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Jazz 
Definition Difficult: 
Encompasses Many Styles: Dixieland, Swing, 
Bop, Hard Bop, Cool, Third Stream, Avant-Garde, 
Fusion 
Major Component: Improvisation (spontaneous 
composition)
Jazz 
Other Components: Swing Feeling, 
Abundance of Syncopated Rhythms 
Some Jazz has Very Little Improvisation
Traditional Jazz 
Known as: Dixieland, Trad Jazz, New 
Orleans Jazz 
The First Jazz Artists came from New 
Orleans, although African-Americans in 
many cities were playing in a Syncopated 
Style Using Improvisation.
New Orleans 
Multi-National City (French, Spanish, US) 
• French began building 1718; by 1719 147 
slaves; by 1722 many Freemen of Color 
• Given to Spanish 1763; Returned to French 
1801 
• By 1810 5,000 Freemen of Color
Creoles 
“Original Settlers of New Orleans” 
Creoles of Color a mixture of African- 
French (Quadroons, Octoroons) 
Distinct Social Class 
“Black Codes” laws with gradually eroded 
the Creole Class
Storyville 1897-1917 
Five Sq. Mile Red-Light District 
“Sportin’ Houses” often had music 
Closed by Navy during WWI
Storyville
Parades & Brass Bands 
Outdoor Music, Parks, Pavillions 
Fraternal Organizations had Bands 
• Onward Club, Tuxedo Club 
Funeral Parades 
Dances (Quadrilles, Waltzes, Ragtime) 
Dirtier Dances, the Slow Drag
Buddy Bolden 
“Legendary” First Jazz Band 
First Band to Combine Blues & Ragtime 
1895 
No recordings exist 
1907 committed to Mental Institution
Buddy Bolden
Jazz Emerges From Band Music 
Instrumentation: Trumpet, Clarinet, 
Trombone, plus Rhythm Section 
Rhythm Section: Drums, Bass Instrument 
(String Bass, Tuba), Chordal Instrument 
(Piano, Guitar, Banjo)
Trumpet/Cornet 
“Brass” Instrument 
1st Important Solo 
Instrument 
Role: Melodic 
“West End Blues”
Clarinet 
“Woodwind” 
Instrument 
Role: Ornate 
Passages Around 
the Melody 
“Muskrat Ramble”
Trombone 
“Brass” Instrument 
Role: Ornate Bass 
Line 
“Muskrat Ramble”
String Bass 
String Instrument 
Role: Bass Line
Or Tuba 
“Brass” Instrument 
Role: Bass Line 
Used Outdoors 
Bass Line
Drums 
“Percussion” 
Instrument 
Role: Rhythm
Piano 
Role: Supply 
Harmony 
(Chords)
Banjo/Guitar 
Role: Supply Harmony (Chords) 
Banjo is louder, suitable for larger bands 
Guitar is softer, suitable for intimate 
settings.
Banjo & Guitar
Dixieland Jazz Format 
Collective Improvisation 
• Trumpet played the melody 
• Clarinet created ornate passages around the 
trumpet 
• Trombone created fancy bass line 
• Rhythm Section supplies rhythm, chords, 
bass line
Dixieland 
New Orleans Style was mostly collective 
improvisation 
Everyone Played all the Time, except for 
short breaks (two Bar) 
Collective Improvisation (ODJB) 
Modern Collective Improvisation
Original Dixieland Jass Band 
(ODJB) 
First Jazz Recording 1917, “Dixieland Jass 
Band One-Step” & “Livery Stable Blues” 
From New Orleans, Played in Chicago, 
Recorded in New York 
Traveled to London & Europe 
Styles Changed While They Were Gone
ODJB 
“Dixieland Jass Band One-Step”
ODJB
ODJB
New Orleans Musicians 
Joe “King” Oliver, Trumpet, Band Leader 
King of Trumpet in New Orleans 
Moved to Chicago in 1918 
Mentor to Louis Armstrong 
Creole Jazz Band 
Recorded in 1923
King Oliver’s Creole Jazz Band
New Orleans Musicians 
Kid Ory, Trombone, Band Leader 
1st African-American Jazz Band to Record, 
1921 in Los Angeles 
Joined King Oliver’s Band in Chicago
New Orleans Musicians 
Jelly Roll Morton, Piano, Band Leader, 
Composer, Arranger 
His Band: The Red Hot Peppers 
1st Important Jazz Composer
Jelly Roll Morton
Louis “Satchmo” Armstrong 
1st Important Jazz Soloist 
Broke Away From the 100% Collective 
Improvisation New Orleans Format 
International Reputation by the 1930s 
His Band: Hot Five & Hot Seven 
Developed Swinging 8th Note
Louis Armstrong & His Hot Five 
“Muskrat Ramble”
Louis Armstrong 
Able to construct 
Solos for Trumpet 
by itself 
“West End Blues”
Louis Armstrong 
1st Jazz Singer 
Influenced many singers 
1st Recorded “Scat Singer”
Louis Armstrong 
Scat Singing: using 
vocables, instead of 
words, to improvise 
with the voice 
“Scat-De-Dat”
Louis Armstrong 
Followed King Oliver as #1 New Orleans 
Trumpet Player (1918-1922) 
1922 Chicago as 2nd Trumpet in Oliver’s 
Creole Jazz Band 
1924 New York with Fletcher Henderson’s 
Band
Louis Armstrong 
1925 Returned to Chicago (Hot Five) 
1930s Fronted Swing Band, Movies, Radio 
Late 1940s- led Dixieland Bands, Toured 
for State Department 
1950-1971, Television, Movies, Pop 
Records
Louis Armstrong
Louis Armstrong 
By 1960 it would be 
difficult to find anyone 
in the world who did 
not know Louis 
Armstrong
Armstrong & Civil Rights Mvt. 
Considered by some an Uncle Tom 
Brown vs. Board of Education 1954 
“Separate but Equal” 
9-17-57 interview called President “two-faced” 
and “no guts” 
Eisenhower sent in paratroopers to Little 
Rock, AR to integrate the school 9-24-57
Louis Amrstrong: Stamp
Chicago Style Jazz 
New Orleans Musicians in Chicago 
Influence Young European-American 
Musicians 
The Austin High Gang (Austin H.S.) 
Future Stars Begin Jazz Careers 
• Benny Goodman, Tommy Dorsey, Jimmy 
Dorsey, Gene Krupa
Chicago Style Jazz 
Amount of Collective Improvisation 
Decreases 
Importance of Improvised Solos Increases
Bix Beiderbecke (1903-1931) 
1st Important 
European_American 
Jazz Soloist 
Trumpet/Cornet
Bix Beiderbecke 
Davenport Iowa (River Town) 
Went to Chicago 
Recorded in 1924 w/Wolverine Orchestra 
1927 to New York w/Paul Whiteman 
Orchestra, the most important syncopated 
dance band in the country
Bix 
“Jazz Me Blues” New Orleans Lucky 7
Bix & Paul Whiteman 
Started in California moved to East Coast 
First Recording 1919 
Known by Most Americans 1930-1950 
Bix’s Drinking Problems Increased 
“San” Paul Whiteman
Bix Compared to Armstrong 
Louis Armstrong 
• Virtuoso, Full Brassy 
Hot Tone 
• High range 
• Exuberant 
Bix 
• Competent Player 
• “Cool” Tone 
• Normal Range 
• Introspective 
“Muskrat Ramble” “Jazz Me Blues”
Dixieland Today 
Dixieland Jazz has been “Popular” Since 
1940s 
Still Around Today 
Costumes usually include Striped Vests, 
Arm Bands, Period Hats 
English Trad Jazz Bands Appeared on 
American Pop Charts 1962
Dixieland Today
Even High School Bands
Dixieland Format 
• Trumpet, Clarinet, Trombone & Rhythm 
Section 
• Melody with Collective Improvisation 
• Improvised Solos by Everyone 
• Collective Improv. Chorus at the End 
“Mustrat Ramble” Dukes of Dixieland
Dixieland: The Big Picture 
• 1st Style of Jazz 
• Originated in New Orleans 
• 1st Jazz Stars were from New Orleans 
• Dixieland bands were small combos
Dixieland: The Big Picture p2 
• Swing Style Replaced Dixieland in the 
1930s 
• Dixieland Experienced Renewed Popularity 
in the 1940s as an Alternative to Bop 
• Dixieland Bands Still Exist 
• Still Trumpet, Clarinet, Trombone & 
Rhythm Section

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भारत-रोम व्यापार.pptx, Indo-Roman Trade,
 

Traditional Jazz

  • 1. Jazz Definition Difficult: Encompasses Many Styles: Dixieland, Swing, Bop, Hard Bop, Cool, Third Stream, Avant-Garde, Fusion Major Component: Improvisation (spontaneous composition)
  • 2. Jazz Other Components: Swing Feeling, Abundance of Syncopated Rhythms Some Jazz has Very Little Improvisation
  • 3. Traditional Jazz Known as: Dixieland, Trad Jazz, New Orleans Jazz The First Jazz Artists came from New Orleans, although African-Americans in many cities were playing in a Syncopated Style Using Improvisation.
  • 4. New Orleans Multi-National City (French, Spanish, US) • French began building 1718; by 1719 147 slaves; by 1722 many Freemen of Color • Given to Spanish 1763; Returned to French 1801 • By 1810 5,000 Freemen of Color
  • 5. Creoles “Original Settlers of New Orleans” Creoles of Color a mixture of African- French (Quadroons, Octoroons) Distinct Social Class “Black Codes” laws with gradually eroded the Creole Class
  • 6. Storyville 1897-1917 Five Sq. Mile Red-Light District “Sportin’ Houses” often had music Closed by Navy during WWI
  • 8. Parades & Brass Bands Outdoor Music, Parks, Pavillions Fraternal Organizations had Bands • Onward Club, Tuxedo Club Funeral Parades Dances (Quadrilles, Waltzes, Ragtime) Dirtier Dances, the Slow Drag
  • 9. Buddy Bolden “Legendary” First Jazz Band First Band to Combine Blues & Ragtime 1895 No recordings exist 1907 committed to Mental Institution
  • 11. Jazz Emerges From Band Music Instrumentation: Trumpet, Clarinet, Trombone, plus Rhythm Section Rhythm Section: Drums, Bass Instrument (String Bass, Tuba), Chordal Instrument (Piano, Guitar, Banjo)
  • 12. Trumpet/Cornet “Brass” Instrument 1st Important Solo Instrument Role: Melodic “West End Blues”
  • 13. Clarinet “Woodwind” Instrument Role: Ornate Passages Around the Melody “Muskrat Ramble”
  • 14. Trombone “Brass” Instrument Role: Ornate Bass Line “Muskrat Ramble”
  • 15. String Bass String Instrument Role: Bass Line
  • 16. Or Tuba “Brass” Instrument Role: Bass Line Used Outdoors Bass Line
  • 18. Piano Role: Supply Harmony (Chords)
  • 19. Banjo/Guitar Role: Supply Harmony (Chords) Banjo is louder, suitable for larger bands Guitar is softer, suitable for intimate settings.
  • 21. Dixieland Jazz Format Collective Improvisation • Trumpet played the melody • Clarinet created ornate passages around the trumpet • Trombone created fancy bass line • Rhythm Section supplies rhythm, chords, bass line
  • 22. Dixieland New Orleans Style was mostly collective improvisation Everyone Played all the Time, except for short breaks (two Bar) Collective Improvisation (ODJB) Modern Collective Improvisation
  • 23. Original Dixieland Jass Band (ODJB) First Jazz Recording 1917, “Dixieland Jass Band One-Step” & “Livery Stable Blues” From New Orleans, Played in Chicago, Recorded in New York Traveled to London & Europe Styles Changed While They Were Gone
  • 24. ODJB “Dixieland Jass Band One-Step”
  • 25. ODJB
  • 26. ODJB
  • 27. New Orleans Musicians Joe “King” Oliver, Trumpet, Band Leader King of Trumpet in New Orleans Moved to Chicago in 1918 Mentor to Louis Armstrong Creole Jazz Band Recorded in 1923
  • 29. New Orleans Musicians Kid Ory, Trombone, Band Leader 1st African-American Jazz Band to Record, 1921 in Los Angeles Joined King Oliver’s Band in Chicago
  • 30. New Orleans Musicians Jelly Roll Morton, Piano, Band Leader, Composer, Arranger His Band: The Red Hot Peppers 1st Important Jazz Composer
  • 32. Louis “Satchmo” Armstrong 1st Important Jazz Soloist Broke Away From the 100% Collective Improvisation New Orleans Format International Reputation by the 1930s His Band: Hot Five & Hot Seven Developed Swinging 8th Note
  • 33. Louis Armstrong & His Hot Five “Muskrat Ramble”
  • 34. Louis Armstrong Able to construct Solos for Trumpet by itself “West End Blues”
  • 35. Louis Armstrong 1st Jazz Singer Influenced many singers 1st Recorded “Scat Singer”
  • 36. Louis Armstrong Scat Singing: using vocables, instead of words, to improvise with the voice “Scat-De-Dat”
  • 37. Louis Armstrong Followed King Oliver as #1 New Orleans Trumpet Player (1918-1922) 1922 Chicago as 2nd Trumpet in Oliver’s Creole Jazz Band 1924 New York with Fletcher Henderson’s Band
  • 38. Louis Armstrong 1925 Returned to Chicago (Hot Five) 1930s Fronted Swing Band, Movies, Radio Late 1940s- led Dixieland Bands, Toured for State Department 1950-1971, Television, Movies, Pop Records
  • 40. Louis Armstrong By 1960 it would be difficult to find anyone in the world who did not know Louis Armstrong
  • 41. Armstrong & Civil Rights Mvt. Considered by some an Uncle Tom Brown vs. Board of Education 1954 “Separate but Equal” 9-17-57 interview called President “two-faced” and “no guts” Eisenhower sent in paratroopers to Little Rock, AR to integrate the school 9-24-57
  • 43. Chicago Style Jazz New Orleans Musicians in Chicago Influence Young European-American Musicians The Austin High Gang (Austin H.S.) Future Stars Begin Jazz Careers • Benny Goodman, Tommy Dorsey, Jimmy Dorsey, Gene Krupa
  • 44. Chicago Style Jazz Amount of Collective Improvisation Decreases Importance of Improvised Solos Increases
  • 45. Bix Beiderbecke (1903-1931) 1st Important European_American Jazz Soloist Trumpet/Cornet
  • 46. Bix Beiderbecke Davenport Iowa (River Town) Went to Chicago Recorded in 1924 w/Wolverine Orchestra 1927 to New York w/Paul Whiteman Orchestra, the most important syncopated dance band in the country
  • 47. Bix “Jazz Me Blues” New Orleans Lucky 7
  • 48. Bix & Paul Whiteman Started in California moved to East Coast First Recording 1919 Known by Most Americans 1930-1950 Bix’s Drinking Problems Increased “San” Paul Whiteman
  • 49. Bix Compared to Armstrong Louis Armstrong • Virtuoso, Full Brassy Hot Tone • High range • Exuberant Bix • Competent Player • “Cool” Tone • Normal Range • Introspective “Muskrat Ramble” “Jazz Me Blues”
  • 50. Dixieland Today Dixieland Jazz has been “Popular” Since 1940s Still Around Today Costumes usually include Striped Vests, Arm Bands, Period Hats English Trad Jazz Bands Appeared on American Pop Charts 1962
  • 53. Dixieland Format • Trumpet, Clarinet, Trombone & Rhythm Section • Melody with Collective Improvisation • Improvised Solos by Everyone • Collective Improv. Chorus at the End “Mustrat Ramble” Dukes of Dixieland
  • 54. Dixieland: The Big Picture • 1st Style of Jazz • Originated in New Orleans • 1st Jazz Stars were from New Orleans • Dixieland bands were small combos
  • 55. Dixieland: The Big Picture p2 • Swing Style Replaced Dixieland in the 1930s • Dixieland Experienced Renewed Popularity in the 1940s as an Alternative to Bop • Dixieland Bands Still Exist • Still Trumpet, Clarinet, Trombone & Rhythm Section