6. production reflection (interactive) (1)
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The document describes the process of creating a background setting for a game. It discusses adding trees with features to the frame to add depth and characteristics. Darker greens and browns were used to make the setting look like a forest at night. Additional details like vines between thick trees, a moon behind the trees, a wooden shed, starlight tokens as guides and rewards, and obstacles were incorporated. Finally, a main character inspired by Mario but with the creator's own twist and a Pterodactyl dinosaur were added to complete the game.
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6. pre production
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The document discusses a color scheme for a jungle-themed game environment, with light green as the primary color for trees and plants to keep the theme light, and turquoise and brown used for water, sky, and tree trunks/paths. It also considers color schemes from other games like Arma 3 and Just Cause 2 and how varying light levels would impact the colors used. The style of artwork is evaluated from screenshots of other games to achieve a balance of detail and simplicity.
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1. initial plans(2)[1]
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2. Research (FMP).pptx
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- Magical/fantasy theme set in an enchanting forest location
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- Fun exploration elements like mystery boxes and easter eggs to discover
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- Engaging soundtrack like pop music
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Focusing the design of the demo around
7. production reflection
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6. Production Reflection (FMP).pptx
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The student created pixel art assets for different game ideas using Photoshop. For an alien escape game, the student designed an alien character with green skin and a purple suit to look unusual against a dark, dreary background representing Area 51. For a match game inspired by Candy Crush, the student designed cookies like circles with dots and a gingerbread man to lay out randomly on a gray tray. The student reflected that they may include adding tone to colors, fitting backgrounds, character movement details, fast-paced music, and backing sounds in their final game based on these experiments.
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6. production (gaming)
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Pre production
The document provides details on the pre-production planning for a space-themed video game. It describes the color scheme and font choices, and explains that black, purple, orange and red were selected to represent space and nebulas, while blue and white give off a glowing color like stars. Image styles and layout designs are presented, showing main menus, gameplay, and background elements like planets and nebulas. A schedule is outlined to develop artwork and animations in Photoshop over 8 days, adding sound in Premier Pro.
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The document summarizes research on existing video game products. It analyzes several games, noting features like varied levels with different lighting, sound design corresponding to in-game events, small character sizes relative to backgrounds in 2D games, and detailed backgrounds. The analysis indicates the author will include aspects like detailed backgrounds, multiple time-of-day levels with lighting effects, and sound design matching on-screen events. Common features identified across researched games are 2D formats, varied level types, sound corresponding to tone, and small character sizes in 2D games.
Project 4 production experiments ghost game
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The document describes the lighting, equipment, costumes, and setup used for a photo shoot, including spot lights, fog machines, balloons, cameras, and costumes consisting of black, white, and grey clothing. Photos show different lighting setups, equipment, and costumes used during the shoot.
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6. production reflection(2)
Luke Ross created a basic main menu screen for his final animation project over four attempts. He used a black background and yellow border, adding red coloring in different areas. On the second day, he created a background with a pixelated earth and stars to add more detail. He included a title and underlines for menu options in red and yellow. On the third day, he made a red play board outline and yellow option menu text to continue the color scheme and futuristic feel.
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The document describes the process of creating a simple game called Candy Invaders that combines elements from Candy Crush and Space Invaders. The creator drew the spaceships and candy, added them to separate layers, and animated the spaceships to move and shoot the candy. Sound effects were also added, though there was an issue where shot animations remained on some spaceships after exporting. The completed game was 9 seconds long and combined the bright colors and candies of Candy Crush with the spaceships and background from Space Invaders.
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This 3 sentence summary provides the key details about the document:
The document demonstrates how to use Adobe After Effects to create a green screened sequence by importing green screen footage and a background file, ordering the files so the green screen footage is at the front, using the color key tool to remove the green background, adjusting the color tolerance and thinness to remove the green without cutting into the subject, and showing the completed green screened footage over a moving rain background suited to the mood of the video.
1. initial plans(2)[1]
The mood board establishes a color scheme and visual style focused around nebulae, planets, and other space phenomena to set a mysterious tone for a 2D arcade game. Repetitive elements like nebulae, planets, and a color palette of black with various colors are intended to be incorporated into aspects like menus, customization options, and backgrounds. The mood board influences the overall direction of the game by providing visual inspiration and establishing foundational elements to guide further development.
3. production experiments(2)
I created a prototype for a "ghost game" in Photoshop by making characters on different layers and duplicating them to simulate movement. I used a temple theme to convey a rural, lonely setting on a dark night with sparse furnishings. The ghost character was drawn with the paintbrush tool to appear faded compared to the person drawn with the pencil tool. For my final product, I will use Photoshop's animation tools to efficiently create better graphics by the deadline, having gained experience making this prototype.
Game Animation Research
The document summarizes the art styles and color schemes of four existing games: Hollow Knight, Limbo, Sonic, and Shantae. It notes that Hollow Knight and Limbo use heavy black contrasts and dark colors to create bleak atmospheres, while Sonic and Shantae utilize brighter colors for more inviting designs. The analysis indicates the researched games commonly use contrasting black and white colors that emphasize different image parts. It states the document will incorporate heavy black use and brighter background colors in its own work to maintain an eerie atmosphere.
7. production reflection
The document describes the process of creating pixel art characters, weapons, backgrounds and animations for a game. Over several days, the artist created character concepts and walk animations in Photoshop using the pencil tool. Weapons were also designed in pixel art style. Background development included a forest setting with a house for player interaction. Interior details and a non-player character were added to the house. Upcoming work involves animating battle scenes between the player and enemies.
7. evaluation(2)
The document provides an evaluation of Luke Ross's FMP project. It summarizes the strengths and weaknesses of the research, planning, and time management phases. For the research, strengths included analyzing different game designs and focusing on specific audiences. However, some audience demographics were repetitive. For planning, mind maps were helpful for exploring ideas, but the mood board was less so. Managing time well allowed tasks to be completed on time, but rushing the final product and reflection lowered quality. More time would have allowed improvements to graphics, features, and animation.
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Based on the research conducted, the target audience for this animated demo game project are primarily children ages 0-14. Some key aspects of the game design that would appeal to this age group include:
- Magical/fantasy theme set in an enchanting forest location
- Colorful yet natural visuals and animations
- Fun exploration elements like mystery boxes and easter eggs to discover
- Accessible controls and gameplay mechanics
- Engaging soundtrack like pop music
- Relatable and customizable main character
- Cliffhanger or surprise ending to generate interest in the full game
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The document describes Jack Henderson's process for creating an animated forest scene and game. He began by sketching and creating layers based on a stock image to develop the forest scenery. Additional layers were made for trees, grass, and a path. Character designs were challenging due to the walk animations requiring multiple variations. Music was also originally composed to add to different parts of the game. The process involved finding inspiration in other games and stock images while using tools like layers and brush effects to develop the animated elements.
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The document describes the process of creating scenes and characters for a demo animated game. It discusses 6 scenes created in Photoshop with trees, rocks, a hut, characters including an explorer and alien, and monkeys as enemies. Dialogue was added to convey the story and conflict between the characters. The scenes were brought into Premier Pro to add background music and sound effects. Finally, the document discusses designing a logo for the animated game app featuring a purple circle logo on a white background with guidelines.
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The student created pixel art assets for different game ideas using Photoshop. For an alien escape game, the student designed an alien character with green skin and a purple suit to look unusual against a dark, dreary background representing Area 51. For a match game inspired by Candy Crush, the student designed cookies like circles with dots and a gingerbread man to lay out randomly on a gray tray. The student reflected that they may include adding tone to colors, fitting backgrounds, character movement details, fast-paced music, and backing sounds in their final game based on these experiments.
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The document describes the process of creating an animated character selection screen and subsequent gameplay scenes for a birds-eye-view game. The creator used the pencil tool to design character faces and options, animate character movement, and create backgrounds of increasing scale and danger that scroll to simulate character movement. Inspiration was drawn from games like Pokemon and Zelda to design pixelated trees and pavement. Each scene was animated by adjusting layers on the timeline to move character parts or scroll backgrounds.
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The document describes the process of an experiment conducted by the author to create characters and setting for a potential product. It discusses adding natural elements like rocks, plants and the sun to an abandoned forest background. The first character created was masculine in appearance with bold clothing colors, a beard and muscular arms. A second, alien-like character with two legs but no arms was added to represent a "rival". The interaction between the characters was represented with a question mark to convey confusion at their meeting. Elements the author intends to carry over to the final product are the natural setting features, multiple characters, and dialog between them to further the plot.
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The document analyzes several existing video game products and their use of lighting, sound, and character/story elements to create atmosphere and engage audiences. It notes that the games use high-key and low-key lighting to create contrasting atmospheres and shadows that make the worlds feel realistic. The games also aim to attach audiences to characters by giving them storylines and making them feel important to players. The analysis concludes that it will incorporate concepts like time rewind from Life is Strange and the use of black and white from Limbo to create mystery in its own project.
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The document analyzes several existing video game products and their use of lighting, sound, and character/story elements to create atmosphere and engage audiences. It notes that the games use high-key and low-key lighting to create contrasting atmospheres and shadows that make the worlds feel realistic. The games also aim to attach audiences to characters by giving them storylines and making them feel important to players. The analysis concludes that it will incorporate concepts like time rewind from Life is Strange and the use of black and white from Limbo to create mystery in its own project.
3. production experiments
The document describes experiments done for a medieval-themed horror game. It discusses how the environment was created first using tools like the pen tool, layers, color tool, and opacity tool to set the theme. Effects and animations were added to characters and environments, like different attack animations and an opening grave. The character design incorporated darker colors in line with the theme. Elements to be included in the final product are using opacity to create background depth, environmental effects impacting the player, and weapon impacts. While diverging from the original choice-based "Ghost Game" idea, the experiments still tested elements like finding and using items that could be incorporated.
7. Production reflection
Cameron Whapples reflects on the production process of creating a zombie game. They drew the zombies to be the same size as the main character and made them explode upon being shot to reduce animation work. Whapples is pleased with how the layered jungle background turned out, hiding elements in the midground with foliage. An attempted hut did not fit the art style and was left out of the final product. Whapples is most pleased with the main character design which captures the theme of the game through a shaggy hairstyle and camouflage pants giving a crazed ex-military look.
6. production reflection
The document summarizes the process of creating a game from start to finish over multiple sessions. It describes creating the background, character, animations, and sound effects. Key details include using pixel art to draw the background and character, adding layers for realism, struggling most with drawing the character, feeling surprised by own progress in animating, and importing some sound effects while making others in BeepBox. The process concluded by ordering all screens, adding sound, and exporting the final game.
Video Game Production reflection
Alice created the home screen, background, and platforms for her jungle-themed game. She designed challenges like pits of fire and water and added collectible items. Alice animated her character walking and using tools like ladders and bows to pass obstacles. She added a main menu, completed the animation, and exported the final game with custom music and sound effects.
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5. Pre-Production (FMP).pptx
The document outlines Muhammad Syaffa's pre-production plans for an animated demo game. It includes details on the style sheet with colors, fonts, and image inspiration. It also provides mockups for the title, characters, and app logo. Other sections address props, software, contingencies, health and safety, and a production schedule. The goal is to create a mystery/thriller platform game appealing to male audiences using dark colors and thrilling elements from example images as a guide.
4. Proposal (FMP).docx
This document provides a proposal for an animated demo game called RUN. It will be a thriller/action game aimed at entertaining audiences ages 15-25 primarily. The game will feature a plot where an explorer encounters an alien in the woods and is then chased by monkeys into a shed, ending on a cliffhanger with a monster inside. Research on audience preferences for locations, characters, and endings will guide the production. The game will not include offensive materials and will be family friendly to avoid legal issues.
1. Initial Plans (FMP) (1).pptx
The document outlines Muhammad Syaffa's initial plans for his final major project, including potential ideas such as a game, podcast, magazine, and more. It then focuses on the idea of creating a short animated demo game called "Run" targeting 15-25 year olds. The game would be in the thriller/action genre and involve a character being chased by monkeys in a forest. Photoshop and Premier Pro would be used to create the game, poster, and app logo over the course of less than a minute. The target audience and goals of appealing to "belongers" and "achievers" psychographics are also discussed. Podcasts and magazines are discounted as ideas due to time constraints and lack of
7. Evaluation(4).pptx
The document summarizes Muhammad Syaffa's evaluation of an audio podcast production project. Some key points:
- Research could have included more existing podcasts to improve content and audience appeal.
- Planning helped lay out ideas and script but was not organized enough, rushing the finished product.
- Time management allowed finishing on schedule but more time could have added interesting content.
- Peer feedback suggested adding intro/outro music and slowing pace; the author agrees music should be added.
6. Production Reflection(4).pptx
The document describes the process of editing a podcast. It discusses arranging recordings in order, combining recordings, inserting royalty-free sound effects at the beginning and end, splitting a sound effect into two parts, cutting an unsuitable section from a recording, and adding additional sound effects to add character and make the podcast seem more professional. The editing process included compiling recordings into a single file, inserting sound effects, and using tools like the razor tool to cut and align sections for a continuous playback.
5. Script.docx
The podcast will begin with introductions of the host and co-hosts. They will then discuss what the podcast is about and the day's topic, which is music. Each co-host will be asked about their music interests like favorite artists and genres. They will discuss their opinions on different types of music and may include some gossip. If there is extra time, the host will quiz the co-hosts with general music questions. The host will kick off a discussion about favorite genres and artists as well as opinions on current music trends. They will wrap up by thanking the listeners for tuning in.
5. Pre-Production(4) (1).pptx
This document outlines the pre-production plan for a podcast. It includes sections for sound effects and music with placeholders for details to be added. It also lists potential props and locations needed as well as contingencies for technical issues. Health and safety considerations are addressed along with potential solutions. A weekly schedule is provided with 8 tasks over 8 days including writing a script, recording, and editing the podcast as well as creating PowerPoints and publishing the final product.
4. Proposal(4).docx
This audio podcast proposal discusses a music review podcast called TUNEz. It will entertain and educate listeners by discussing different genres of music including classic, pop, and ballads. The podcast will focus on why the host likes certain songs and how artists convey messages through their music. The target audience is 15-25 year olds of all genders, particularly those from lower-middle and skilled working classes, as the podcast will discuss recent songs in an informal tone. To appeal to this audience, the podcast will be made freely available online. The podcast will avoid offensive, inappropriate, or copyrighted content to respect all groups and comply with legal standards.
3. Production Experiments(4).pptx
The document describes Muhammad Syaffa's process for creating a podcast about his morning routine. It details the steps he took, including:
1. Recording an initial recording of his morning routine script without any sound effects.
2. Adding sound effects found on the website ZapSplat and placing them in the recording at appropriate points.
3. Editing the podcast by cutting parts that didn't fit the theme and reassembling it to complete the podcast.
3. Production Experiments(4).pptx
The document describes Muhammad Syaffa's process for creating a podcast about his morning routine. It details the steps he took, including:
1. Recording an initial recording of his morning routine script without any sound effects.
2. Adding sound effects found on the website ZapSplat and placing them in the recording at appropriate points.
3. Editing the podcast by cutting parts that didn't fit the theme and reassembling it to complete the podcast.
2. Research(4).pptx
The document summarizes research on existing podcasts and their target audiences. It finds that the podcasts generally use an informal tone to make audiences feel relaxed, provide informative insights and opinions from guests, and discuss topics like music and recent events. The research will help inform the creation of the new podcast by using an informal style and focusing on sharing information.
1. Initial Plans(4).pptx
Muhammad Syaffa has outlined initial plans for three potential podcast ideas: an action film podcast called "Ready, set, action" targeting 15-25 year olds; a music podcast called "Tunez" also targeting 15-25 year olds; and a crime podcast called "Sherlock Holmes" targeting the same age group. The document then provides more details on a music podcast, including that it will discuss 80s, pop, and rap music genres, last 5 minutes, appeal to all genders from 15-25 years old, and will feature Muhammad and his mates as voice actors. It notes the equipment needed includes a voice recorder, microphone, smartphone, and headphones.
5. Pre-Production (Interactive)(1).pptx
The document outlines Muhammad Syaffa's pre-production plan for a game where the player controls a character running away from a Pterodactyl while collecting coins. It includes details on the color scheme, resources and software needed, contingency planning for potential issues, health and safety considerations, and a proposed 8-day schedule to develop the game assets in Photoshop and animate it in Premiere Pro.
Evaluation (12) (1.5).pptx
The document compares two podcasts based on technical, aesthetic, and audience appeal qualities. It notes that both podcasts speak politely and provide informative content, but one can be seen while the other is audio-only. Peer feedback praised the inclusion of opinions and movie information, but suggested adding more trivia questions and using a camera to record facial expressions. In response, the creator agreed a camera would help audiences relate to the speakers but disagreed that making the podcast longer was needed.
7. Evaluation (12) (1) (1).pptx
Muhammad Syaffa evaluated the strengths and weaknesses of his personal project. For research, a strength was seeing themes from other products to inform his podcast, while a weakness was not conducting more research to identify common successful elements. For planning, strengths included having a guideline, while a weakness was not considering all possible problems. Time management was good, allowing completion on schedule, but with more time the podcast could have included more content to further engage the intended achiever audience.
5. Pre-Production (13).pptx
The document outlines the pre-production planning for a horror movie podcast. It includes details on the style sheet with colors, fonts and images. It provides a storyboard and timeline that breaks down the podcast into introduction, review, quiz, rating and outro sections. It also discusses the software, props, locations, contingency planning, health and safety, and production schedule. The goal is to create a 30-60 minute horror podcast reviewing films with a dark and creepy aesthetic.
4. Proposal (10) (1).docx
This proposal is for a horror film podcast called "The Game Over Podcast". The purpose is to entertain listeners by discussing horror movies in an informal but polite tone. The first episode would discuss the movie "Saw" and give opinions and insights about the film, including a trivia segment. The target audience is mainly 16-19 year old male horror fans from middle-class and upper-middle-class backgrounds. Legal considerations include warnings for graphic content, advising those under 16 to listen with an adult, avoiding offensive language or topics, and ensuring the podcast design and script are original to avoid copyright issues.
3. Production Experiments (10) (1).pptx
The document describes the process of designing a logo for a horror podcast. It details how the designer:
1) Cropped an image found on Google of a cult-like character to use as the main logo image.
2) Shaped the logo as a square rather than circle to make it stand out.
3) Added a "parental advisory" image below to imply the podcast discusses gory film content.
4) Used a red font color like blood to fit the horror theme.
5) Presented the final logo design combining all the elements but will change the font for the actual production.
2. Research (14) (1).pptx
Here are a few key points about your research evaluation:
- You used multiple methods (product research, surveys, interviews) which provided different types of insights. This triangulation strengthened your research.
- Surveys allowed you to gather quantitative data from a larger sample, but lacked depth. Interviews provided richer qualitative feedback.
- Distributing surveys through Teams/WhatsApp was efficient for your target audience but limited the reach. Using an online survey tool may have yielded more responses.
- The response was mixed, highlighting different perspectives. Not everyone will agree - this adds validity versus getting all yes responses.
Overall your research approach was thorough, utilizing different methods to understand audiences. In the future, online surveys and
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6. production reflection (interactive) (1)
- 2. Process On this stage, I was preparing to set my desired background. I’ve added trees onto the frame. I decided to add features onto the log to add more depth and characteristic to the tree. I also took a realistic approach on doing my background such as colouring it with a purple colour to make it as realistic as possible. I’ve also use dark green and brown on the lower part of this stage to make it the setting to look like as if it took place in a forest.
- 3. Process On this stage I have completed my background with the theme that I desired. I’ve added darker trees to show the depth of the forest and added green vines between them to show that this forest is abandoned and no one has discovered it. The trees are wide and thick. I’ve added the moon and stars to the background as the setting is at night. I’ve decided to put the moon behind the trees to make it more intriguing and interesting.
- 4. Process On this stage I’ve added a wooden shed and starlight tokens into the game. The reason why the shed is there is because it acts as a shelter and the finishing point for the character. The tokens are there as a guiding system and as a reward as well for the players. I’ve decided to add obstacles just to make the game more enjoyable and fun.
- 5. Process During this stage, I’ve decided to add a main character as the storyline of the game is bout an explorer running away from a dinosaur to a shelter to win the game. This character is heavily inspired by Mario but to avoid being copyrighted I decided to dd my own twist to it.
- 6. Process I added a Pterodactyl as a final touch to my piece. With the presence of the dinosaur the game is complete. I’ve imported the game into premier pro to add sound effects on it. I’ve downloaded two sound effects and pasted it into the game.
Editor's Notes
- Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.
- Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.
- Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.
- Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.
- Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.