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performance art
performance art performance art is a type of artistic production that focuses upon actions, audiences and sites-  specific activities done in a particular location for a particular time.
performance art it was an avant-garde movement that has its artistic roots in the futurist and dada gatherings, demonstrations, protests, and unconventional exhibitions & poetry readings of the teens and twenties. their activities were meant to confront, shock & outrage conventional society (the bourgeoisie) in an artistic response to the to the atrocities of WW1. they saw their rejection of traditional culture as clearing the way for new thinking and new  Institutions. first international dada fair
performance art some push the roots of performance art much further back to the very beginnings of human culture. they argue that all art has its origin in  performative symbolic actions such as rituals and rites of passage.  many performance artists, especially in the 1960’s and 1970’s consciously cultivated the idea of the artist as shaman. This is especially evident in the body works of artists such as chris burden, carolee schneemann vito acconchi chris burden  tansfixed
performance art some push the roots of performance art much further back to the very beginnings of human culture. they argue that all art has its origin in  performative symbolic actions such as rituals and rites of passage.  Many performance artists, especially in the 1960’s and 1970’s consciously cultivated the idea of the artist as shaman. This is especially evident in the body works of artists such as chris burden, carolee schneemann vito acconchi schneeman  interior scroll
performance art some push the roots of performance art much further back to the very beginnings of human culture. they argue that all art has its origin in  performative symbolic actions such as rituals and rites of passage.  Many performance artists, especially in the 1960’s and 1970’s consciously cultivated the idea of the artist as shaman. This is especially evident in the body works of artists such as chris burden, carolee schneemann vito acconchi vito acconci  trademarks
performance art Often these early performance works dealt with taboo, social isolation and the  transformative/cathartic role of artist as the hero/martyr/fool.  vito acconci  seedbed karen finley
performance art individual artist actions are still a common approach to performance, but as early as the 1950’s a more social form of performance art emerged, focused not so much on the role of the shaman but more on the social character of ritual. allan Kaprow’s  Happening’s  and the activities of the artist collective fluxus focused on involving the audience as participants rather than as spectators and they were very interested in blurring or eliminating the distinctions between art and life. fluxus artist yoko ono cut piece
performance art individual artist actions are still a common approach to performance, but as early as the 1950’s a more social form of performance art emerged, focused not so much on the role of the shaman but more on the social character of ritual. allan kaprow’s  happenings  and the activities of the artist collective fluxus focused on involving the audience as participants rather than as spectators and in blurring or eliminating the distinctions between art and life. allan kaprow untitled happening (licking snow off a car)
performance art Much of performance art’s lineage is derived from the visual arts, especially conceptual art, but it also has drawn from music, such as  the work of john cage, and from theater,  such as augusto boal’s  Theater of the Oppressed. a theater of the oppressed workshop In new york city
performance art much of performance art’s lineage is derived from the visual arts, especially conceptual art, but it also has drawn from music, such as  the work of john cage, and from theater,  such as augusto boal’s  Theater of the Oppressed. a performance of cage’s  water walk
performance art some key concepts: significant gesture - a simple action or a body movement that takes on special significance through repetition, exaggeration, isolation, or context top  from we are karen finley right  from alfred hitchcock presents
performance art some key concepts: significant gesture- a simple action or a body movement that takes on special significance through repetition, exaggeration, isolation, or context maria abromovic  balkan baroque
performance art some key concepts: reality vs. fiction:  performance art is typically enacted (act out), not acted (act as) in the sense that most performance art is not heavily scripted.  purfopuerto collaborative  solas link  to andy warhol eating a cheeseburger
performance art laurie anderson  united states spalding gray  swimming to cambodia some key concepts: reality vs. fiction:  however performance art does often involve role play and some of the best known artists associated with this genre such as laurie anderson, karen finley and spalding gray  perform works that are highly scripted or theatrical.
performance art gary setzer  keypunch operator   some key concepts: serial, synchronous  & asynchronous: serial - events in the performance  happen one after another
performance art allan kaprow  fluids some key concepts: serial, synchronous  & asynchronous: serial - events in the performance  happen one after another synchronous - events happen  concurrently at the same time
performance art some key concepts: serial, synchronous  & asynchronous: serial-  events in the performance  happen one after another synchronous - events happen  concurrently at the same time asynchronous - events in the performance not occurring at the same time, usually at a geographic remove  james buckhouse  tap tap was a virtual dance school for animated pda characters that practiced and learned from each other and from the pda owners
performance art some key concepts: scope and duration: the size and length of the performance left alighero e boetti  writing with both hands   small scope and short duration right  burning man large scope and long duration
performance art Some key concepts: intensity: emotional & visual impact, the degree of audience immersion or performer investment  actions become intensified through repetition, duration, symbolism, context or difficulty gary setzer intensity through repetition & isolation ana mendieta intensity through symbolism & visual  impact
performance art Some key concepts: character of site or setting: context of performance; public/private; formal/informal; institutional/ domestic; site specific/site neutral scale melanie bonajo  site neutral janine antoni  site specific
performance art some key concepts: audience interaction: relationship of the audience to the action; the size, location/proximity of audience  participatory/interactive passive confrontational  formal/informal; informed/uninformed joseph beuys  i love america & america loves me audience: passive; formal; informed william pope l.  the great white way audience: informal; uninformed; (mostly) passive; (somewhat) confrontational
performance art gary setzer photo documentation  of  roof transmitter ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
performance art gary setzer documentation  installation of  subject muffler ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
performance art click for bruce nauman’s  fountain ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

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Performance Art

  • 2. performance art performance art is a type of artistic production that focuses upon actions, audiences and sites- specific activities done in a particular location for a particular time.
  • 3. performance art it was an avant-garde movement that has its artistic roots in the futurist and dada gatherings, demonstrations, protests, and unconventional exhibitions & poetry readings of the teens and twenties. their activities were meant to confront, shock & outrage conventional society (the bourgeoisie) in an artistic response to the to the atrocities of WW1. they saw their rejection of traditional culture as clearing the way for new thinking and new Institutions. first international dada fair
  • 4. performance art some push the roots of performance art much further back to the very beginnings of human culture. they argue that all art has its origin in performative symbolic actions such as rituals and rites of passage. many performance artists, especially in the 1960’s and 1970’s consciously cultivated the idea of the artist as shaman. This is especially evident in the body works of artists such as chris burden, carolee schneemann vito acconchi chris burden tansfixed
  • 5. performance art some push the roots of performance art much further back to the very beginnings of human culture. they argue that all art has its origin in performative symbolic actions such as rituals and rites of passage. Many performance artists, especially in the 1960’s and 1970’s consciously cultivated the idea of the artist as shaman. This is especially evident in the body works of artists such as chris burden, carolee schneemann vito acconchi schneeman interior scroll
  • 6. performance art some push the roots of performance art much further back to the very beginnings of human culture. they argue that all art has its origin in performative symbolic actions such as rituals and rites of passage. Many performance artists, especially in the 1960’s and 1970’s consciously cultivated the idea of the artist as shaman. This is especially evident in the body works of artists such as chris burden, carolee schneemann vito acconchi vito acconci trademarks
  • 7. performance art Often these early performance works dealt with taboo, social isolation and the transformative/cathartic role of artist as the hero/martyr/fool. vito acconci seedbed karen finley
  • 8. performance art individual artist actions are still a common approach to performance, but as early as the 1950’s a more social form of performance art emerged, focused not so much on the role of the shaman but more on the social character of ritual. allan Kaprow’s Happening’s and the activities of the artist collective fluxus focused on involving the audience as participants rather than as spectators and they were very interested in blurring or eliminating the distinctions between art and life. fluxus artist yoko ono cut piece
  • 9. performance art individual artist actions are still a common approach to performance, but as early as the 1950’s a more social form of performance art emerged, focused not so much on the role of the shaman but more on the social character of ritual. allan kaprow’s happenings and the activities of the artist collective fluxus focused on involving the audience as participants rather than as spectators and in blurring or eliminating the distinctions between art and life. allan kaprow untitled happening (licking snow off a car)
  • 10. performance art Much of performance art’s lineage is derived from the visual arts, especially conceptual art, but it also has drawn from music, such as the work of john cage, and from theater, such as augusto boal’s Theater of the Oppressed. a theater of the oppressed workshop In new york city
  • 11. performance art much of performance art’s lineage is derived from the visual arts, especially conceptual art, but it also has drawn from music, such as the work of john cage, and from theater, such as augusto boal’s Theater of the Oppressed. a performance of cage’s water walk
  • 12. performance art some key concepts: significant gesture - a simple action or a body movement that takes on special significance through repetition, exaggeration, isolation, or context top from we are karen finley right from alfred hitchcock presents
  • 13. performance art some key concepts: significant gesture- a simple action or a body movement that takes on special significance through repetition, exaggeration, isolation, or context maria abromovic balkan baroque
  • 14. performance art some key concepts: reality vs. fiction: performance art is typically enacted (act out), not acted (act as) in the sense that most performance art is not heavily scripted. purfopuerto collaborative solas link to andy warhol eating a cheeseburger
  • 15. performance art laurie anderson united states spalding gray swimming to cambodia some key concepts: reality vs. fiction: however performance art does often involve role play and some of the best known artists associated with this genre such as laurie anderson, karen finley and spalding gray perform works that are highly scripted or theatrical.
  • 16. performance art gary setzer keypunch operator some key concepts: serial, synchronous & asynchronous: serial - events in the performance happen one after another
  • 17. performance art allan kaprow fluids some key concepts: serial, synchronous & asynchronous: serial - events in the performance happen one after another synchronous - events happen concurrently at the same time
  • 18. performance art some key concepts: serial, synchronous & asynchronous: serial- events in the performance happen one after another synchronous - events happen concurrently at the same time asynchronous - events in the performance not occurring at the same time, usually at a geographic remove james buckhouse tap tap was a virtual dance school for animated pda characters that practiced and learned from each other and from the pda owners
  • 19. performance art some key concepts: scope and duration: the size and length of the performance left alighero e boetti writing with both hands small scope and short duration right burning man large scope and long duration
  • 20. performance art Some key concepts: intensity: emotional & visual impact, the degree of audience immersion or performer investment actions become intensified through repetition, duration, symbolism, context or difficulty gary setzer intensity through repetition & isolation ana mendieta intensity through symbolism & visual impact
  • 21. performance art Some key concepts: character of site or setting: context of performance; public/private; formal/informal; institutional/ domestic; site specific/site neutral scale melanie bonajo site neutral janine antoni site specific
  • 22. performance art some key concepts: audience interaction: relationship of the audience to the action; the size, location/proximity of audience participatory/interactive passive confrontational formal/informal; informed/uninformed joseph beuys i love america & america loves me audience: passive; formal; informed william pope l. the great white way audience: informal; uninformed; (mostly) passive; (somewhat) confrontational
  • 23.
  • 24.
  • 25.