The document discusses the process of editing a photo in Adobe Photoshop to create an album cover. Key steps included opening the photo in Photoshop, duplicating the layer and applying Gaussian blur, airbrushing the model's face, enhancing brightness and contrast, changing eye color using variations, and adding text with the album title and artist name. The finalized cover featured the edited photo with text over it in different colors to clearly display the album and artist names.
The document discusses editing a promotional poster image using Adobe Photoshop and InDesign. Key steps included opening the image in Photoshop, airbrushing the model's face and neck, changing the eye and jumper colors, and brightening the overall image. Once editing was complete, the image was saved and opened in InDesign to begin creating the promotional poster layout.
The document provides an evaluation of the photographer's experimental photography project. It describes the process of taking photos of a model dressed in flowing clothing in natural outdoor settings [1]. The photos were edited in Photoshop to achieve a surreal, dream-like quality by altering colors, exposures, and adding layers of additional scenes and a star filter [2]. A final image was created by combining multiple photos using layers, including an image of the model looking over a bank and another of her sleeping on a tree [3]. The photographer was happy with achieving their goal of creating surreal images that transport the viewer into the human subconscious.
After proposing a project on experimental photography, the document summarizes Jordanne Thorpe's process for three images. Thorpe took outdoor photos of a model in light, flowing clothing near a river to portray a dreamlike state. Edits in Photoshop included adjusting lighting to seem surreal, combining images, and adding a star filter. The first image shows the model looking over a bank and sleeping on bark. Unnatural eye colors were added. The second landscape image was edited and combined with stars over rolling hills. Overall, Thorpe is pleased with translating the planned dream-like theme into the final composite images.
- The document describes an experimental photography project exploring multimedia techniques like painting dots on photographs.
- The artist analyzed their influences like Sebastiaan Bremer and Olga Guerra and how they have used techniques like dots of paint.
- Through practice with a camera, scanner, and Photoshop, the artist captured bubble photos and added dots of paint to enhance shapes while keeping the images clean and simple. Some technical challenges were addressed through multiple trials.
The document summarizes the author's experimental photography project. They began with the intention of capturing bubbles and movement to represent fear and being "thrown in at the deep end." They were influenced by other artists' use of multiple mediums. Their process involved taking photos, editing them, and painting dots over images. They used watercolors and acrylic paint. While they achieved their theme, they felt the images could be improved with more dots or experimenting with food coloring. Overall they determined their work fulfilled the brief but could be developed further.
The document describes experiments conducted in Photoshop to create a movie poster for Saw 2. Photographs were taken of the actor Jigsaw and a creepy doll using professional lighting and cameras in the college photography room. Various Photoshop tools like the exposure panel, blur tool, and levels were used to manipulate the images and add text elements. Test shots were taken of the author dressed as a nun to potentially include in posters, but the lighting was deemed too bright and dark, respectively. The experiments helped learn which Photoshop tools were most effective and how to properly use the lighting equipment.
The document summarizes the student's experimental photography project. They used scanography techniques and editing tools like dodge and burn to create images conveying fear. The student is happy with how the images turned out but wants to try new techniques like using objects instead of models or adding movement. They analyzed what elements worked best and discussed ways to improve areas like using more dramatic colors or focusing less on detail. The student felt their work fit the brief of experimental photography and clearly showed the theme of fear.
This document summarizes an experimental photography project combining multiple exposure and scanography techniques. The author created images by overlaying previously taken scanography photos with other nature images in Photoshop. For one image, the author overlaid a scanography face with an image of trees and flowers, using dodging tools to highlight certain areas. The author evaluates how well their work achieved the intended ideas and references influences from scanography and double exposure styles individually. The author assesses the technical and aesthetic qualities of the works and discusses ways to potentially improve or further develop the images through additional experiments.
The document discusses editing a promotional poster image using Adobe Photoshop and InDesign. Key steps included opening the image in Photoshop, airbrushing the model's face and neck, changing the eye and jumper colors, and brightening the overall image. Once editing was complete, the image was saved and opened in InDesign to begin creating the promotional poster layout.
The document provides an evaluation of the photographer's experimental photography project. It describes the process of taking photos of a model dressed in flowing clothing in natural outdoor settings [1]. The photos were edited in Photoshop to achieve a surreal, dream-like quality by altering colors, exposures, and adding layers of additional scenes and a star filter [2]. A final image was created by combining multiple photos using layers, including an image of the model looking over a bank and another of her sleeping on a tree [3]. The photographer was happy with achieving their goal of creating surreal images that transport the viewer into the human subconscious.
After proposing a project on experimental photography, the document summarizes Jordanne Thorpe's process for three images. Thorpe took outdoor photos of a model in light, flowing clothing near a river to portray a dreamlike state. Edits in Photoshop included adjusting lighting to seem surreal, combining images, and adding a star filter. The first image shows the model looking over a bank and sleeping on bark. Unnatural eye colors were added. The second landscape image was edited and combined with stars over rolling hills. Overall, Thorpe is pleased with translating the planned dream-like theme into the final composite images.
- The document describes an experimental photography project exploring multimedia techniques like painting dots on photographs.
- The artist analyzed their influences like Sebastiaan Bremer and Olga Guerra and how they have used techniques like dots of paint.
- Through practice with a camera, scanner, and Photoshop, the artist captured bubble photos and added dots of paint to enhance shapes while keeping the images clean and simple. Some technical challenges were addressed through multiple trials.
The document summarizes the author's experimental photography project. They began with the intention of capturing bubbles and movement to represent fear and being "thrown in at the deep end." They were influenced by other artists' use of multiple mediums. Their process involved taking photos, editing them, and painting dots over images. They used watercolors and acrylic paint. While they achieved their theme, they felt the images could be improved with more dots or experimenting with food coloring. Overall they determined their work fulfilled the brief but could be developed further.
The document describes experiments conducted in Photoshop to create a movie poster for Saw 2. Photographs were taken of the actor Jigsaw and a creepy doll using professional lighting and cameras in the college photography room. Various Photoshop tools like the exposure panel, blur tool, and levels were used to manipulate the images and add text elements. Test shots were taken of the author dressed as a nun to potentially include in posters, but the lighting was deemed too bright and dark, respectively. The experiments helped learn which Photoshop tools were most effective and how to properly use the lighting equipment.
The document summarizes the student's experimental photography project. They used scanography techniques and editing tools like dodge and burn to create images conveying fear. The student is happy with how the images turned out but wants to try new techniques like using objects instead of models or adding movement. They analyzed what elements worked best and discussed ways to improve areas like using more dramatic colors or focusing less on detail. The student felt their work fit the brief of experimental photography and clearly showed the theme of fear.
This document summarizes an experimental photography project combining multiple exposure and scanography techniques. The author created images by overlaying previously taken scanography photos with other nature images in Photoshop. For one image, the author overlaid a scanography face with an image of trees and flowers, using dodging tools to highlight certain areas. The author evaluates how well their work achieved the intended ideas and references influences from scanography and double exposure styles individually. The author assesses the technical and aesthetic qualities of the works and discusses ways to potentially improve or further develop the images through additional experiments.
Double Page Spread Construction - AMPLIFYSundasBostan
The document describes the process of constructing a double-page magazine spread. It involves taking a background image, adding text and effects like glows. An interview subject photo is selected and effects are applied to make it stand out. Columns for the article and questions/answers are created and different colored glows are used to separate the sections. Page numbers are added to match the contents page and the spread is finalized.
Tom plans to create a horror film cover and other related products for his final major project. He has identified several practical problems he may face regarding lighting, cameras, Photoshop effects, storage, backup, equipment access, and display screen equipment use. For each problem, Tom proposes solutions such as researching lighting techniques, experimenting with camera settings, following Photoshop tutorials, clearing storage space, saving work in multiple locations, booking equipment in advance, and taking regular breaks when working on screens.
Tom outlines several practical problems he may face during his film production and provides solutions. The key problems include: gaining experience with lighting techniques; using the provided DSLR camera effectively; creating horror-related effects in Photoshop; storage and backup of files; accessing needed equipment; and preventing issues from extended screen time like eye strain. His solutions involve research, experimentation, booking equipment in advance, and taking regular breaks when working on screens.
The document discusses the student's experiments with long exposure and double exposure photography. For a long exposure image, the student aimed to create an abstract image showing silhouettes in the sky. They felt the image could be improved by darkening the silhouettes to make them stand out more. For double exposure images, the student aimed to show subjects in a different light. They chose one image as their best that abstractly showed a model overlapping with a sky image. The student felt their work achieved the goal of showing subjects in non-traditional ways but could be improved with additional editing techniques.
The document provides a summary of various experimental photography techniques attempted by the author, including out of focus, movement, Harris shutter, photomontage, and reflections. For each technique, the author describes their process, shares 3 sample images, and evaluates the results. They found the out of focus and Harris shutter techniques worked best at capturing interesting effects. Areas for improvement included being more creative with subject matter and further developing their skills through additional practice.
The document summarizes the student's work on an experimental photography assignment consisting of four tasks: out of focus photographs, movement photographs, reflection photographs, and photomontages. For the out of focus task, the student took photographs of lights that came out the best because the light sources looked like orbs. For the movement task, a photograph of a spinning person came out the best, making their hair look like fire. The best reflection photo showed two reflections - one blurred and one in focus. The best photomontage merged four photos of a car park to look like one panoramic image. Overall, the student felt they could improve their work by being more creative, taking photos in different locations, and setting up
Hannah Mizen experimented with out-of-focus photography by taking photos of everyday items around her college with an out-of-focus effect. She found that some subjects like lights looked effective blurred while others did not, and that colors blending together worked well. Messing with aperture and shutter speed changed the sharpness of focus. She also experimented with movement photography using the zoom technique and capturing movement with a stationary camera, finding zoom worked better but was limited, while movement photos had more potential. In reflections photography, she found subtle reflections and experimented with lighting and depth of field but felt the subject matter of reflections was not very interesting.
This document provides a tutorial for using Photoshop to create dynamic distortion effects. The tutorial uses a photo of a basketball player as an example. It describes steps to isolate the subject from the background using the pen tool, import it onto a new canvas, and adjust colors and lighting. Layers are used to add a textured background and shadow. Brush tools are demonstrated to create the effect of the subject melting or distorting into colorful paint strokes. The overall goal is to convey a sense of movement and fragmentation through these Photoshop techniques.
The document provides commentary on editing photos in Adobe Photoshop CS5. Across multiple photos, the editor used the magic wand tool to cut out backgrounds. Common effects included changing the blend mode to "color burn" or "vivid light" to give photos an aged look, and adding a small stroke around images to help them stand out on textured backgrounds. Additional touches were adding dirt or small product images within the photos. The goal was to create a cohesive set of photos with an Egyptian or antique style.
This document provides instructions and details for creating a magazine front cover and double page spread using Photoshop and InDesign.
The first section describes setting up a document in Photoshop, importing an image to use as the main item on the cover, adding a gradient background, and placing text and additional elements like a barcode.
The second section discusses experimenting with blurring the background in Photoshop to create a marble effect and choosing a font using Dafont.
The third section provides steps taken in InDesign to set up a double page spread, import food images from Google and Pinterest, and add text boxes with columns of text using the Italian Breakfast font.
The document provides an evaluation of experimental photography using the Harris Shutter effect and Photoshop Raw effect to create unique images. The summary is:
The student created images using the Harris Shutter effect by taking multiple photos of the same model in different outfits and merging them in Photoshop to symbolize a person not knowing their identity and fighting against themselves. For their first Photoshop Raw image, the student cropped sections and placed them on the original photo to make it more modern. The student focused on discovery themes by transforming normal images with colorful effects. Overall, the student learned techniques like cropping, adjusting brightness and colors, and merging images to create experimental photos that explore identity and viewing everyday objects in new ways
Charlotte began working on her second double page spread for her final major project. She opened Adobe InDesign to set up the spread with A4 portrait pages next to each other. She created grids and guides to help with layout and added background images found through Google. Later in the week, she took photos at the college studio for her project, editing them in Photoshop and Lightroom. Most recently she has been placing the edited images into her InDesign layout and starting to add text to her first double page spread.
The key elements the student plans to include from their experiments in their final major project include fonts, colors, images, and skills with Photoshop and InDesign. Specifically, they aim to apply color schemes researched from similar existing products and techniques like airbrushing practiced in experiments. While some stock images proved useful, the student intends to primarily take their own photos in different lighting and with different makeup products and models. Overall, the experiments helped develop technical skills in photography, editing, layout, and an understanding of codes and conventions that the student believes will allow them to create a polished, professional final project.
This powerpoint is about 10 edits which are promoting a mens fragrance. This is a school project and these images are not meant to promote a fragrance.
Editing images used in the Production of my magazine- Showing Technologieschelsmiller95
This document discusses skills developed in editing images for a product. It describes using Adobe Photoshop and Windows Photo Viewer to edit images by adjusting brightness, contrast, color, and cropping. The editing tools allow previewing changes in real-time and producing final images that are brighter, more eye-catching, and well-suited to pages in the product. Skills developed include editing images efficiently using various tools to enhance visual appeal.
The artist Rocío Montoya uses both traditional and non-traditional techniques in her work. She takes photographs and then manipulates them using handmade collages as well as digital editing. Her aim is to convey perceptions of nature through aesthetic experiences. The artist Matthew Brandt uses a traditional technique by submerging printed photographs in water from the locations depicted to degrade the images. Ellen Hoverkamp uses the non-traditional technique of scanner photography to create collages of plants with a black background.
The student created a TV ident for "The Grid" channel in Adobe After Effects over several lessons. In the first lesson, they added a plate texture background and created text using the Rockwell font. Effects were added to the text including glow and blur. In later lessons, the student added lighting and shadows to add depth, implemented camera motion using keyframes, and changed the background to moving stars for more inspiration. They then expanded the ident by adding a second composition with schedule information.
The process of developing the image to go on the front cover, contents page a...Laurie Brown
The document describes the process used to edit multiple photos for use in a music magazine. It involves cutting out the subject, smoothing edges, adjusting lighting, removing blemishes through airbrushing, enhancing eyes by making them brighter and adjusting makeup, editing lips to be brighter and stand out more, brightening teeth, changing hair and clothing colors, and enlarging lips to be equal in size. The same editing process is applied to multiple photos for use in a double page spread.
The document describes the process of editing a photo in Photoshop and experimenting with layouts in Publisher to create a mock magazine cover. It details steps taken to remove imperfections from the model's face, add blur and adjust colors, brightness and contrast. Placement of images and selection of masthead color are also discussed. The purpose was to experiment with software features, get an idea of how the layout might look, and identify techniques to use or avoid for the final cover design.
The document describes the process of editing a photo in Photoshop for a magazine mock cover design. It details using tools like the spot healing brush, Gaussian blur, and adjusting brightness/contrast to remove imperfections and achieve a "soft focus" look while still maintaining definition. Background layers were used with the Gaussian blur to selectively apply effects. Color balance, exposure, and cutting were also adjusted to create a "dark, edgy" aesthetic appropriate for a rock magazine genre. Creating a mock-up in Publisher helped experiment with overall design before the final piece.
The document discusses the process of editing a photo in Photoshop for use on a mock magazine cover. Some of the editing techniques used include spot healing to remove imperfections, adjusting brightness/contrast, adding Gaussian blur, editing color balance and exposure. Creating layers and using an eraser helped apply effects selectively. Aligning the image and choosing a masthead color were also important design decisions. Creating a mock-up in Publisher helped experiment with the overall layout.
Double Page Spread Construction - AMPLIFYSundasBostan
The document describes the process of constructing a double-page magazine spread. It involves taking a background image, adding text and effects like glows. An interview subject photo is selected and effects are applied to make it stand out. Columns for the article and questions/answers are created and different colored glows are used to separate the sections. Page numbers are added to match the contents page and the spread is finalized.
Tom plans to create a horror film cover and other related products for his final major project. He has identified several practical problems he may face regarding lighting, cameras, Photoshop effects, storage, backup, equipment access, and display screen equipment use. For each problem, Tom proposes solutions such as researching lighting techniques, experimenting with camera settings, following Photoshop tutorials, clearing storage space, saving work in multiple locations, booking equipment in advance, and taking regular breaks when working on screens.
Tom outlines several practical problems he may face during his film production and provides solutions. The key problems include: gaining experience with lighting techniques; using the provided DSLR camera effectively; creating horror-related effects in Photoshop; storage and backup of files; accessing needed equipment; and preventing issues from extended screen time like eye strain. His solutions involve research, experimentation, booking equipment in advance, and taking regular breaks when working on screens.
The document discusses the student's experiments with long exposure and double exposure photography. For a long exposure image, the student aimed to create an abstract image showing silhouettes in the sky. They felt the image could be improved by darkening the silhouettes to make them stand out more. For double exposure images, the student aimed to show subjects in a different light. They chose one image as their best that abstractly showed a model overlapping with a sky image. The student felt their work achieved the goal of showing subjects in non-traditional ways but could be improved with additional editing techniques.
The document provides a summary of various experimental photography techniques attempted by the author, including out of focus, movement, Harris shutter, photomontage, and reflections. For each technique, the author describes their process, shares 3 sample images, and evaluates the results. They found the out of focus and Harris shutter techniques worked best at capturing interesting effects. Areas for improvement included being more creative with subject matter and further developing their skills through additional practice.
The document summarizes the student's work on an experimental photography assignment consisting of four tasks: out of focus photographs, movement photographs, reflection photographs, and photomontages. For the out of focus task, the student took photographs of lights that came out the best because the light sources looked like orbs. For the movement task, a photograph of a spinning person came out the best, making their hair look like fire. The best reflection photo showed two reflections - one blurred and one in focus. The best photomontage merged four photos of a car park to look like one panoramic image. Overall, the student felt they could improve their work by being more creative, taking photos in different locations, and setting up
Hannah Mizen experimented with out-of-focus photography by taking photos of everyday items around her college with an out-of-focus effect. She found that some subjects like lights looked effective blurred while others did not, and that colors blending together worked well. Messing with aperture and shutter speed changed the sharpness of focus. She also experimented with movement photography using the zoom technique and capturing movement with a stationary camera, finding zoom worked better but was limited, while movement photos had more potential. In reflections photography, she found subtle reflections and experimented with lighting and depth of field but felt the subject matter of reflections was not very interesting.
This document provides a tutorial for using Photoshop to create dynamic distortion effects. The tutorial uses a photo of a basketball player as an example. It describes steps to isolate the subject from the background using the pen tool, import it onto a new canvas, and adjust colors and lighting. Layers are used to add a textured background and shadow. Brush tools are demonstrated to create the effect of the subject melting or distorting into colorful paint strokes. The overall goal is to convey a sense of movement and fragmentation through these Photoshop techniques.
The document provides commentary on editing photos in Adobe Photoshop CS5. Across multiple photos, the editor used the magic wand tool to cut out backgrounds. Common effects included changing the blend mode to "color burn" or "vivid light" to give photos an aged look, and adding a small stroke around images to help them stand out on textured backgrounds. Additional touches were adding dirt or small product images within the photos. The goal was to create a cohesive set of photos with an Egyptian or antique style.
This document provides instructions and details for creating a magazine front cover and double page spread using Photoshop and InDesign.
The first section describes setting up a document in Photoshop, importing an image to use as the main item on the cover, adding a gradient background, and placing text and additional elements like a barcode.
The second section discusses experimenting with blurring the background in Photoshop to create a marble effect and choosing a font using Dafont.
The third section provides steps taken in InDesign to set up a double page spread, import food images from Google and Pinterest, and add text boxes with columns of text using the Italian Breakfast font.
The document provides an evaluation of experimental photography using the Harris Shutter effect and Photoshop Raw effect to create unique images. The summary is:
The student created images using the Harris Shutter effect by taking multiple photos of the same model in different outfits and merging them in Photoshop to symbolize a person not knowing their identity and fighting against themselves. For their first Photoshop Raw image, the student cropped sections and placed them on the original photo to make it more modern. The student focused on discovery themes by transforming normal images with colorful effects. Overall, the student learned techniques like cropping, adjusting brightness and colors, and merging images to create experimental photos that explore identity and viewing everyday objects in new ways
Charlotte began working on her second double page spread for her final major project. She opened Adobe InDesign to set up the spread with A4 portrait pages next to each other. She created grids and guides to help with layout and added background images found through Google. Later in the week, she took photos at the college studio for her project, editing them in Photoshop and Lightroom. Most recently she has been placing the edited images into her InDesign layout and starting to add text to her first double page spread.
The key elements the student plans to include from their experiments in their final major project include fonts, colors, images, and skills with Photoshop and InDesign. Specifically, they aim to apply color schemes researched from similar existing products and techniques like airbrushing practiced in experiments. While some stock images proved useful, the student intends to primarily take their own photos in different lighting and with different makeup products and models. Overall, the experiments helped develop technical skills in photography, editing, layout, and an understanding of codes and conventions that the student believes will allow them to create a polished, professional final project.
This powerpoint is about 10 edits which are promoting a mens fragrance. This is a school project and these images are not meant to promote a fragrance.
Editing images used in the Production of my magazine- Showing Technologieschelsmiller95
This document discusses skills developed in editing images for a product. It describes using Adobe Photoshop and Windows Photo Viewer to edit images by adjusting brightness, contrast, color, and cropping. The editing tools allow previewing changes in real-time and producing final images that are brighter, more eye-catching, and well-suited to pages in the product. Skills developed include editing images efficiently using various tools to enhance visual appeal.
The artist Rocío Montoya uses both traditional and non-traditional techniques in her work. She takes photographs and then manipulates them using handmade collages as well as digital editing. Her aim is to convey perceptions of nature through aesthetic experiences. The artist Matthew Brandt uses a traditional technique by submerging printed photographs in water from the locations depicted to degrade the images. Ellen Hoverkamp uses the non-traditional technique of scanner photography to create collages of plants with a black background.
The student created a TV ident for "The Grid" channel in Adobe After Effects over several lessons. In the first lesson, they added a plate texture background and created text using the Rockwell font. Effects were added to the text including glow and blur. In later lessons, the student added lighting and shadows to add depth, implemented camera motion using keyframes, and changed the background to moving stars for more inspiration. They then expanded the ident by adding a second composition with schedule information.
The process of developing the image to go on the front cover, contents page a...Laurie Brown
The document describes the process used to edit multiple photos for use in a music magazine. It involves cutting out the subject, smoothing edges, adjusting lighting, removing blemishes through airbrushing, enhancing eyes by making them brighter and adjusting makeup, editing lips to be brighter and stand out more, brightening teeth, changing hair and clothing colors, and enlarging lips to be equal in size. The same editing process is applied to multiple photos for use in a double page spread.
The document describes the process of editing a photo in Photoshop and experimenting with layouts in Publisher to create a mock magazine cover. It details steps taken to remove imperfections from the model's face, add blur and adjust colors, brightness and contrast. Placement of images and selection of masthead color are also discussed. The purpose was to experiment with software features, get an idea of how the layout might look, and identify techniques to use or avoid for the final cover design.
The document describes the process of editing a photo in Photoshop for a magazine mock cover design. It details using tools like the spot healing brush, Gaussian blur, and adjusting brightness/contrast to remove imperfections and achieve a "soft focus" look while still maintaining definition. Background layers were used with the Gaussian blur to selectively apply effects. Color balance, exposure, and cutting were also adjusted to create a "dark, edgy" aesthetic appropriate for a rock magazine genre. Creating a mock-up in Publisher helped experiment with overall design before the final piece.
The document discusses the process of editing a photo in Photoshop for use on a mock magazine cover. Some of the editing techniques used include spot healing to remove imperfections, adjusting brightness/contrast, adding Gaussian blur, editing color balance and exposure. Creating layers and using an eraser helped apply effects selectively. Aligning the image and choosing a masthead color were also important design decisions. Creating a mock-up in Publisher helped experiment with the overall layout.
1) The document describes editing a stock photo to create a magazine cover for a film genre. Key edits included precisely cutting out the background using selection and erasure tools to isolate the model, converting the image to black and white, and adjusting the brightness and contrast.
2) Blue eyes and red lips were added by using the lasso tool to select the areas and filling them with the appropriate colors on new layers.
3) The final result was a precisely edited black and white photo of just the model with enhanced features to suit the needs of the film magazine cover.
This document provides steps for creating a poster. It describes removing blemishes from the subject's face, then removing part of their face to overlay with an image of "wiped away blood". Text is added and styled to look distressed. A wrench image is edited to appear dirty and blended onto the poster. Background images are edited and layers are arranged, styled, and blended together to complete the poster with an unsettling aesthetic.
The document describes the process of creating an album cover in Photoshop. It involves opening Photoshop and creating a new document, then adding an image and making adjustments. These include removing red eye, duplicating layers, adjusting colors, selecting parts of the image, adding effects, removing shine, and adding borders. Additional images are opened and incorporated, such as a white border and pattern images. Layers, masks, tools and transforms are used to edit and combine all elements into the final album cover design.
The document describes the process taken to design the front cover of a magazine in InDesign. Key steps included:
1. Editing a photo in Photoshop to enhance it for the cover, then placing it in InDesign to fill the cover.
2. Selecting a font inspired by the genre and pasting it onto the cover as the masthead.
3. Adding additional text elements like the issue date, an exclusive interview title and details, and descriptions of inside articles.
4. Formatting the additional text elements with styles, sizes, colors and italics to make them stand out.
5. Including a barcode and price to make the cover look professional and like
The document describes the steps taken to edit a photo in Photoshop for use on an album panel. This includes opening Photoshop, creating a new document, importing an image, resizing and positioning the image, editing colors using selective color and brightness/contrast, selecting parts of the image individually to adjust colors, enlarging the subject's eyes, and saving the edited image as a JPEG.
The document describes the steps taken to edit a photo in Photoshop for use on an album panel. This includes opening Photoshop, creating a new document, importing an image, resizing and positioning the image, editing colors using selective color and brightness/contrast, selecting and adjusting specific elements like the subject's face and eyes, and finally saving the edited image.
The document describes the process of designing a magazine cover in Photoshop and InDesign. Key steps include:
1. Editing a cover photo in Photoshop to enhance contrast, brightness, and skin tone.
2. Placing the edited photo and masthead font onto an InDesign document, adjusting sizes using tools.
3. Adding additional design elements like issue details, article titles and descriptions, pricing, and logos.
4. Iteratively adjusting layout and design until the final magazine cover is achieved.
The document summarizes editing an image in Photoshop to enhance a magazine cover. Specifically, it details using selection tools to focus on the model, adjusting brightness/contrast and skin smoothing, emphasizing accessories through blurring and darkening other areas, and changing eye color with selection and hue/saturation tools to make the image more visually attractive.
The document discusses editing two images for a magazine cover.
For the first image, the background is removed and the image is darkened to make it stand out on different backgrounds. Tools like levels, curves, hue and saturation are used to mimic artificial lighting effects. Bevel and emboss and drop shadow effects are added.
The second image involves duplicating the layer, cutting out the subject on one layer, desaturating the background layer, and applying a red color filter gradient. Curves are used to make the subject stand out against the red background. Levels and hue/saturation are also used to brighten and desaturate the image slightly.
Holly evaluated their college magazine photography and use of design software. The photography could have been improved with better angles, lighting and focus. Photos were often cut off or too dark. Learning software like Photoshop and InDesign was challenging but helped advance the magazine. Editing photos and designing pages was difficult at first due to unfamiliar tools. Overall, Holly was pleased with their first attempt but felt the photography, design, and use of space could be improved for a more professional magazine.
The document summarizes the author's process for completing a character design assignment for a gaming company. They paid close attention to designing a character that matched their figure and showed their design process. They used Adobe Illustrator and Photoshop to create vector graphics and manipulate photos. Researching fantasy genres helped influence their exaggerated character and world design. Overall, they felt they created a decent final image that matched their initial vision, despite time constraints during the process.
The document describes a student's process of taking photos on campus to use for a film poster or magazine cover. The student selects photos that show specific emotions. After editing the photos, including adjusting brightness/contrast and adding filters, the student decides to try recreating an inspired image of a woman's face half-formed into a werewolf. The student searches for tutorials, overlays a skull photo onto one of their photos, and is happy with the results. The student also begins researching magazine covers and creating background images and brush effects to design a magazine cover mock-up.
The document summarizes the production process for a print advertisement promoting a healthy lifestyle. It describes how the advertiser filmed themselves walking outdoors to portray an active lifestyle in a realistic way. Various shots were taken and editing was done in Photoshop to improve quality, add warmth to the image, and emphasize vibrancy. Text with an inspirational message was added and logos were included to brand the advertisement. Challenges in changing weather conditions were overcome to create a final advertisement portraying hope through a sunny image. Feedback was received and changes were made to improve readability.
The document discusses editing images using Adobe Photoshop. It describes adjusting brightness and contrast using the properties tab, making images brighter and colors more vibrant. It also details using the magic wand tool to remove green screen backgrounds and replace them with custom colors. Further editing included converting images to black and white using the adjustments tab and using the spot healing brush tool to fix creases in backgrounds and smooth skin blemishes.
1. The document discusses various image editing techniques used to manipulate images for a contents page, including removing backgrounds, using spot healing and blur tools, adjusting hue, color balance and brightness.
2. Specific techniques mentioned include using the quick selection tool to remove backgrounds, spot healing to blend gaps, auto tone to lighten images, adjusting hue to make colors stronger, and applying strokes and blur to draw attention to focal points.
3. The final manipulated images have brighter tones, striking colors and less distracting backgrounds to draw the target audience's attention to the main article for the contents page.
The document describes various editing tools and techniques used in Photoshop to design a magazine page. Key steps include:
1. Using the grid tool to align elements neatly on the page.
2. Pasting an image and resizing it using free transform to fit the page properly.
3. Changing the background color and adding a gradient to emphasize the main image.
4. Using selection tools to cut out the masthead and add shaped banners and boxes for text.
5. Editing blemishes on a model's photo and bloated lips for consistency across images.
Camera shots are described by their framing (extreme long shot to extreme close-up), angle (bird's-eye view to low angle), and movement (pans, tilts, dolly shots, cranes, zooms, and aerial shots). Framing ranges from shots showing a broad landscape to tight close-ups of a face. Angles can make a subject seem imposing or insignificant. Movement follows or reveals the action through techniques like panning, tracking, or aerial views. Together these techniques shape the audience's perspective and understanding.
The document discusses the process of creating a music video with consideration of codes and conventions. It aimed to tell a simple narrative storyline about a young relationship that would engage the target audience of older teenagers. Elements like costumes, locations, lighting, actors, and editing were used purposefully according to conventions of the genre and to portray the artist and storyline professionally. Sound was also an important convention, using mostly non-diegetic music but with diegetic piano playing at the beginning and end to set the scene. Overall the document emphasizes using research of conventions to thoughtfully include various technical and artistic elements into the music video.
Final Cut Express is a professional video editing program that the document's author used to edit their music video. They had to import their video footage and song files into Final Cut Express to begin editing. They found an easier way to access their footage was to import the entire folder containing the files rather than individual files. Throughout the editing process, the author used various tools and effects in Final Cut Express like transitions, color adjustments, and keyframing to enhance the video and tell the story. The finished music video featured the main artist in different scenes and camera angles to make the video more diverse while reflecting the autumn season theme.
The document provides summaries of images of various musical artists including Adele, Usher, Ellie Goulding, Justin Bieber, and Beyoncé. For each artist, it describes what can be seen in their image, how they are portrayed, and notes about their typical dress sense and style.
The document discusses album covers for Adele's "21", Ne-Yo's "Year of the Gentleman", and Susan Boyle's "I Dreamed a Dream". The Adele cover features a simple black and white image showing her natural beauty. The Ne-Yo cover uses colors to create a palette and shows him in a suit. The Susan Boyle cover title represents her dream to succeed in music and features her transformed glamorous image.
The document summarizes the results of a music video questionnaire given to 20 individuals ranging from ages 15-30, including 9 males and 11 females. Key findings include that most respondents preferred music videos with a narrative storyline or dance routines. A majority also indicated they sometimes like animation and special effects. When asked about pop music videos, most expected to see a performance. Fast-paced music videos were generally preferred over slow ones. The most popular music genres were pop and R&B. Younger respondents tended to have more similar answers than older respondents or adults.
A music video summarizes in 3 sentences or less:
The music video for Lady Gaga's "Bad Romance" uses various filmmaking techniques to depict Gaga emerging from a coffin into a world of monsters and mafias. Scenes show Gaga seducing and dancing for the mafias, being auctioned off, and engaging in provocative dances. The cinematography and imagery advance the dark storyline while promoting products through endorsement deals.
The document discusses equipment being used for an A2 Media task, including a Canon camera to take photos for promotional materials, a tripod for video recording though some were unsuitable, a camcorder for filming footage despite low quality, a Mac laptop for editing using Final Cut Express and Photoshop, and a voice recorder for audio recording.
Video editing involves both artistic and technical processes to compile and alter video footage into a new version. The artistic process decides what elements to retain, delete, or combine to create an organized and visually pleasing end result. The technical process involves copying the various elements onto a single medium for viewing or distribution. There are two main types of video editing: linear editing which uses equipment like VCRs and edit controllers in a mechanical step-by-step process, and non-linear editing which utilizes computer software for a digital cut-and-paste approach. Both techniques can be combined in a video production process.
The document summarizes the design choices made for a student-created music magazine aimed at teenagers. Key points include:
1) The magazine targets teenagers aged 14-17, featuring a teenage pop star on the cover to appeal to younger readers' aspirations.
2) Research informed the target demographic and conventions used, though not every standard element was included.
3) A questionnaire determined readers preferred a female solo artist as the cover story, further focusing the magazine at teenage girls.
4) Representation of social groups and trends was considered through the cover star's pacifier accessory and inclusion of both emerging and established artists.
The document describes the process of creating and editing a music magazine in Photoshop and InDesign. Key steps include taking photos of a model for the cover, editing the photos by removing backgrounds and smoothing skin, designing the magazine layout in InDesign, and refining the design by changing fonts, colors, and positioning of elements. The goal is to make the magazine look professional and appealing to readers.
Music video institutions help produce and fund music videos for their signed artists. This document provides case studies of four major music video institutions: EMI Music, Sony Music, Universal Music Group, and Warner Music Group. It describes their record labels, featured artists, global distribution networks, and roles in discovering, marketing and promoting artists worldwide.
The document discusses images taken by a student for their school magazine. It describes 11 images, evaluating each one's suitability for different elements of the magazine like the cover, contents page, and features. The student selected varied images, including portraits of students, photographs of technology and nature, and abstract light bulb shots to create an engaging magazine.
The document discusses images taken by a student for their school magazine. It describes 11 images, evaluating each one's suitability for different elements of the magazine like the cover, contents page, and features. The student selected varied images, including portraits of students, photos taken in the photography studio and computer lab, and abstract light bulb images, to create an engaging magazine.
The document describes the process of creating a music magazine in Photoshop and InDesign. It discusses editing photos of a model for the cover, including removing backgrounds and smoothing skin. It also covers designing magazine elements like the masthead, contents page, and double page spread through tools like variations, bevel and emboss, and adding transparent iPods to the background. The document provides details on photo and text editing as well as layout elements of the magazine.
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Tanjore Painting: Rich Heritage and Intricate Craftsmanship | Cottage9Cottage9 Enterprises
Explore the exquisite art of Tanjore Painting, known for its vibrant colors, gold foil work, and traditional themes. Discover its cultural significance today!
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Mr. Brainwash ❤️ Beautiful Girl _ FRANK FLUEGEL GALERIE.pdfFrank Fluegel
Mr. Brainwash Beautiful Girl / Mixed Media / signed / Unique
Year: 2023
Format: 96,5 x 127 cm / 37.8 x 50 inch
Material: Fine Art Paper with hand-torn edges.
Method: Mixed Media, Stencil, Spray Paint.
Edition: Unique
Other: handsigned by Mr. Brainwash front and verso.
Beautiful Girl by Mr. Brainwash is a mixed media artwork on paper done in 2023. It is unique and of course signed by Mr. Brainwash. The picture is a tribute to his own most successful work of art, the Balloon Girl. In this new creation, however, the theme of the little girl is slightly modified.
In Mr. Brainwash’s mixed media artwork titled “Beautiful Girl,” we are presented with a captivating depiction of a little girl adorned in a summer dress, with two playful pigtails framing her face. The artwork exudes a sense of innocence and whimsy, as the girl is shown in a dreamy state, lifting one end of her skirt and looking down as if she were about to dance. Through the use of mixed media, Mr. Brainwash skillfully combines different artistic elements to create a visually striking composition. The vibrant colors and bold brushstrokes bring the artwork to life, evoking a sense of joy and happiness. The attention to detail in the girl’s expression and body language adds depth and character to the piece, allowing viewers to connect with the young protagonist on a personal and emotional level. “Beautiful Girl” is a testament to Mr. Brainwash’s unique artistic style, blending elements of street art, pop art, and contemporary art to create a visually captivating and emotionally resonant artwork.
The use of mixed media in “Beautiful Girl” adds an additional layer of complexity to the artwork. By combining different artistic techniques and materials, such as stencils, spray paint, and collage, Mr. Brainwash creates a dynamic and textured composition that grabs the viewer’s attention. The juxtaposition of different textures and patterns adds depth and visual interest to the piece, while also emphasizing the artist’s eclectic and experimental approach to art-making. The inclusion of collage elements, such as newspaper clippings and torn posters, further enhances the artwork’s urban and contemporary feel. Overall, “Beautiful Girl” is a visually captivating and thought-provoking artwork that showcases Mr. Brainwash’s talent for blending different artistic elements to create a truly unique and engaging piece.
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3. Further Tools
Tools
When starting my front cover for my CD/DVD cover, I had to use a Once the program was up, I was clear of where everything was and what I
program called ‘Adobe Photoshop CS3 Extended’ and on some occasions was going to be using to edit my images. As you can see, on the left shows
I used ‘Adobe Photoshop CS5’. In this case, I opened the program on my the tools that I would possibly use to edit my image and further tools at
Apple Mac Laptop to get started. the top that give variation of using a different tool to the ones identified
on the left .
The
chosen
image for
my album
cover
To edit my image onto Adobe Photoshop, I had to open it first, I then had to the select the image that I wanted to edit. I had already chosen
otherwise there would be nothing for me to edit. In doing so, I went the image that I wanted to use for the front cover of my CD/DVD Cover, so it
to ‘File’ and then ‘Open’ was easy for me to go ahead and find the image, in an instant.
4. Once, I clicked the image it came up on Adobe Photoshop, in As I as was going to start airbrushing my model’s face, I had to
which I was pleased that so far, I was using the program correctly. duplicate the image and rename it, (although I still had
As you can see, the image is simple, but beautiful effective. This is another copy of it). This is usually done, when images are
seen by the girl in the image, looking away from the camera, in being airbrushed.
which her hair falls beautifully, making her look sweet/nice and
quite innocent. After that, I began to edit straight away.
When clicking on ‘Gaussian Blur’ you have to make sure that the ‘Radius’ is set the
right ‘Pixel’. The radius can go to high numbers or to low numbers, but the
Once I had done duplicated the image, I went to ‘Filter’ then down to important thing is that you choose a radium that makes the image look blurry but
‘Blur’ and then to ‘Gaussian Blur’ in which I clicked on it. This is very not too blurry, as this have an effect when you come to airbrush or image.
important when airbrushing, as the ‘Gaussian Blur’ must be correct. Therefore, I did my radius at ‘5.0 pixels’ in which you are able to see how it has an
effect on the original image; in this case I my radius was set perfectly as the image
didn’t look too blurry.
5. Duplicate
Layer
History
Once that was done, I went to my ‘History’ in which I clicked on my After doing that I used the ‘Brush Tool’ to airbrush my model’s
duplicated layer that was named ‘Rosie’. I then scrolled down on my face, in which I had to take my time and do it accurately,
history and ticked the box that consisted of the ‘Gaussian Blur’ tool because I mainly just wanted her face to be airbrushed.
that I used. This enables me to start airbrushing officially.
Airbrushed
An
Airbrushed
Area
As you can see from the circled area here, I did a bit of airbrushing
below my model’s lips. You may not be able to see the ultimate
difference, but that is because the ability airbrushing a picture is to
This was the finalised version of what my model’s face looked like after it had been
make sure that it looks natural.
airbrushed accurately, in which it looks amazing.
6. Once I had airbrushed my models’ face, I notice that there was a
lot of blown hair around hair (that was from her head of hair) so
to solve this I decided to also airbrush round the outsides of her
hair, in which I would be able to blend it in with the cream/grey
background.
Airbrushing This did take quite a while to do, as I did not airbrush some
one part of outside areas accurately, in which I had to re-do them carefully.
the blown
hair This worked perfectly as it was wasn’t really noticeable to
indentify and it looked completely realistic when viewing the
image as a whole.
When I had finished airbrushing the outlines of my model’s hair, I
thought that the image looked quite dark and didn’t have enough
life to it.
In this case, I decided to brighten the image and enhance the
contrast of it. By doing so, I went into ‘Image’ then down to
‘Adjustments’ then across, I clicked ‘Brightness/Contrast’.
As you can see on the left, I have shown what level I enhanced by
brightness and contrast, in which you are able to identify from
looking at the image, of how it has had an effect on the image and
how it looks so much better than it did before.
7. After brightening my image, I decided to change the colour of my model’s eyes Once I had clicked ‘Variations’ there were different colour changes of the
to make them look more eye-catching. However, I still wanted them to look eyes. These colours were to make the eye look more green, yellow, cyan,
natural and realistic. In doing so, I circled my model’s eye with the ‘Magnetic red, blue or magenta, in which I chose for the eye to have more cyan in
Lasso’ tool, in which I went to ‘Image’, then ‘Adjustment’, then across and it.
down to ‘Variations’.
Circled eye
with the
‘Magnetic
Lasso’ Tool
Once again, I circled my left eye with the ‘Magnetic Lasso’ tool, in I then clicked the ‘Variations’ tool again, in which I chose to make her eye look
which you are able to identify what the tool actually looks like. more cyan again, so that it matched the right eye.
This is the overall result of how my model’s eyes
OVERALL RESULT OF
looked after being edited with the ‘Variations’
THE EDITED EYES tool, in which it looks realistic ad natural
8. After finishing the editing of my model’s face, I decided to put text As you can see from looking at the image, I put the text saying ‘Your
on my image. This made sense, as without there being text on my Song’ in the colour of a green/turquoise as I wanted it to match the
album cover, the audience wouldn’t be able to identify who the colour of my model’s eyes. I also put another text that said ‘Ellie
artist was and what the album was called. In this case, I called the Goulding’ so that the audience could identify the artist. In this case, I
album ‘Your Song’ as that was the song that I was doing for my put the colour of the text saying ‘Ellie Goulding’ in white so that it
music video. differs from the name of the album.
THE OFFICIAL ALBUM
COVER
This is the finished version of my album cover for Ellie Goulding’s ‘Your Song’. As you can see the album name differs from the name of the artist, as it’s in
blocked capital letters and it’s in a different colour. I’m really pleased of how the album cover turned out, after all the editing I did to it.
9.
10. This was the image that I was going to use for the back cover of As I as was going to start airbrushing my model’s face again, I
my album cover, as one is always needed in an album. Once, it had to duplicate the image and rename it, (although I still had
was up on Adobe Photoshop I began editing straight away. another copy of it). As you know, I had done this previously
with the front cover of my album.
Once I had done duplicated the image, I went to ‘Filter’ then I then set my radius at ‘4.0 pixels’ in which you are able to see
down to ‘Blur’ and then to ‘Gaussian Blur’ in which I clicked on it. how it has an effect on the original image; in this case I my radius
was set perfectly as the image didn’t look too blurry.
11. As shown from this image, I started to airbrush my model’s face After airbrushing my model’s face, I wanted to make the image a lot
very slowly as I wanted to make sure that I airbrushed the right brighter so that it was in the same contrast as the front cover of my
areas, so that the editing was accurate. CD/DVD Cover. In doing so, I once again went to Image, then down to
Adjustments, then over to Brightness/Contrast.
This shows the different levels, where I enhanced the Brightness and For the audience to identify the tracklist of the album so that they
Contrast of my image. As shown above, you are able to see the are aware of the songs that are being featured on the album. I had to
Brightness/Contrast bar more clearer. do this, I had to use the Text ‘Horizontal Type’ tool, in which I typed
out all the songs that were featured on the album.
12. I then positioned the text to the right side of the image, as I didn’t want Once I had positioned the text to the right side of the image, I changed the
it to draw the attention away from the closing of the eye (what my colour of my model’s earring stud, as I wanted it to look more turquoise. In
model is portraying in the image). doing so, I circled the stud with the Magnetic Lasso Tool, then went to
Image, then across to Adjustments and then down to Variations
The earring
stud (edited)
As my model’s stud was quite blue, I had to make it look more turquoise by This id what the earring stud looked like after I finished editing it, in
either choosing it to have more green, yellow, cyan, red, blue or magenta, in which you are able to identify that it is more turquoise, which I’m really
which I chose for it to be more cyan, as it made the stud look more happy with.
turquoise.
13. Since the text wasn’t lined up properly, I positioned it more to the
right side of the of the image, as the text shouldn’t interfere with
the image since the image is portraying/representing one thing
and the text is following up from that.
From a person’s perspective here, you may not be able to identify
the text as clearly as should be shown, but at the moment I am
taking the risk of colouring the text white, as I want it to be simple
through inspiration of Adele’s album ‘21’.
I thought it would be smart of me to double check the name of
the songs that were featured on the album, in which I print
screened this as evidence.
I found out that I titled one of the songs ‘Starry Eyed Peas’ instead
of ‘Starry Eyed’. I immediately changed the text of this, so that it
made a lot more sense for the title of the song and also that the
audience don’t get confused of whether the title of the track is
right or wrong.
14.
15. The HD DVD
Cover
Template
After I finish editing my images, I needed to put my images on CD/DVD I opened the HD DVD Cover Template in my folder ‘A2 Media’ (on
Cover and Backcover template, so that it definitely look like a my USB/Memory Stick’ in which this was going to the template that
album/DVD. In this case, I had to open the template. I would have to work with for my CD/DVD Cover and Backcover.
Once I clicked the HD DVD Cover Template, I clicked ‘Open’ to open This is was the HD DVD Cover Template looks like once uploaded. As
the image on Adobe Photoshop. (This is something that I found you can see it looks very professional, although it doesn’t look like your
incredibly easy to do). usual DVD Template, in any case I’m still happy with it.
16. The album cover image
The album cover
image
stretched/spread
out
Since I had uploaded the DVD template, I had to put my album cover As you can see, I started to stretch out my album cover image on
onto it. In doing so, I opened my album cover image and started to place the front cover of the DVD template. From looking at the image, it
it on the front cover of the DVD template. looks quite nice and simple, as that it what I’m mainly aiming for.
The
backcover
image
The backcover image being
stretched/spread out
This is the image of my backcover, as you can see it looks quite simple This image, shows me spreading out the image, on the backcover of the DVD
but beautiful as it shows my model portraying the likes of natural template. As you can see, the image shows simple can be effective as both the
beauty, to the audience. front cover and backcover, contrast as they both different but yet still simple.
17. Middle of the template
Once I had spread out both images across the template, I needed to As clearly identified, the text evidently says ‘Ellie Goulding’, in
add text in the middle of the template, as albums/music DVDs always which I needed the colour of the text to match the colour
have text in the middle of the template, so that people can identify the palette of the CD/DVD Cover itself, so I put the colour as a light
name of the album/DVD when it’s flat on a shelf. beige.
After I had finished putting the text saying ‘Ellie Goulding’, I created another Once I had put the text up on the middle part of the template, I turned it
piece of text that said ‘Your Song’ which is the name of the album. In this so that the text was being read vertically. In doing so, I also changed the
case, I did the album in the colour of turquoise to match the turquoise colour size of the text so that it was a lot easier to read.
already shown on the front cover.
18. From looking at the image on the left, you can see the simplicity
of the album, yet you can see how effective it is for the audience
when viewing it.
There is a simple colour palette going on which is white,
turquoise, light beige and brown (from the model’s hair). With
the colour palette not being overrated, it goes with the simplicity
of the music video, as there are no overrated palette colours in
the music video.
This is mainly the finished version of my CD/DVD cover for Ellie
Goulding’s ‘Your Song’.
I believe that this image, matches the beautiful simplicity of the
music video, in which I believe that target audience will
understand why I have chose these images and how it relates to
the song and music video.
19.
20. The text that features all the songs on the album
Since I was not entirely happy with the finalised version of the CD/DVD I changed the colour of the text from white to brown, as it matched the
Cover (backcover), I changed the colour of the text, that showed the model’s hair and it was more identifiable, plus it was clearer for the
featured songs on the album. audience to see and read.
The finalised version of the backcover
This is the finalised version of the CD/DVD backcover and as you can see, it looks a lot better than before, as you are able to
see the text is a lot clearer because of the colour change that I made.
21. This is what the backcover looked a lot alongside the
front cover, and as you can see it looks quite nice and
effective as the brown goes nicely with the colour of the
model’s hair.
Once I had finish doing that, I changed the colour of the
text that was in the middle template.
The text I changed, was the text that said the words
‘Ellie Goulding’. The reason for this was because the text
wasn’t ultimately clear, as it was blending in with the
white background on the template.
I also included a barcode for the pricing of the album.
I decided to change the colour of the text saying ‘Ellie
Goulding’ to grey, as it would be a lot clearer and more
identifiable for the audience.
In this case, once I had finished doing that I was pleased
with the CD/DVD cover itself as I thought it looked
professional and logical, as it suited the song and music
video, unbelievably.