arts 125 week 3 american art before and after world war ii new,uop arts 125,arts 125,uop arts 125 week 3 tutorial,arts 125 week 3 assignment,uop arts 125 week 3 help
Arts 125 Education Redefined - snaptutorial.comDavisMurphyC71
For more classes visit
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This Tutorial contains 2 Set of Papers for each Assignment
ARTS 125 Week 1 Shifting Views of America (2 Papers)
ARTS 125 Week 2 Visions of America (1 Paper and 2 PPT)
Arts 125 Education Specialist-snaptutorial.comrobertlesew46
For more classes visit
www.snaptutorial.com
This Tutorial contains 2 Set of Papers for each Assignment
ARTS 125 Week 1 Shifting Views of America (2 Papers)
ARTS 125 Week 2 Visions of America (1 Paper and 2 PPT)
ARTS 125 Week 3 American Art Before and After World War II (2 Papers)
ARTS 125 Week 4 Art of the 1950s and the 1960s Presentation (2 PPT)
Arts 125 Education Organization / snaptutorial.comBaileya78
For more classes visit
www.snaptutorial.com
This Tutorial contains 2 Set of Papers for each Assignment
ARTS 125 Week 1 Shifting Views of America (2 Papers)
ARTS 125 Week 2 Visions of America (1 Paper and 2 PPT)
ARTS 125 Week 3 American Art Before and After World War II (2 Papers)
ARTS 125 Exceptional Education / snaptutorial.com donaldzs92
For more classes visit
www.snaptutorial.com
This Tutorial contains 2 Set of Papers for each Assignment
ARTS 125 Week 1 Shifting Views of America (2 Papers)
ARTS 125 Week 2 Visions of America (1 Paper and 2 PPT)
For more course tutorials visit
www.newtonhelp.com
This Tutorial contains 2 Set of Papers for each Assignment
ARTS 125 Week 1 Shifting Views of America (2 Papers)
ARTS 125 Enhance teaching - tutorialrank.comLeoTolstoy21
For more course tutorials visit
www.tutorialrank.com
This Tutorial contains 2 Set of Papers for each Assignment
ARTS 125 Week 1 Shifting Views of America (2 Papers)
ARTS 125 Week 2 Visions of America (1 Paper and 2 PPT)
ARTS 125 Week 3 American Art Before and After World War II (2 Papers
Arts 125 Education Redefined - snaptutorial.comDavisMurphyC71
For more classes visit
www.snaptutorial.com
This Tutorial contains 2 Set of Papers for each Assignment
ARTS 125 Week 1 Shifting Views of America (2 Papers)
ARTS 125 Week 2 Visions of America (1 Paper and 2 PPT)
Arts 125 Education Specialist-snaptutorial.comrobertlesew46
For more classes visit
www.snaptutorial.com
This Tutorial contains 2 Set of Papers for each Assignment
ARTS 125 Week 1 Shifting Views of America (2 Papers)
ARTS 125 Week 2 Visions of America (1 Paper and 2 PPT)
ARTS 125 Week 3 American Art Before and After World War II (2 Papers)
ARTS 125 Week 4 Art of the 1950s and the 1960s Presentation (2 PPT)
Arts 125 Education Organization / snaptutorial.comBaileya78
For more classes visit
www.snaptutorial.com
This Tutorial contains 2 Set of Papers for each Assignment
ARTS 125 Week 1 Shifting Views of America (2 Papers)
ARTS 125 Week 2 Visions of America (1 Paper and 2 PPT)
ARTS 125 Week 3 American Art Before and After World War II (2 Papers)
ARTS 125 Exceptional Education / snaptutorial.com donaldzs92
For more classes visit
www.snaptutorial.com
This Tutorial contains 2 Set of Papers for each Assignment
ARTS 125 Week 1 Shifting Views of America (2 Papers)
ARTS 125 Week 2 Visions of America (1 Paper and 2 PPT)
For more course tutorials visit
www.newtonhelp.com
This Tutorial contains 2 Set of Papers for each Assignment
ARTS 125 Week 1 Shifting Views of America (2 Papers)
ARTS 125 Enhance teaching - tutorialrank.comLeoTolstoy21
For more course tutorials visit
www.tutorialrank.com
This Tutorial contains 2 Set of Papers for each Assignment
ARTS 125 Week 1 Shifting Views of America (2 Papers)
ARTS 125 Week 2 Visions of America (1 Paper and 2 PPT)
ARTS 125 Week 3 American Art Before and After World War II (2 Papers
ARTS 125 Inspiring Innovation/tutorialrank.comjonhson122
For more course tutorials visit
www.tutorialrank.com
This Tutorial contains 2 Set of Papers for each Assignment
ARTS 125 Week 1 Shifting Views of America (2 Papers)
ARTS 125 Week 2 Visions of America (1 Paper and 2 PPT)
Write a 1,050- to 1,400-word paper on American art before and afte.docxvelmakostizy
Write
a 1,050- to 1,400-word paper on American art before and after World War II.
Include
an examination of the artwork of three artists total. Select two artists who worked during the Great Depression and one Abstract Expressionist artist.
Include
discussion of the following in your paper:
At least one example of art from each artist with a description of the subject and style of the work.
An examination of the purpose of artwork created during the Great Depression. Were your examples used as tools for social reform? What other types of messaging was present in works from the 1930s?
A description of how Abstract Expressionism emerged in post-World War II America and how it differed from the art work of the 1930s.
A description of the style of your Abstract Expressionist artist and why he or she was interested in this style of abstraction; was there a "meaning" to their work?
Format
your paper according to appropriate course level APA guidelines.
Submit
your assignment to the Assignment Files tab.
.
Write a 1,050- to 1,400-word paper on American art before and af.docxgriffinruthie22
Write
a 1,050- to 1,400-word paper on American art before and after World War II.
Include
an examination of the artwork of three artists total. Select two artists who worked during the Great Depression and one Abstract Expressionist artist.
Include
discussion of the following in your paper:
At least one example of art from each artist with a description of the subject and style of the work.
An examination of the purpose of artwork created during the Great Depression. Were your examples used as tools for social reform? What other types of messaging was present in works from the 1930s?
A description of how Abstract Expressionism emerged in post-World War II America and how it differed from the art work of the 1930s.
A description of the style of your Abstract Expressionist artist and why he or she was interested in this style of abstraction; was there a "meaning" to their work?
Format
your paper according to appropriate course level APA guidelines.
Submit
your assignment to the Assignment Files tab.
...
Write a 1,050- to 1,400-word paper on American art before and afte.docxboyfieldhouse
Write
a 1,050- to 1,400-word paper on American art before and after World War II.
Include
an examination of the artwork of three artists total. Select two artists who worked during the Great Depression and one Abstract Expressionist artist.
Include
discussion of the following in your paper:
At least one example of art from each artist with a description of the subject and style of the work.
An examination of the purpose of artwork created during the Great Depression. Were your examples used as tools for social reform? What other types of messaging was present in works from the 1930s?
A description of how Abstract Expressionism emerged in post-World War II America and how it differed from the art work of the 1930s.
A description of the style of your Abstract Expressionist artist and why he or she was interested in this style of abstraction; was there a "meaning" to their work?
Format
your paper according to appropriate course level APA guidelines.
Submit
your assignment to the Assignment Files tab.
.
Week 3 Individual Assignment Option BImagine it is 1954 and you .docxcockekeshia
Week 3 Individual Assignment Option B
Imagine it is 1954 and you have just read a critic's scathing review of an Abstract Expressionist art exhibition.
Write a 1,050- to 1,400-word letter to the editor responding to the attack. At the beginning of your letter, discuss how the work of American artwork created in the 1930s embodied Democratic values. Then, discuss Abstract Expressionism as an extension of those values and a demonstration of the freedom of expression available to artists in American society.
Include discussion of the following in your letter:
· Two examples of art from the 1930s with explanation of how these artworks embody democratic values; were the works tools of social reform? If so, what were the goals of the artists? Were the works depicting uniquely American scenes? If so, for what purpose?
· One example of a work of Abstract Expressionism
· How the Abstract Expressionist artist expressed themselves using this abstract style; what were they "saying?" or what was the message of their artwork? What influenced their work?
Format your letter according to appropriate course level APA guidelines.
Must include links to website that are used in references. Must be able to open by me the student.
.
Option BImagine it is 1954 and you have just read a critics sca.docxpickersgillkayne
Option B
Imagine
it is 1954 and you have just read a critic's scathing review of an Abstract Expressionist art exhibition.
Write
a 1,050 word letter to the editor responding to the attack. At the beginning of your letter, discuss how the work of American artwork created in the 1930s embodied Democratic values. Then, discuss Abstract Expressionism as an extension of those values and a demonstration of the freedom of expression available to artists in American society.
Include
discussion of the following in your letter:
Two examples of art from the 1930s with explanation of how these artworks embody democratic values; were the works tools of social reform? If so, what were the goals of the artists? Were the works depicting uniquely American scenes? If so, for what purpose?
One example of a work of Abstract Expressionism
How the Abstract Expressionist artist expressed themselves using this abstract style; what were they "saying?" or what was the message of their artwork? What influenced their work?
Format
your letter according to appropriate course level APA guidelines.
.
ResourcesReview your Week 3 readings and videos.For your Week.docxmackulaytoni
Resources:
Review your Week 3 readings and videos.
For your Week 3 Assignment, choose
one
of the options listed below.. You will choose your option and artists in week 2 so we avoid duplications.
Option A
Create a PowerPoint presentation
on American art before and after World War II.
Include
an examination of the artwork of three artists total. Select two artists who worked during the Great Depression and one Abstract Expressionist artist.
Include
discussion of the following in your presentation:
At least one example of art from each artist with a description of the subject and style of the work.
An examination of the purpose of artwork created during the Great Depression. Were your examples used as tools for social reform? What other types of messaging was present in works from the 1930s?
A description of how Abstract Expressionism emerged in post-World War II America and how it differed from the art work of the 1930s.
A description of the style of your Abstract Expressionist artist and why he or she was interested in this style of abstraction; was there a "meaning" to their work? You should be able to find quotes or video clips in which the artist expresses an opinion on that question.
Format
your assignment according to appropriate course level APA guidelines. This means a title slide, a completely formatted reference slide, and all appropriate in-text citations or credits. Slides must contain detailed speaker's notes.
Grammar, spelling, and syntax count, so proofread carefully.
Submit
your assignment to the Assignment Files tab
.
Imagine it is 1954 and you have just read a critics scathing revi.docxgordienaysmythe
Imagine
it is 1954 and you have just read a critic's scathing review of an Abstract Expressionist art exhibition.
Write
a 1,050- to 1,400-word letter to the editor responding to the attack. At the beginning of your letter, discuss how the work of American artwork created in the 1930s embodied Democratic values. Then, discuss Abstract Expressionism as an extension of those values and a demonstration of the freedom of expression available to artists in American society.
Include
discussion of the following in your letter:
Two examples of art from the 1930s with explanation of how these artworks embody democratic values; were the works tools of social reform?
USE THESE
(
AMERICAN GOTHIC,
EDWARD HOPPER, 1930 &
ROUSTABOUTS
, JOE JONES, 1934) If so, what were the goals of the artists? Were the works depicting uniquely American scenes? If so, for what purpose?
One example of a work of Abstract Expressionism (
NUMBER 11, BLUE POLES
, JACKSON POLLOCK, 1952)
How the Abstract Expressionist artist expressed themselves using this abstract style; what were they "saying?" or what was the message of their artwork? What influenced their work?
Format
your letter according to appropriate course level APA guidelines.
*****MUST USE THE ART AND ARTIST REFERENCED IN THE INSTRUCTIONS****
PLEASE BE FAMILIAR WITH THE ENGLISH LANGUAGE AS THIS NEEDS TO BE WRITTEN AS A LETTER TO THE EDITOR...
.
Option AChoose one of the following artists for an examination of .docxpickersgillkayne
Option A
Choose one of the following artists for an examination of their stylistic development into abstraction:
Arthur Dove
Stanton Macdonald-Wright
Marsden Hartley
Max Weber
Georgia O'Keeffe
Write a 700- to 1,050-word paper examining your selected artist's development into abstraction that responds to the following:
How and why did early American abstraction develop?
What subjects were present in your artist's abstract works? Describe with at least one example from the artist.
Why did the artists choose to work in this style? To what influences were they responding to from Europe, and how was their own exploration of abstraction meaningful to them?
What is your own response to the artist's work?
Format your paper according to appropriate course level APA guidelines.
Submit your assignment to the Assignment Files tab.
Option B
Imagine you are working in a historical society dedicated to the promotion and preservation of the legacy of the Harlem Renaissance.
Create a 700- to 1,050-word overview of the Harem Renaissance that can be used as a handout at your historical society. Include the following in your overview:
An overview of the history of the Harlem Renaissance; what developments in American history led to the emergence of the Harlem Renaissance? How does the Harlem Renaissance continue to be relevant to our society?
·
Discussion of at least two visual artists associated with the Harlem Renaissance whose work, in your estimation, is representative of this cultural era.
·
An examination of at least two representative works from your selected artists which includes a description of style of the artist; why did the artists choose these artistic styles? How is their work related to the abstraction of the early modernists during this same time period? Is it also abstract? How would you describe it in your own words?
·
An examination of the artistic choices involving media, techniques, and subjects of your selected artworks. Was the cumulative effect of the artist's choices successful? Why or why not?
·
An analysis of your selected artworks in their historical and social context; what meaning did your artists bring to their work and why? To what social or historical forces were they responding?
Inclusion of at least two images of artwork from your selected artists.
You may submit your overview as a Microsoft® Word document with images. Or, you may use another document creation tool if you have access to the Adobe Creative Suite.
Cite your images according to appropriate course level APA guidelines.
Format your overview according to appropriate course level APA guidelines.
Only need one option done. Pick whichever one you would like to do.
.
Week 3 American Abstract Expressionism Question 1 1. Imagi.docxmelbruce90096
Week 3 "American Abstract Expressionism"
Question 1
1. Imagine you are a docent or visitor’s guide at an art museum. You are responsible for conducting an international tour of foreign visitors and students through a museum exhibit exploring American Abstract Expressionism. Write a minimum two paragraph summary of what you would say to them about the overall movement and artworks of American Expressionism.
Question 2
1. Name an artist that is considered an ‘other’ in typical Abstract Expressionist history?
Question 3
1. According to our reading, select the true statements below that illustrates how Abstract Expressionism was not a unified ‘school’ of art?
A.
The artists didn’t know each other
B.
The artists varied between realism and abstraction
C.
The artists valued personal autonomy and had different styles
D.
The artists rarely exhibited together
Question 4
1. Give a brief description of Clement Greenberg’s critical idea where he emphasized "pure" form?
Question 5
1. According to our reading, select the true statements below that contribute to the idea that American Abstract Expressionism was not a ‘unified school’ of art? (select all that apply)
A.
The artists didn’t know each other
B.
The artists varied between realism and abstraction
C.
The artists valued personal autonomy
D.
The artists rarely exhibited together
E.
The artists had different styles
Question 6
1. This style of painting, created by the Chromatic Expressionists, represents one of the two distinct styles of Abstraction Expressionism called .
Question 7
1. Read the text on 136-137, and then give a formal analysis of Williem de Kooning’s Woman I, 1950-1952, including a personal interpretation.
Question 8
1. What were some of the adjectives that Robert Motherwell used to describe Abstract Expressionist painting?
Question 9
1. In your own words, write an essay analyzing the meaning behind the painting Subway, 1950, by George Tooker?
Question 10
1. Which artist said “The modern painter cannot express this age, the airplane, the atom bomb, the radio, in old forms of the Renaissance or of any other past culture. Each age finds its own technique”.
A.
Jackson Pollock
B.
Clement Greenberg
C.
Thomas Hart Benton
D.
Norman Lewis
Week 3 "American Abstract Expressionism"
QUESTION 1
1.
Imagine you are a docent or visitor’s guide at an art museum. You are
responsible for conducting an international tour of foreign visitors and
students through a museum exhibit exploring American Abstract
Expressionism. Write a minimum two paragraph summar
y of what you would
say to them about the overall movement and artworks of American
Expressionism.
QUESTION 2
1.
Name an artist that is considered an ‘other’ in typical Abstract Expressionist
history?
QUESTION 3
1.
According to our reading, select the true statements below that illustrates
how Abstract Expressionism was not a unified ‘school’ of art?
A.
The artists didn’t know each othe.
Resources Review your Week 2 readings and videos.For your Week .docxkhanpaulita
Resources:
Review your Week 2 readings and videos.
For your Week 2 Assignment, choose
one
of the options listed below.
Option A
Choose
one of the following artists for an examination of their stylistic development into abstraction:
Arthur Dove
Stanton Macdonald-Wright
Marsden Hartley
Max Weber
Georgia O'Keeffe
Write
a 700- to 1,050-word (Word count is based on only the body of the paper. Word count does not include the text on the title or reference pages.) paper examining your selected artist's development into abstraction that responds to the following:
How and why did early American abstraction develop?
What subjects were present in your artist's abstract works? Describe with at least one example from the artist.
Why did the artists choose to work in this style? To what influences were they responding to from Europe, and how was their own exploration of abstraction meaningful to them?
What is your own response to the artist's work?
Add
"Option A" to the title of your assignment.
Submit
the contents of your paper to Grammarly. Make edits to grammar, punctuation, and mechanics based on the feedback from Grammarly.
Format
your paper consistent with APA guidelines.
___________________________________________________________________________________
Option B
Imagine
you are working in a historical society dedicated to the promotion and preservation of the legacy of the Harlem Renaissance.
Create
a 700- to 1,050-word (Word count is based on only the body of the paper. Word count does not include the text on the title or reference pages.) overview of the Harem Renaissance that can be used as a handout at your historical society. Include the following in your overview:
An overview of the history of the Harlem Renaissance; what developments in American history led to the emergence of the Harlem Renaissance? How does the Harlem Renaissance continue to be relevant to our society?
Discussion of at least two visual artists associated with the Harlem Renaissance whose work, in your estimation, is representative of this cultural era.
An examination of at least two representative works from your selected artists which includes a description of style of the artist; why did the artists choose these artistic styles? How is their work related to the abstraction of the early modernists during this same time period? Is it also abstract? How would you describe it in your own words?
An examination of the artistic choices involving media, techniques, and subjects of your selected artworks. Was the cumulative effect of the artist's choices successful? Why or why not?
An analysis of your selected artworks in their historical and social context; what meaning did your artists bring to their work and why? To what social or historical forces were they responding?
Inclusion of at least two images of artwork from your selected artists.
You may submit your overview as a Microsoft® Word document with images. Or, you may use another document creation tool if you h ...
ARTS 125 Inspiring Innovation/tutorialrank.comjonhson122
For more course tutorials visit
www.tutorialrank.com
This Tutorial contains 2 Set of Papers for each Assignment
ARTS 125 Week 1 Shifting Views of America (2 Papers)
ARTS 125 Week 2 Visions of America (1 Paper and 2 PPT)
Write a 1,050- to 1,400-word paper on American art before and afte.docxvelmakostizy
Write
a 1,050- to 1,400-word paper on American art before and after World War II.
Include
an examination of the artwork of three artists total. Select two artists who worked during the Great Depression and one Abstract Expressionist artist.
Include
discussion of the following in your paper:
At least one example of art from each artist with a description of the subject and style of the work.
An examination of the purpose of artwork created during the Great Depression. Were your examples used as tools for social reform? What other types of messaging was present in works from the 1930s?
A description of how Abstract Expressionism emerged in post-World War II America and how it differed from the art work of the 1930s.
A description of the style of your Abstract Expressionist artist and why he or she was interested in this style of abstraction; was there a "meaning" to their work?
Format
your paper according to appropriate course level APA guidelines.
Submit
your assignment to the Assignment Files tab.
.
Write a 1,050- to 1,400-word paper on American art before and af.docxgriffinruthie22
Write
a 1,050- to 1,400-word paper on American art before and after World War II.
Include
an examination of the artwork of three artists total. Select two artists who worked during the Great Depression and one Abstract Expressionist artist.
Include
discussion of the following in your paper:
At least one example of art from each artist with a description of the subject and style of the work.
An examination of the purpose of artwork created during the Great Depression. Were your examples used as tools for social reform? What other types of messaging was present in works from the 1930s?
A description of how Abstract Expressionism emerged in post-World War II America and how it differed from the art work of the 1930s.
A description of the style of your Abstract Expressionist artist and why he or she was interested in this style of abstraction; was there a "meaning" to their work?
Format
your paper according to appropriate course level APA guidelines.
Submit
your assignment to the Assignment Files tab.
...
Write a 1,050- to 1,400-word paper on American art before and afte.docxboyfieldhouse
Write
a 1,050- to 1,400-word paper on American art before and after World War II.
Include
an examination of the artwork of three artists total. Select two artists who worked during the Great Depression and one Abstract Expressionist artist.
Include
discussion of the following in your paper:
At least one example of art from each artist with a description of the subject and style of the work.
An examination of the purpose of artwork created during the Great Depression. Were your examples used as tools for social reform? What other types of messaging was present in works from the 1930s?
A description of how Abstract Expressionism emerged in post-World War II America and how it differed from the art work of the 1930s.
A description of the style of your Abstract Expressionist artist and why he or she was interested in this style of abstraction; was there a "meaning" to their work?
Format
your paper according to appropriate course level APA guidelines.
Submit
your assignment to the Assignment Files tab.
.
Week 3 Individual Assignment Option BImagine it is 1954 and you .docxcockekeshia
Week 3 Individual Assignment Option B
Imagine it is 1954 and you have just read a critic's scathing review of an Abstract Expressionist art exhibition.
Write a 1,050- to 1,400-word letter to the editor responding to the attack. At the beginning of your letter, discuss how the work of American artwork created in the 1930s embodied Democratic values. Then, discuss Abstract Expressionism as an extension of those values and a demonstration of the freedom of expression available to artists in American society.
Include discussion of the following in your letter:
· Two examples of art from the 1930s with explanation of how these artworks embody democratic values; were the works tools of social reform? If so, what were the goals of the artists? Were the works depicting uniquely American scenes? If so, for what purpose?
· One example of a work of Abstract Expressionism
· How the Abstract Expressionist artist expressed themselves using this abstract style; what were they "saying?" or what was the message of their artwork? What influenced their work?
Format your letter according to appropriate course level APA guidelines.
Must include links to website that are used in references. Must be able to open by me the student.
.
Option BImagine it is 1954 and you have just read a critics sca.docxpickersgillkayne
Option B
Imagine
it is 1954 and you have just read a critic's scathing review of an Abstract Expressionist art exhibition.
Write
a 1,050 word letter to the editor responding to the attack. At the beginning of your letter, discuss how the work of American artwork created in the 1930s embodied Democratic values. Then, discuss Abstract Expressionism as an extension of those values and a demonstration of the freedom of expression available to artists in American society.
Include
discussion of the following in your letter:
Two examples of art from the 1930s with explanation of how these artworks embody democratic values; were the works tools of social reform? If so, what were the goals of the artists? Were the works depicting uniquely American scenes? If so, for what purpose?
One example of a work of Abstract Expressionism
How the Abstract Expressionist artist expressed themselves using this abstract style; what were they "saying?" or what was the message of their artwork? What influenced their work?
Format
your letter according to appropriate course level APA guidelines.
.
ResourcesReview your Week 3 readings and videos.For your Week.docxmackulaytoni
Resources:
Review your Week 3 readings and videos.
For your Week 3 Assignment, choose
one
of the options listed below.. You will choose your option and artists in week 2 so we avoid duplications.
Option A
Create a PowerPoint presentation
on American art before and after World War II.
Include
an examination of the artwork of three artists total. Select two artists who worked during the Great Depression and one Abstract Expressionist artist.
Include
discussion of the following in your presentation:
At least one example of art from each artist with a description of the subject and style of the work.
An examination of the purpose of artwork created during the Great Depression. Were your examples used as tools for social reform? What other types of messaging was present in works from the 1930s?
A description of how Abstract Expressionism emerged in post-World War II America and how it differed from the art work of the 1930s.
A description of the style of your Abstract Expressionist artist and why he or she was interested in this style of abstraction; was there a "meaning" to their work? You should be able to find quotes or video clips in which the artist expresses an opinion on that question.
Format
your assignment according to appropriate course level APA guidelines. This means a title slide, a completely formatted reference slide, and all appropriate in-text citations or credits. Slides must contain detailed speaker's notes.
Grammar, spelling, and syntax count, so proofread carefully.
Submit
your assignment to the Assignment Files tab
.
Imagine it is 1954 and you have just read a critics scathing revi.docxgordienaysmythe
Imagine
it is 1954 and you have just read a critic's scathing review of an Abstract Expressionist art exhibition.
Write
a 1,050- to 1,400-word letter to the editor responding to the attack. At the beginning of your letter, discuss how the work of American artwork created in the 1930s embodied Democratic values. Then, discuss Abstract Expressionism as an extension of those values and a demonstration of the freedom of expression available to artists in American society.
Include
discussion of the following in your letter:
Two examples of art from the 1930s with explanation of how these artworks embody democratic values; were the works tools of social reform?
USE THESE
(
AMERICAN GOTHIC,
EDWARD HOPPER, 1930 &
ROUSTABOUTS
, JOE JONES, 1934) If so, what were the goals of the artists? Were the works depicting uniquely American scenes? If so, for what purpose?
One example of a work of Abstract Expressionism (
NUMBER 11, BLUE POLES
, JACKSON POLLOCK, 1952)
How the Abstract Expressionist artist expressed themselves using this abstract style; what were they "saying?" or what was the message of their artwork? What influenced their work?
Format
your letter according to appropriate course level APA guidelines.
*****MUST USE THE ART AND ARTIST REFERENCED IN THE INSTRUCTIONS****
PLEASE BE FAMILIAR WITH THE ENGLISH LANGUAGE AS THIS NEEDS TO BE WRITTEN AS A LETTER TO THE EDITOR...
.
Option AChoose one of the following artists for an examination of .docxpickersgillkayne
Option A
Choose one of the following artists for an examination of their stylistic development into abstraction:
Arthur Dove
Stanton Macdonald-Wright
Marsden Hartley
Max Weber
Georgia O'Keeffe
Write a 700- to 1,050-word paper examining your selected artist's development into abstraction that responds to the following:
How and why did early American abstraction develop?
What subjects were present in your artist's abstract works? Describe with at least one example from the artist.
Why did the artists choose to work in this style? To what influences were they responding to from Europe, and how was their own exploration of abstraction meaningful to them?
What is your own response to the artist's work?
Format your paper according to appropriate course level APA guidelines.
Submit your assignment to the Assignment Files tab.
Option B
Imagine you are working in a historical society dedicated to the promotion and preservation of the legacy of the Harlem Renaissance.
Create a 700- to 1,050-word overview of the Harem Renaissance that can be used as a handout at your historical society. Include the following in your overview:
An overview of the history of the Harlem Renaissance; what developments in American history led to the emergence of the Harlem Renaissance? How does the Harlem Renaissance continue to be relevant to our society?
·
Discussion of at least two visual artists associated with the Harlem Renaissance whose work, in your estimation, is representative of this cultural era.
·
An examination of at least two representative works from your selected artists which includes a description of style of the artist; why did the artists choose these artistic styles? How is their work related to the abstraction of the early modernists during this same time period? Is it also abstract? How would you describe it in your own words?
·
An examination of the artistic choices involving media, techniques, and subjects of your selected artworks. Was the cumulative effect of the artist's choices successful? Why or why not?
·
An analysis of your selected artworks in their historical and social context; what meaning did your artists bring to their work and why? To what social or historical forces were they responding?
Inclusion of at least two images of artwork from your selected artists.
You may submit your overview as a Microsoft® Word document with images. Or, you may use another document creation tool if you have access to the Adobe Creative Suite.
Cite your images according to appropriate course level APA guidelines.
Format your overview according to appropriate course level APA guidelines.
Only need one option done. Pick whichever one you would like to do.
.
Week 3 American Abstract Expressionism Question 1 1. Imagi.docxmelbruce90096
Week 3 "American Abstract Expressionism"
Question 1
1. Imagine you are a docent or visitor’s guide at an art museum. You are responsible for conducting an international tour of foreign visitors and students through a museum exhibit exploring American Abstract Expressionism. Write a minimum two paragraph summary of what you would say to them about the overall movement and artworks of American Expressionism.
Question 2
1. Name an artist that is considered an ‘other’ in typical Abstract Expressionist history?
Question 3
1. According to our reading, select the true statements below that illustrates how Abstract Expressionism was not a unified ‘school’ of art?
A.
The artists didn’t know each other
B.
The artists varied between realism and abstraction
C.
The artists valued personal autonomy and had different styles
D.
The artists rarely exhibited together
Question 4
1. Give a brief description of Clement Greenberg’s critical idea where he emphasized "pure" form?
Question 5
1. According to our reading, select the true statements below that contribute to the idea that American Abstract Expressionism was not a ‘unified school’ of art? (select all that apply)
A.
The artists didn’t know each other
B.
The artists varied between realism and abstraction
C.
The artists valued personal autonomy
D.
The artists rarely exhibited together
E.
The artists had different styles
Question 6
1. This style of painting, created by the Chromatic Expressionists, represents one of the two distinct styles of Abstraction Expressionism called .
Question 7
1. Read the text on 136-137, and then give a formal analysis of Williem de Kooning’s Woman I, 1950-1952, including a personal interpretation.
Question 8
1. What were some of the adjectives that Robert Motherwell used to describe Abstract Expressionist painting?
Question 9
1. In your own words, write an essay analyzing the meaning behind the painting Subway, 1950, by George Tooker?
Question 10
1. Which artist said “The modern painter cannot express this age, the airplane, the atom bomb, the radio, in old forms of the Renaissance or of any other past culture. Each age finds its own technique”.
A.
Jackson Pollock
B.
Clement Greenberg
C.
Thomas Hart Benton
D.
Norman Lewis
Week 3 "American Abstract Expressionism"
QUESTION 1
1.
Imagine you are a docent or visitor’s guide at an art museum. You are
responsible for conducting an international tour of foreign visitors and
students through a museum exhibit exploring American Abstract
Expressionism. Write a minimum two paragraph summar
y of what you would
say to them about the overall movement and artworks of American
Expressionism.
QUESTION 2
1.
Name an artist that is considered an ‘other’ in typical Abstract Expressionist
history?
QUESTION 3
1.
According to our reading, select the true statements below that illustrates
how Abstract Expressionism was not a unified ‘school’ of art?
A.
The artists didn’t know each othe.
Resources Review your Week 2 readings and videos.For your Week .docxkhanpaulita
Resources:
Review your Week 2 readings and videos.
For your Week 2 Assignment, choose
one
of the options listed below.
Option A
Choose
one of the following artists for an examination of their stylistic development into abstraction:
Arthur Dove
Stanton Macdonald-Wright
Marsden Hartley
Max Weber
Georgia O'Keeffe
Write
a 700- to 1,050-word (Word count is based on only the body of the paper. Word count does not include the text on the title or reference pages.) paper examining your selected artist's development into abstraction that responds to the following:
How and why did early American abstraction develop?
What subjects were present in your artist's abstract works? Describe with at least one example from the artist.
Why did the artists choose to work in this style? To what influences were they responding to from Europe, and how was their own exploration of abstraction meaningful to them?
What is your own response to the artist's work?
Add
"Option A" to the title of your assignment.
Submit
the contents of your paper to Grammarly. Make edits to grammar, punctuation, and mechanics based on the feedback from Grammarly.
Format
your paper consistent with APA guidelines.
___________________________________________________________________________________
Option B
Imagine
you are working in a historical society dedicated to the promotion and preservation of the legacy of the Harlem Renaissance.
Create
a 700- to 1,050-word (Word count is based on only the body of the paper. Word count does not include the text on the title or reference pages.) overview of the Harem Renaissance that can be used as a handout at your historical society. Include the following in your overview:
An overview of the history of the Harlem Renaissance; what developments in American history led to the emergence of the Harlem Renaissance? How does the Harlem Renaissance continue to be relevant to our society?
Discussion of at least two visual artists associated with the Harlem Renaissance whose work, in your estimation, is representative of this cultural era.
An examination of at least two representative works from your selected artists which includes a description of style of the artist; why did the artists choose these artistic styles? How is their work related to the abstraction of the early modernists during this same time period? Is it also abstract? How would you describe it in your own words?
An examination of the artistic choices involving media, techniques, and subjects of your selected artworks. Was the cumulative effect of the artist's choices successful? Why or why not?
An analysis of your selected artworks in their historical and social context; what meaning did your artists bring to their work and why? To what social or historical forces were they responding?
Inclusion of at least two images of artwork from your selected artists.
You may submit your overview as a Microsoft® Word document with images. Or, you may use another document creation tool if you h ...
questions 1 This week, we look at several examples of early.docxcatheryncouper
questions 1: This week, we look at several examples of early modernist* art such as post-impressionism*, cubism*, fauvism*, futurism*, and expressionism*. Let's discuss the relationships between these aesthetic categories and the sociopolitical* climate of the period, always (as we did for Rubens) describing and analyzing specific examples of these categories, as well as (as we did last week for romanticism to impressionism) questioning whether such categories express the wishes of the artists involved and/or if such terms have stuck with critics and scholars.
How did the sociopolitical climate of the time period, including especially the First World War, influence artists? As always, your posts need to meet multiple rubrics to get quality-points (one rubric means one point, up to four). Comparison with present-day examples are always welcome as added ornament, but the meat and potatoes of your point-getting posts will need to focus on the years between 1904 and 1939 (just before WWII).
Which artistic and philosophical sub-cultures (circles of friends, enemies, and patrons) were among the most influential in this period, and which works caused the most adoration and debate, then and now?
question 2:As it's Black History Month (when is white history month? Every other one?) and you may have seen that African-American singing was my Ph.D. topic and scholarly primary-area within music history, I'd like to invite everyone to consider the particular presence of continued "race" inequities in early-20th-century arts and politics over the globe (as we discussed slaves in Greece and the portrayal of lower classes in the realist strain within romanticism). In the U.S. what used to be referred to as "the black problem" has been particularly thorny.
Through most of the 19th century, by far the most-popular multimedia performance-form (music, dance, jokes, costumes) in the U.S. (with some popularity in England and elsewhere) was blackface minstrelsy, where both white and some black performers (mostly male) "blacked up" using burnt-cork and oil over their faces, while exaggerating and reddening their lips, wearing white gloves, etc., a disgusting but fascinating deep strain at the root of American popular culture.
But this thread is about roughly 1890-1939; what are some ways that African-Americans began to develop their own subcultures both in the South (where the vast majority of African-Americans lived in earlier, slave years) but also growing in the North (particularly business and industrial centers). What are some artistic, political, and philosophical sub-cultures (circles of friends, enemies, and patrons) under cultivation in these years, and what are some leading products of these circles? (For instance, were the patrons of most black art also black, and how did differences of class and ethnicity tend to affect the terms of this patronage?)
As always, be specific and avoid clichés, triteness, and hyperbole/exaggeration. Consider also the emergen ...
Write about one of the photographers from the list below.William.docxdunningblair
Write about one of the photographers from the list below.
William Eggleston
Diane Arbus
Robert Frank
Cindy Sherman
Duane Michaels
Rineke Dijkstra
Wolfgang Tillmans
Jeff Wall
Nikki S. Lee
Andreas Gursky
Write about your chosen artist answering each of the following bullet-points. Write at least one paragraph for each bullet point. You should copy and paste the bullet points below into a word document and answer them in complete sentence, paragraph form. Please include photographs to accompany your write up and links to the sources you consulted for the write up.
Artist’s biographical information and background:
date and place of birth, family background, where he/she grew up, what schools he/she attended, what he/she studied, etc.
First exhibitions and accomplishments as an artist:
How did he/she come to be well-known?
Inspirations and influences:
What influenced the artist? This is where you can provide historical context for the artist’s work.
Examples of work:
Most artists have made a large variety of work. Choose 3 of your favorite photographs and tell us why you like them. Explain what series this photograph is part of if it is part of a larger series of work. Copy and paste the photographs you have chosen and include them with the write-up. (Please list the artist, title, and date of the pieces that you include.)
(ie: Cindy Sherman is best known for her series "Untitled Film Stills" in which she dresses up restages fictitious scenes from films.)
Working style of the artist:
Where did the artist go to make these images? (Do they travel? Set up photos in the studio? Take self portraits?) What kind of equipment does he/she use? (A simple camera, flashes?)
(ie: William Eggleston is known for photographing the Mississippi Delta region, where he is from. He prefers to walk and roam the streets, looking for ordinary everday objects and subjects. Very rarely does he stage a photograph.)
Overarching concept and style of the artist’s work:
Tell use more about the themes in the artist’s work. What is he/she known for? What is he/she trying to express or comment upon in the work? Look at reviews of the artist’s work or a review of an exhibition he has been in. Please find reviews from reputable sources (the
New York Times
, the
Washington Post
, FindArticles, etc.).
(ie: Robert Frank is best known for his series, "The Americans" in which he criss-crossed the United States between 1955 and 1956 trying to capture the true essence of those times, in society, politics, and culture. He is trying to show the human condition and what it meant and looked like to exist during that time in the mid 50s.)
What is the artist doing now:
exhibitions, artwork, lectures, grants, etc. If the photographer is no longer alive, what was a recent exhibition of their work and what did it show?
(Ie: Diane Arbus is no longer alive, however her work continues to be shown throughout the world, a recent solo exhibition of her work was shown at FO.
Baroque Style Please respond to one (1) of the following, ukacie8xcheco
Baroque Style"
Please respond to
one (1)
of the following,
using sources under the Explore heading
as the basis of your response:
Listen to one (1) composition that demonstrates the qualities of the Baroque musical style. It may be from the Websites below or from this week’s Music Folder. Identify your choice, and describe it by relating key terms from the textbook to your selection. Explain what you like or admire about the work. Compare it to a modern soundtrack or song that evokes a similar mood.
Select two (2) Baroque style paintings from the Websites below that no other student has selected. Identify each as to artist, date, and title or description. From the summaries of the Baroque style’s features in our class text, identify specific key aspects of each painting that fit the Baroque style. Explain why you selected each and what you like or dislike about it. Compare this style to a modern film, type of film, or to a modern situation.
"The Arts and Royalty; Philosophers Debate Politics"
Please respond to
one (1)
of the following,
using sources under the Explore heading
as the basis of your response:
In this week’s readings, a dispute in the French royal court is described about whether Poussin or Rubens was the better painter. Take a painting by each, either from our book or a Website below, and compare them and explain which you prefer. There is another conflict between the playwright Moliere and a well-born Parisian; Louis XIV stepped in. Explain how Louis XIV used the various arts and his motives for doing so. Identify one (1) example of a modern political leader approaching the arts this way.
The philosophers Thomas Hobbes and John Locke disagreed on the understanding of political authority, with Locke taking what is commonly called the “liberal” view. Choose a side (be brave perhaps; take a side you actually disagree with). Using the writings of each given in our class text or at the Websites below, make your case for the side you chose and against the other side. Identify one (1) modern situation in the world where these issues are significant.
"Classical Music; Early Abolitionist Art and Literature"
Please respond to
one (1)
of the following,
using sources under the Explore heading
as the basis of your response:
Listen to one (1) composition (for a symphony) by Haydn or Mozart, either at the Websites below or in this week's Music Folder. Identify the work that you have chosen, and describe the way in which the composition expresses the specific qualities of the Classical music style. Use the key terms from the textbook that are related to that particular music style, and explain what you like or admire about the work. Compare it to a specific modern musical work for which you might use the term "classic" or "classical".
Explain whether you think an autobiographical or fictional account by a slave (such as Phillis Wheatley and Olaudah Equiano) is more persuasive than a biographical or fictional account ...
Be sure to read the reading assignment in your text first!Read t.docxrosemaryralphs52525
Be sure to read the reading assignment in your text first!
Read the following chapters from the textbook,
Gardner’s Art through the Ages: The Western Perspective, Volume II
:
Modernism in Europe and America, 1900 to 1945
Modernism and Postmodernism in Europe and America, 1945 to 1980
Contemporary Art Worldwide
By the due date assigned
, respond to the assigned discussion questions and submit your responses to the appropriate
Discussion Area
. Start reviewing and responding to your classmates as early in the week as possible.
Question 1: The Painting of Modern Life
The late nineteenth century is often cited as a critical point in the development of a “modern” art. Impressionists and Post-Impressionists turned to the contemporary world as primary subject matter, and depicted elements of that world using an innovative style.
Carefully examine the following paintings:
Monet,
Rouen Cathedral: The Portal (In Sun)
, 1894, (Fig. 28-4, page 853, or
Khan Academy
) (Impressionist)
Manet,
Bar at the Folies-Bergère
, 1881-82 (Fig. 28-8, page 857, or
Khan Academy
) (Pre-Impressionist/Realist)
Seurat,
A Sunday Afternoon on the Island of La Grande Jatte
, c. 1884-86 (Fig. 28-18, page 863, or
Khan Academy
) (Post-Impressionist)
In 3 well-developed paragraphs, address the following questions:
How is the subject of each painting representative of Impressionism or Post-Impressionism? Which style is your artwork? (See above). Define that style. What are the characteristics of that style? What do the Impressionists paint?
How are the style and visual characteristics of each painting representative of Impressionism or Post-Impressionism? Be sure to discuss specific elements such as brushwork/application of paint, use of color and light, and composition, in your response.
Describe the specific ways that each painting shows tension between its inherent two-dimensionality and any illusion of three-dimensionality created by the artist. Do the Impressionists and Post-Impressionist care about the illusion of space in their paintings? What elements are they foregoing that artists use to depict realistic space--what about linear perspective? Light? etc. How does each artist handle the illusion of dimension in their painting?
Question 2: Modern And Contemporary Art
Modern and Contemporary Art may seem alien to many people— seemingly without content, message, or purpose. But it can be argued that Modern and Contemporary (Contemporary = OUR time period) Art visually reflect the complex and abstract ideas that we experience every day. Although not for everyone, art of the 20th and 21st centuries is often a key part of the collection in many art museums. As you consider the wide range of modern and contemporary art types that we studied this week, think of yourself actually visiting a modern art museum. In 2 well-developed paragraphs discuss:
While you are visiting, what type of Modern or Contemporary art will you most want to see a.
Select one artwork that reflects the downturn of the Great Depress.docxkenjordan97598
Select one artwork that reflects the downturn of the Great Depression. State the title, artist, date, and then provide a visual analysis of the work including a personal interpretation. Your essay should be no less than two paragraphs and should be written in your own words.
assessment/attempt/take/essay.jsp
Imagine you are a museum tour and you are responsible for conducting an international tour of foreign visitors and students through a museum exhibit exploring Abstract Expressionism. In your own words, describe how you would define the movement and explain the style and meaning of Abstract Expressionism art. Your essay should be no less than two paragraphs.
Which of these artists were exhibited by Alfred Stieglitz at his 291 gallery?
____________________ was the art movement with clean, sharp lines that focused on factories, buildings and American consumerist goods.
According to our reading, select the statements below that illustrate how Abstract Expressionism was not a unified ‘school’ of art? (select all that apply)
The artists didn’t know each other
The artists varied between realism and abstraction
The artists valued personal autonomy
The artists rarely exhibited together
The artists had different styles
Compare and Contrast: Pollock vs. Rothko
Compare and Contrast – Jackson Pollock’s White Light, 1954 with Mark Rothko’s Number 15, 1957.
· White Light
· http://www.moma.org/collection/works/79481
· Number 15
· http://www.orartswatch.org/wpcontent/ uploads/2012/02/Rothko_untitled_1957.jpg
Spend time looking carefully at each work. Write down a list of words that describe each work – include nouns, verbs, adjectives, and adverbs.
· What do you think initially, and then what details do you begin to see?
· What is similar about these works?
· What is different?
· They were both American Abstract Expressionists – why are they linked together in this art movement?
Do you believe that their intended message is similar?
.
Library Research AssignmentChoose three (3) works of artfrom thr.docxSHIVA101531
Library Research Assignment
Choose three (3) works of artfrom three artists from the Baroque period through the Postmodern era. Your three (3) works of art should come from the time periods or art movements covered in the reading from Unit 4 and Unit 5. Your choices must comply with the following criteria:
· The 3 artworks chosen must be of the same style or time period. For example, you can choose one of the following suggestions:
· 3 Baroque works of art, or
· 3 Impressionist works of art, or
· 3 Abstract Expressionist works of art, etc.
· Your three (3) works of art should have a similar theme. For example: 3 landscapes, or 3 works that focus on religious content, etc.
· Outof the three works of art by the three (3) artists selected,you must choose at least two (2) works from two artists discussed in the textbook.
· If you decide to choose one work of art that is not from the textbook, the artists must be discussed in the text. Begin your search by reviewing artists in the text. Then you can search other Internet sources for their other works of art.
This project is broken down into two parts.
1. In Unit 4, you will work on the first three bullet points, which are highlighted in bold below, as well as an introduction and conclusion.
2. The "final draft," will be completed for Unit 5, and will cover the last two bullet points (listed in the Unit 5 Individual Project assignment).
Your final paper will be a 1200–1500 word critical essay about the three works of art you have chosen. The goals of a critical essay are to evaluate and analyze the artworks based on research, using the vocabulary and concepts you have learned. Your attitude should be detached (i.e., your personal opinions are not as important as academic concepts; The "critical" aspect of the essay refers to this detached attitude, not whether you react positively or negatively to the works).
Your essay must include the following points:
1. A description of the works including the style. Describe basic facts, as well as the visual appearance of the work (What does the viewer see? Where are key figures located? What tells us that the work is of a particular style?)
2. A summary of the artists' personal philosophies of art (if they can be found in published sources), and the prevailing trends and schools of thought in the art world at the time and in the place the artist was working. For instance, discuss what was taking place in each artist's city, country, and/or church that may have provoked a reaction from the artist or the greater society. Include any information that might help the reader understand the artist's point of view or why the artist made his or her choices in this work of art.
3. An explanation of how the works fit into the context of the time period.
4. Compare the three works in terms of form, content, and subject matter. Using the terminology and concepts that you have learned in the course, explain the similarities and differences in the styles of the wo ...
SPAN 1203Only Assignment (10)DEALINE Nov 232015 @1159.docxrafbolet0
SPAN 1203 Only Assignment (10%)
DEALINE: Nov 23/2015 @11:59PM.
Objective:
To give students the opportunity to widen their knowledge about the Spanish Speaking World in terms of the geographical, demographical, socio-cultural, and economical aspects and to be aware of all the richness that we can find in its natural and human resources.
To help students to realize that in this continent (America) that we share, there are millions of people, although with a different language, traditions, customs, etc. we have a variety of aspects in common and so much to learn from.
It is important to keep in mind that our relationship with Spain, and the Latin American Countries, does not stop at an economic level, but it includes also a great deal of cultural aspects. We can see the clear influence in the field of music, art, literature, sports, etc.
The contribution from the Spanish world to North American life is countless.
Format:
Print in Times New Roman #12, 1.5 space with a margin of 1" at each border.
Content:
Part I. (MUST BE WRITTEN IN SPANISH)
A– List the names of ALL Spanish Speaking Countries in the world.
B—From the previous list select the Mexico and the Central American countries, and…
C– Name each country’s Capital City
D– Add two of the most Important Cities in each country
E– Mention the Nationality (i.e. colombiano, cubano, salvadoreño, etc.)
F– Population (per country)
G– Area in Km².
H– Naming two of the major Exports (products) from each country to N.A. and the World. (i.e. coffee, bananas, oranges, flowers, meat, petroleum, electricity, etc.)
Part II.(MUST BE COMPLETED IN SPANISH)
– Choose TWO of the countries listed above and name three (3) famous people for each country and their contributions to their countries and to the world, in the field of: politics, history, sciences, medicine, arts, literature, sports, music. Then write two lines describing why they are considered as “un orgullo hispano” (a Hispanic pride)
Part III.
– Choose ONE country, then write a brief essay (en INGLES) consisting of 250-300 words about several topics including: Independence day, economy, education system, currency, per capita income(PCI), family relations and traditions, current form of government and political party in power. Any social discontent at this moment. You may also add a short description of the wonders and beauty of the nature of this part of the world, perhaps you would like to add a few words to invite people of the world to visit this particular country that you have done your research on.
Imagine that you visit this country and met a person on the plain, at the airport, at a restaurant, in the hotel, on the beach, a natural park, etc. and write about your experience consisting on a brief dialogue (150 words aprox.).
This project MUST BE completed in groups of THREE students, not individual works will be accepted, with the exception of very special circumstances.
Evaluation: Format: 20%
.
Chapters 13-18You must write at least 200 but no more than.docxspoonerneddy
Chapters 13-18
You must write at least 200 but no more than 300 words for each essay.
Each essay is worth 15 points.
I have included a copy of the assignment and the pdf file for the textbook.
1. What is Orientalism? What aspects of colonialism inspired Orientalism? How has it affected art, both in terms of how the subject matter was portrayed by the artist and in the ways the work has been viewed? When discussing how the works are viewed take into consideration how artist wanted their works viewed, how the art was actually viewed when it was created, and finally how we, as modern viewers see it?
2. How important was Napoleon Bonaparte’s use of art as propaganda and censorship in the rise and consolidation of his power? Choose two pieces of art commissioned by Napoleon (does not have to be from chapter 18) that support your argument of his use of art propaganda. List the title, artist, date, and medium of each piece. Refer to each piece at least three times when composing your statements.
3. Define the Protestant Reformation and the Counter Reformation. How did these two movements affect art? Choose one piece during the Reformation and one piece created during the Counter Reformation and compare and contrast the two pieces. Be sure to point out changes in style between the two periods. List the title, artist, date, and medium of each piece if known.
4. Discuss the ways in which the movement toward Realism in art reflected the social and political concerns of the nineteenth century. Choose one piece of art created in the Realism period that supports your argument. List the title, artist, date, and medium. How does this piece reveal the concerns that you mentioned in the first part of the question? Give at least three examples.
5. Compare Neoclassicism and Romanticism as two cultural expressions of mid-eighteenth to mid-nineteenth century Europe. You must discuss the political atmosphere in both periods and how it affected art. Choose one piece of art from the Neoclassical period and one from the Romantic period that support your claim. List the title, artist, date, and medium of each piece. Refer to each of these pieces in at least three instances for this purpose.
6. Neither of these works was meant to be exhibited in a museum case for an art-loving public seeking a cultural experience. Both took on their primary meaning in the process of the performance of a cultural ritual. Discuss the ways in which an understanding of the ritual context of each is necessary if we are to grasp their cultural meanings for those who made them and saw them in use. And finally, how did they end up in museums?
7. The horrific violence of war and political oppression has been eloquently expressed by many artists throughout the history of art. Discuss the political circumstances that led to the creation of these two examples and assess how they relate to the styles of the artists and their time. Who was the audience for these works? Be sure to.
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June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...Levi Shapiro
Letter from the Congress of the United States regarding Anti-Semitism sent June 3rd to MIT President Sally Kornbluth, MIT Corp Chair, Mark Gorenberg
Dear Dr. Kornbluth and Mr. Gorenberg,
The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
This Congress will not stand idly by and allow an environment hostile to Jewish students to persist. The House believes that your institution is in violation of Title VI of the Civil Rights Act, and the inability or
unwillingness to rectify this violation through action requires accountability.
Postsecondary education is a unique opportunity for students to learn and have their ideas and beliefs challenged. However, universities receiving hundreds of millions of federal funds annually have denied
students that opportunity and have been hijacked to become venues for the promotion of terrorism, antisemitic harassment and intimidation, unlawful encampments, and in some cases, assaults and riots.
The House of Representatives will not countenance the use of federal funds to indoctrinate students into hateful, antisemitic, anti-American supporters of terrorism. Investigations into campus antisemitism by the Committee on Education and the Workforce and the Committee on Ways and Means have been expanded into a Congress-wide probe across all relevant jurisdictions to address this national crisis. The undersigned Committees will conduct oversight into the use of federal funds at MIT and its learning environment under authorities granted to each Committee.
• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
• The Committee on Ways and Means has been investigating several universities since November 15, 2023, when the Committee held a hearing entitled From Ivory Towers to Dark Corners: Investigating the Nexus Between Antisemitism, Tax-Exempt Universities, and Terror Financing. The Committee followed the hearing with letters to those institutions on January 10, 202
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
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Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
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This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
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Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
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1. UOP ARTS 125 Week 3 American Art Before and After
World War II NEW
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ARTS 125 Week 3 American Art Before and After
World War II NEW
Week 3 Individual Assignment
Resources: Review your Week 3 readings and videos.
For your Week 3 Assignment, choose one of the
options listed below.
2. Option A
Write a 1,050- to 1,400-word paper on American art
before and after World War II.
Include an examination of the artwork of three artists
total. Select two artists who worked during the Great
Depression and one Abstract Expressionist artist.
Include discussion of the following in your paper:
At least one example of art from each artist with a
description of the subject and style of the work.
An examination of the purpose of artwork created
during the Great Depression. Were your examples
used as tools for social reform? What other types of
messaging was present in works from the 1930s?
A description of how Abstract Expressionism
emerged in post-World War II America and how it
differed from the art work of the 1930s.
A description of the style of your Abstract
Expressionist artist and why he or she was
interested in this style of abstraction; was there a
"meaning" to
their work?
Format your paper according to appropriate course
level APA guidelines.
Submit your assignment to the Assignment Files tab.
Option B
3. Imagine it is 1954 and you have just read a critic's
scathing review of an Abstract Expressionist art
exhibition.
Write a 1,050- to 1,400-word letter to the editor
responding to the attack. At the beginning of your
letter, discuss how the work of American artwork
created in the 1930s embodied Democratic values.
Then, discuss Abstract Expressionism as an
extension of those values and a demonstration of the
freedom of expression available to artists in American
society.
Include discussion of the following in your letter:
Two examples of art from the 1930s with explanation
of how these artworks embody democratic values;
were the works tools of social reform? If so, what
were the goals of the artists? Were the works
depicting uniquely American scenes? If so, for what
purpose?
One example of a work of Abstract Expressionism
How the Abstract Expressionist artist expressed
themselves using this abstract style; what were they
"saying?" or what was the message of their artwork?
What influenced their work?
Format your letter according to appropriate course
level APA guidelines.
Submit your assignment to the Assignment Files tab.