ANIMATION.pptx
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Animation is a simulation of movement created by displaying a series of pictures or frames rapidly to give the illusion of continuous motion. It works by taking advantage of the persistence of vision, where the human eye retains an image briefly after viewing. A series of images changed slightly and rapidly will seem like continuous motion. Early pioneers included Walt Disney, who created the first animated film with sound in 1928 and the first full-length animated color film in 1937. Traditional cel animation involved drawing and painting characters on transparent sheets called cels that were photographed and layered over backgrounds.
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Introduction to Animation.ppt
This document provides an overview of the history and principles of animation. It defines animation as the art of creating differing images that create the illusion of movement when played rapidly. The key principles that allow for this illusion are persistence of vision, where the brain retains images slightly longer than registered, and the physiology of how light is captured and interpreted by the eye and brain. The document then outlines major developments in animation history from early mechanical toys and devices in the 1820s-1890s, through early animated films at the turn of the century, the birth of character animation with Felix the Cat and Mickey Mouse in the 1920s, the first Oscar for animation in 1932, the rise of computer animation in 1995, and the use of stop-
Introduction to Animation.ppt
This document provides an overview of the history and principles of animation. It defines animation as the art of creating differing images that create the illusion of movement when played rapidly. The key principles that allow for this illusion are persistence of vision, where the brain retains images slightly longer than registered, and the physiology of how light is captured and interpreted by the eye and brain. The document then outlines major developments in animation history from early mechanical toys and devices in the 1820s-1890s, to early animated films in the 1900s-1920s, the rise of Disney and other studios in the 1920s-1930s, the development of computer animation in the 1990s, and some examples of milestone animated films.
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Thomas Horbury works as a stop motion animator at Aardman Animations. This pitch discusses the history of animation, from early pioneers to present day. It outlines the main animation techniques, including 2D hand drawn, 2D vector-based, 3D computer animation, motion graphics, and stop motion. Examples are provided of stop motion works by Aardman Animations. The pitch also provides a timeline of animation pioneers from 1832 to present, including their contributions to early animation technologies and styles that influenced later animators.
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Animation is the technique of photographing successive drawings or positions of models to create the illusion of movement. The document provides a history of animation, beginning with early devices like the magic lantern and zoetrope in the 18th-19th centuries. It discusses important early animated films from 1908 to 1937 and types of animation including 2D, 3D, and stop-motion. Tools for animation and key animation vocabulary are also outlined.
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The document discusses the history and evolution of animation. It describes early animation techniques like the phenakistoscope and zoetrope. It discusses key innovations like Eadweard Muybridge's work, the development of film by the Lumiere brothers, and the introduction of cel animation. The document also covers animation concepts like beta movement and phi phenomenon. It analyzes how animation has been used in gaming, films like Terminator, and the work of Walt Disney and John Lasseter at Pixar.
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Introduction to Animation.ppt
This document provides an overview of the history and principles of animation. It defines animation as the art of creating differing images that create the illusion of movement when played rapidly. The key principles that allow for this illusion are persistence of vision, where the brain retains images slightly longer than registered, and the physiology of how light is captured and interpreted by the eye and brain. The document then outlines major developments in animation history from early mechanical toys and devices in the 1820s-1890s, to early animated films in the 1900s-1920s, the rise of Disney and other studios in the 1920s-1930s, the development of computer animation in the 1990s, and some examples of milestone animated films.
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The document discusses the history and evolution of animation. It describes early animation techniques like the phenakistoscope and zoetrope. It discusses key innovations like Eadweard Muybridge's work, the development of film by the Lumiere brothers, and the introduction of cel animation. The document also covers animation concepts like beta movement and phi phenomenon. It analyzes how animation has been used in gaming, films like Terminator, and the work of Walt Disney and John Lasseter at Pixar.
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Thomas Horbury works as a stop motion animator at Aardman Animations. This pitch discusses the history of animation, from early pioneers to present day techniques. It covers pioneers like Joseph Plateau, who invented the phenakistoscope in 1832, as well as animation techniques including 2D hand drawn animation, 3D computer animation, and stop motion animation pioneered by Willis O'Brien with films like King Kong. The document provides examples of how different animators and techniques influenced one another over time in developing the art of animation.
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The key developments in animation from the 17th century to present include:
- The Magic Lantern in the 17th century, one of the first image projectors, which helped lay the foundations for animated films.
- Rotoscoping in the early 1900s, which involved animators tracing over live-action footage frame-by-frame, helping to more seamlessly blend animation and live action.
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short-vista-animation-120430122352-phpapp02.pptx
This document defines animation and discusses different types of animation including hand drawn, stop motion, and computer animation. It provides examples of each type and explains the basic processes involved. Key points covered include how persistence of vision creates the illusion of movement, the use of storyboards in planning animations, and the impact and widespread uses of animation today beyond just children's entertainment.
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- In the late 19th/early 20th century, new animation techniques emerged like phenakistoscope, zoetrope, flipbooks, and praxinoscope which helped establish animation as a form of entertainment.
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一比一原版新西兰奥塔哥大学毕业证（otago毕业证）如何办理
一模一样【微信：A575476】【新西兰奥塔哥大学毕业证（otago毕业证）成绩单Offer】【微信：A575476】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
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ANIMATION.pptx
- 2. Animation A simulation of movement created by displaying series of pictures or frames at a rapid speed. Generated from word ‘anime’ which means life. To animate’ means to bring to life. Animation on computers is one of the chief ingredients of multimedia presentations. Video takes continuous motion and breaks it up into discrete frames, whereas animation starts with independent pictures and puts them together to form the illusion of continuous motion.
- 3. Animation-an illusion!! First you should understand the principles of how the eye interprets the changes it sees as motion. Persistence of vision : Given by Peter Roget in 1824. It states that an object seen by the human eye remains chemically mapped on the eye’s retina for a brief time after viewing. The fractional skips between images are not noticed because the persistence fills in the momentary gap. This makes it possible for a series of images that are changed very slightly and very rapidly, one after the other, seem like continuous motion.
- 4. How it works?? These six frames when displayed at a speed of 10 frames per second creates an illusion of motion(bouncing of ball). The earliest example existed 4000 years ago in Persia Thaumatrope(1827) phenakistoscope.
- 5. (Early 1900s-late 1920s) First animated film with synchronized sound was Steamboat Willie in 1928 by Walt Disney. Snow White and the Seven Dwarfs in 1937 by Walt Disney was the first full length animated film in color. Memorable characters- Mickey Mouse, Bugs Bunny, Donald Duck, Daffy Duck, Popeye, Woody Woodpecker, Mighty Mouse, Tom And Jerry, and a popular adaptation of Superman.
- 6. (Late 1920s-late 1950s) : First animated film with synchronized sound was Steamboat Willie in 1928 by Walt Disney. Snow White and the Seven Dwarfs in 1937 by Walt Disney was the first full length animated film in color. Memorable characters- Mickey Mouse, Bugs Bunny, Donald Duck, Daffy Duck, Popeye, Woody Woodpecker, Mighty Mouse, Tom And Jerry, and a popular adaptation of Superman.
- 7. Cel Animation: Cel stands for celluloid which is a clear sheet with images drawn on them. It is transparent so that it can be laid over other cels and/or a painted background, then photographed. It includes the following steps:- Drawing and painting of Cels Filming of Cels The processed film, vocal tracks, music and sound tracks are then synchronized and edited together. The final film is sent to the lab to make a film project print.
- 8. Summary Animation process of creating images one at a time to be displayed rapidly in sequence giving the illusion of movement. Persistence of vision blending together by the eye and brain of rapidly displayed sequential images, giving the illusion of movement. Pioneers of animation include Winsor McCay of the United States and Emile Cohl of France.