Philippine history chapter 3 pre colonialLeame Mazo
Early Filipinos originated from mainland Southeast Asia, arriving over land bridges during the Ice Age. They lived as hunter-gatherers until developing agriculture around 10,000 BC. Their culture was influenced by traders from India, China, the Malay Archipelago, and Arabia. Pre-colonial Philippine society was organized into autonomous barangays led by datus. Social classes included datus, maharlikas, timawas, and alipins. Religion centered on animistic beliefs and ancestor worship. Filipino communities practiced trade, agriculture, and established ethnic traditions that survive today.
The document discusses the history and forms of art in the Philippines prior to colonization. It describes how early Filipinos integrated art into everyday life and rituals to mark important community events. As local communities established themselves, artistic expressions evolved beyond crafts to include decorative elements and meanings. The document outlines some of the major art forms that developed in pre-colonial Philippines, including music, weaving, sculpture, painting, pottery, woodwork, metalwork and architecture. It emphasizes that Filipinos applied their artistic skills to weaving, sculpture, architecture and other art forms long before foreigners discovered and utilized the country's natural resources.
The document discusses the rich pre-colonial arts traditions of the Philippine archipelago. It notes that the country is geographically and culturally diverse, with numerous ethnic groups across its over 7,000 islands. Each group developed unique artistic expressions including sculpture, textiles, dances, and music. The arts served important social and cultural functions, depicting beliefs, history, and spiritual traditions. While colonial influences impacted the culture, pre-colonial arts remain an important part of Filipino identity today.
The document summarizes archaeological findings from prehistoric to early historic periods in the Philippines. Some key points include:
- The earliest evidence of human occupation dates back 700,000 years to fossils found in Kalinga province.
- Neolithic sites have yielded tools, pottery, and the oldest known artwork - petroglyphs located in Rizal province dating back 2,000-1,500 BC.
- The Philippines had extensive trade networks, evidenced by porcelain, bronze statues, and other artifacts indicating cultural influences from China, Vietnam, India and Indonesia as early as 900 AD.
Pre-colonial Philippine art was diverse and vibrant. Indigenous groups created pottery, woven textiles, carved wood and bone, made jewelry and metal crafts. Art was integrated into rituals marking important life events like planting and harvesting. Distinctive art forms and styles existed among groups like the Ifugao's hagabi benches and wood carvings. Early artworks include Neolithic jars from Palawan containing human figures. Indigenous musical and dance traditions with regional variations flourished, accompanied by instruments like kudyapi and kulintang. Tattooing and gold ornamentation were also documented. Overall, art was deeply rooted in each community's cultural practices and beliefs before colonization.
Brief Overview of Philippine Arts and Crafts.pptxCynthiaTagud1
This presentation is intended to give a glance of Philippine Arts and Crafts, for students' knowledge to ignite their interest towards indigenous crafts, an identity each locality own.
Philippine history chapter 3 pre colonialLeame Mazo
Early Filipinos originated from mainland Southeast Asia, arriving over land bridges during the Ice Age. They lived as hunter-gatherers until developing agriculture around 10,000 BC. Their culture was influenced by traders from India, China, the Malay Archipelago, and Arabia. Pre-colonial Philippine society was organized into autonomous barangays led by datus. Social classes included datus, maharlikas, timawas, and alipins. Religion centered on animistic beliefs and ancestor worship. Filipino communities practiced trade, agriculture, and established ethnic traditions that survive today.
The document discusses the history and forms of art in the Philippines prior to colonization. It describes how early Filipinos integrated art into everyday life and rituals to mark important community events. As local communities established themselves, artistic expressions evolved beyond crafts to include decorative elements and meanings. The document outlines some of the major art forms that developed in pre-colonial Philippines, including music, weaving, sculpture, painting, pottery, woodwork, metalwork and architecture. It emphasizes that Filipinos applied their artistic skills to weaving, sculpture, architecture and other art forms long before foreigners discovered and utilized the country's natural resources.
The document discusses the rich pre-colonial arts traditions of the Philippine archipelago. It notes that the country is geographically and culturally diverse, with numerous ethnic groups across its over 7,000 islands. Each group developed unique artistic expressions including sculpture, textiles, dances, and music. The arts served important social and cultural functions, depicting beliefs, history, and spiritual traditions. While colonial influences impacted the culture, pre-colonial arts remain an important part of Filipino identity today.
The document summarizes archaeological findings from prehistoric to early historic periods in the Philippines. Some key points include:
- The earliest evidence of human occupation dates back 700,000 years to fossils found in Kalinga province.
- Neolithic sites have yielded tools, pottery, and the oldest known artwork - petroglyphs located in Rizal province dating back 2,000-1,500 BC.
- The Philippines had extensive trade networks, evidenced by porcelain, bronze statues, and other artifacts indicating cultural influences from China, Vietnam, India and Indonesia as early as 900 AD.
Pre-colonial Philippine art was diverse and vibrant. Indigenous groups created pottery, woven textiles, carved wood and bone, made jewelry and metal crafts. Art was integrated into rituals marking important life events like planting and harvesting. Distinctive art forms and styles existed among groups like the Ifugao's hagabi benches and wood carvings. Early artworks include Neolithic jars from Palawan containing human figures. Indigenous musical and dance traditions with regional variations flourished, accompanied by instruments like kudyapi and kulintang. Tattooing and gold ornamentation were also documented. Overall, art was deeply rooted in each community's cultural practices and beliefs before colonization.
Brief Overview of Philippine Arts and Crafts.pptxCynthiaTagud1
This presentation is intended to give a glance of Philippine Arts and Crafts, for students' knowledge to ignite their interest towards indigenous crafts, an identity each locality own.
Philippine indigenous arts developed over thousands of years as various groups migrated to the islands. Major art forms included sculpture, pottery, weaving, and physical ornaments. Sculptures like the Bul-ul figures and hagabi chairs reflected important cultural and social roles. Pottery like the Manunggul Jar showed influences of beliefs about the afterlife. Weaving traditions varied by region and material, with techniques and designs demonstrating cultural identities. Ornaments displayed in textiles, jewelry, and tattoos communicated status and heritage. Overall, indigenous Philippine art was deeply rooted in each group's environment, history, and way of life.
The document provides a timeline and overview of Philippine art from pre-colonial times through the contemporary period. It discusses the arts of the pre-conquest era including rituals, music, dance, carving, pottery, weaving, and body ornamentation. It then focuses on the Islamic colonial period from the 15th century onward, covering the history of Islam in the Philippines, Islamic influences on arts, and the architecture influenced by Islamic forms.
History of Science and Technology in the Philippinesmphoebyalaiza
This document provides a summary of science and technology in the Philippines before and during the Spanish colonial period. It describes the simple but sufficient technologies of early Filipinos like stone tool-making, pottery, weaving, metallurgy. By the 10th century, trade with China was well-established. When the Spanish arrived in 1565, they encountered diverse communities, with more sophisticated settlements trading internationally. The Spanish established schools and hospitals, influencing the development of professions. However, the religious orders' strategy of reducing communities and the colonial economic policies shaped a direction and pace of development favoring Spanish control over the archipelago.
Native Americans lived in Georgia for over 13,000 years, evolving through several cultural periods - Paleo, Archaic, Woodland, and Mississippian. During the Paleo period, nomadic hunters followed big game. In the Archaic period, groups adapted to climate change and smaller game. Woodland peoples built permanent villages, farmed crops, and constructed burial mounds. The Mississippian period saw large, complex chiefdoms, advanced agriculture, and construction of temple mounds like at Etowah Indian Mounds.
This document provides a timeline and overview of Philippine art from pre-colonial times through the contemporary period. It discusses the arts of the pre-conquest era including rituals, music, dance, carving, pottery, weaving, and body ornamentation. During the Islamic colonial period, Islam gained influence in the southern Philippines in the 13th century. Islamic art emphasized unity, impermanence, and the incomprehensibility of God. Mosque architecture incorporated features like the mihrab, qibla wall, and dome to direct worshippers towards Mecca and symbolize the order of the universe.
The Minoan civilization arose on the island of Crete around 1700 BC and lasted until around 1100 BC. It was a highly advanced Bronze Age civilization that was rediscovered in the early 20th century through archaeological excavations. The Minoans built large palatial complexes that served administrative and religious functions. They engaged in extensive overseas trade and spread Minoan culture throughout the Aegean Sea. Minoan society placed great emphasis on art, architecture, and leisure activities like sports. The Minoan civilization declined around 1100 BC, possibly due to a volcanic eruption or invasion.
The document summarizes theories about human migration and settlement in the pre-Hispanic Philippines based on archaeological evidence. It describes the Stone Age period dating back 50,000 years which included early hominins like Callao Man dated to around 41,000 BC and Tabon Man dated to around 24,000-22,000 BC. Later waves are proposed to have brought Austronesian-speaking populations starting around 5000-2000 BC and the Early Metal Age beginning around 500 BC. Competing migration theories are outlined, including those proposed by Beyer, Jocano, and others relating to Negrito, Indonesian, and Malay populations.
The oldest human remains found in the Philippines date back 22,000 years ago. The first inhabitants were Negritos who arrived during the Old Stone Age by walking across land bridges. They were later joined by maritime Indonesians during the New Stone Age. Malays also immigrated and introduced festivals, codes of law, and contributed to Iron Age culture. Ancient Filipinos had developed music, architecture like native houses, and art forms including pottery, wood carvings, tattoos, and petroglyph cave paintings as early as 3000 BC.
The oldest human fossil found in the Philippines is approximately 22,000 years old and was discovered in Tabon Cave in Palawan in 1962. The first inhabitants of the Philippines were thought to have walked from Southeast Asia during the Old Stone Age and were the Negritos people. Subsequent inhabitants included maritime Indonesians and the Malays, who introduced iron working and contributed festivals and oral histories. Ancient Filipinos developed diverse forms of music, architecture, pottery, wood carving, tattooing, and petroglyph cave paintings as forms of artistic expression throughout their pre-colonial history.
The oldest human fossil found in the Philippines is approximately 22,000 years old and was discovered in Tabon Cave in Palawan in 1962. The first inhabitants of the Philippines were thought to have walked from Southeast Asia during the Old Stone Age and were the Negritos people. Subsequent settlers were maritime Indonesians and Malays who introduced new cultural practices like festivals and architecture. Ancient Filipinos developed rich musical, artistic, and architectural traditions, creating wood carvings, pottery, jewelry, tattoos, and petroglyph cave paintings and engravings.
Pre-colonial Philippine art was integrated into everyday life through rituals and ceremonies. Expressions like music, dance, and visual arts were not distinguished as separate categories. Rituals marked important events and involved performances, offerings, and divination. Indigenous art forms varied between ethnic groups and included carvings, weavings, pottery, body adornments, and musical and dance traditions that imitated nature. Under Spanish colonial rule from the 16th-19th centuries, Christian art and architecture developed following Baroque styles. Local art incorporated European influences while maintaining some traditions. Theater and music evolved new hybrid forms.
Anthropologists believe the first humans arrived in North America over 14,000 years ago by crossing the Bering Land Bridge. These early people, known as Paleoindians, left behind distinctive stone tools and spear points at campsites throughout Illinois. Later periods included the Archaic period from around 10,000-3,000 years ago, the Woodland period from 3,000-1,250 years ago, and the Mississippian period from around 500-1500 AD, marked by large earthen mounds. Early explorers like Marquette and Joliet provided details of the natural environment in their journals from the 17th century.
Here is a one paragraph discussion of the requested terms:
The traditional arts of the Philippines show its rich cultural heritage and history. Indigenous woodcarving has been practiced for centuries, with some of the oldest surviving examples being wooden boat fragments from 230 AD. Weaving is another important art form, with different ethnic groups employing distinct techniques like back-strap loom weaving. Folk architecture demonstrates how indigenous groups built shelters using local materials, resulting in diverse structures like the hut-style Bahay Kubo. Folk pottery has also been an integral part of Philippine cultures for over 3,500 years, as evidenced by artifacts like the Manunggul Jar. Folk graphic arts encompass traditions like tattooing and indigenous scripts. Overall,
The document discusses several early human settlements and civilizations from around the world based on archaeological evidence. It describes sites from between 14,800 BCE to 300 BCE, including Pachmarhi hills paintings in India from the Mesolithic period, Monte Verde in Chile dating human settlement in the Americas to 14,800 years ago, the Clovis culture in North America dated to around 11,050 BCE, the Jomon period in Japan from 12,000 BCE, European megalithic tombs, the Machalilla culture in Ecuador from 1500-1100 BCE, the Olmec culture in Mexico, Varanasi as one of the oldest continually inhabited cities in India, the sun temple at Amarna in Egypt, the Great Temple
The document discusses the relationship between art and religion. It provides examples of how various art forms developed from and were influenced by different religious beliefs and practices in the Philippines. Specifically, it notes that sculpture was used to help spread Christianity, and statues of religious figures were made from wood and ivory. Architecture is also discussed, with examples of religious structures like churches and mosques. Traditional folk arts incorporated religious symbols and motifs, such as the anting-anting amulets and designs in weaving that referenced beliefs about nature. Different festivals also featured folk art forms like parol lanterns and masks. Overall, the document examines how art and religion have been interconnected in Philippine culture and history.
Philippine indigenous arts developed over thousands of years as various groups migrated to the islands. Sculpture, pottery, weaving, and physical ornaments vary between groups but commonly reflect nature and folk life. Notable art forms include Ifugao bul-ul sculptures, Manunggul jars, Maranao torogan architecture and okir designs, and indigenous textiles, tattoos, and jewelry showcasing local techniques, materials, and symbolic motifs. Philippine folk art continues to express unique cultural identities and connections to the land.
Philippine indigenous arts developed over thousands of years as various groups migrated to the islands. Major art forms included sculpture, pottery, weaving, and physical ornaments. Sculptures like the Bul-ul figures and hagabi chairs reflected important cultural and social roles. Pottery like the Manunggul Jar showed influences of beliefs about the afterlife. Weaving traditions varied by region and material, with techniques and designs demonstrating cultural identities. Ornaments displayed in textiles, jewelry, and tattoos communicated status and heritage. Overall, indigenous Philippine art was deeply rooted in each group's environment, history, and way of life.
The document provides a timeline and overview of Philippine art from pre-colonial times through the contemporary period. It discusses the arts of the pre-conquest era including rituals, music, dance, carving, pottery, weaving, and body ornamentation. It then focuses on the Islamic colonial period from the 15th century onward, covering the history of Islam in the Philippines, Islamic influences on arts, and the architecture influenced by Islamic forms.
History of Science and Technology in the Philippinesmphoebyalaiza
This document provides a summary of science and technology in the Philippines before and during the Spanish colonial period. It describes the simple but sufficient technologies of early Filipinos like stone tool-making, pottery, weaving, metallurgy. By the 10th century, trade with China was well-established. When the Spanish arrived in 1565, they encountered diverse communities, with more sophisticated settlements trading internationally. The Spanish established schools and hospitals, influencing the development of professions. However, the religious orders' strategy of reducing communities and the colonial economic policies shaped a direction and pace of development favoring Spanish control over the archipelago.
Native Americans lived in Georgia for over 13,000 years, evolving through several cultural periods - Paleo, Archaic, Woodland, and Mississippian. During the Paleo period, nomadic hunters followed big game. In the Archaic period, groups adapted to climate change and smaller game. Woodland peoples built permanent villages, farmed crops, and constructed burial mounds. The Mississippian period saw large, complex chiefdoms, advanced agriculture, and construction of temple mounds like at Etowah Indian Mounds.
This document provides a timeline and overview of Philippine art from pre-colonial times through the contemporary period. It discusses the arts of the pre-conquest era including rituals, music, dance, carving, pottery, weaving, and body ornamentation. During the Islamic colonial period, Islam gained influence in the southern Philippines in the 13th century. Islamic art emphasized unity, impermanence, and the incomprehensibility of God. Mosque architecture incorporated features like the mihrab, qibla wall, and dome to direct worshippers towards Mecca and symbolize the order of the universe.
The Minoan civilization arose on the island of Crete around 1700 BC and lasted until around 1100 BC. It was a highly advanced Bronze Age civilization that was rediscovered in the early 20th century through archaeological excavations. The Minoans built large palatial complexes that served administrative and religious functions. They engaged in extensive overseas trade and spread Minoan culture throughout the Aegean Sea. Minoan society placed great emphasis on art, architecture, and leisure activities like sports. The Minoan civilization declined around 1100 BC, possibly due to a volcanic eruption or invasion.
The document summarizes theories about human migration and settlement in the pre-Hispanic Philippines based on archaeological evidence. It describes the Stone Age period dating back 50,000 years which included early hominins like Callao Man dated to around 41,000 BC and Tabon Man dated to around 24,000-22,000 BC. Later waves are proposed to have brought Austronesian-speaking populations starting around 5000-2000 BC and the Early Metal Age beginning around 500 BC. Competing migration theories are outlined, including those proposed by Beyer, Jocano, and others relating to Negrito, Indonesian, and Malay populations.
The oldest human remains found in the Philippines date back 22,000 years ago. The first inhabitants were Negritos who arrived during the Old Stone Age by walking across land bridges. They were later joined by maritime Indonesians during the New Stone Age. Malays also immigrated and introduced festivals, codes of law, and contributed to Iron Age culture. Ancient Filipinos had developed music, architecture like native houses, and art forms including pottery, wood carvings, tattoos, and petroglyph cave paintings as early as 3000 BC.
The oldest human fossil found in the Philippines is approximately 22,000 years old and was discovered in Tabon Cave in Palawan in 1962. The first inhabitants of the Philippines were thought to have walked from Southeast Asia during the Old Stone Age and were the Negritos people. Subsequent inhabitants included maritime Indonesians and the Malays, who introduced iron working and contributed festivals and oral histories. Ancient Filipinos developed diverse forms of music, architecture, pottery, wood carving, tattooing, and petroglyph cave paintings as forms of artistic expression throughout their pre-colonial history.
The oldest human fossil found in the Philippines is approximately 22,000 years old and was discovered in Tabon Cave in Palawan in 1962. The first inhabitants of the Philippines were thought to have walked from Southeast Asia during the Old Stone Age and were the Negritos people. Subsequent settlers were maritime Indonesians and Malays who introduced new cultural practices like festivals and architecture. Ancient Filipinos developed rich musical, artistic, and architectural traditions, creating wood carvings, pottery, jewelry, tattoos, and petroglyph cave paintings and engravings.
Pre-colonial Philippine art was integrated into everyday life through rituals and ceremonies. Expressions like music, dance, and visual arts were not distinguished as separate categories. Rituals marked important events and involved performances, offerings, and divination. Indigenous art forms varied between ethnic groups and included carvings, weavings, pottery, body adornments, and musical and dance traditions that imitated nature. Under Spanish colonial rule from the 16th-19th centuries, Christian art and architecture developed following Baroque styles. Local art incorporated European influences while maintaining some traditions. Theater and music evolved new hybrid forms.
Anthropologists believe the first humans arrived in North America over 14,000 years ago by crossing the Bering Land Bridge. These early people, known as Paleoindians, left behind distinctive stone tools and spear points at campsites throughout Illinois. Later periods included the Archaic period from around 10,000-3,000 years ago, the Woodland period from 3,000-1,250 years ago, and the Mississippian period from around 500-1500 AD, marked by large earthen mounds. Early explorers like Marquette and Joliet provided details of the natural environment in their journals from the 17th century.
Here is a one paragraph discussion of the requested terms:
The traditional arts of the Philippines show its rich cultural heritage and history. Indigenous woodcarving has been practiced for centuries, with some of the oldest surviving examples being wooden boat fragments from 230 AD. Weaving is another important art form, with different ethnic groups employing distinct techniques like back-strap loom weaving. Folk architecture demonstrates how indigenous groups built shelters using local materials, resulting in diverse structures like the hut-style Bahay Kubo. Folk pottery has also been an integral part of Philippine cultures for over 3,500 years, as evidenced by artifacts like the Manunggul Jar. Folk graphic arts encompass traditions like tattooing and indigenous scripts. Overall,
The document discusses several early human settlements and civilizations from around the world based on archaeological evidence. It describes sites from between 14,800 BCE to 300 BCE, including Pachmarhi hills paintings in India from the Mesolithic period, Monte Verde in Chile dating human settlement in the Americas to 14,800 years ago, the Clovis culture in North America dated to around 11,050 BCE, the Jomon period in Japan from 12,000 BCE, European megalithic tombs, the Machalilla culture in Ecuador from 1500-1100 BCE, the Olmec culture in Mexico, Varanasi as one of the oldest continually inhabited cities in India, the sun temple at Amarna in Egypt, the Great Temple
The document discusses the relationship between art and religion. It provides examples of how various art forms developed from and were influenced by different religious beliefs and practices in the Philippines. Specifically, it notes that sculpture was used to help spread Christianity, and statues of religious figures were made from wood and ivory. Architecture is also discussed, with examples of religious structures like churches and mosques. Traditional folk arts incorporated religious symbols and motifs, such as the anting-anting amulets and designs in weaving that referenced beliefs about nature. Different festivals also featured folk art forms like parol lanterns and masks. Overall, the document examines how art and religion have been interconnected in Philippine culture and history.
Philippine indigenous arts developed over thousands of years as various groups migrated to the islands. Sculpture, pottery, weaving, and physical ornaments vary between groups but commonly reflect nature and folk life. Notable art forms include Ifugao bul-ul sculptures, Manunggul jars, Maranao torogan architecture and okir designs, and indigenous textiles, tattoos, and jewelry showcasing local techniques, materials, and symbolic motifs. Philippine folk art continues to express unique cultural identities and connections to the land.
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9
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2. •THE PRE-COLONIAL PERIOD IS WHEN OUR
INDIGENOUS ANCESTORS INHABITED THE
PHILIPPINES AND THE TIME BEFORE THE COMING
OF OUR FIRST COLONIZERS. ARTS IN THIS TIME
WERE FOR RITUAL PURPOSES OR EVERYDAY USE.
AS LOCAL COMMUNITIES WERE ESTABLISHED,
ARTS STARTED TO GO BEYOND MERE CRAFT, EX.
STONE WEAPONS OR JEWELRY BUT STARTED TO ,
HAVE DECORATIVE ELEMENTS, MEANING AND
CONTEXTS
3. • ARTS WERE EXPRESSED THROUGH DRAWINGS ON THE
ROCKS TO SHOW THEIR RELIGIOUS SYMBOLS EITHER
ANIMISTIC OR ISLAM-BASED
• PEOPLE EXPRESSED THEIR DAILY ACTIVITIES LIKE FISHING
AND FARMING AND PUT DECORATIVE PATTERNS ON WALL
ROCKS OR WOOD
• THIS PERIOD WHICH IS ALSO KNOWN AS “NEOLITHIC
PERIOD” WHICH IS THE LATER PART OF STONE AGE, THEY
MADE ART BY MAKING STONE WEAPONS, JEWELRY AND
DECORATIVE CROPS OUT OF STONE
• THEY ALSO MADE THEIR OWN SHELTER AND HAD AN
ALPHABET CALLED “BAYBAYIN”.
• THEY ALSO HAD TATOOS AS ORNAMENTATION AND RIGHT
OF PASSAGE.
4. •LITERATURE-IT CAN BE WRITTEN AND ORAL FORM.
CAVE DRAWINGS AND WRITINGS WERE THE
EARLIEST FORMS OF WRITTEN LITERATURE AND
RITUALS, CHANTS AND STORY TELLING WERE THE
EARLIEST FORMS OF ORAL LITERATURE
•VISUAL ARTS-SCULPTURE, PAINTINGS AND
POTTERY WERE THE WIDELY KNOWN FORMS OF
VISUAL ARTS IN THIS PERIO SUCH AS TATOOS
FROM THE PINTADOS IN PANAY, THE BULUL THAT
IS WOODEN SCULPTURE OF THE RICE GODS OF
IFUGAOS AND THE MANUNGGUL BURIAL JAR THAT