative solution to copyright restrictionsalbamunyoz
This report provides an analysis and exhaustive explanation of Copyright restrictions in order to encourage creators to choose Creative Commons licenses. The purpose is not only to give a clear understanding of why authors should chose Creative Commons licenses, but also to raise awareness of the harmful consequences of Copyright for the whole society or the public domain.
Public domain protection. Uses and reuses of public domain worksMonica Lupașcu
This study tries to highlight the necessity of an awareness of the right of access to the public domain, particularly using the example of works whose protection period has expired, as well as the ones which the law considers to be excluded from protection. Such works are used not only by large libraries from around the world, but also by rights holders, via different means of use, including incorporations into original works or adaptations. However, the reuse that follows these uses often only remains at the level of concept, as the notion of the public’s right of access to public domain works is not substantiated, nor is the notion of the correct or legal use of such works.
Creative commons, an alternative solution to copyright restrictionsalbamunyoz
This report provides an analysis and exhaustive explanation of Copyright restrictions in order to encourage creators to choose Creative Commons licenses. The purpose is not only to give a clear understanding of why authors should chose Creative Commons licenses, but also to raise awareness of the harmful consequences of Copyright for the whole society or the public domain.
Public domain protection. Uses and reuses of public domain worksMonica Lupașcu
This study tries to highlight the necessity of an awareness of the right of access to the public domain, particularly using the example of works whose protection period has expired, as well as the ones which the law considers to be excluded from protection. Such works are used not only by large libraries from around the world, but also by rights holders, via different means of use, including incorporations into original works or adaptations. However, the reuse that follows these uses often only remains at the level of concept, as the notion of the public’s right of access to public domain works is not substantiated, nor is the notion of the correct or legal use of such works.
The presentation deals with various aspects of the act of Copyright .
The presentation explains copyright, tenure of copyright, and the infringement of copyright.
THE COPYRIGHT LAW
The Philippine entered another dark phase in its history on 21 September 1972 when President Ferdinand E. Marcos declared martial law throughout the country. A total ban on all mass media was enforced initially. Even when publishing activity resumed the dictatorial rule of Marcos kept a stern eye on the output of the presses. But more than censorship, the ultimate factor that hampered the development of the publishing industry was the economy. The nation was plagued by steadily inflation, a burgeoning foreign bedt, and the constant depletion of the national treasury due to graft and corruption. The economic crisis bore significant effects on the structure of society: the gap between the classes was further widened and there was a steady increase in the number of the Filipinos migrating overseas to seek permanent resident or contractual employment. The migration of professionals (including writers and artists) and skilled workers resulted in what has been called a brain drain in the country. As far as publishing is concerned, the government took steps toward professionalizing the country. The existing copyright law (Act no. 3134), patterned after US Copyright Law of 1909 and passed in 1924, was replaced by the Decree of Intellectual Property (Presidential Decree No. 49) in November 1972. The new law granted copyright to the author from the moment of the creation of a work even without prior registration and deposit with the National Library. The duration of the copyright was for the lifetime of the author until 50 years after his/her death.
The presentation deals with various aspects of the act of Copyright .
The presentation explains copyright, tenure of copyright, and the infringement of copyright.
THE COPYRIGHT LAW
The Philippine entered another dark phase in its history on 21 September 1972 when President Ferdinand E. Marcos declared martial law throughout the country. A total ban on all mass media was enforced initially. Even when publishing activity resumed the dictatorial rule of Marcos kept a stern eye on the output of the presses. But more than censorship, the ultimate factor that hampered the development of the publishing industry was the economy. The nation was plagued by steadily inflation, a burgeoning foreign bedt, and the constant depletion of the national treasury due to graft and corruption. The economic crisis bore significant effects on the structure of society: the gap between the classes was further widened and there was a steady increase in the number of the Filipinos migrating overseas to seek permanent resident or contractual employment. The migration of professionals (including writers and artists) and skilled workers resulted in what has been called a brain drain in the country. As far as publishing is concerned, the government took steps toward professionalizing the country. The existing copyright law (Act no. 3134), patterned after US Copyright Law of 1909 and passed in 1924, was replaced by the Decree of Intellectual Property (Presidential Decree No. 49) in November 1972. The new law granted copyright to the author from the moment of the creation of a work even without prior registration and deposit with the National Library. The duration of the copyright was for the lifetime of the author until 50 years after his/her death.
“If copyright hadn't been invented, what kind of copyright would we want…”
This was the question put by the British Council. On April 9th they are hosting an event at which a wide range of speakers will discuss new ideas and proposals for the future evolution of copyright to mark the week when the world's first copyright act came into force 300 years ago. This document is CAS-IP's contribution to the debate.
Copyright and Open Content Licensing: the role of the Creative Commons licencesccAustralia
"Copyright and Open Content Licensing: the role of the Creative Commons licences", presented by Professor Anne Fitzgerald as seminar 1 of 4 in the Creative Commons and the Digital Economy series, 2012. For full details see event page at http://creativecommons.org.au/events/digitaleconomy
Why Property Laws are Important Property Laws play a fund.docxalanfhall8953
Why Property Laws are Important
Property Laws play a fundamental role
in shaping a society and in preserving
its order by establishing relationships
between:
individuals,
different sorts of objects,
the state.
Tangible Property
When discussing property, we tend to
think of tangible items.
Originally, "property" referred to land.
Property now also includes objects that
one can own, such as:
an automobile,
articles of clothing,
a stamp collection.
Property as a ―Relational‖
Concept
Property should not be viewed simply in
terms of items or things.
Philosophers and legal theorists point out that
property also describes relationship between
individuals in reference to things.
They also note that three elements need to be considered:
(i) an individual (X ),
(ii) an object (Y),
(iii) X's relation to other individuals (A, B, C, etc.) in
reference to Y.
Property as a Form of ―Control‖
X (as the owner of property Y) can control Y
relative to persons A, B, C, and so forth.
If Harry owns a certain object (e.g. a Toshiba
laptop computer), then Harry can control who
has access to that object and how it is used.
For example, Harry has the right to exclude Sally from using
the laptop computer; or he could grant her unlimited access
to that computer.
Ownership claims involving "intellectual
objects" are both similar to and different from
ownership of tangible objects.
Intellectual Objects
The expression intellectual objects refers to
various forms of intellectual property.
Intellectual property consists of ―objects‖ that
are not tangible.
Non-tangible or "intellectual" objects
represent creative works and inventions, i.e.,
the manifestations or expressions of ideas.
Intellectual vs. Tangible Objects
Tangible objects are exclusionary in
nature.
If Harry owns a laptop computer (a physical
object), then Sally cannot, and vice versa.
Intellectual objects, such as software
programs, are non-exclusionary.
If Sally makes a copy of a word-processing
program (that resides in Harry's computer), then
both Sally and Harry can possess copies of the
same word-processing program.
Intellectual vs. Tangible Objects
(continued)
The sense of scarcity that applies to tangible
objects, which often causes competition and
rivalry, need not exist for intellectual objects.
There are practical limitations to the number
of physical objects that one can own.
There are limitations (natural and political) to the
amount of land that can be owned.
Intellectual objects can be easily reproduced.
Countless copies of a software program can be
produced – each at a relatively low cost.
Ownership of Intellectual vs.
Tangible Objects
Legally, one cannot own an idea in the
same sense that one can own a physical
object.
Governments do not grant ownership
rights to individuals for ideas per se.
Legal protection is given only to.
Las TIC aplicadas a la comunicación institucionalJordi Graells
Sesión 'Las TIC aplicadas a la comunicación institucional' en el Máster en Liderazgo Público del Instituto Nacional de Administración Pública. Madrid, 16 de marzo de 2021
Sessió 'Atenció ciutadana presencial i virtual' en el Postgrau en Administració Electrònica i Govern Obert al Món Local, de la Fundació Universitat de Girona, Diputació de Girona i Escola d'Administració Pública de Catalunya.
Girona, 9 de gener de 2021
Atención ciudadana en gobiernos y administracionesJordi Graells
Presentación 'Atención ciudadana en gobiernos y administraciones' en el Máster en Comunicación Política e Institucional de la Universitat Pompeu Fabra (UPF). Barceona, marzo de 2020
Gobernando para la experiencia de usuario del ciudadanoJordi Graells
Presentació 'Gobernando para la experiencia de usuario del ciudadano' en JECCDOC https://ucm.es/jeccdoc/presentacion-iii-jeccdoc & EDICIC 2019 https://fbd.ub.edu/edicic2019/ca. Universitat de Barcelona, 10 de juliol de 2019
Sessió de Jordi Graells Costa dins el Postgrau en Direcció i Gestió Públiques, al Tecnocampus de Mataró - Escola d’Administració Pública de Catalunya i Tecnocampus.
Mataró, 24.04.2019
.
Una Administració pública digital. És possible?Jordi Graells
'Una Administració pública digital des de la direcció i la comunicació. És possible' és el títol de la comunicació que presento a les II Jornades de Comunicació a les Administracions Públiques a Calvià (Mallorca - Illes Balears), amb el suport de Novagob, Universitat de les Illes Balears i l'Ajuntament de Calvià. Casal Peguera, 13 de novembre de 2018
1a sessió 'Personal directiu digital: transformació digital i governança oberta' del Màster en Direcció Pública de la Universitat Oberta de Catalunya (UOC) i l'Escola d'Administració Pública de Catalunya (EAPC)
Zer ote da GovUX? / ¿Qué es eso de GovUX?Jordi Graells
"Erakunde baten ezagutza kudeatu eta horren buru izan herritarren esperientzia asetzeko" / "Gestionar el conocimiento de una organización y liderarlo para satisfacer la experiencia de la ciudadanía"
VII Congreso de Gestión Avanzada en las Administraciones Públicas – ‘Sociedad y personas: claves para repensar la Administración’ #Qepea2018 Bilbo, 2018ko maiatzaren 25a / Bilbao, 25 de mayo de 2018
'Metodologies per innovar', dins la 14a sessió 'DGAC amb Coneixement' de la Generalitat de Catalunya. En aquesta sessió he explicat mètodes per innovar serveis (i productes) a les organitzacions. L'objectiu és que els professionals de la DG d'Atenció Ciutadana generin propostes d'idees innovadores per al II Concurs d'Idees de la DGAC http://gen.cat/IIconcursideesform
¿Cómo serán los gobiernos y las administraciones en los próximos años? Cómo deberían transformarse digitalmente y avanzar para no quedarse fuera de juego.
RMD24 | Retail media: hoe zet je dit in als je geen AH of Unilever bent? Heid...BBPMedia1
Grote partijen zijn al een tijdje onderweg met retail media. Ondertussen worden in dit domein ook de kansen zichtbaar voor andere spelers in de markt. Maar met die kansen ontstaan ook vragen: Zelf retail media worden of erop adverteren? In welke fase van de funnel past het en hoe integreer je het in een mediaplan? Wat is nu precies het verschil met marketplaces en Programmatic ads? In dit half uur beslechten we de dilemma's en krijg je antwoorden op wanneer het voor jou tijd is om de volgende stap te zetten.
Memorandum Of Association Constitution of Company.pptseri bangash
www.seribangash.com
A Memorandum of Association (MOA) is a legal document that outlines the fundamental principles and objectives upon which a company operates. It serves as the company's charter or constitution and defines the scope of its activities. Here's a detailed note on the MOA:
Contents of Memorandum of Association:
Name Clause: This clause states the name of the company, which should end with words like "Limited" or "Ltd." for a public limited company and "Private Limited" or "Pvt. Ltd." for a private limited company.
https://seribangash.com/article-of-association-is-legal-doc-of-company/
Registered Office Clause: It specifies the location where the company's registered office is situated. This office is where all official communications and notices are sent.
Objective Clause: This clause delineates the main objectives for which the company is formed. It's important to define these objectives clearly, as the company cannot undertake activities beyond those mentioned in this clause.
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Liability Clause: It outlines the extent of liability of the company's members. In the case of companies limited by shares, the liability of members is limited to the amount unpaid on their shares. For companies limited by guarantee, members' liability is limited to the amount they undertake to contribute if the company is wound up.
https://seribangash.com/promotors-is-person-conceived-formation-company/
Capital Clause: This clause specifies the authorized capital of the company, i.e., the maximum amount of share capital the company is authorized to issue. It also mentions the division of this capital into shares and their respective nominal value.
Association Clause: It simply states that the subscribers wish to form a company and agree to become members of it, in accordance with the terms of the MOA.
Importance of Memorandum of Association:
Legal Requirement: The MOA is a legal requirement for the formation of a company. It must be filed with the Registrar of Companies during the incorporation process.
Constitutional Document: It serves as the company's constitutional document, defining its scope, powers, and limitations.
Protection of Members: It protects the interests of the company's members by clearly defining the objectives and limiting their liability.
External Communication: It provides clarity to external parties, such as investors, creditors, and regulatory authorities, regarding the company's objectives and powers.
https://seribangash.com/difference-public-and-private-company-law/
Binding Authority: The company and its members are bound by the provisions of the MOA. Any action taken beyond its scope may be considered ultra vires (beyond the powers) of the company and therefore void.
Amendment of MOA:
While the MOA lays down the company's fundamental principles, it is not entirely immutable. It can be amended, but only under specific circumstances and in compliance with legal procedures. Amendments typically require shareholder
Falcon stands out as a top-tier P2P Invoice Discounting platform in India, bridging esteemed blue-chip companies and eager investors. Our goal is to transform the investment landscape in India by establishing a comprehensive destination for borrowers and investors with diverse profiles and needs, all while minimizing risk. What sets Falcon apart is the elimination of intermediaries such as commercial banks and depository institutions, allowing investors to enjoy higher yields.
Premium MEAN Stack Development Solutions for Modern BusinessesSynapseIndia
Stay ahead of the curve with our premium MEAN Stack Development Solutions. Our expert developers utilize MongoDB, Express.js, AngularJS, and Node.js to create modern and responsive web applications. Trust us for cutting-edge solutions that drive your business growth and success.
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Tata Group Dials Taiwan for Its Chipmaking Ambition in Gujarat’s DholeraAvirahi City Dholera
The Tata Group, a titan of Indian industry, is making waves with its advanced talks with Taiwanese chipmakers Powerchip Semiconductor Manufacturing Corporation (PSMC) and UMC Group. The goal? Establishing a cutting-edge semiconductor fabrication unit (fab) in Dholera, Gujarat. This isn’t just any project; it’s a potential game changer for India’s chipmaking aspirations and a boon for investors seeking promising residential projects in dholera sir.
Visit : https://www.avirahi.com/blog/tata-group-dials-taiwan-for-its-chipmaking-ambition-in-gujarats-dholera/
VAT Registration Outlined In UAE: Benefits and Requirementsuae taxgpt
Vat Registration is a legal obligation for businesses meeting the threshold requirement, helping companies avoid fines and ramifications. Contact now!
https://viralsocialtrends.com/vat-registration-outlined-in-uae/
Kseniya Leshchenko: Shared development support service model as the way to ma...Lviv Startup Club
Kseniya Leshchenko: Shared development support service model as the way to make small projects with small budgets profitable for the company (UA)
Kyiv PMDay 2024 Summer
Website – www.pmday.org
Youtube – https://www.youtube.com/startuplviv
FB – https://www.facebook.com/pmdayconference
Putting the SPARK into Virtual Training.pptxCynthia Clay
This 60-minute webinar, sponsored by Adobe, was delivered for the Training Mag Network. It explored the five elements of SPARK: Storytelling, Purpose, Action, Relationships, and Kudos. Knowing how to tell a well-structured story is key to building long-term memory. Stating a clear purpose that doesn't take away from the discovery learning process is critical. Ensuring that people move from theory to practical application is imperative. Creating strong social learning is the key to commitment and engagement. Validating and affirming participants' comments is the way to create a positive learning environment.
Personal Brand Statement:
As an Army veteran dedicated to lifelong learning, I bring a disciplined, strategic mindset to my pursuits. I am constantly expanding my knowledge to innovate and lead effectively. My journey is driven by a commitment to excellence, and to make a meaningful impact in the world.
3.0 Project 2_ Developing My Brand Identity Kit.pptxtanyjahb
A personal brand exploration presentation summarizes an individual's unique qualities and goals, covering strengths, values, passions, and target audience. It helps individuals understand what makes them stand out, their desired image, and how they aim to achieve it.
Affordable Stationery Printing Services in Jaipur | Navpack n PrintNavpack & Print
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The Influence of Marketing Strategy and Market Competition on Business Perfor...
Autors rights and IP in digital and collaborative platforms
1. The content of this work is subject to an Attribution-Share Alike 2.5 Creative Commons licence. Copying, distribution, public communication and transformation to generate a derivative work, for any purpose, is permitted, on condition that it is attributed to the authors (Jordi Graells, Joana Soteras, Betlem Verdejo) and that any works derived from it are distributed subject to the same licence as that governing the original. The complete licence can be consulted at http://creativecommons.org/licenses/by-sa/2.5/es/legalcode.ca Jordi Graells Costa http://graells.cat Barcelona, 24 de juny de 2008 The authors’ rights and the intellectual property in digital and collaborative platforms . How to use Creative Commons in documents English version
2. The authors’ rights regime is very difficult to apply in the digital world and in the public Administration Since the emergence of CITs and the Internet, problems have arisen in applying the rules that had been in force until then to protect authors’ rights, while at the same time making those rights compatible with people’s access to knowledge and making it easier for them to share it . When it comes to using the Web 2.0 tools and the Administration’s platforms for collaborative work, we have to be scrupulously careful with material subject to authors’ rights when publishing such content. All the slide’s content is according to the Spanish Law of Intellectual Property (LPI).
3. Art. 10.1 TRLPI: “Subject to intellectual property are all literary, artistic or scientific creations expressed by any means or on any media , tangible or intangible, whether now known or yet to be invented, amongst which are included: [...]”. Art. 13 TRLPI: “ Not subject to intellectual property are legal or regulatory ordinances and their corresponding projects, the decisions of jurisdictional organs and the acts, accords, deliberations and dicta of public authorities, nor the official translations of all these texts”. What is a “work” and what is not, according to the Law of Intellectual Property (LPI)?
4. The Intellectual Property Law (LPI) is applicable to the Administration from two points of view: 1. As the user of external works subject to authors’ rights (AR). The Administration must obtain the rights of exploitation for the specific desired use or must ensure that such use is permitted under the exceptions provided for in the LPI. 2. As the rights-holder. The information contained in works created by the Administration’s staff [or subcontracted by them] is not affected by the IP regime. It is only affected insofar as it is contained in a work (e.g., a DB created by the Administration) or if it is a work that is inherently protected (plan, photograph, etc.). Is the authors’ rights regime applicable to the Administration?
5. What are author’s rights over a work? Authors’ rights are an attempt to offset the exclusivity of the creator’s rights over a work, in the interests of society (to enable universal access to culture, etc.). 1. Moral rights (art. 14-16 TRLPI). Rights of attribution, not monetary. The creator cannot renounce authorship; hence contracts made by ghost-writers are not legal: - Attribution (authorship). The author may decide to publish a work anonymously. - Integrity . Concerns unauthorized modification that might prejudice the author. - Dissemination . The Administration may oblige an author’s heirs to disseminate the work in the public interest. - Withdrawal from sale (revocation). But with compensation. 2. Exploitation rights . Property rights, of exploitation or of straightforward remuneration. - Reproduction (art. 18). Make copies (ephemeral or permanent, tangible or otherwise). - Distribution (art. 19). Distribute to the public (sale, rental, loan, etc.). - Public communication (art. 20). Make available to the public without prior distribution (performance, display, broadcasting, Internet). Concept public . - Transformation (art. 21). Make derivative works (translation, adaptation, etc.).
6. The current LPI: protector of authors’ rights The Intellectual Property Law (LPI) endows the author of the work with exclusive rights (to reproduce, distribute, communicate to the public or transform) that allow him or her to control the exploitation and the use made of the work in order to perform any of these acts. However, the LPI also covers situations —known as exceptions — in which it is not necessary to request the consent of the author and in which a specific use is authorized: - Private copy - Current affairs and events (right to information, art. 33 and 35.1) - Parody (freedom of expression, art. 39) - Citation right (freedom of expression, art. 32) - Teaching and research (citation right, DB use, reproductions for museums and libraries, art. 32, 34.2b and 37.1). - Access to culture (right of loan, restriction of post-mortem right to non- publication, art. 37.2 and 40).
7. Authors’ rights on works created by staff working for the Administration Works created in virtue of an employer–employee relationship Art. 51.2 TRLPI: “In the absence of a written agreement, rights of exploitation shall be considered to have been ceded exclusively and to the extent necessary for the exercise of the habitual business at the moment of delivering a work created by virtue of an employer-employee relationship”. This article applies to relations with civil servants (non-spontaneous creation, subordination, alienation of the result). But note that this is quite different from communications that take place with collaborative work-platforms.
8. To innovate using the collective knowledge the Administration has available...
9. ... its rights to exploit its works must be opened up to third parties.
10. Problems with intellectual property (IP) and authors’ rights (AR) with the emergence of CITs and the Internet. Find a balance between: - the private interest of the author and rights-holders; and - the public interest in accessing culture and information. With Creative Commons licences, the idea is to change “All rights reserved” to “Some rights reserved”. Differentiation of copyright and authors’ rights . Can we innovate with “All rights reserved” on works? Intellectual property and authors’ rights
12. What does Spanish law say about making copies of CDs and programs, images and texts from the Web? To copy a CD: - Prior consent of the author is required. - Or it may be copied for private use, in accordance with article 31.2 of the LPI. To copy or reproduce programs, images or text from the Web: - You can store a copy on your personal computer. - You can link to them from your Web site (implicit consent is understood). - But they can only be redistributed or republished with the consent of the author (with the CC licence, with “usage conditions”, with a specific e-mail message). Can digital material be copied?
16. There are 6 sorts: http://creativecommons.org/licenses Types of Creative Commons licences Copying or reproduction, distribution and public communication are always permitted if the author is credited, but commercial use or the possibility of making derived works may be limited or conditional on their licensing terms being the same as those applicable to the original work. Combining these condition gives us the current 6 types of standard licence.