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A Brief
History to
Philippine Arts
Contemporary Philippine
Arts from the Regions
Contents
Arts of Different
Eras;
•* Pre – Conquest
•* Islamic Colonial Period
•* Spanish Colonial Period
•* American Colonial Period
•* Japanese Colonial Period
and the Post War Republic
•* 1970s and the Contemporary
Artworks and Forms,
Artist and Artisans,
and;
Contributions to
Philippine Industry
and Development
History of Art
Philippine Art Timeline
890 BC
890
BC
225
AD
890 BC – 225 AD
01 Pre - Conquest
1 AD
1521
Islamic Colonial
Islam(s) of Mindanao
13th Century - Present
02
15th Century
Spaniards
1521 - 1898
03 Spanish Colonial
American Colonial
American Colonizers
1898 - 1940
04
Japanese Colonizers
1946 - 1969
70s
Marcos Regime
1970
06
2000 Present
2018
13th Century
Contemporary
Short Description
2018 (Present Tiimes)
05 Post War Republic
18
Q9
18 1
Q
9
4
4
6 1Q
97
20
Pre-Conquest
890 BC – 255 AD
Photo CC BY 2.0
Historical
Overview
• In art historical terms, we
refer to art before the coming
of the first colonizers as
“pre-conquest.” Referred to it
as “indigenous” to emphasize
the idea that our ancestors.
• Art before is referred to as an
expression of an individual but
yet not categorized into
different kinds of forms until
the next slides conveys.
Historical
Overview
• Example of everyday
expressions are the
following:
- Rituals (planting,
harvesting, rites of passage,
funerary, ceremonies,
weddings);
- Hunting, and etc.
Historical
Overview
• A series of topics about
the following will be
tackled on:
• Rituals
• Music
• Dance
• Carving
• Pottery
• Weaving
• Body Ordamentation
Rituals
Kashawing - Lake Lanao in Mindanao
Every Thirteenth Moon (Tagbanwa)- Palawan
Cañao or Kanyaw -
Cordillera Autonomous Region
Hunting
The pre-colonial Filipino
hunted food and game that
were shared among members
of a community in a
gathering where they told
stories about the hunt.
Music
Zithers
Pipes
Kudyapi
Drums Agong
Native Dance
And Counterparts
NATIVE DANCES
Pangalay
(Sulu Archipelago)
mimetic of the movement of
seabirds
NATIVE DANCES
Banog-banog
(Mandayas’kinabua of Mindanao)
movement of hawk
NATIVE DANCES
Man-manok
(Bagobos of Mindanao)
movements of predatory birds
NATIVE DANCES
Talip dance
(Ifugaos)
movements of wild fowls
NATIVE DANCES
Kadaliwas dance
(T’bolis)
comedic movements of monkeys
NATIVE DANCES
Tinikling
(Tagalog folk dance)
evocative of the movements of
the crane
Carving
Carving
• Bulul – Cordilleras
• Hagabi - Ifugaos
Carving
• Santos - Laguna and Pampanga
• Okir - Southern Philippines
SARIMANOK
Carving
SUNDUK
PANOLONG
Pottery
Pottery
- Anthropomorphic Jars
•Manunggul Jar – (890 – 710BC)
•Metal Age (5 BC–225 AD)
Pottery
Banga
Tapayan
Palayok
*PagbuburnayinVigan-
valuedpart of the creative
industryIlokanoshave.
Weaving
Textile Weaving
Weaving
Purpose:
- reverencefor spirits and
nature
- criteria for the beautiful
-societies’sociopolitical
structures
Weaving
Madefrom:
fibers - cotton, abaca, and
pineappleleaves
pigments - clay, roots, and
leaves.
Textile Weaving
Pis Siyabit
Malong Langkit
Weaving
asidefrom bodyormnaments,
weavingis alsoessentialfor
productivity of nativeslikebaskets
andmatweaving.
Product
Weaving
Product Weaving
Head Sling Baskets Bubo Tepo Mats
Body
Ordamentation
Body
Ordamentations
• Amanuscript-BoxerCodex-
sometimesknownastheManila
Manuscript, is amanuscript written c.
1590,whichcontainsillustrationsof
ethnic groups in the Philippines at
thetimeof their initial contact with
theSpaniards-representationsof
variousethnolinguisticgroups,where
the following areclassified:
UpperclassTagalog - gold jewelry
Visayans- tattoo
BoxerCodex
Body
Ordamentations
•Tattoos
•ameansprotectionofan
individual from evilspirit
•abadgeof maturity and
bravery
•ProvinceslikeKalinga, Kankanay,
Ibaloy,andIfugao-practiced
tattooing
Body
Ordamentations
• Jewelry
- makethewearermore
attractive&pleasingtothe
gods.
- T’boli - wearbrass
chains, bells, andcolorful
beads
Body
Ordamentations
•Metalworkslikelotoans
orbetelnutboxesare
madeof brassorbronze
(Maranaoof LanaodelSur)
Body Ordamentations
lost waxorcire perdue
- metalcasting, mouldsfilled with
liquefied metal, hardens
• Other vessels
- brass kendi and the gadur,
statu
s symbolsorasheirloompieces
Gadur
Kendi
Islamic
Colonial
15thCentury - Present
Historical Overview
Islam, whichis entrenchedin
SouthernPhilippines is
alreadyculturallydominant
andstrong andsaidto have
gainedsignificantgrounding
in Sulu asearlyasthe 13th
century
Historical Overview
•Aseriesoftopicsaboutthe
following will betackled on:
History of Islam and Development
Islamic Influence in Arts
Art Influence of Islamsin
Architechture
Story Telling
(History of IslamandDevelopment)
Sayyid Abbubakar of Arabia
15th Century
Princess Piramisuli
Rajah Baguinda
16th Century
Madrasa
Islamic
Influence in
Arts
Influence on
Arts
FILIPINOMUSLIMSBELIEVESTHAT
THEYBELONGTO AN“UMMAH”-
COMMUNITY OF BELIEVERS
DOCTRINEOF
TAWHID - UNITY OF
GOD
Influence on Arts
• impermanenceof
nature&
incomprehensible
greatness of the divine
Being.
Influence
on Arts
• Prof. AbrahamSakili, introduced
twoaspects of reality:
-objectperceivedbytheordinary
sense
- senseof nothingness - aspace or
avoidempty
- Whichevokethat God is above
andbeyondall thing
Art Influence of
Islamsin
Architechture
Architechture
• Consideringthegoalofnegating
materiality in the interior of mosques
havingelaboratepatterningwhich
reliefstodrawthe attention away
fromconcrete object like human
forms andnature “towardthe
contemplation of the divine.”
Architecture
• PhilippineMuslimsorganize
spaceinarchitecturewith
partsofthemosquelikethe
mihrab orniche &Qibla wall
• Itistowardthewest- mayit
beinSultanKudaratorin
Quiapo, Manila
Architecture
• Having dome - how the order of
the universe is imagined - As the
centralfeature- “all levelsof
cosmic existence“
- octagonal base- the spirit
- four-sided mainbase- earthor
materialworld
Architecture
• Ka’bah
-blackshrineissaidbuiltbythe
ProphetMuhammad-reference
point for the Qiblah - direction
- faced - aMuslim prays
• Areafor watersupply
-functionofablution,or
cleansing beforeoneenters-
Mosque
Architecture
• Islamicformswouldproject,grow,or
have an upward orientation - for
heavenandto veerfromthe “material
earth.”
• panolong- carvedprotrusion akinto a
wingattachedto thetorogan, torogan
- royalhouseof the Maranao
Architecture
• Asidefromthe mythical
sarimanok;the burraq, ahorse
withthe headof awomanis the
Prophet - ascensionto heaven

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abriefhistoryofthephilippineart1-181118114947 (1).pptx