The document outlines initial plans for a short film project involving action and special effects. The author enjoyed making short films previously and was skilled at adding special effects and editing. They are considering including a poster for the short film if time allows, as they have strong Photoshop and graphic design skills. Several mind maps and mood boards are included to help plan camera shots, lighting, colors and techniques for the film. Shots involving tension, mystery and character reactions are of interest to set the right mood.
The document outlines initial plans for a short film involving action and special effects. It discusses using techniques like dolly zooms, different shots including long shots and point-of-view shots, as well as exploring color schemes and mood. Inspiration is drawn from the posters, shots, and colors of films like Inception, Star Wars, and Home Alone. Storyboards show scenes outside the house, in the garage getting a bat, and the comedic twist of finding a surprise party instead of an intruder. Research plans include practicing uncommon shots, exploring dolly zooms, testing cameras for techniques, and experimenting with colors and costumes.
The document outlines initial plans for a short film involving action and special effects. It discusses using techniques like dolly zooms, different shots including long shots and point-of-view shots, as well as exploring color schemes and moods. Inspiration is drawn from posters and shots from films like Inception, Star Wars, and Home Alone. Storyboards outline scenes taking place outside, in a garage, and inside a house where the main character discovers an unconscious person after what was supposed to be a surprise birthday party. Camera techniques, colors, props, costumes and locations are considered to help set the tense and comedic tones of different scenes.
The document outlines pre-production planning for an upcoming short film, including sound design, visual style, poster design, and storyboarding. Sound effects and music will be sourced from both recorded and online sources. The visual style will utilize dull, muted colors to create a tense atmosphere. The poster will feature a shadowy figure looking out a window to hint at the plot. Storyboards show the character investigating a strange occurrence in their home, leading to a comedic misunderstanding. Location scouting details shooting various scenes at the filmmaker's street, college, and home.
The document provides details on pre-production planning for an upcoming short film, including sound design, visual style, poster design, character look, and camera work. Sound effects and music will be both downloaded and self-recorded to fit the film's needs. The color scheme and fonts aim for a dull, tense tone. Storyboards show camera placements and character movements throughout key scenes. Locations like the street and classrooms are selected for filming different parts of the narrative.
The document provides details on pre-production planning for an upcoming short film, including sound design, visual style, poster design, character look and feel, storyboards, and location information. Sound effects and music will be both downloaded and self-recorded to fit the film's needs. The visual style will utilize dull, desaturated colors to create tension. The poster will show an eerie shadow looking out a window. The character will wear a dark blue polo shirt. Storyboards outline key shots including establishing shots, conversations, and a tense hallway scene. Specific filming locations are identified.
The document outlines initial plans for a short film involving action and special effects. It includes mind maps and mood boards covering camera shots, techniques, props, costumes, locations, and a story outline. The mood boards analyze tone and provide inspiration for achieving the right mood through colors, lighting, and imagery. The plans aim to create suspense and surprise through techniques like dolly zooms and by showing the protagonist's reaction to discovering an intruder that turns out to be a surprise party.
This document discusses photos taken and posters created for a media project. Several photos were discarded due to being cluttered, tilted, or not achieving the desired shot. Photos that were used include clear shots of the main model and a dark image of a town that provides context. These photos fit genres like action and mystery. Settings and lighting were chosen to relate to these genres in posters for a quad, theatrical, and teaser poster. Technical details are provided about the equipment and settings used. The posters feature a character in a city landscape with weapons to relate to action, and a mask alone for mystery in the teaser poster.
The document discusses conventions commonly used in horror movie posters. It explains that posters usually feature a close-up of one main character, bold dark colors like black and red, and titles displayed prominently in all capital letters. Imagery is often lit with low-key lighting to set a dark, ominous tone. Common elements analyzed in example posters include characters' facial expressions and costumes that provide clues about the plot. Overall, the conventions are designed to attract audiences by subconsciously conveying the expected themes of fear, violence and suspense for the horror genre.
The document outlines initial plans for a short film involving action and special effects. It discusses using techniques like dolly zooms, different shots including long shots and point-of-view shots, as well as exploring color schemes and mood. Inspiration is drawn from the posters, shots, and colors of films like Inception, Star Wars, and Home Alone. Storyboards show scenes outside the house, in the garage getting a bat, and the comedic twist of finding a surprise party instead of an intruder. Research plans include practicing uncommon shots, exploring dolly zooms, testing cameras for techniques, and experimenting with colors and costumes.
The document outlines initial plans for a short film involving action and special effects. It discusses using techniques like dolly zooms, different shots including long shots and point-of-view shots, as well as exploring color schemes and moods. Inspiration is drawn from posters and shots from films like Inception, Star Wars, and Home Alone. Storyboards outline scenes taking place outside, in a garage, and inside a house where the main character discovers an unconscious person after what was supposed to be a surprise birthday party. Camera techniques, colors, props, costumes and locations are considered to help set the tense and comedic tones of different scenes.
The document outlines pre-production planning for an upcoming short film, including sound design, visual style, poster design, and storyboarding. Sound effects and music will be sourced from both recorded and online sources. The visual style will utilize dull, muted colors to create a tense atmosphere. The poster will feature a shadowy figure looking out a window to hint at the plot. Storyboards show the character investigating a strange occurrence in their home, leading to a comedic misunderstanding. Location scouting details shooting various scenes at the filmmaker's street, college, and home.
The document provides details on pre-production planning for an upcoming short film, including sound design, visual style, poster design, character look, and camera work. Sound effects and music will be both downloaded and self-recorded to fit the film's needs. The color scheme and fonts aim for a dull, tense tone. Storyboards show camera placements and character movements throughout key scenes. Locations like the street and classrooms are selected for filming different parts of the narrative.
The document provides details on pre-production planning for an upcoming short film, including sound design, visual style, poster design, character look and feel, storyboards, and location information. Sound effects and music will be both downloaded and self-recorded to fit the film's needs. The visual style will utilize dull, desaturated colors to create tension. The poster will show an eerie shadow looking out a window. The character will wear a dark blue polo shirt. Storyboards outline key shots including establishing shots, conversations, and a tense hallway scene. Specific filming locations are identified.
The document outlines initial plans for a short film involving action and special effects. It includes mind maps and mood boards covering camera shots, techniques, props, costumes, locations, and a story outline. The mood boards analyze tone and provide inspiration for achieving the right mood through colors, lighting, and imagery. The plans aim to create suspense and surprise through techniques like dolly zooms and by showing the protagonist's reaction to discovering an intruder that turns out to be a surprise party.
This document discusses photos taken and posters created for a media project. Several photos were discarded due to being cluttered, tilted, or not achieving the desired shot. Photos that were used include clear shots of the main model and a dark image of a town that provides context. These photos fit genres like action and mystery. Settings and lighting were chosen to relate to these genres in posters for a quad, theatrical, and teaser poster. Technical details are provided about the equipment and settings used. The posters feature a character in a city landscape with weapons to relate to action, and a mask alone for mystery in the teaser poster.
The document discusses conventions commonly used in horror movie posters. It explains that posters usually feature a close-up of one main character, bold dark colors like black and red, and titles displayed prominently in all capital letters. Imagery is often lit with low-key lighting to set a dark, ominous tone. Common elements analyzed in example posters include characters' facial expressions and costumes that provide clues about the plot. Overall, the conventions are designed to attract audiences by subconsciously conveying the expected themes of fear, violence and suspense for the horror genre.
The document discusses several photos taken for a school project on movie posters. It analyzes photos of a model in a city setting for a quad poster and theatrical posters. Settings and lighting were chosen to relate to action and mystery movie genres. Good photos were dark with minimal disruptive light. Notable photos included the model in frame without distractions. A teaser poster focused on the mystery genre by featuring just a mask in a dark indoor setting to build intrigue around the character's identity.
Updated Evaluation - A2 Media CourseworkJack Barlow
The document discusses the use of conventions and challenges in the media creator's trailer, ancillary products, and evaluation process.
For the trailer, conventions like introducing the main character and villain are used, while mystery is added. Ancillary products like the poster, DVD cover, and magazine cover generally follow conventions but with some unconventional elements. Feedback was gathered from peers and used to improve the products, addressing issues like font, images, and clarity.
Media technologies were used at all stages, including researching online, storyboarding in Flash, designing in Fireworks, editing footage in Premiere, and sharing work and evaluations on Blogger.
This document is a self-evaluation by Charlotte Bowerman of the production elements for her horror teaser trailer. She analyzes the locations, lighting, cinematography, props, costumes, shots, script, characters, fonts and poster design compared to the horror film "The Conjuring" to ensure she is using appropriate horror genre conventions. Bowerman identifies areas where her initial ideas did not fully match conventions seen in "The Conjuring" and other horror films, such as using more dramatic lighting, focusing costumes on characterizing vulnerability, and using bolder white fonts on a dark background for the teaser poster.
The document provides details on creating a teaser poster and film poster for a fantasy film project. It discusses inspiration taken from Tim Burton's unique fantasy style. Details are given on exploring locations, costumes, makeup inspiration from Helena Bonham Carter, and professional photographers like Tim Walker. Fonts, slogans, and editing techniques in Photoshop are tested out. Final drafts of the teaser poster featuring a pocket watch and the film poster with two lead characters are presented. The film poster is further refined by adding special effects, layers, quotes and production credits.
The document discusses the ways in which the media product uses and develops conventions of real media products. It analyzes a trailer, poster, DVD cover, and magazine cover created by the author. The trailer uses some conventions like introducing characters but also adds mystery. The poster follows conventions like including information but features an unconventional image. Feedback from peers helped improve the products by addressing issues like font choice and lack of scariness. Media technologies like cameras, software, and the internet were used at different stages of production.
This document analyzes 9 different shot types that are commonly used in horror film trailers. It describes each shot in terms of type of shot, why it is used, its function, when it appears in the trailer, and how the information could be applied to the author's own horror film trailer. The shots serve to establish setting and characters, build suspense, represent the horror genre through conventions like darkness and violence, and ultimately remind viewers of the film's title.
This document analyzes 9 different shot types from the trailer for A Nightmare on Elm Street. Each shot is described in terms of the type of shot, why it was used, its function, when it appeared in the trailer, and how the techniques could be applied to a film trailer. The shots serve to establish setting, build tension, reveal information about the killer, and encourage viewers to watch the film by representing common horror conventions.
The document discusses how Molly Douglas used various media technologies throughout the process of creating, researching, planning, and evaluating her A2 media assignment. She researched conventions of horror film posters, magazines, and trailers using Google, YouTube, and Wikipedia. Planning and drafting was done using Microsoft programs. Pictures were edited using Picasa for lighting, color, and fonts. iMovie was used to edit video footage and add music, titles, and transitions to create the film trailer. Feedback was collected through an online questionnaire to evaluate the work. Overall, Molly believes the combination of her products developed real media conventions while also providing some challenges.
The opening sequence of the film Memento uses micro elements like setting, costume, facial expressions, and props to immerse viewers and set the mood. Three distinct settings are shown that appear secretive and run-down, intriguing audiences to learn more. The main character wears worn, comfortable clothes that suggest a difficult past and transient lifestyle. His serious facial expressions and focused posture establish him as the driven protagonist. Prominent props like a bloody photo, bullet, and glasses provide clues about the theme of death and revenge without revealing too much. These micro elements effectively orient viewers and encourage them to continue watching to understand the story.
This document discusses how the author of the media product addressed and attracted their target audience. They targeted males and females aged 15+ by researching film classification guidelines and choosing a 15 rating that was appropriate for the film's content. They addressed different social groups by portraying the main female character as a vulnerable victim, and portraying the young girl as powerful and fear-inducing. The author attracted their audience through the use of camera work like POV shots, high and low angle shots, and long shots to reveal and conceal information. They also used effective sound design, editing techniques like fades to black, and typography in their trailer.
Analysis Short Films-Technical Elementsguestea7a90
The document analyzes several short films and focuses on their technical aspects such as sound, mise-en-scene, camerawork, lighting, and editing. For the film "I Stood Up", background train sounds create atmosphere and voice effects emphasize confusion. Mise-en-scene makes the protagonist appear guilty in a suit. Camerawork shows emotion through close-ups. In "Slap", an extreme close-up of a cheek leads to a medium shot excluding the husband to portray unjustified actions. "Night After Night" uses lighting and props to indicate a vulnerable, lower class homeless person with psychological issues. Camera tilts create vulnerability. Sound is minimal except for tension in "Fight" and atmosphere in
The poster analyzes the 1996 film "Scream" movie poster. It follows horror movie poster conventions like featuring the main character prominently, using dark colors like black and gray, and placing the title at the bottom. The analysis examines specific elements of the poster like the close-up facial expression of fear, ambiguous background, and tagline about "love" and "murder" to build intrigue and connect to the film's plot. Overall, the poster effectively uses basic horror conventions while still feeling unique to promote the mystery and danger of the film.
The document provides details about an opening sequence for the film "True Colours", which is described as a thriller/supernatural/mystery genre. It introduces the main characters of painter Nathan Peterson and 18-year-old model Honey Harrison, whose life appears to be controlled by Nathan's paintings. The summary focuses on establishing the plot, characters, and ensuring elements of mystery and intrigue are conveyed within the tight two-minute timeframe. Technical decisions regarding camerawork, lighting, sound design and editing aim to immerse the audience and leave them wanting more.
This document analyzes the micro elements used in the opening sequence of the film "Dead Silence" through examining individual camera shots. It discusses how elements like props, lighting, shot types (e.g. high angle, close up), editing, pace, costumes and more are used strategically to set tone and provide meaning and clues about the characters and story to the audience without revealing full details. The analysis of these micro features will help the author construct their own effective film opening by understanding how to manipulate elements like camera work, lighting and more to engage audiences and achieve desired emotional responses.
The document analyzes the micro elements used in the opening sequence of the film "Dead Silence" through various camera shots. It discusses how props, settings, costumes, lighting, and editing are used to set tone and provide meaning. A high angle shot shows tools that could be used for harm, making the character seem dangerous. A medium shot of a puppet costume suggests the period and genre of the film. Extreme close-ups of a puppet's eyes indicate it is an important but not safe main character. The fast pace and abrupt editing create difficulty for the audience to fully understand each shot.
The document summarizes and analyzes screenshots from a trailer for a film about a teenage boy. The black and white shots and solemn expressions establish a serious, gloomy tone consistent with the genre of social realism. Intertitles provide just enough narrative context to intrigue audiences without revealing the full plot. The main character's costume accurately represents modern working-class youth while subverting stereotypes of aggression.
The short film "The Black Hole" takes place in a messy office environment where the protagonist seems unhappy with his job. Through his facial expressions and actions towards the photocopier, it is clear he is displeased. When he notices that a white piece of paper is actually a black hole, a low angle shot is used to make the protagonist appear powerful in his discovery. Throughout the film, the editing and sound create an atmosphere of a boring work environment until the protagonist finds the black hole, when the pace quickens. The lighting in the office is mostly dark, conveying a horrible work atmosphere and the protagonist's growing greed as the film develops further.
The document discusses the evaluation questions for a media production assignment involving creating a film trailer, poster, and magazine cover. It focuses on answering the first question - how the media product uses, develops, or challenges conventions of real media. The response discusses conventions used from real thriller trailers, posters, and magazines that were analyzed. It covers typography, shots, narrative structure, sound, camera movements, and characters that were intentionally incorporated to match real media forms and allow audiences to easily identify the genre.
The document provides information about conventions used in teaser trailers, including:
- Teaser trailers are shorter (40 seconds to 1 minute) and outline the film's narrative theme, main characters, sound, titles/credits, and release date.
- Camera work includes a range of shots (close-ups, long shots, mediums shots) to showcase the genre within the short time frame.
- The purpose is to promote and sell the film to its target audience by showing what the film is about and its release date.
- Idents are typically 1-3 seconds and include still images with some movement and non-diegetic sound to represent the studio or film brand.
The Inception movie poster is analyzed in the document. The poster uses a dark blue color scheme to convey a surreal, dream-like quality, as blue is often associated with dreams. While the cracked red title text is meant to stand out, it is difficult to read. The maze-like title font reflects mazes featured in the film. Very little other text is included, though the phrase "your mind is the scene of the crime" provides insight into the film's plot. The poster image depicts a stormy, flooded Tokyo scene from the film's climax and features Leonardo DiCaprio holding a gun in a dark suit.
This document outlines the planning for a short silent film. It will use two contrasting locations: a plain white room representing an asylum, and a busy city. The costumes and lack of props in the white room are meant to portray a minimal, basic life. Shots of the main character will show their troubled demeanor, while city shots showcase everyday life. Auditions will be held to cast the role of the solitary main character. Mood and emotion will be conveyed through facial expressions, body language, and non-verbal sound/music. The shooting schedule starts with establishing the character in the white room through long and close-up shots.
The document discusses how the author's media products for their film "Flashbacks" use and challenge conventions of real media products in the film noir/neo-noir genres. Specifically, the author researched film trailers, posters, and magazines to understand typical conventions and then sought to both follow and subvert conventions in their own products. For example, the film trailer features fragmented narrative and mysterious elements typical of trailers but leaves viewers with many unanswered questions. The film poster features the main characters and stylistic elements of noir but avoids some conventions like direct eye contact. The magazine cover is inspired by real examples but uses a simpler design with manipulated background images. Throughout, the author considers how to maintain a consistent visual
The document discusses several photos taken for a school project on movie posters. It analyzes photos of a model in a city setting for a quad poster and theatrical posters. Settings and lighting were chosen to relate to action and mystery movie genres. Good photos were dark with minimal disruptive light. Notable photos included the model in frame without distractions. A teaser poster focused on the mystery genre by featuring just a mask in a dark indoor setting to build intrigue around the character's identity.
Updated Evaluation - A2 Media CourseworkJack Barlow
The document discusses the use of conventions and challenges in the media creator's trailer, ancillary products, and evaluation process.
For the trailer, conventions like introducing the main character and villain are used, while mystery is added. Ancillary products like the poster, DVD cover, and magazine cover generally follow conventions but with some unconventional elements. Feedback was gathered from peers and used to improve the products, addressing issues like font, images, and clarity.
Media technologies were used at all stages, including researching online, storyboarding in Flash, designing in Fireworks, editing footage in Premiere, and sharing work and evaluations on Blogger.
This document is a self-evaluation by Charlotte Bowerman of the production elements for her horror teaser trailer. She analyzes the locations, lighting, cinematography, props, costumes, shots, script, characters, fonts and poster design compared to the horror film "The Conjuring" to ensure she is using appropriate horror genre conventions. Bowerman identifies areas where her initial ideas did not fully match conventions seen in "The Conjuring" and other horror films, such as using more dramatic lighting, focusing costumes on characterizing vulnerability, and using bolder white fonts on a dark background for the teaser poster.
The document provides details on creating a teaser poster and film poster for a fantasy film project. It discusses inspiration taken from Tim Burton's unique fantasy style. Details are given on exploring locations, costumes, makeup inspiration from Helena Bonham Carter, and professional photographers like Tim Walker. Fonts, slogans, and editing techniques in Photoshop are tested out. Final drafts of the teaser poster featuring a pocket watch and the film poster with two lead characters are presented. The film poster is further refined by adding special effects, layers, quotes and production credits.
The document discusses the ways in which the media product uses and develops conventions of real media products. It analyzes a trailer, poster, DVD cover, and magazine cover created by the author. The trailer uses some conventions like introducing characters but also adds mystery. The poster follows conventions like including information but features an unconventional image. Feedback from peers helped improve the products by addressing issues like font choice and lack of scariness. Media technologies like cameras, software, and the internet were used at different stages of production.
This document analyzes 9 different shot types that are commonly used in horror film trailers. It describes each shot in terms of type of shot, why it is used, its function, when it appears in the trailer, and how the information could be applied to the author's own horror film trailer. The shots serve to establish setting and characters, build suspense, represent the horror genre through conventions like darkness and violence, and ultimately remind viewers of the film's title.
This document analyzes 9 different shot types from the trailer for A Nightmare on Elm Street. Each shot is described in terms of the type of shot, why it was used, its function, when it appeared in the trailer, and how the techniques could be applied to a film trailer. The shots serve to establish setting, build tension, reveal information about the killer, and encourage viewers to watch the film by representing common horror conventions.
The document discusses how Molly Douglas used various media technologies throughout the process of creating, researching, planning, and evaluating her A2 media assignment. She researched conventions of horror film posters, magazines, and trailers using Google, YouTube, and Wikipedia. Planning and drafting was done using Microsoft programs. Pictures were edited using Picasa for lighting, color, and fonts. iMovie was used to edit video footage and add music, titles, and transitions to create the film trailer. Feedback was collected through an online questionnaire to evaluate the work. Overall, Molly believes the combination of her products developed real media conventions while also providing some challenges.
The opening sequence of the film Memento uses micro elements like setting, costume, facial expressions, and props to immerse viewers and set the mood. Three distinct settings are shown that appear secretive and run-down, intriguing audiences to learn more. The main character wears worn, comfortable clothes that suggest a difficult past and transient lifestyle. His serious facial expressions and focused posture establish him as the driven protagonist. Prominent props like a bloody photo, bullet, and glasses provide clues about the theme of death and revenge without revealing too much. These micro elements effectively orient viewers and encourage them to continue watching to understand the story.
This document discusses how the author of the media product addressed and attracted their target audience. They targeted males and females aged 15+ by researching film classification guidelines and choosing a 15 rating that was appropriate for the film's content. They addressed different social groups by portraying the main female character as a vulnerable victim, and portraying the young girl as powerful and fear-inducing. The author attracted their audience through the use of camera work like POV shots, high and low angle shots, and long shots to reveal and conceal information. They also used effective sound design, editing techniques like fades to black, and typography in their trailer.
Analysis Short Films-Technical Elementsguestea7a90
The document analyzes several short films and focuses on their technical aspects such as sound, mise-en-scene, camerawork, lighting, and editing. For the film "I Stood Up", background train sounds create atmosphere and voice effects emphasize confusion. Mise-en-scene makes the protagonist appear guilty in a suit. Camerawork shows emotion through close-ups. In "Slap", an extreme close-up of a cheek leads to a medium shot excluding the husband to portray unjustified actions. "Night After Night" uses lighting and props to indicate a vulnerable, lower class homeless person with psychological issues. Camera tilts create vulnerability. Sound is minimal except for tension in "Fight" and atmosphere in
The poster analyzes the 1996 film "Scream" movie poster. It follows horror movie poster conventions like featuring the main character prominently, using dark colors like black and gray, and placing the title at the bottom. The analysis examines specific elements of the poster like the close-up facial expression of fear, ambiguous background, and tagline about "love" and "murder" to build intrigue and connect to the film's plot. Overall, the poster effectively uses basic horror conventions while still feeling unique to promote the mystery and danger of the film.
The document provides details about an opening sequence for the film "True Colours", which is described as a thriller/supernatural/mystery genre. It introduces the main characters of painter Nathan Peterson and 18-year-old model Honey Harrison, whose life appears to be controlled by Nathan's paintings. The summary focuses on establishing the plot, characters, and ensuring elements of mystery and intrigue are conveyed within the tight two-minute timeframe. Technical decisions regarding camerawork, lighting, sound design and editing aim to immerse the audience and leave them wanting more.
This document analyzes the micro elements used in the opening sequence of the film "Dead Silence" through examining individual camera shots. It discusses how elements like props, lighting, shot types (e.g. high angle, close up), editing, pace, costumes and more are used strategically to set tone and provide meaning and clues about the characters and story to the audience without revealing full details. The analysis of these micro features will help the author construct their own effective film opening by understanding how to manipulate elements like camera work, lighting and more to engage audiences and achieve desired emotional responses.
The document analyzes the micro elements used in the opening sequence of the film "Dead Silence" through various camera shots. It discusses how props, settings, costumes, lighting, and editing are used to set tone and provide meaning. A high angle shot shows tools that could be used for harm, making the character seem dangerous. A medium shot of a puppet costume suggests the period and genre of the film. Extreme close-ups of a puppet's eyes indicate it is an important but not safe main character. The fast pace and abrupt editing create difficulty for the audience to fully understand each shot.
The document summarizes and analyzes screenshots from a trailer for a film about a teenage boy. The black and white shots and solemn expressions establish a serious, gloomy tone consistent with the genre of social realism. Intertitles provide just enough narrative context to intrigue audiences without revealing the full plot. The main character's costume accurately represents modern working-class youth while subverting stereotypes of aggression.
The short film "The Black Hole" takes place in a messy office environment where the protagonist seems unhappy with his job. Through his facial expressions and actions towards the photocopier, it is clear he is displeased. When he notices that a white piece of paper is actually a black hole, a low angle shot is used to make the protagonist appear powerful in his discovery. Throughout the film, the editing and sound create an atmosphere of a boring work environment until the protagonist finds the black hole, when the pace quickens. The lighting in the office is mostly dark, conveying a horrible work atmosphere and the protagonist's growing greed as the film develops further.
The document discusses the evaluation questions for a media production assignment involving creating a film trailer, poster, and magazine cover. It focuses on answering the first question - how the media product uses, develops, or challenges conventions of real media. The response discusses conventions used from real thriller trailers, posters, and magazines that were analyzed. It covers typography, shots, narrative structure, sound, camera movements, and characters that were intentionally incorporated to match real media forms and allow audiences to easily identify the genre.
The document provides information about conventions used in teaser trailers, including:
- Teaser trailers are shorter (40 seconds to 1 minute) and outline the film's narrative theme, main characters, sound, titles/credits, and release date.
- Camera work includes a range of shots (close-ups, long shots, mediums shots) to showcase the genre within the short time frame.
- The purpose is to promote and sell the film to its target audience by showing what the film is about and its release date.
- Idents are typically 1-3 seconds and include still images with some movement and non-diegetic sound to represent the studio or film brand.
The Inception movie poster is analyzed in the document. The poster uses a dark blue color scheme to convey a surreal, dream-like quality, as blue is often associated with dreams. While the cracked red title text is meant to stand out, it is difficult to read. The maze-like title font reflects mazes featured in the film. Very little other text is included, though the phrase "your mind is the scene of the crime" provides insight into the film's plot. The poster image depicts a stormy, flooded Tokyo scene from the film's climax and features Leonardo DiCaprio holding a gun in a dark suit.
This document outlines the planning for a short silent film. It will use two contrasting locations: a plain white room representing an asylum, and a busy city. The costumes and lack of props in the white room are meant to portray a minimal, basic life. Shots of the main character will show their troubled demeanor, while city shots showcase everyday life. Auditions will be held to cast the role of the solitary main character. Mood and emotion will be conveyed through facial expressions, body language, and non-verbal sound/music. The shooting schedule starts with establishing the character in the white room through long and close-up shots.
The document discusses how the author's media products for their film "Flashbacks" use and challenge conventions of real media products in the film noir/neo-noir genres. Specifically, the author researched film trailers, posters, and magazines to understand typical conventions and then sought to both follow and subvert conventions in their own products. For example, the film trailer features fragmented narrative and mysterious elements typical of trailers but leaves viewers with many unanswered questions. The film poster features the main characters and stylistic elements of noir but avoids some conventions like direct eye contact. The magazine cover is inspired by real examples but uses a simpler design with manipulated background images. Throughout, the author considers how to maintain a consistent visual
The pre-production document outlines an 8-scene short film with details on shots, audio, and timing. Scene 1 shows the main character leaving home. Scene 2 has him greeted by a friend. Scene 3 reveals someone inside his home. Scenes 4-6 build tension as the character arms himself with a bat. Scene 7 has him enter the home quickly. Scene 8 subverts expectations, revealing the intruder is part of a surprise birthday party.
The poster analyzes the "Sorority Row" movie poster. It features a group of teenage girls standing in front of a house on fire. This sets up suspense about what dangers the girls will face. The poster is effective through its use of bold dark colors that clearly indicate it is a horror genre. It analyzes lighting, costumes, facial expressions and other techniques to provide clues about the narrative and characters. Overall the poster fulfills conventions of horror posters but makes them unique through its image and style.
The poster for the slasher film "Sorority Row" uses dark colors and imagery of a burning house to set a scary, suspenseful tone. It depicts the film's protagonists - a group of teenage sisters - lined up in front of the fire, looking distressed. While unconventional for not featuring an antagonist, the poster effectively conveys the horror genre and hints that the sisters will face danger and death over the course of the film.
The poster analyzes the "Sorority Row" movie poster. It uses conventions like a dark color scheme and imagery of a burning house to set a scary tone. The poster features all the protagonists which is unique. Their fearful facial expressions build suspense around the danger they may face. The tagline "Sisters for Life...and Death" hints that the sisters will face death together. Overall the poster effectively conveys the horror genre and builds intrigue around the film's narrative.
This document provides an analysis of the key influencers and mood boards that will inspire the creator's film trailer project. The mood boards include screenshots from films like Shutter Island and Sixth Sense that showcase tight shots of actors to reveal facial expressions. They also include imagery around serial killers to inspire a film about the topic. The analyses indicate influences on lighting, color palettes, and shot composition from the mood boards. Key influences discussed are the complex narratives and ambiguous endings of Christopher Nolan films, the sense of alien worlds from E.T. and unique settings from Saving Private Ryan. The paranoia and deception in The Departed and Shutter Island are also noted as influences.
This document provides annotations for photographs intended for theatrical movie posters. It describes photos of a model holding a baseball bat walking down a corridor, meant to create intrigue about the character and hint at danger. Another close-up photo shows the model looking frightened, their face visible, after seeing something scary. The costumes, poses, and lighting are intended to evoke horror genre conventions and set the film in the 1980s while hinting at the plot without revealing too much.
The document provides annotations for two potential film posters - a theatrical poster and a quad crown poster.
For the theatrical poster, the summary describes a portrait shot of a character wearing 1980s-style denim clothes holding a baseball bat, hinting at danger without revealing their face.
For the quad crown poster, the summary explains a close-up shot of the same character looking frightened, properly showing their face. Their expression is meant to create unease in the audience about what threat the character has witnessed.
Both shots aim to generate mystery and suspense around the unidentified character and hint at the horror genre conventions the film may employ through the costuming, props, and reactions captured in the poster images.
This poster for the horror film "Shelter" follows conventions of the genre. It features an image that hints at the plot involving a hooded figure threatening a female protagonist in a forest setting. The poster also includes the film title, actors, and production companies. By using a black and white color scheme and ominous imagery, the poster aims to scare audiences and convey that this is a horror film.
The document analyzes existing short films to inform the development of the author's own short film. It summarizes the plots and technical elements of films like The Black Hole, Dumb and Dumber, Jaws, and an SNL sketch. The author identifies elements they want to incorporate, such as point-of-view shots, zoom effects, and panning, to build tension and focus audience attention.
The document analyzes posters for four horror films: Paranormal Activity, The Exorcist, Sinister, and Insidious. For each poster, the document examines elements like direct address, main images, text, lighting, color schemes, and layouts. It provides details on how each element contributes to effectively conveying the films' horror genres.
The poster analyzes features two thriller movie posters. Both posters convey mystery and conflict through their visual elements. The first poster features two male characters on either side of a female protagonist, suggesting tension. Dark colors and the characters' body language further imply mystery and potential conflict. The second poster stands out through its use of black background, drawing attention to the lead actor. Mysterious eye contact and a "glitch" in the title enhance the thriller genre. The analyzed posters inform the design of the student's own thriller poster, focusing on visual symbols of opposing characters and an atmosphere of secrecy through lighting and colors.
David Fincher directed Fight Club, which uses lighting, mise-en-scene, sound, and camera work to portray themes of depression, violence, and anti-consumerism. The lighting is dark and blue, except in bright office scenes. Costumes show the progression of the main character's mental state. Sound emphasizes punches and creates surrealism. Camera angles make the audience feel vulnerable or involved. The film criticizes empty consumerism and encourages finding one's true self beyond materialism.
This document outlines the proposed poster designs for the film project "What The...?". It describes three poster designs: a teaser poster featuring a silhouette of Sarah Miller in a window, a theatrical poster showing the protagonist Imani walking down a dimly lit corridor with a baseball bat, and a quad poster with a mid-shot of Imani looking worried in a crowd. The designs aim to attract horror and teen audiences and position the film as a supernatural thriller set in the 1980s focusing on a strong black female protagonist protecting her brother. The posters will be advertised on social media, buses, shopping centers, and billboards to target the target demographic of 15-30 year olds.
The poster uses unusual colors of yellow and orange for a horror genre to tie into the film's theme of "dawn". It shows distorted bodies facing the front with their silhouettes covered in black, representing that there is no escape and only death for the characters. The blood dripping from their feet onto the white background aims to create fear in the audience.
The typography is in bold capital letters to convey seriousness, using thick straight lines like military style. There is no release date, leaving the audience on edge as they await the film. The tagline suggests the zombies seen are coming from hell to increase the fear felt while watching. The title contrasts "dawn" with "dead" to make the comfort
The document discusses conventions of gangster films, including themes, colors, lighting techniques, character introductions, and examples from specific films. Common conventions are establishing shots to set the scene, low level lighting to signify importance, spot lighting of characters, and colors like red, black, and dark blue. Examples analyzed include scenes from The Departed, Scarface, and The Godfather that demonstrate these conventions through shots of characters, environments, and advances of the narrative.
- Diagonal camera angles are frequently used to provide wider shots that establish context and show other characters/elements in the frame. This allows the audience to see more of the surroundings.
- Dark, moody lighting is common and helps set tense, mysterious, or unsettling tones that fit the plots. Shadows are also used to enhance mood.
- Costumes and props are carefully chosen to reflect character traits and fit the themes/environments of each story.
- Unexpected plot twists, surprises, and humor keep audiences engaged as they try to anticipate what will happen next.
- Focus is
- Diagonal camera angles are frequently used to provide wider shots that establish context and show other characters/elements in the frame. This allows the audience to see more of the surroundings.
- Dark, moody lighting is common and helps set tense, mysterious, or unsettling tones that fit the plots. Shadows are also used to enhance mood.
- Costumes and props are carefully chosen to reflect character traits and fit the themes/environments of each story.
- Unexpected plot twists, surprises, or humor keep audiences engaged as they try to anticipate what will happen next.
- Unique camera
- Diagonal camera angles are frequently used to provide wider shots that establish context and show other characters/elements in the frame. This allows the audience to see more of the surroundings.
- Dark, moody lighting is common and helps set tense, mysterious, or unsettling tones that fit the plots. Shadows are also used effectively.
- Costumes and props are carefully chosen to reflect the characters' personalities and roles, as well as advance the plot. Things like weapons, food items, or documents serve important purposes.
- Unexpected plot twists, humor mixed with serious themes, and focus on
Grand Theft Auto IV is a single-player video game set in a fictional city based on New York City. The main character is Niko Bellic, a Serbian immigrant who arrives in Liberty City seeking the American dream. The open world gameplay allows players to complete missions to earn money and explore the city, interacting with characters and committing crimes. The realistic graphics and narrative storytelling aim to fully immerse players in the virtual world.
This document discusses plans to advertise a short film through various online and social media platforms. It begins by examining how Marvel advertises its films through websites, social media, posters, and trailers. It then analyzes how Instagram, Snapchat, and visual posters could promote the short film. The document settles on using a website and Snapchat story to advertise, with the website providing information and the story linking to the film. It outlines website pages for the film, other works, and upcoming premiers. Finally, it discusses premiers for the short film at a local folk home and college.
This document contains a script and shot list for a short film. It details 15 scenes with descriptions of what happens in each scene, estimated times, and notes on visual and audio effects. It also includes storyboards for 4 scenes, schedules for filming and editing over 5 weeks, and revisions to the original shot list. The document plans out the pre-production, production, and initial editing process for the short film.
JJ Abrams is a famous director known for films like Star Wars and Star Trek. He believes characters should have weaknesses to engage audiences. He also likes combining real and extraordinary elements in films. His "mystery box" theory involves introducing unexplained elements to intrigue audiences.
Dan Harmon created the sitcom Community and cartoon Rick and Morty. He developed the "story circle" theory to structure stories in 8 steps based on Joseph Campbell's hero's journey. This helps ensure plot and character development.
Steven Soderbergh directed the film Unsane using only an iPhone to achieve a realistic look. He advised experimenting with phone cameras and using natural lighting.
This document provides an analysis of a documentary script about young drivers. The script aims to represent young drivers and compare their performance to older drivers, highlighting their faults through statistics. The analysis discusses how young drivers are often portrayed negatively and how this affects insurance costs and attitudes towards them. It examines the context, perspectives, language, and conclusions presented in the script. Comparisons are made to other documentaries on similar topics to evaluate the script's balance, reliability, and style of presentation.
The research document provided information on various techniques for presenting information effectively in documentaries. It discussed how the Cold War 9 Minute documentary focused only on major points to keep the content engaging without getting bogged down in minor details. Imagery was also used to help explain concepts. The Unfinished Northern Line mixed commentary, host footage, and imagery which kept the audience interested. Real life stories from Licence to Kill helped understand young driver risks. Statistics from websites like Statistica and Confused.com provided data on insurance costs and calculations. Overall, focusing on major points, using imagery, real stories, host presence, and statistics were identified as effective techniques.
The document provides details on the development of ideas for a video on young drivers and car insurance. It includes concept boards with proposed color schemes, fonts, and imagery to incorporate themes of driving. The proposed structure is to introduce the topic, explain risks and insurance costs faced by young drivers, include primary research, and conclude with an opinion. Video and imagery will be used to explain points creatively through examples and diagrams related to road signs and cars. Background research techniques involve sticking to the driving theme, using both video and imagery, and concisely explaining topics.
This document provides summaries of several research sources on topics related to young drivers and car insurance costs. It summarizes a website discussing risks faced by young drivers, highlighting different risks and how the information is presented. It also summarizes a BBC documentary about reckless driving accidents and the lessons learned. Finally, it summarizes sources on unfinished subway lines in London and average car insurance costs by age in the UK, noting how information is visually presented. The document evaluates how each source meets audience expectations and presents content and facts.
Luke Skywalker confronts his father Darth Vader following the revelation that Vader is his father. Luke appears stronger and less fearful as he stands up to Vader. They have an intense discussion about the light and dark sides of the Force, with Vader trying to convince Luke to join the dark side. Their isolation in the room creates dramatic tension as they argue alone without interruptions.
This document contains rough sketches and proposed plans for various creative works including a poster, film takes, storyboards, and scenes for college and text sequences. The plans and sketches provide initial ideas and outlines before finalizing and executing the creative projects.
This document provides a proposal for a short film project titled "Surprise". It includes sections on the audience, which is identified as 16-19 year old males who enjoy violent films. The concept involves a character who returns home to find someone in their window, grabs a bat to investigate, and ends up hitting an unconscious person at a surprise party. A schedule is provided that outlines tasks over 10 weeks, including research, experiments, pre-production planning, filming, editing, and evaluation. A bibliography lists 7 sources used for research, including surveys, interviews, and examples of similar films.
The document summarizes Andreas Mina's process for their production reflection assignment. In week 1, they created initial plans including ideas, research, and a survey. The survey helped identify their target audience. In week 2, they analyzed survey responses to further understand their audience. Experiments began, practicing point-of-view and dolly zoom shots with different cameras to see which worked best. The experiments helped improve improvisation skills when proper equipment is unavailable.
The document provides an evaluation of Andreas Mina's production process. It discusses strengths and weaknesses in the research, planning, and time management aspects of the process. For the research, primary surveys and film research were strengths, while only analyzing one poster and difficulties linking survey answers were weaknesses. Planning strengths included the floor plan and shot list, while weaknesses were the rough storyboard and lack of sound details. Time management was an issue as slides and reflections fell behind, but work was completed on time overall. Additional time could have improved various areas like research, planning, and special effects.
The document summarizes Andreas Mina's experiments with different camera techniques for his short film, including point-of-view (POV) shots, dolly zooms, and walkthrough shots. For the POV shots, Mina tested using a GoPro, cannon camera, and phone held or mounted in different ways, and concluded the GoPro on a head mount would provide the most stable shot. For the dolly zoom, Mina practiced techniques using a slider and zooming/walking with different cameras, and found editing a dolly zoom in Premiere Pro worked best. For walkthrough shots, Mina followed someone walking using a slider or mounting cameras on his shoulder or arm, and preferred the cannon on
- Diagonal camera angles are frequently used to provide wider shots that establish context and show other characters/elements in the frame. This allows the audience to see more of the surroundings.
- Dark, moody lighting is common and helps set tense, mysterious, or unsettling tones that fit the plots. Shadows are also used to enhance mood.
- Costumes and props are carefully chosen to reflect character traits and fit the themes/environments of each story.
- Unexpected plot twists, jumps, or reveals keep audiences engaged by piquing their curiosity and desire to understand references.
-
The document summarizes Andreas Mina's experiments with different camera techniques for his short film, including point-of-view (POV) shots, dolly zooms, and walkthrough shots. For the POV shots, Mina tested using a GoPro, cannon camera, and phone held or mounted in different ways, and concluded the GoPro on a head mount would provide the most stable shot. For the dolly zoom, Mina practiced techniques using sliders, tripods, and a shoulder mount and determined editing a dolly zoom in post-production would be most effective. For walkthrough shots, Mina followed a subject using a slider, GoPro on a tripod under his arm, and cannon on
The document summarizes Andreas Mina's experiments with different camera techniques for his short film, including point-of-view (POV) shots, dolly zooms, and walkthrough shots. For the POV shots, Mina tested using a GoPro, cannon camera, and phone held or mounted in different ways, and concluded the GoPro on a head mount would provide the most stable shot. For the dolly zoom, Mina practiced techniques using sliders, tripods, and a shoulder mount and determined editing a dolly zoom in post-production would be most effective. Finally, for walkthrough shots Mina experimented with a slider and different shoulder-mounted cameras, and felt the cannon camera on a
This proposal outlines a short film project about a character who returns home to find an unexpected surprise party. The document discusses the target 16-19 year old male audience and explains they will appreciate the planned violence. It provides a rationale for the filmmaker's skills and experience. The concept involves the character investigating strange noises with a bat before the lights turn on, revealing the surprise. Production will involve researching techniques and evaluating progress weekly and with a final report.
The student worked on their proposal, defining their target audience based on the survey results. They focused on age, gender, and class demographics. Pre-production began with creating a style sheet to set the color tone, and planning scene locations by annotating bird's-eye house images with equipment placements. This groundwork in defining the audience and pre-planning locations and style will help strengthen the short film project.
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2. Initial Reaction
From seeing the brief I have decided to make a video. I want to make a short film, potentially involving
action and special effect. from my video rotation, i managed to get a distinction from my short film I
made. In this, I used a lot of special effects and some camera technics. I was good at adding and editing
the effects into the short film, by keying it and tracking it. In my opinion, I enjoyed the short film the
most, out of all of the rotations, as I was most creative with it. I was also good at using premier pro to
edit and cut unwanted footage. I may even include a poster for the short film if I ever get time, but this
is an un official idea. The reason I am considering a poster, is because of the Photoshop skills that I was
good at. I managed to get a distinction in the print project too. I was good at layout of the magazine, but
I was also good at creating the minimalist posters too. This is a skill I would potentially like to add into
my FMP.
6. Mood Board: Poster style/interesting
Comedy/serious
Inception: the shot shows the shillouette of
the character at the lower centre third whilst
there is a dark scenery as the background
framing him to draw attention and mystery
of who he is. The poster shows a flood of
water with the character standing in it. I like
this poster because they are presenting
imagery from two scenes in one. This draws
attention to the audience to go watch the
film, as they want to understand why this is
happening, and how it leads up to this
situation. Also, floods and cities linked
together usually lead to disaster, so the
audience will want to know how the
character copes in this potential disaster.
What I want to take from this poster is the
mystery created in the scene. I would create
my poster with a certain situation implied, so
that the audience can wonder what is
happening, and how it leads up to this.
Star Wars: this poster is showing all of the main
characters in the centre focus. It shows a big Darth
Vader at the back. This is presenting him to be a grand
and powerful being, seeing as he is above everyone,
looking down on them. The main characters are at the
front all aiming guns, to show that they are going to
fight against someone. Around the characters, there are
iconic objects from the film, for example x wing jets and
the death star to show the sub plot. This is presenting all
of the main action that is to come into a film. By fitting it
all into one poster, it is giving context to new and
existing audiences. The poster draws the audience in to
watch the film, as its showing an idea of what's going to
happen in the film, from the villain being Vader at the
top, to the hero's at the bottom willing to fight. For my
film poster, I'm hoping to include important images to
the plot to intrigue the audience.
Home alone: The poster for home Alone shows Kevin
at the front with the wet bandits behind him. Kevin
has a scared shocked face, whilst the wet bandit have
a evil looking grin on their faces. They look very
menacing, as they are peeking through a window,
suggesting that they want something. The scared look
on Kevin's face and the fact that he's on the other side
of the suggests that he is scared about the situation
and that they are strangers to him, which may be a
possible threat, as the title of the film id called home
alone. The poster makes you want to know how Kevin
is going to deal with the situation, seen as he is only a
kid and has nobody else to help him. The majority of
the poster mainly contains Kevin, showing to the
audience that the main character in the film is a kid.
From seeing this poster, I will want to potentially
show who the main characters gesture looks like by
placing them at the front.
7. Mood board: Poster colours
For the colour scheme, the poster tends to
go for dark and bland colour scheme as its
mainly black with a hint of dark blue. The
dark colours keep it mysterious, as it
shadows on the posters scenery, which
makes the audience wonder what the
scenery is representing and where it occurs
in the film.
For the star wars colour scheme, the poster
has a black backdrop, and a colourful centre
image. The background is black is to
represent the fact that the film is set in
space, and the colourful centre is to
represent the action involved in the film, as
the colour mainly comes from the weapons.
The white I to represent the good guys in
the film, and the black also co represents
evil, seen as darth vader is blended with the
background. The audience will have a clear
understandment of who represents which
side, as the bad guys lack colour, and the
good guys vary in colour.
For Home alone, they tend to go for the
bright blue colours. This tends to make the
film poster look cold and simplistic. The
simplistic look represents the lack of tone,
which represents the character being home
alone. The burglars are wearing black, which
is to represent negativity. The robbers
negativity comes from the villainous minds
they have to steal from the house. The
audience will look at the black, knowing
that something is negative in the film. They
will want to know where it is linked in the
film.
8. Mood Board Camera shots
long shots
Extreme long shotsI want the background of the long shots to be clear,
to show where the scene is taking place, like in
these two images
Insert shot
Dolly zoom
Medium shots
These two medium shots are showing the
characters top to waist. This is the kind of
medium shot I'm looking for, where it doesn't’t
show too much detail, but adds it to the
character. It will make the scenes more tense
and nerve racking, as you get a closer look at the
expression that the character is making
I don’t want the extra long shot to
look as grand as the first image, but I
do want it to show where the location
is, an make it clear of where the film
is set.
This dolly zoom is from jaws. I
want to show one on my
characters face. In this, it zooms
in on the characters face, when
he's realized that there is a
shark in the water. It is a cool
effect, which makes you add
your attention to the character,
as there body is stood still
through the shot.
The intention is to show a close up of the bat being
picked up, to make it look more suspense, as the
audience are clear on the dangerous weapon
you’ve picked up
9. Mood Board colours
The colours that I've picked are bland and plain on these two images. The other image shows
bright colours.
This is the potential colour scheme that I
want for the tense scene. There cant be
much colour in this scene, as it wont give
an effective tense mood, as toned down
colour will add an eerie feel, as nothing
looks familiar or positive to calm the mood
down. I want the audience to feel tense
when watching the film, so removing
colour will add onto it, as there is no bright
colour to make the mood happy.
The colorful pallet will be used in the party
scene. Luckily, the colour can come back easily
in the picture, as the previous scene before it
is a black out. The colours represent the
colours of a birthday party, but it also switches
the mood of the film too, as the colours are
bright, adding positivity to the film. If I left the
colours bland, the film wont give a comedic or
positive feel, as it will look like a terrible
tragedy. The colours will make the scene seem
more light hearted, and it will make the
audience feel comfortable to laugh at.
10. Mood board shot techniques
I want the camera to show the character stood on the
side of the door, with his bat in his house this medium
shot makes the focus on the character, making it tense,
as all we see is him next to the entrance to his house,
making you wonder where does it go from here. The
angle will be diagonal, to be able to have a clear view of
the characters position, and to show the door at the
same time. The audience will be on edge in this scene,
as the footage is showing that the action is now taking
place.
This is a Point of view shot. in my film, I would
potentially like to include this in my film. The POV,
shows what the characters looking at. in my film, he
will be looking around when he is running, to show
how nervous and paranoid he is. The POV will show
how the character is nervous, making it more tense for
the audience, as they are seeing what the character is
seeing.
I would like to take the camera off the tri pod and let
it follow the character walking forward. Without a tri
pod, it will add a shaky effect when moving. The
shaky effect will make the scene more nerve racking,
as you will feel on edge that the camera is randomly
moving in this isolated area. It will make the
audience feel nervous for what will happen to the
character, as the shaky effect relates to the
characters feeling, as shaking represents being
scared.
I would also like to include an insert shot in my film.
The insert shot will be of me picking up a baseball
bat. The insert shot will indicate to the audience that
the item will be used as a weapon. The shot will start
to hint and scare the audience that this person is
getting this weapon. It Makes it more clearer that
the character is picking up the bat, and exadurates
the situation. The insert shot will shock the audience,
as this violent weapon comes into shot out of no
where, making them on edge wondering what the
character will do with the bat.
The dolly zoom. I want to add one to my
film. The effect will make the scene look
more dramatic, as it will go towards the
characters face, making it look like they
aren't moving as much as the
background. The effect adds more focus
on the character, as you see the reaction
they have, whilst the back is changing. It
will be a face on dolly zoom, with no
movement from the character. This is so
that the dolly zoom is more noticeable
and has more chance of working. It will
worry the audience, as it will change the
mood of the film. The effect will show
how everything is going behind the
character, making it look like he is only
focusing on this current issue.
11. Mood Board props and costume
There isn't a particular dress code for the
film, as it doesn’t really matter for the films
situation. But I want to keep trendy, by
wearing a shirt and jeans, to look like I've
come back from somewhere outside.
I want to have a birthday surprise inside the
house. For this, I don’t want to over do it, as
its not a real party, and just a set, so I will get
the most recognisable items that you would
potentially see at birthday parties and add
them to the film. The bright colours will make
the audience feel a bit relived that the
situation isn't as bad as it was, and t will
excuse them for laughing at the scene.
This is the weapon that will hit the
character in the blackout room. I
choose a bat, as it’s a more realistic
weapon someone would have rather
than a gun. It will give a shock effect
to the audience when viewed, as it
will direct that it will be used as a
weapon.
12. Mood Board location
PARTY AREA
(These images aren't from the actual location)
OUTSIDE
GARAGE
The area I want the assault/party to be in,
is an open area, for the character to walk
into. A living room is the best room for
someone to easily walk into. The empty
space will be good to have a party in, as it
will fit a lot of people. The colour and the
room in the scene will calm the audience
down, as its like they are in safety now as
they are inside with bright lights.
The garage will be a quick inside
scene of the character getting the
bat. The character will pick up the bat
on the side and walk to the door. A
garage is a place where you keep your
storage, and a bat would bean object
you would keep there.
This is an image of a housing street and
a house. This is to show the style of
location that will take place in the
outside scenes of the short film. It’s a
simple residential street, and a house.
The house makes the assumption that
someone's broken in the house. The
street gives a normality effect and a
more tense environment as the
behaviour that occurs in the film
shouldn’t be happening in a standard
street.
13. Mood Board story
Outside shot of the
house
The character leaves
his house to go
somewhere
It will time-lapse
or fade out to a
later time
The character starts
to walk back down to
his house in his street
He sees something or
someone through his
window of his house
There will be a dolly shot to
the characters face in shock.
He then starts running to his
garage
He goes inside of his garage, and starts to walk quietly.
He picks up his bat, and walks to get his bat.The shot will
show the bat being picked up. The character then walks
to his home entrance
He enters the house
to it being pitch black,
he starts to walk
around his furniture
The character swings his bat, and you
hear a thud, or a whack onto someone
The lights turn on, to a
bunch of people yelling
surprise
The character is stood there
gobsmacked, with an unconscious
person on the floor
14. Mood Board Analysis
The camera technique images have a repetition in mood. They all seem to either use bland colours or dark lighting, as the
image tone has been darkened. They seem to lack the colour red in the images, as the have yellowish green and dark
colours. The long shot images, all seem to show someone outside, with a sky background. For the location, the images
for the outside shows a happy environment, seen as its daytime in all of the images. The inside of both the garage and
party area, are spacious, but bright, as light colours are mainly used for them. For the props, the birthday gear are very
colourful images, as they all show multi coloured party gear. The bat images give a dark mood, seeming as they either
lack positive colours, or they show dark colours. The clothing all have shirts in the images, which have dark colours like
blue and red. With the mood board story, most of the images show a positive mood, as they have many colours in
them. The intense scenes have dark images(the bat image and the window), as they lack colours in them. The story
board does show images of someone doing the given action, for example hitting someone, or walking to the door.
From looking at my mood board, I would like to research on the dolly zoom jaws scene, so that I can see how they use
it in their film, and I will also research into different films similar to my story, to see how they direct the situation
through colour and camera shots. I will want to experiment on the dolly zoom and on the POV. This is because they are
irregular shots that I need more practice on to get the hang of filming them. I will also like to do the shaky shot too. I
want to see if the way I do it works to give the nerve racking effect or if it doesn’t work.
The way that the mood boards will help me with my final product, is that it will give me an idea of the things that I'm going
to need for making my film. The props slide shows me what I want the party gear and what my clothing style will look
like. The location helps me with setting up the set and where I want it in my house. The camera techniques shows me
examples of how others have done my intentions, so I can get inspiration of those images. The story board shows how I
want to structure my short film. From seeing the mood board, there are some techniques that I would like to test out. I
would like to try doing the dolly zoom again, but with the slider, so that I get a more smoother result. I would also like
to try out he walkthrough to make sure that I’m not too shaky.
Editor's Notes
Log your initial thoughts regarding the set brief- What could you make? What are you good at? Your opinions?
Can be a list of bullet points of reactions- does
not have to be full prose. Can be hand drawn and scanned in.
Bubbl.us or hand drawn-scanned using college printers exploring 3 potential ideas
Bubbl.us or hand drawn-scanned using college printers exploring your final idea
Collection of images related to your product/inspirational/visually interesting
At least 15 needed
shaky camera
Dolly zoom
Go pro point of view
Short shot of face expressions
time-lapse
Collection of images related to your product/inspirational/visually interesting
At least 15 needed
Collection of images related to your product/inspirational/visually interesting
At least 15 needed
Collection of images related to your product/inspirational/visually interesting
At least 15 needed
Is there any repetition in the images you have collected? Repeated colours/images styles/fonts/tone/mood
How will your mood board influence your final product?