This painting might represent women gathering grain. It is one of a large group of works created between approximately 8000 B.C.E. and the early part of the Common Era. Now part of the Sahara, at the time this area was much wetter and supported populations of large animals (other paintings show giraffes, elephants, and other animals) and humans.
This map shows the major physical features of the continent and Iron Age sites of the western and central Sudan.
A Samburu warrior stands before the eastern scarp of the Great Rift Valley in northern Kenya. This is believed to be the region where modern humans originated sometime before 100,000 b.c.e.
There are many groups in Africa with different typical physiologies, skin pigmentation, and lifeways. As with all humans, however, there are more genetic differences between individuals than between groups.
This is from the Iron Age Nok culture, which occupied what is today northeastern Nigeria from about 900 b.c.e. to about 200 c.e.
The people of Meroe produced many examples of fine pottery. This fired clay jar is decorated with giraffes and serpents.
Dating probably from the first century c.e., this giant carved monolith is the only one remaining of seven giant steles—the tallest of which reached a height of 33 meters—that once stood in Aksum amidst numerous smaller monoliths. Although the exact purpose of the steles is not known, the generally accepted explanation is that they were commemorative funerary monuments. Erecting them required engineering of great sophistication.
This map shows some of the major routes of north–south trans-Saharan caravan trade and their links with Egypt and with Sudanic and forest regions of West Africa.
The use of the camel as a beast of burden from the first century c.e. onward greatly increased trans-Saharan trade.
These rock paintings from the central Saharan plateau of Tassili n’Ajjer in Algeria are four of hundreds of such paintings preserved from the late Neolithic period in Africa; on this plateau, paintings have been dated to the period 9000–1000 b.c.e. In the 4000–2000 b.c.e. period to which all four paintings here are dated, the art often depicts the cattle herded by pastoral nomads who spent the dry season largely sedentary on the plateau with their cattle, but it also depicts the animals hunted for food by the same peoples.
1. Scholars have offered many differing interpretations—from magical efficacy of the images, to teaching images for youth, to simply rendering artistically scenes from daily life. What do you think might have been likely motivations for Neolithic nomadic peoples to create figural art on the rock walls near their dry-season camps?
2. Can you compare the relative simplicity or sophistication of these paintings with other examples of art in this book or with art that you know from other sources? How do
these renderings change or reinforce your previous ideas about “prehistoric” African civilization or culture?
A Bantu-speaking mother with her child, photographed in South Africa around 1925. There are many distinct languages within the Bantu family distributed throughout Africa. Scholars use the relationships between these languages to trace the great Bantu migrations.
Cave painting from Namibia from at least 15,000 b.c.e., depicting rhinoceroses, giraffes, antelope, and zebra.
Aerial view of a contemporary Maasai settlement, or manyatta, in Kenya.