Note:
I copied and pasted the paragraphs and I need help rephrasing and make it by my own words and I also need help adding article reference at the end for both artists and might need little bit more word on each paragraph.
A THOUSAND MILES AWAY
Presents
A Photography Artwork of
André Kertész
André Kertész was an American / Hungarian photographer who emerged as one of the most influential practitioners of the medium. Prizing emotional impact over technique, he famously remarked, “I just walk around, observing the subject from various angles until the picture elements arrange themselves into a composition that pleases my eye.” Kertész remains best known for his contributions to photojournalism, Kertész is revered for the clarity of his style and his emotional connections with his subjects.
At early to mid-1900s, his great artwork was the subject of many publications and exhibitions, including solo exhibitions at the Bibliotheque National in Paris and at the Museum of Modern Art, and a major retrospective, Of Paris and New York, at the Art Institute of Chicago and the Metropolitan Museum of Art. Among his many honors and awards were a Guggenheim Fellowship and admission to the French Legion of Honor.
André Kertész
Place Gambetta, Paris, 1929
André Kertész André Kertész
Glass Distortion, Paris, 1943
Washington Square at Night (flipped negative) 1954
(A Theme of a Modern Geometric Shapes)
Kertész is revered for the clarity of his style and his emotional connections with his subjects. Reared on the languages of rational and irrational modernism-
Mondrian and
Surrealists for instance - his compositions often sought out and the geometric lines and patterns that would complement and/or alter the picture content. He used his camera lens to freeze time and to turn and opportune street scene, or staged, fixed, object(s), into something metaphorical and permanent.
Manuel Álvarez Bravo
(A Style of His Own)
A self-taught photographer, Manuel Alvarez Bravo purchased his first camera at age twenty while working at a government job. His earliest success at photography came around 1925, when he won first prize in a local photographic competition in Oaxaca. He returned to Mexico City, where he had been born, and in 1927 met Tina Modotti, who introduced him to a lively intellectual and cultural environment of other artists from various disciplines. Among them was Edward Weston, who encouraged Alvarez Bravo to continue photographing; Weston wrote to him in 1929: "Photography is fortunate in having someone with your viewpoint. It is not often I am stimulated to enthusiasm over a group of photographs."
Manuel Álvarez Bravo
Señor de Papantla, 1934
Manuel Álvarez Bravo
Herramientas, 1931
Manuel Álvarez Bravo
Juego de Papel (Paper Game), 1926–192.
NoteI copied and pasted the paragraphs and I need help rephrasi.docx
1. Note:
I copied and pasted the paragraphs and I need help rephrasing
and make it by my own words and I also need help adding
article reference at the end for both artists and might need little
bit more word on each paragraph.
A THOUSAND MILES AWAY
Presents
A Photography Artwork of
André Kertész
André Kertész was an American / Hungarian photographer who
emerged as one of the most influential practitioners of the
medium. Prizing emotional impact over technique, he famously
remarked, “I just walk around, observing the subject from
various angles until the picture elements arrange themselves
into a composition that pleases my eye.” Kertész remains best
known for his contributions to photojournalism, Kertész is
revered for the clarity of his style and his emotional
connections with his subjects.
At early to mid-1900s, his great artwork was the subject of
many publications and exhibitions, including solo exhibitions at
the Bibliotheque National in Paris and at the Museum of
Modern Art, and a major retrospective, Of Paris and New York,
at the Art Institute of Chicago and the Metropolitan Museum of
Art. Among his many honors and awards were a Guggenheim
Fellowship and admission to the French Legion of Honor.
André Kertész
Place Gambetta, Paris, 1929
2. André Kertész
André Kertész
Glass Distortion, Paris, 1943
Washington Square at Night (flipped negative) 1954
(A Theme of a Modern Geometric Shapes)
Kertész is revered for the clarity of his style and his emotional
connections with his subjects. Reared on the languages of
rational and irrational modernism-
Mondrian and
Surrealists for instance - his compositions often sought
out and the geometric lines and patterns that would complement
and/or alter the picture content. He used his camera lens to
freeze time and to turn and opportune street scene, or staged,
fixed, object(s), into something metaphorical and permanent.
Manuel Álvarez Bravo
(A Style of His Own)
A self-taught photographer, Manuel Alvarez Bravo purchased
his first camera at age twenty while working at a government
job. His earliest success at photography came around 1925,
when he won first prize in a local photographic competition in
Oaxaca. He returned to Mexico City, where he had been born,
and in 1927 met Tina Modotti, who introduced him to a lively
intellectual and cultural environment of other artists from
various disciplines. Among them was Edward Weston, who
3. encouraged Alvarez Bravo to continue photographing; Weston
wrote to him in 1929: "Photography is fortunate in having
someone with your viewpoint. It is not often I am stimulated to
enthusiasm over a group of photographs."
Manuel Álvarez Bravo
Señor de Papantla, 1934
Manuel Álvarez Bravo
Herramientas, 1931
Manuel Álvarez Bravo
Juego de Papel (Paper Game), 1926–1927
4. (A love for Black and White)
Manuel Bravo’s work is considered some of the most important
photography in 20th-century Latin America. Bravo’s most
acclaimed images are black-and-white depictions of nudes, folk
art, and street scenes imbued with a surreal or supernatural
presence. A noted portraitist, he also captured a series of
compelling photographs of the Mexican artists
Frida Kahlo and
Diego Rivera. Born on February 4, 1902, in Mexico
City, Mexico, he studied art at the Academy of San Carlos but
was mostly a self-taught photographer. He was later introduced
to
Edward Weston by the Italian artist
Tina Modotti in Mexico City, who both encouraged
Bravo to develop his practice. He went on to have over 150 solo
exhibitions and 200 group exhibitions, including The Museum
of Modern Art’s famed The Family of Man exhibition of 1955,
curated by
Edward Steichen. In 2001, the J. Paul Getty Museum in
Los Angeles hosted a retrospective of Bravo’s work. His
photographs can be found in the Art Institute of Chicago, the
Metropolitan Museum of Art in New York, the Victoria &
Albert Museum in London, and the Los Angeles County
Museum of Art, among others. Bravo died on October 19, 2002,
in Mexico City, Mexico.
“A photographer’s main instrument is his eyes”
Manuel Álvarez Bravo and André Kertész’ s Photography style
was based on what they felt and the involvement of their
emotions, at early 1990’s Photojournalism was in its golden
5. years during the world war, both focused on detailed repeated
subjects and the shading within their black and white photos
made them a great photographer to be presented together in the
(A thousand Miles Away) virtual museum.
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Homeland Security Discussion Rubric 5/10/2021
Response No Submission
O Points
Emerging (F through
D range)
60
Satisfactory (C Range)
70
Proficient (B Range)
85
Exemplary (A Range)
100
6. Criterion
score
Quality of
Initial Posting
50%
No Initial
Posting
The Information
provided is
inaccurate not
focused on the
assignment topic.
Does not answer the
question fully,
Response
demonstrates
incomplete
understanding of the
topic and /or
inadequate
preparation
The information
provided is accurate
giving a basic
understanding of the
topic(s) covered.
Despite this basic
understanding, initial
posting may nit
7. include complete
development of all
aspects of the
assignment.
The information
provided is accurate,
displaying a good
understanding of the
topic(s) covered.
Initial posting
demonstrates clear
understanding and
addresses most
aspects of the
assignment although
all concepts may not
be fully discussed.
The information
provided is accurate,
providing an in-
depth, well thought-
out understanding of
the topic(s) covered.
The initial post
provides an analysis
of the information
learned from the
course and/or
assigned readings.
Criteria
8. No Submission
Emerging (F through
D range)
Satisfactory (C Range)
Proficient B Range Exemplary (A Range
Criterion
score
Participation
in Discussion
30%
Student did not
submit the
assignment.
May include one or
more of the
following.:
Comments to only
one other student’s
post. Comments are
not substantive, such
as saying “good job”
9. or comments are off
topic.
Comments to two or
more classmates’
initial posts but only
on one day of the
week. Comments are
substantive and
expand on what
another student
wrote.
Comments to two or
more classmates’
initial posts but only
on one day of the
week. Comments are
substantive and
expand on what
another student
wrote.
Comments to two or
more classmates’
initial posts and to
the instructors’
comments (if
applicable) on two or
more days.
Demonstrates an
analysis of peer’s
comments, building
on previous posts.
10. Criteria No Submission
O Points
Emerging (F through
D range)
Satisfactory (C Range)
Proficient (B Range)
Exemplary (A Range)
Criterion
score
Homeland Security Discussion Rubric 5/10/2021
Writing
Mechanics
(Spelling,
Grammar,
Citation Style)
and
Information
Literacy.
20%
Student did not
11. submit the
assignment
Numerous issues in
any of the following:
grammar,
mechanics, spelling
use of slang, an
incomplete or
missing citations and
references
Some spelling,
grammatical, and/or
structural errors are
present. Some errors
in formatting
citations and
references are
present.
Minor to no errors in
grammar, mechanics,
or spelling in the
initial postings are
present in both the
initial post and
comments to others.
Utilizes sources to
include text readings
as well as outside
sources.
Assignment exceeds
expectations with
exceptional depth;
12. presents all
requirements of the
assignment;
demonstrates the
ability to evaluate,
apply and synthesize
key assignment
concepts.
Overall score
No Submission
There was no
Submission for
this
assignment
Emerging (F-D
Range)
Satisfactory
progress has
not been met
on the
competencies
of this
assignment
Satisfactory
(C Range)
Satisfactory progress
13. has been achieved
on the competencies
for this assignment
Proficient (B Range)
Proficiency has been
achieved on the
competencies for this
assignment
Exemplary (A Range)
The competencies for
this assignment have
been mastered.
Homeland Security Discussion Rubric 5/10/2021
Terrorist Methods of Infiltration and the Targets that Require
Special Mission Training and Equipment
First, begin by listening to the following radio talk show host's
concerns:
Rep. Kevin McCarthy gives ultimatum over military vaccine
mandate #shorts
14. For your main post,
Pick one of the two discussion questions below to answer in
your HS Chat; please be sure to present research to support your
discussion and document that research in APA format. Your
initial post should be in by 11:59 p.m. EST on Wednesday.
1. Terrorists are often specially trained in skills to infiltrate
borders, difficult targets, secure places, and checkpoints.
Knowing the potential methods of infiltration and the targets
that require special mission training and equipment will help
you take necessary security measures to stop surveillance or an
attack. Discuss some of the required special mission training
and equipment that might help you succeed.
2. Discuss the basic ways in which terrorists approach
surveillance, what are some of their more common techniques?
Please use a case example in your answer, as well as research to
support your opinion.
Requirements
· Your main post should be 350+ words.
· Your main post should use APA format.
Resources
You may review the rubric by clicking
here.here. - Alternative Formats
You may review a sample discussion board post by clicking
herehere - Alternative Formats .
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Sample Discussion Board Post for Criminal Justice
Submitted by Melissia Anderson
15. Effective writing is so important to criminal justice
professionals for many reasons. According to
Wallace and Roberson (2009), it is estimated that we use 70%
of our time communicating. This may be
accomplished either verbally or in writing. A verbal
communication is considered less formal, while a
written statement is lasting and given more significance.
Because written statements are permanent,
they are assessed as more significant. A report filed by a law
enforcement agent can be used for the
prosecution or defense of a defendant in a court of law.
Inaccuracies in a written report can result in the
failure to convict an individual of a crime. The legal
ramifications of unclear or imprecise writing can be
substantial. An officer must be able to explain the reasons a
report is written and filed. They must be
able to defend errors in their reports. Under oath, they will have
to testify from the contents of the
report. Criminal justice professionals must be able to not only
file written reports, but to draft narratives
that are comprehensible and logical for others to grasp (Wallace
& Roberson, 2009).
Working in Pretrial Services I know that clarity is particularly
essential. If our court officers do
not precisely note the judge’s terms or conditions of release, a
defendant may inadvertently violate
their release. It could cost the individual their freedom. Many
times, the judiciary may be vague when
defining terms of release. In this instance court communications
must be sent to distinguish the original
intent from the judge. It wastes valuable time and court
resources to clear up ambiguous conditions.
16. Plagiarism involves stealing another person’s ideas or works
and using them as your own.
Sometimes this can be blatant, like copying sentences word for
word without using quotation marks. In
other situations, it may be less obvious, such as paraphrasing
content from another source but not citing
it. This; however, is still plagiarism because that content
originated from someone else's ideas or
research, not your own. Plagiarism in this instance can be
avoided by simply using an in-text citation at
the beginning or the end of the paraphrased content. It is always
a good idea to cite a source rather
than chance an allegation of plagiarism (Keiser University,
n.d.). Stealing from another can destroy the
credibility of any criminal justice professional. Because they
represent the law and courts, law
enforcement agents need to be above reproach.
Word Count: 401
References
Keiser University. (n.d.). Plagiarism [PowerPoint slides].
Retrieved from http://keiseruniversity.org
Wallace, H., & Roberson, C. (2009). Written and interpersonal
communication: Methods for law
enforcement (4th ed.). Pearson Education.