2. Animated film
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Animated film has evolved from early techniques like frame-to-frame animation and stop motion photography. Frame-to-frame animation involved taking many photos over a few seconds to create the illusion of movement, while stop motion uses photography to make small changes between positions of objects. These early techniques aimed to bring drawings and inanimate objects to life. The document also discusses the 1964 Spanish cartoon "Telerín family" as an example of how animated films have changed over time in their shapes, colors, and purpose of announcing children's bedtimes.
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The document discusses how film directors use various techniques to tell a story and influence audience reaction. It provides examples from the film Harry Potter and the Philosopher's Stone. The director uses different camera shots, angles, lighting, music, costumes and makeup to immerse viewers in the story and establish characters. Specifically, the director employs establishing shots of Hogwarts, closeups during scenes like the sorting ceremony, and natural lighting and sound effects on the Hogwarts Express to draw audiences into the world of Harry Potter.
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Stop motion animation techniques involve sculpting objects from materials like clay or plasticine and photographing small movements between frames to create the illusion of motion. Clay animation is extremely laborious, requiring 12 changes per second of footage. Cutout animation uses flat characters and props cut from materials like paper. Stop motion broadly refers to animating real-world objects by manipulating them frame by frame. Early pioneers like Muybridge captured motion through sequential photography, while Harryhausen and Svankmajer are known for creative stop motion films. Contemporary animators like Tim Burton and Aardman Animations continue stop motion traditions.
History of animation basic
The origins of animation can be traced back to simple toys from the 1820s like the thaumatrope, which used persistence of vision to combine two images spun on string. Later developments included the zoetrope in the 1860s and flip books, which allowed for homemade animation. Stop-motion animation using clay figures, pioneered in the early 1900s, was an important technique used in early animated films and shows. Advances in technology, from film to computer animation, have enabled increasingly sophisticated animated works.
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The document proposes three animation ideas for a class project:
1. A Pringles advertisement where vegetables and spices circle the packet during stop motion animation. A real person would interact, pausing the animation. Sound effects and background music would play.
2. A TV show introduction where a character walks behind a green screen past animated seasonal backgrounds wearing matching clothes.
3. A backpack advertisement where objects slowly come in and out of the bag during pixilation. Different people wearing the bag would be shown.
The group decided on the Pringles idea set to Gangnam Style music. They will use stop motion and pixilation techniques, filming continuous images and importing them into editing software to match the
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The document proposes three animation ideas for a class project:
1. A Pringles advertisement where vegetables and spices circle the packet during stop motion animation. A real person would interact, pausing the animation. Sound effects and background music would play.
2. A TV show introduction where a character walks behind a green screen past animated seasonal backgrounds wearing matching clothes.
3. A backpack advertisement where objects slowly come in and out of the bag during pixilation. Different people wearing the bag would be shown.
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The document analyzes several existing title sequences and movie posters. It finds that they commonly feature the main character prominently, use consistent color schemes and fonts, and include the names of actors and creators. The research identifies specific techniques like transitions, lighting, imagery, and styles that effectively set tone and convey information to the audience. It will apply aspects of this research like character-focused narratives, color palettes, and credits in its own title sequence and poster designs.
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3) The ident created features a silhouette of a wolf howling on a rock with the words "fenris STUDIOS" below in different case letters, inspired by Momentum Pictures.
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G321 evaluation acitivity 7 notes
The document summarizes what Hannah Ram learned from creating a preliminary task and progressing to a full product. Some key points include:
1) Shots were shaky in the preliminary task due to lack of a tripod, but a tripod was used for the full product to create steady shots.
2) Framing of shots needed improvement, so character positioning was planned in advance for the full product.
3) Research was conducted on conventions like the 180 degree rule to ensure content was appropriate.
4) Attention to details like location, lighting, and sound editing improved the overall quality and meaning conveyed.
5) Movement of actors and continuity of editing between shots was enhanced.
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Evaluation question 1
The media product challenges conventions of horror films in several ways:
1) The title "The Darkness" fits the narrative and horror film genre to attract audiences.
2) The red title against a black background follows horror film conventions to engage viewers.
3) The setting of a house allows for audience relatability and builds suspense, relating to films like Scream.
4) Camerawork and editing with various shots maintain interest and show emotion and mystery.
5) Costuming simply distinguishes the antagonist in black from the protagonist in white, representing purity and safety with the bedside lamp.
6) Characters are introduced with the protagonist in the mirror and antagonist as a supernatural
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This document provides a brief history of animation from ancient times to modern computer generated imagery (CGI). It discusses early animation devices like the zoetrope and praxinoscope in the Victorian era. Major developments included the first animated films in the late 1800s, the introduction of sound and color in the 1920s-1930s, and the creation of CGI in the 1960s-1970s. The document also outlines different types of animation including cel, computer generated, and stop motion techniques. It provides definitions and examples for each type.
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Looking back on their preliminary task, the group felt they had improved in several areas for their final product. They learned to use equipment like tripods and tilt shots to improve shot quality and framing. They also planned more carefully, allocating roles, researching genre conventions, and choosing appropriate locations and costumes. Their use of editing, sound, and actors' movements was refined to better convey meaning and atmosphere for the psychological thriller genre. Overall, greater preparation, organization, and focus on technical and creative elements allowed them to produce a higher quality final product.
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The document traces the history and development of animation from early devices like the thaumatrope and zoetrope in the 1820s-1860s, to flipbooks and the invention of stop-motion animation using clay figures in the early 1900s. It then discusses how animation evolved with the advent of film and technology like CGI, from early black-and-white cartoons to fully computer generated films. A key concept is how persistence of vision creates the illusion of movement, whether through physical devices or sequential drawings and photos in film.
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This is a powerpoint which contains series of images regarding film techniques and helpful tips and tricks to help in creating a short film and help prepare.
Evaluation task 1
This document analyzes and summarizes several scenes from well-known films that were used as inspiration or directly replicated in the creation of a student media project. It discusses how shots from films like Snatch, Get the Gringo, The Town, Saving Private Ryan, and The Searchers establish characters, set tone, create tension, and effectively move the story forward. Specific techniques that were borrowed include rule of thirds composition in Snatch, framing a character within the frame to create a claustrophobic feel in Get the Gringo, revealing characters' faces for the first time with intensity in The Town, using close-ups to emphasize an intense moment in Saving Private Ryan, and employing a medium long shot
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Animation has its origins in early cinema through stop-motion photography and trick effects. It evolved through the work of pioneers like Émile Cohl, Winsor McCay, the Fleischer brothers, and Walt Disney. Disney popularized character animation and brought color and sound to full-length animated films. Advances in computer graphics have enabled highly realistic computer-generated animation. The history of animation involves contributions from both American and international studios across different styles and technologies.
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The document discusses conventions used in horror movie openings related to titles, camerawork, framing, angles, mis-en-scène, editing, and sound. It notes that research found titles typically appear over black with red or white text. Camera movements like panning create an eye view effect. Shots are framed close up to focus on danger or long to show the environment. Angles are manipulated to depict power. Victims are commonly dressed in white with blond hair. Editing uses cuts and rhythm to build tension. Sound incorporates a scary theme, dialogue for story, and sometimes effects. The production applies many conventions but also challenges expectations.
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1) The document discusses the creation of an ident, or logo, for a film studio called Fenris Studios.
2) Key aspects of other film company idents like Universal and Dreamworks were analyzed for conventions.
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Animation is created through rapidly displaying a sequence of images to create the illusion of movement. The history of animation includes early devices from the 1800s like the phenakistoscope and praxinoscope. Traditional animation begins with storyboards and involves animators drawing sequences of images on sheets of paper called cels, which are layered and photographed to create the animation frame by frame. Stop motion animation makes physically manipulated objects appear to move on their own. Different forms of animation include stop motion using models or clay, and computer animation created with software.
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The document summarizes the early history of animation, starting with the zoetrope in 180 AD. It describes several early animation devices from the 19th century like the thaumatrope, phenakistoscope, and flip book. The praxinoscope, an improved version of the zoetrope, was invented in 1877. Modern animation techniques described include stop motion animation exemplified by Nightmare Before Christmas, and CGI animation pioneered by Pixar's Toy Story.
Animation by dinesh kumar
Defination
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The document provides a history of animation from its earliest origins in paleolithic cave paintings through key developments over time. Some of the earliest animation devices included the magic lantern in 1650, the thaumatrope in 1824, and the phenakistoscope in 1831. Important later developments included Winsor McCay's use of keyframe animation in Little Nemo and the first full-length cel animated feature, Snow White and the Seven Dwarfs, released by Disney in 1937. Modern milestones included Toy Story in 1995 as the first full-length CG feature and Avatar in 2009 which utilized new camera technology allowing live action and motion capture to be viewed simultaneously with CG.
G321 evaluation acitivity 7 notes
The document summarizes what Hannah Ram learned from creating a preliminary task and progressing to a full product. Some key points include:
1) Shots were shaky in the preliminary task due to lack of a tripod, but a tripod was used for the full product to create steady shots.
2) Framing of shots needed improvement, so character positioning was planned in advance for the full product.
3) Research was conducted on conventions like the 180 degree rule to ensure content was appropriate.
4) Attention to details like location, lighting, and sound editing improved the overall quality and meaning conveyed.
5) Movement of actors and continuity of editing between shots was enhanced.
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In this PowerPoint I discuss a variety of film techniques including camera angles, camera movement and time management.
Evaluation question 1
The media product challenges conventions of horror films in several ways:
1) The title "The Darkness" fits the narrative and horror film genre to attract audiences.
2) The red title against a black background follows horror film conventions to engage viewers.
3) The setting of a house allows for audience relatability and builds suspense, relating to films like Scream.
4) Camerawork and editing with various shots maintain interest and show emotion and mystery.
5) Costuming simply distinguishes the antagonist in black from the protagonist in white, representing purity and safety with the bedside lamp.
6) Characters are introduced with the protagonist in the mirror and antagonist as a supernatural
Animation Summary
This document provides a brief history of animation from ancient times to modern computer generated imagery (CGI). It discusses early animation devices like the zoetrope and praxinoscope in the Victorian era. Major developments included the first animated films in the late 1800s, the introduction of sound and color in the 1920s-1930s, and the creation of CGI in the 1960s-1970s. The document also outlines different types of animation including cel, computer generated, and stop motion techniques. It provides definitions and examples for each type.
Animated movies
Animated movies have evolved significantly over time, beginning with Walt Disney's early animated shorts in the 1920s and pioneering feature-length films like Snow White in 1937. The Disney era established animation as a viable art form and commercial medium. Later, Pixar revolutionized animation with the first fully computer-animated feature, Toy Story, in 1995. Today, animation employs a variety of techniques from traditional hand-drawn to 3D computer graphics and stop-motion. The multi-step production process includes storyboarding, modeling, animation, and post-production work to bring animated characters and stories to life for audiences worldwide.
Mise en scene and semiotics
Mise en scene, lighting, props, costumes, and prosthetics are important technical elements in filmmaking that help set the scene and mood. Mise en scene involves the visual elements that represent where the story takes place, including settings, props, costumes, and characters. Lighting can create different atmospheres like candlelit rooms or sterile environments lit with neon. Props include movable items visible on screen like furniture, weapons, or plants. Costumes indicate time period, social class, and other details. Prosthetics can make characters look different for genres like horror, action, or war films. Semiotics is the study of signs and symbols, which can be applied to analyze the meanings conveyed by elements of mise
Evaluation Question 7 Notes
Looking back on their preliminary task, the group felt they had improved in several areas for their final product. They learned to use equipment like tripods and tilt shots to improve shot quality and framing. They also planned more carefully, allocating roles, researching genre conventions, and choosing appropriate locations and costumes. Their use of editing, sound, and actors' movements was refined to better convey meaning and atmosphere for the psychological thriller genre. Overall, greater preparation, organization, and focus on technical and creative elements allowed them to produce a higher quality final product.
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Animation is the process of creating the illusion of motion by displaying a sequence of images that are slightly different from one another. The main types of animation are 2D animation, 3D animation, motion graphics, stop motion, and traditional animation. 2D animation involves hand-drawn or digitally created images, while 3D animation uses computer-generated 3D models. Motion graphics focuses on moving graphic elements or text, and stop motion animates real-world objects or puppets by moving them incrementally between photographs. Traditional animation historically involved drawing each frame by hand on transparent sheets called cels. The history of animation includes early inventions like the zoetrope and flip books in the 1800s and the first animated films in
Introduction to Animation and its Thought Process
This document provides an introduction to animation, including its definition, thought processes, types, production process, and software/tools used. Animation is defined as the art of movements that are drawn between each frame, rather than what exists in each frame. The key types discussed are 2D, 3D, stop motion, VFX, and experimental animation. The production process involves pre-production, production, and post-production stages. Creative and critical thinking are essential thought processes for animators.
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Today's lesson covered the history and methods of animation. Students learned about early animation techniques like thaumatropes and flipbooks, how they create the illusion of movement, and explored stop-motion animation using clay figures. Students were given a hands-on activity to create their own online flipbook. The lesson discussed how animation has developed over time, with important milestones like the first full CGI film Toy Story and advancements in visual effects seen in films like Avatar.
Screen art 1.pptx
Animation is created by displaying a sequence of images to create the illusion of movement. The persistence of vision phenomenon causes our eyes to perceive continuous movement when individual images are displayed rapidly in succession. Early forms of animation date back thousands of years and included techniques like cave murals, pottery illustrations, and da Vinci's sketches. Modern animation includes traditional hand-drawn animation, 2D digital animation using sequenced drawings, 3D animation using computer-generated objects and environments, stop motion, and other techniques. The animation process involves pre-production, production, and post-production stages for both 2D and 3D animation. 12 principles like squash and stretch, anticipation, staging, arcs, and timing are used to make animated movements appear
1.animation
This document provides an overview of animation techniques including traditional animation, stop motion, and computer animation. It defines animation as the rapid display of images to create an illusion of movement. Traditional animation involves drawing frames by hand and photographing drawn cels. Stop motion uses physical manipulation of objects frame by frame. Computer animation uses software to generate animated sequences by changing object positions, sizes, colors or other parameters over time. Key frames define positions and in-betweens generate intermediate frames.
19 types of animation techniques and styles
There are many styles of animation that can be used to create the illusion of motion. Some key animation styles mentioned are traditional 2D animation where each frame is hand drawn, digital 2D animation where frames are drawn digitally, and 3D animation where realistic characters are created using software. Other styles discussed include stop motion animation where objects are animated frame by frame, puppetry animation using life-like puppets, and claymation which uses molded clay characters. The document provides a detailed overview of 19 different animation styles.
Cartoons
Cartoons can be created through both traditional animation and computer animation techniques. Traditional animation involves hand drawing each frame while computer animation uses 3D computer graphics. Some of the earliest animated cartoons date back to the late 1800s and early 1900s. Popular animation studios that produce cartoons include Disney, Warner Bros., Hanna-Barbera, and many others. Different styles of cartoons also emerged such as anime which originated in Japan with manga-influenced stories.
Techniques and pioneers
The document provides information on various animation techniques such as persistence of vision, stop frame animation, and frame rates. It discusses pioneers of animation such as Joseph Plateau, Thomas Edison, and the Lumiere Brothers. Developers like Willis O'Brien, Ray Harryhausen, and Jan Švankmajer are mentioned. Contemporary animators and studios highlighted include the Brothers Quay, Tim Burton, and Aardman Animations. Finally, the document outlines different genres and forms of animation within television, cinema, advertising, and music videos.
ANIMATION.pptx
Animation is a simulation of movement created by displaying a series of pictures or frames rapidly to give the illusion of continuous motion. It works by taking advantage of the persistence of vision, where the human eye retains an image briefly after viewing. A series of images changed slightly and rapidly will seem like continuous motion. Early pioneers included Walt Disney, who created the first animated film with sound in 1928 and the first full-length animated color film in 1937. Traditional cel animation involved drawing and painting characters on transparent sheets called cels that were photographed and layered over backgrounds.
Animation techniques
The document discusses the history and evolution of animation techniques. Some of the earliest techniques mentioned include the phenakistiscope and zoetrope, which used spinning disks with sequential images to create the illusion of movement. Later techniques introduced elements like flipbooks, cel animation, multiplane animation, and digital animation to produce smoother animations. Modern animation incorporates various methods like anime, claymation, rotoscoping, and computer-generated imagery.
short-vista-animation-120430122352-phpapp02.pptx
This document defines animation and discusses different types of animation including hand drawn, stop motion, and computer animation. It provides examples of each type and explains the basic processes involved. Key points covered include how persistence of vision creates the illusion of movement, the use of storyboards in planning animation, and the impact and widespread uses of animation today beyond just children's entertainment.
short-vista-animation-120430122352-phpapp02.pptx
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2. Animated film
- 2. Animated film In the beginning, movement in images was achieved by taking lots of photos in a few seconds.
- 3. Animated film This technique is called Frame-to-frame.
- 4. Animated film Stop motion is another animation technique which consists of photographing successive positions of an object in order to produce the appearance of movement.
- 5. Animated film In conclusion, the aim of animated film is to give life to drawings and inanimate objects. Observe these cartoons and think about how they have changed (shapes, colours...).
- 7. Animated film Telerín family (1964) is one example about the evolution of animated film. The aim of the cartoons was to announce children’s bedtime.
- 9. Creating “Our gifts” How do you think that these gifts were made? Now, it’s your turn
- 10. Creating “Our gifts” Now, it’s your turn - Look for a partner - Discuss the topic or the story about your gift - Think about the photos that you will need to take
- 11. The evolution of animated characters Now, it’s your turn - Think about an animated character - Take a paper and draw it as similar as today -Then, think about its appearance some years ago (shape, clothes, colour...)
- 12. My cartoon Now, it’s your turn ‐Look for some magazine clippings ‐Cut them out ‐Create your cartoon
- 13. The end