The Parables, By Jeanette Winterson, And The Whitbread...

The Parables, By Jeanette Winterson, And The Whitbread...
Sometimes in order to prevail a message, it is necessary to provide more than just direct context is
required. Authors will use anecdotes in order to teach a lesson, often in terms of religious lessons.
These parables add insight to the writing by mirroring characters in an abstract style. Fictional short
stories have a way of relating to the actual writing. There is generally a connection with the
characters in the short story, with the main characters.They will follow a similar journey, needing to
make alike moral decisions. The characters in the parables can be used to display the choices the
real characters need to make. How the parable ends reflects a possible ending for the real character,
although they can be interpreted different ways. Jeanette Winterson, winner of the Whitbread Award
for Best First Fiction, for her book Oranges Are Not the Only Fruit, uses many parables. Jeanette
grew up with a world explained through religious stories. Everything she knew originated from the
bible. Even simple events such as when she would "climb to the top of the hill and look down, [she
could] see everything, just like Jesus on the pinnacle...." (Winterson, 5). All that she knew related,
and reflected the stories from God. This explains why using parables throughout her book Oranges
Are Not the Only Fruit appropriately sets the scene establishes the tone. The parables clarify her
spiritual journey, while simultaneously highlighting her feminist persona. Winterson uses both male
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Emptied Gestures Essay
Heather Hansen's work entitled Emptied Gestures was an experimental project focused on kinetic
drawing in which she combined visual art and dance. They are artworks made from charcoals drawn
on large paper canvases and she uses her own body to create the illustration she has in her head. In
an article by Hannah Edwards, Hansen says, "Emptied Gestures is an experiment in kinetic drawing.
In this series, I am searching for ways to download my movement directly onto paper, emptying
gestures from one form to another and creating something new in the process" (Edwards).
According to an interview by Ochi Gallery, they asked what compelled her to create the emptied
gestures. She said: It's the sort of thing that once it found its way into my consciousness ... Show
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The point of the experiments done in this work was for Hansen to show what the movements of
dance would look like on paper. She blurred the lines between performance, drawing and dance
(Ochi Gallery). She wanted her movements to be captured in charcoal.
Winterson also mentioned that:
"The artist is a translator; one who has learned how to pass into her own language the languages
gathered from stones, from birds, from dreams, from the body, from the material world, from the
invisible world, from sex, from death, from love. A different language is a different reality; what is
the language, the world, of stones? What is the language, the world, of birds? Of atoms? Of
microbes? Of colours? Of air? The material world is closed to those who think of it only as a
commodity market." (Winterson 10)
Through the way she created her art, she was able to pass the language of dance from just plain
movement into visual art. She has made people able to remember the movements in her dance.
Lastly, I agree with the statement found in the article by Ochi Gallery about Hansen's work. They
said that, "The imperfections in the lines and shapes are evidence of the human hand and they
capture the spontaneity, exuberance and force of movement and its inherent energy in a way that is
deeply powerful and poetic. (Ochi

The Body, By Jeanette Winterson Essay
Jeanette Winterson's novel, Written on the Body, is rich with clichés and the problems they pose.
Although clichés are unoriginal, Winterson uses them in her novel and uses language in a more
uncommon, more original way. For the narrator in the book however, has to struggle with the
limiting language there is for love and language and happiness. As Brian Finney's idea contends,
"the language and images she employs serve to undercut the clichéd situation, to place it within a
wider moral frame that depends intertextually on references ... and employs them to rejuvenate the
jaded language of love" (Finney 26). Here Winterson recognizes the trouble with clichés and tries to
go past that by referencing vastly different sciences and analogies and even the Bible. All of this is
an attempt to point out that clichés are unoriginal and lead to unhappiness, and in the case of this
book, through love and marriage.
Winterson is huge on the cliché of marriage. Marriage has become the cliché that once you and your
partner say 'I do' then you'll both live happily ever after. It has become such a huge milestone that it
is viewed at as an accomplishment of life. The rings and the marriage itself are a way to show off
wealth and happiness, and now a day, social media has become the new means off showing off the
couple's happiness. This performance is how it is reinforced in our culture that marriage with Mr. or
Miss Right will lead to happiness. This is not always the case however. The

Comparison Of The Cultural Revolution In Jeanette...
The period since World War II has seen a paradigm shift in attitudes to gender and sexuality. A
cultural revolution has also taken place in terms of social attitudes to the make–up of the family,
same–sex relationships and our understanding of sexual identity. Many literary stalwarts have
explored the implication of these changes. Erotic fables intended to undercut and challenge
conventional notions of history, gender and fixed nature of reality were produced. Jeanette
Winterson, Britain's oft–talked about mainstream writer deals powerfully in her novels with the
implications of the changed attitudes to gender and sexuality. The present study has chosen
Winterson's, Oranges are not the only Fruit and aims to focus on gender and sexuality to see how
they are effectively portrayed in the work of fiction.
Key Words: Paradigm shift, gender, sexuality, sexual identity, erotic fables, undercut, challenge,
implications.
Introduction
The period since World War II has seen a paradigm shift in attitudes to gender and sexuality. The
sexual revolution of the late 1950s and 60s and the work of the feminist movement has profoundly
changed the way in which men and women relate to each other socially, culturally and economically.
A cultural revolution has taken place in terms of social attitudes to the make–up of the family, same–
sex relationships and our understanding of sexual identity. One of the central theses of Beauvoir's
The Second Sex was summed up by the line, "One is not

The World And Other Places By Jeanette Winterson
In the passage "The World and Other Places" by Jeanette Winterson, the author writes about a boy
transitioning into manhood. In this small passage, the man is till trying to find the piece of himself
that others around him found already, or are too afraid to face. While reading, we meet a plethora of
characters ranging from different backgrounds and personalities. In one specific part of the story, the
narrator meets a man who has reached his own frontier, a frontier that the main character still has
not faced but will like to. The man reached his own frontier by finding happiness in what he loves,
as would the other two characters the narrator mentioned in the story. By finding love, not the
romantic kind, happiness will come to you in any shape or form. It could come in forms hope, flying
across the sky, or just by being with your dog. That is what it means to reach your own frontier, to
find the love and happiness in the things that you do, without being afraid to. In the story, the main
character grows up in a poor household where imagination was key when it came to entertainment.
His family all played along, which contributed to his adoration of airplanes and flying. His family
was happy regardless of anything, but there was still something in the man heart that still told him,
he needed to really find himself, "That night, I knew I would get away, better myself. Not because I
despised who I was, but because I did not know who I was. I was

Jane Austen 's Novel And The World Of Books
Novels are a unique form of writing that brings about a new style in the world of books. Novel by its
definition is a new kind different from anything ever before. These books range from the greats to
the recently printed because novels only have to be new for when they came out. So for instance
Pride and Prejudice was novel when it came out in 1813 just like how Mrs. Dalloway was novel
when it came out in 1925. Although these novels seem to be fiction, if not realistic fiction, it is
common to wonder how the authors came up with these ideas for their books. In actuality most
authors take experiences that they had from their lives and incorporated them into the story. Often
after researching an author one can see that there are many parallels between their novel and their
actual life. Some aspects can be from other situations outside of ones personal life, but ultimately
authors create much of their stories based off of life experiences and can be seen in Housekeeping,
The Passion, and Thomas and Beulah. Growing up in Sandpoint Idaho was the first influence that
Marilynne Robinson had when it comes to writing her stories. In this instance it has influenced her
in her writing of Housekeeping to have a more western and Midwestern feel to there locations. On
top of that she includes many rural factors into her stories other than Housekeeping referencing her
life growing up in rural Idaho. One of the more notable factors in this comparison in Housekeeping
is the town of

Analysis Of Jeanette Winterson 's ' The Green Man '
Sarah DeCarlo, What It Means To Be Green [SE #1, Group 2]
Definitions of what a green man is have changed drastically throughout the years. Traditionally
green men are seen as figures of fertility and honour, however, in Jeanette Winterson's The Green
Man it is evident that the protagonist is far from this traditional role. A man's sexuality is very much
a large defining factor of his worth but in this text our main male role is stripped of it. His fertile
abilities are lost on his lawn as his own wife refuses to copulate with him. This leaves his daughter
to be his greatest achievement infertility, but even her creation results in the ultimate demise of his
beloved lawn. It is true that the protagonist is a sacrifice from the beginning without a chance to
change his predetermined destiny. After fulfilling his duty to sacrifice, fertilize and unfortunately die
for the sake of others the green man emerges from the ashes. Being green is not something that can
simply be described with adjectives but has rather become a modern day lifestyle in this text. In
Jeanette Winterson's The Green Man, the protagonist creates a modern green man archetype through
his oppressed sexuality, his sacrifice and his life's role in the rebirth cycle.
The green men of the world are seen as subordinates to their wives. Our main character does not
follow the traditional alpha male but is rather conserved and feminine. In fact, as his wife and he do
not hold hands as they walk and he states,

The Body By Jeanette Winterson Gifts Essay
Gender is the state of being male or female. The word is used to describe, but gender does not define
who a person is, or what they believe. Written on the Body, written by Jeanette Winterson gifts an
example of a protagonist who 's name is unknown, who's origins are unknown, and who's gender is
unknown, but even without all this needless exposition, which as little effect not the story, we are
able to learn and enjoy the trials of our main character, and learn who they are without the need of
knowing their gender. To achieve this Winterson uses writing techniques like Point–of–view, stream
of consciousness, and conflicting character traits in order to create a world where one does not need
to know the gender or name of the protagonist in order to relate to them or pursue a continued
interested in their lives. Written on the Body's protagonist is genderless and nameless. Winterson
strategically places the novel in the first person point–of–view to achieve such a feat and continues
this on throughout the story. This point–of–view also makes the protagonist the narrator allowing
access to their thoughts, dreams, aspirations, and secrets. This "Backstage pass" into the protagonist
mind lets us know who the character is without the completely clear glass that a third person point–
of–view would give or the personal bias of a second person point–of–view. This makes it so that
finding the protagonist's gender difficult as a person does not constantly feel the need to remind

Analysis Of Oranges Are Not The Only Fruit
Jeanette Winterson uses hard work and the editing process to make her book, Oranges Are Not The
Only Fruit, the success that it is. Thus, that it is the aforementioned aspects of the writing process
that are the most integral, overshadowing even the inspiration process. A book written primarily
using inspiration would be a failure if there was not hard work involved.
The story is inspired by Winterson's experiences in life. If she wrote down solely her thoughts and
feelings about what happened in her lifetime, it would be just inspiration without hard work and not
a well written novel. Her choice to add in fictional aspects, characters and scripture in the writing
process is what caused the book to be vastly improved upon than what it would have been
otherwise.
For example, the character Elsie Norris is created as a fictional device to help to foretell Jeanette's
finding of her sexuality. Elsie Norris' is first introduced to the reader as being although dedicated to
the church, seemingly odd in the eyes of the others. The first mention of Elsie is by Jeanette's
mother's friend, May. "... 'It's a holy number, strange things happen in sevens, look at Elsie Norris.'"
(Winterson, 1987, p. 23) The fact that Jeanette really looks up to Elsie Norris shows that Winterson
uses her as a device to foreshadow Jeanette's ultimate coming out and rejection of her church. Elsie
is spoken of fondly in the novel. Winterson produces entire situations surrounding her and how she
made it less

Written On The Body Ambiguity
Analyzing the Significance of an Ambiguous Narrator in Written on the Body Written on the Body
is a 1992 romance novel that details the narrator's love for a married woman. Written in a first
person narrative, the author Jeanette Winterson carefully omits the protagonist's name, age, gender
and sexual orientation. Clues to whether the narrator is a male or female are contradicting. Thus, I
argue that the gender ambiguity of the narrator is significant in the context of sex and gender as it
deconstructs the conventional ideologies of masculinity and femininity and challenges gender and
sexuality as the establishment for identity. Some background research on Jeanette Winterson
revealed that the author of Written on the Body identified ... Show more content on Helpwriting.net
...
The narrator is suggested to be female when his/her relationship with Louise is said to resemble "a
pair of 50s homosexuals" (73). The narrator frequently uses feminine terminology in description
such as saying "I'm not beautiful" (85) rather than using the word 'handsome'. The narrator also hints
at femininity after he/she slapped Jacqueline across the face (86). The narrator expresses
disappointment and shame to this in respect to his intelligence, sensitivity, and good manners (86).
However, had the narrator been a male, more emphasis would have been placed on his act of
violence against a

Winterson's Oranges Are Not The Only Fruit
Winterson's Oranges Are Not the Only Fruit examines Jeanette's struggle to come to terms with her
sexuality and the religious community. Jeanette had developed a close bond with the church early in
her life, and struggled to hold onto it amid her persecution and alienation before being essentially
excommunicated from the church. Fruits and vegetables show up multiple times during Jeanette's
struggle to balance her religious identity with her secular experiences outside of the church. Towards
the beginning of the book Jeanette sacrificed her individuality to fit in with her secular and religious
surroundings, but Jeanette soon chooses to embrace her sexuality in the face of adversity. Winterson
uses fruits and vegetables in the book to symbolize ... Show more content on Helpwriting.net ...
Jeanette initiates her first "date" with Melanie by offering, "Would you like a baked potato?" (85).
Melanie accepts the offer, giving rise to her intimate relationship to God and Jeanette. Jeanette's first
love affair was initiated by her offering of a baked potato. In the beginning of the book, Jeanette
says, "One of my earliest memories is me sitting on a sheep at Easter while she told me the story of
the Sacrificial Lamb. We had it on Sundays with potato" (2). Jeanette is being taught by her mother
at a young age about God, while Jeanette eats the potato. The potato here doesn't pacify Jeanette so
that she can bond with her mother over God, it pacifies Jeanette so that she can learn about God
from her mother, furthering her relationship with God in the process. Jeanette maintains her
relationship with God throughout the book, one of the strongest relationships in the story. When no
one was there for Jeanette, she looked to God. This is unsurprising considering that her relationship
with God was probably the earliest important relationship she pursued, striving to understand more
of God while eating potatoes on the Sundays of her childhood. Jeanette states on her relationship
with Elsie, "Elsie Norris and me ate an orange every day; half each. Elsie had no teeth so she sucked
and champed. I dropped my pieces like oysters, far back into the throat" (29). Elsie visited

Jeanette Winterson's Story Of A Mother Story
In "Why Be Happy When You Could Be Normal," Jeanette Winterson reflects on why she had to
become a writer. Winterson's, alternative to not writing her life story would be losing herself in the
"narrow mesh" of her adoptive mother's story (698): Winterson experiences a power struggle
between her adoptive mother's narrative and her needs to preserve her personal story. Winterson's
mother story is one of severe unhappiness and resentment, or an "unlived life" as Winterson
describes it (695). Through her adoption, Winterson was thrust into a dysfunctional family and
suffered extensive abuse at the hands of her angry mother. Winterson alludes the strength she has
been forced to gain in order to survive. In a chaotic and abusive household, she was forced to
become "a bare–knuckle fighter" to endure the pandemonium (696). As Winterson says about her
family dynamic, "the one who wins is the one who hits the hardest" (696). Winterson's life
experiences portray a struggle to exist as she suggests, she has been fighting alone her whole life
without anything to help her or back her up. Often being forced to fend for herself, thus revealing
her need to preserve her story and prevent it from drowning in the tragic narrative of her mother.
While Winterson's descriptive literary devices paint a picture of the pain and suffering she endured
as an adopted child, the reader may struggle while interpreting the true source of her childhood pain.
When reading, two potential causes for

Writing Reflection
As someone who enjoys writing, I can say I know what inspiration feels like. Maybe I am out for a
stroll in the park, or maybe I am simply sitting at home reading a book. Then, out of nowhere,
inspiration strikes. An idea hits me, and I feel the need to get to a keyboard or pen as soon as
possible. I have experienced it many times. Given the intensity of this feeling, and my fervor when
writing, I expect great works of literature to arise when inspiration hits. However, this is not always
the case, and I often lose all sense of technique while in this creative frenzy. The first draft of my
work is emotionally charged, but lacks the clarity required to keep my audience reading until the
end. This is why, while inspiration is an essential part of writing, I believe editing and revision are
more important to creating work that will engage readers. Reader engagement is important because
writing is, at its very core, a basic method of communication. It is for transmitting thoughts from
one mind to another, even if those minds are the author's past and future selves. Therefore, in order
for a reader to receive the writer's thoughts, they must be engaged. Reader engagement does not
always mean the reader will understand the purpose or deeper meaning within the writing, nor does
it mean they will always feel immersed within it. When I use the word 'engagement' in this case, I
am referring to the process of actively considering the text. An engaged reader is one who is
thinking

Magical Realism In Jeanette Winterson's The Passion
Tabah 3 Magic–realism in Jeanette Winterson's 'The Passion'
Novels have become one of the most prominent literature outlets, owing to the appreciation they
have garnered and inspired from multiple authors. With its prominence, a trend has arisen where
authors tend to follow a standard line of thinking, be it regarding themes or writing styles. An
example of a commonly adopted literature concept amongst most authors is the concept of magical
realism, which is expressible through the use of magic in novel settings. Through analyzing Jeanette
Winterson's The Passion, the paper will determine why authors use magic realism in their literature
pieces while connecting this concept to their themes.
Before delving further into details on how Jeanette Winterson has used magical realism in her novel,
it would be necessary to understand what this literary style entails. Magical realism is often used by
authors in literature as a means of efficiently driving fictional backgrounds. Authors use this literary
technique to attempt to manipulate their fictional ideas by using magic to paint a realistic vision of
them in the minds of the audience. However, it should be noted that magical realism and fiction are
not the same. While magical realism seeks to widen imagination and creativity while being subject
to real–world constraints, fantasy aims to think beyond reality. Winterson attempted to adopt this
literary genre mainly to drive her fictional self–titled theme, that is, the theme

Theme Of Oranges Are Not The Only Fruit
Oranges Are Not the Only Fruit is a short novel written by Jeanette Winterson. The story of the
novel has autobiographical undertones and is situated in the north of England approximately in the
sixties. The themes of the novel include sexuality, religion and coming of age. The novel is realist
however it features fantastical interludes in the form of the protagonist's dreams. The main theme of
the novel, which is explored through the relationship with the mother as well as three first lovers,
lies in the disillusionment and identity formation of the protagonist. Although at first the heroine
regards her mother as virtually omniscient and unquestioningly accepts her strict religious
worldview, after forming a relationship with another girl she understands that her true self can never
be accepted in the community they belong to. Her first love Melanie surrenders to the will of the
church and leaves Jeanette. Her mother's condemnation as well as Melanie's forced departure cause
Jeanette to lose her innocent approach to the world and her identity starts forming outside of the
church instead of exclusively in the religious context. These two relationships are central to the
protagonist's development and the betrayal of ... Show more content on Helpwriting.net ...
What follows has been described above; the girls are exposed during a session in their church and
ordered to stop seeing each other. Melanie obeys and accepts what they have been doing is wrong.
In contrast, Jeanette refuses to accept this notion and her outlook on the relationship, which has also
been described before, can be illustrated by what she says in her defense: "To the pure all things are
pure" (Winterson, 1985, p. 79). Furthermore, she is deeply hurt and confused by Melanie's promise
to terminate their relations. Their love affair stays very significant to

Summary Of ' Why Be Happy When You Can Be Normal '
A Plea for Acceptance
Even though in today's society being a lesbian isn't a big deal, there are still people that have to face
discrimination just because they like the same gender. However, if you think about it, is it wrong to
do something out of the norm? Is it wrong to have different views on things than other people?
Some people think it is wrong, but is it really wrong to live your life on your own terms? Although
living life on your own terms can be a hard path to follow because it means that everyone might not
support your decisions in life, it doesn't mean it's not right to do so. Jeanette proves this in the book,
"Why Be Happy When You Can Be Normal," Jeanette Winterson faces many difficulties that relate
to my friend Nina, these difficulties include: lack of family support for both Nina and Jeanette,
however, religion wise Jeanette's family is more strict than Nina's.
What defines a family? A family is a loving support system that is willing to do anything possible to
keep you safe. They are always there for you no matter what, they will support you, they will
encourage you, and they will never give up on you because your family loves you for who you are.
Despite this definition of a family, Jeanette Winterson and Nina did not experience these valuable
and heart warming experiences from their family. One of the reasons for this would be that since
Jeanette's parents were very occupied with religious activities, and Nina's parents were really
occupied with their

Summary: Once Upon A Shop By Jeanette Winterson
"Once Upon a Shop" is an essay written by British writer Jeanette Winterson, and was published in
the British newspaper "The Observer" in June 2010. The essay is about Jeanette Winterson's
experiences with her small vegetable shop in London, and how important she feel small shops is to
local communities, why we should support small shops and how big companies and materialism
affects our society. Winterson also believes that we should value price less and instead focus on
quality instead. She writes that she believes the government should make it easier to run a small
shop, and criticizes supermarkets, as she believes a lot of what goes into making the cheap
supermarket food is unethical.
The sender of the text is Jeanette Winterson and the ... Show more content on Helpwriting.net ...
The essay starts with the sentence, "I opened my first fruit and veg shop in Spitalfields in 1805... At
least that is how it feels to me[...]" which shows how important she thinks the history of her shop is,
and how she believes that we should preserve some of the old traditions in the field of shops. The
history also serves as a form of timeline, to make the readers see how the neighborhood have
changed through the years, from vegetables shops and flower markets, to "chic shops and funky
stalls". She also mentions how fruits and vegetables have changed through the years as she mentions
the "[...]the pyramids of oranges, gassed lemons, King Kong–size bananas[...]" she sees at the new
market

The Passion By Jeanette Winterson
"The Passion": A Review This is a review of the novel "The Passion" by Jeanette Winterson. This is
a wonderful story set in 19th century Europe during the Napoleon wars. It tells the story of two very
different individuals and how their lives became intertwined. It is a story of love, passion, and
obsession. The text will be evaluated by analyzing the story, plot, and characters. "The Passion"
starts with Henri. Henri is young French man that was born a poor farm boy. He was raised by a
religious mother and dreams of becoming important one day. He has a love of words and loves to
tell stories. Henri keeps a journal in effort that his every memory will be there on paper later in years
when he may not be able to recall them on his own. Henri longs to be a drummer in the French
army. He is in love with Napoleon, not in the way of lovers, but in the way that a person loves and
respects their most idolized leader. However, when Henri joins the army at a young age, he becomes
a kitchen aid, responsible for the chicken that Napoleon loves. Although this is not the glorious job
of being a drummer, Henri finds comfort in being so close to Napoleon. Although Napoleon is a
terrible leader and cares for nothing more than winning the war and land, Henri still believes that he
is worth his passion. While serving at Napoleon's camp, he befriends Domino, Napoleon's horse
groomer. Napoleon lives solely in the moment and believes that all that one has is the moment that
they live in.

Essay on Elsie and Her Mother in Oranges Are Not the Only...
Elsie and Her Mother in Oranges Are Not the Only Fruit
In a story of a young girl coming of age and finding her sexuality in a very religious community, it
is key to have a female figure that plays a key role for the character. A mother should play the key
role but what happens when this role is confused with a very spiritual role? Where will a young girl
turn to when her life goes against the rules society has set for her?
Jeanette has lived a sheltered life with no influence on her except for the church. Her mother is a
strict Christian with a deep resentment for things and people not within her fold. Being brought up
in a society where going against the norm is a sin. A society that shakes its head at acts of
individualism and ... Show more content on Helpwriting.net ...
These differences between these two women are what make Jeanette a rounded person, if not a
confused one at first. Jeanette gained a sense a self with her mother. She knew she was to work with
the Lord and teach his words to others. Her goal in life was to go and be a missionary, to teach
others how to believe in God. Combined with this imbedded sense of self is the confidence Elsie
gave her. Elsie not only understood
the word of the Lord and came from within the society Jeanette grew up in, she had a sense of the
world around her, that the world didn?t start and stop with the preaching of the Lord. Elsie gave
Jeanette a feeling of fellowship, a deep friendship that was based on true feelings, not the Lord.
In one part of the book Elsie helps Jeanette with the transition of home schooling, which was based
on biblical texts, to public schooling. Elsie gave Jeanette a way of incorporating her biblical
background into a public school setting, even if it did shock and raise eyebrows. The older woman
gave Jeanette a much–needed avenue to express herself. At this time her mother is not too upset with
the friendship. She likes the reaction Jeanette is getting from her religious art works and other
biblical oddities that seem out of place in public school. Elsie is still seen as a fellow follower, a
follower of Jeanette?s mother.
The relationship between Elsie and her mother gets strained after Jeanette is

Jeannette Winterson Weight Essay
In Jeanette Winterson's novel Weight, the author demonstrates how myths have modern personal
relevancies and can encourage each reader to investigate the three main subject matters in their
lives; boundaries, freedom, and guilt. The numerous references to walls throughout the novel signify
the boundaries, which make Atlas strive for freedom. Winterson's Weight, is a modern rewrite on an
old myth of Atlas and Heracles, and the challenges they endure can be interpreted by individual
readers for personal relevancies. Atlas, a father of daughters, is faced with the burden of carrying the
world on his shoulders. This can represent a feeling as if one is carrying a world of stress and guilt
on one's shoulders and conscience. Heracles, the ... Show more content on Helpwriting.net ...
Atlas constantly is escaping into the limitless of his imagination, where he is not punished for
wanting the forbidden. The Gods hoped that by punishing Atlas to be trapped in his body under the
weight of the world that they would contain his mind, and they were mistaken. This can be
interpreted as the strength and perseverance from within an individual. The wall that Atlas builds
around the Garden of Hesperides is constructed in such a way that it explains freedom and
nothingness that can sometimes be unappreciated. Winterson writes, "I built a walled garden, a
temenos, a sacred space. I lifted the huge stones with my own hands and piled them carefully, as a
goatherd would, leaving tiny gaps to let the wind through. A solid wall is easily collapsed. My
mother stirring in her sleep could do as much. A wall well built with invisible spaces will allow the
winds that rage against it to pass through. When the earth underneath it trembles, the spaces make
room for movement and settlement. The wall stands. The wall's strength is not in the stones but in
the spaces between the stones. It's a joke against me I think, that for all my strength and labour, the
wall relies on nothing .Write it more substantially – NOTHING." (p. 16). On the contrary, carrying
the world doesn't only make one feel trapped, it also feels as if one is carrying stress and guilt on
their conscience, which

Grecian Statue By Jeanette Winterson
Humans have a long history of expressing ourselves through medium for varying reasons that have
not always had to do with survival. We as a species have continued to try and portray our visons
from inside the mind to the tangible world for our fellow beings by using drawings. There are a
multitude of ways that the mind can reach our world. Some ways are seen as more familiar than
others. If there are more familiar ways, then there is also a less familiar way. The fine arts such as art
are what separates a satirical essay from a Grecian statue. Jeanette Winterson examines what art
means to in our larger society and how to learn to truly appreciate and experience art. Winterson has
many feelings on how she feels about art and believes other ... Show more content on
Helpwriting.net ...
The most dejected form of art are paintings. The thought of looking at art is sometimes too much for
some. Many say paintings are there they don't have tunes that make you chant along or possess
anything else that inter act. Going to the art museum can be like walking through a maze full of
confusion. There are unknown names and dates on each piece of art and most of them go right over
a person's head. The Dallas museum of art is a prime example of a place many avoid. As the world
stand now people no longer feel as stuck when comes to art. Small artist are everywhere displaying
their works in every place imaginable. From restaurant to street corners you can find peoples art
everywhere. No longer do people have to go to galleries or museums to see great art, many can go
online to view anything they please. Due to recent wave of young and bold art enthusiasts the
standard has changed on who can appreciate art. Going to the museum was dreadful before, but
recently there has been many museums that have changed the way they display art to fit more taste.
New artist has also come to the spotlight not just Picasso and Mary Cassatt, but now a whole new
bunch of faces have come out of this recent

Summary, By Jeanette Winterson And Jane Eyre
This leads to her questioning the existence of a woman altogether, though seemingly quite an
extreme move, an interesting one. "Provisionally" she asserts, women do exist, the adverb
"provisionally" holding some significance as it is not a definitive. Not only does De Beauvoir fail to
give a definitive answer on the matter, she almost foreshadows an imminent fall of the 'woman' as
we know and define her, opening debate. De Beauvoir makes a radical suggestion that the character
of the "woman" does not actually exist but instead suggests men and women should be categorised
together and defined primarily as humans rather than separate entities. Is this really a step forward in
equality? Removing labels to bring us back to basics? The act of labelling people generally is so that
they can identify as or with something and in most cases, allows them to feel included or part of
something bigger. Judith Butler makes an argument that there is in fact no identity outside language
as this is what creates labels . Arguably a vast collection of literary texts rely on the labelling and
division of humanity to create their story, as does society. Oranges are not the only fruit by Jeanette
Winterson and Jane Eyre by Charlotte Bronte would hardly function without this idea of there being
a division between men and women. Both texts explore the hierarchical nature of society and the
rise of a woman, if we grouped together both sexes we would be left equal in terms of definition, yet
there

Oranges Are Not The Only Fruits Essay
Oranges are Not the Only Fruits by Jeanette Winterson seems like an experimental novel which
Winterson provides an 'autobiographical account of the struggle for self–identification and self–
recovery' ( Botescu Sireteanu 2007:78). In this essay working class identity and religiosity will be
explored. Can we identify a person by their working class or their religion? Throughout the novel
class, identity and religiosity has been explored in a variety of ways. Oranges Are Not the Only Fruit
combines the experience of discovering one's sexuality with the struggle to build a personal identity.
In Winterson novel you get a vibe that the novel is represents a middle– working class family,
because Winterson belongs to a Christian religious class. 'Jeanette's adoption confirms the sense of
middle– class, heterosexual normativity that Jeanette's mother originally sought to establish through
her youthful conversion to evangelical Christianity' (Margot Gayle Backus, 2004, pg136). As
Jeannette has grown up and been raised to be preacher and missionary of the intense Christianity
Jeanette rebels against the religious/male–controlled principles that limit her in finding her working
class identity (her sexuality). There is a great connection between Jeanette finding her working class
identity and religiosity as these both clash with Jeanette finding her sexuality.
One of her influences is her mother. Even the adoption of Jeanette by her mother is related to
religion, the images that her

Judith Butler Gender
According to Judith Butler "if gender is the cultural meanings that the sexed body assumes, then a
gender cannot be said to follow from a sex in any one way" (Butler, 6). By this quote, Butler wants
to argue the idea that both sex and gender are products of the culture. We can relate this statement
with the novel "Written on the Body" written by Jeanette Winterson. The author does not focus on
an issue to find an answer in her novel, but she talks about the idea of telling a story in a different
way. She concentrates on cultural boundaries, which are the binary pairs that society is based on,
and she deconstructs the binary pair based on gender, which is male and female. Jeanette wants to
escape binary oppositions, by using a lot of literary ... Show more content on Helpwriting.net ...
For most people, they do not pay much attention to the connection between love and gender, which
is how it should be. But, there is always going to be a set group of people who discriminate upon
people who do not follow the "norms of love". People in today society have fallen under "norms"
that will state how love is perfect and that the relationship between love and gender is a heterosexual
connection. If you are a man and you love a man, or if you are a woman in love a woman you are
automatically looked down upon and discriminated upon by American society. This is because that
is how people are raised to think and if a person that you look up to or that you listen to every day of
your life tells you that something is a norm or something is wrong, you are most likely going to
believe them and adapt their views. Love may be real, but not every instance of love is real love.
Winterson believes that the first step to true love is a friendship that will last forever and eventually
will guide your relationship through the years. On the other hand, Judith Butler believes that if
gender is the cultural meanings that sexed body assumes, then a gender cannot be said to follow
from a sex in any one way. Everyone is entitled to their own type of love in their own life, and if
anyone tries to deny them of that entitlement then they do not know what's best for that person and
are not interested in the happiness of that

Barbara Hepworth's Epic Works Changed The Face Of Sculpture
Barbara Hepworth's Epic Works In the article, "Jeanette Winterson: Barbara Hepworth's Epic Works
Changed the face of Sculpture," the author introduces us to the woman who interchanged the look of
sculpting. Winterson states, "She wanted something that people would actually look at, rather than
walk past, a piece where the meaning was inherent, rather than representational or symbolic". That
statement goes to show that Barbara Hepworth wanted to contribute something that was different
from other sculptors. Barbara Hepworth's work was captivating, engaging and she was autonomous.
To begin, Barbara Hepworth's work was quite captivating in various ways. We know this because
the author simply introduced readers to one of Hepworth's most striking pieces. As mentioned
earlier, the article states that she wanted something that people would actually look at, rather than
walk past. One of her most striking pieces, 'Single Form' stood outside of the United Nations
Building in New York City. Based on the information in the article we can analyze how intriguing
the Single Form actually was. It is described as "a curved, childlike shape with her signature
piercing...her sculpture ... Show more content on Helpwriting.net ...
One thing that stood out in this article was when she said, "These artists are not women working in a
man's world. These artists are women reworking the world as they see it. And it means method,
theory, failure, risk and experiment". In other words, artists such Barbara had the freedom to do as
she pleased, despite risks. Another citation that backs up Barbara's self–government was when the
author said. "Her powerful sense of mankind as a family was a direct response to her own family.
Life must be lived whole or not at all, she thought". She was independent and fascinating and no one
can say

Examples Of Liminality In Bildungsroman
Amy Gaffney, 14734045 ENG10090 Coming of Age Final Essay Whether orphans or adventurers,
many characters in the course texts have a troubled relation to home and society. Comparing two
texts, consider the representation of "outsider" figures. On the Outside Looking in: Liminality in
Bildungsroman To be liminal is, according to the Oxford English Dictionary in a cultural
anthropologic sense "of or relating to a transitional or intermediate state between culturally defined
stages of a person's life, especially as marked by a ritual or rite of passage; characterized by
liminality." Being liminal can also be seen as being the outsider, the threat to what is considered the
norm. According to Giddens, norms are "rules of behaviour that reflect or embody a culture's value,
either prescribing a given type of behaviour or forbidding it." (1065). These norms operating within
a society can be either explicit or implicit. Transgressing norms can be seen as a deviance, however,
deviating from the norm may yield both negative and positive results. In many bildungsroman
liminality is essential to the characters development. Philip Pullman's Northern Lights and Jeanette
Winterson's Oranges Are Not the Only Fruit, in which both the main characters of Lyra and Jeanette
respectively are of a liminal nature, ... Show more content on Helpwriting.net ...
Further episodes where her religious education impedes upon her acceptance at school are shown,
and finally Jeanette comes to the conclusion that "It was obvious where I belonged. Ten more years
and I could go to missionary school." (Winterson, 56). She understands that she will never be
accepted into school society, and concretes her future liminality by knowing that missionary school
is her destiny. Her mother's advice that "We are called to be apart," (Winterson, 56) further
highlights their isolation from school

Worth of Fairy Tales in Jeanette Winterson's "the...
When saying that there are certain folk or fairy tales about herself, Jeanette Winterson could not be
more right, because there are indeed several myths surrounding her person. For many people
Winterson's sexuality is the golden key to her public persona. Although she correctly states that
`[she is] a writer who happens to like women, [and] not a lesbian who happens to write' most critics
are only too willing to interpret her writing in an autobiographical way and restrict her to the literary
persona of a lesbian writer only. However, this whole obsession about her sexuality is not the only
myth surrounding her. Furthermore, critical opinion likes to describe her as a novelist who feels the
constant need to defend her writing against the ... Show more content on Helpwriting.net ...
However, although the story of The Passion greatly relies on mythical elements, it is not correct to
categorise this novel simply as a example of magic realism. When taking a closer look at her use of
fairy tales, it is soon clear that there is much more to The Passion than can be seen at first sight.
Jeanette Winterson does not simply include fairy tale elements into her novel, but she makes the
readers to see this book as a fairy tale itself. Contrary to the tendency of magic realism to `draw
upon the energies of fable, folktale and myth while retaining a strong contemporary relevance',
Winterson succeeds in spreading the fairy tale elements all over her novel, and thus leaves hardly
space for a connection to a realistic story. Consequently, there simply is no realism in this book.
Although the novel seems to be entirely historical (and thus rather realistic), when considering its
setting during the time of Napoleon and its complete lack of connecting the plot to the present, there
are hardly any elements to be found in the story. As a result, we can conclude that Jeanette
Winterson is simply not interested in realism, but she wants to play with the convention of fairy
tales. For her the representation of the story of this novel as a fairy tale is the most important thing.
Therefore, the device of history is only used in order to fulfil that

Analysis Of Jeanette Winterson's 'Why Be Happy When You...
Acceptance is part of life at all stages. As teenagers, we try to fit in with everyone else by liking the
same music or wearing the same clothes. As adults, we try our hardest to please people to get jobs or
find a life partner. Even as young children and toddlers, we seek acceptance. There is a reason that
young children always seek their parent's approval for everything they do. Whether it is an art
project, a good grade, or simply waving at a parent every time the child goes around a carousel,
children are always seeking approval. As children, we all want to make our parents proud by our
achievements. Acceptance is a key part of growing up and plays a crucial role in determining
personality.
If acceptance is such a crucial part of ... Show more content on Helpwriting.net ...
By becoming an award–winning writer herself, Winterson is exactly the person that her mother
despises. However, despite Winterson's attempts at defending herself and her life, she is still
rejected. It is a human instinct to want to feel accepted by loved ones no matter what their opinions
may be. No matter how much rejection we may face, there is always a part that feels the need to
belong. When reading this essay again after reading "On Going Home" by Joan Didion, the idea of
vocalizing feelings to learn self–acceptance becomes more apparent. Didion states that growing up,
there was "...some nameless anxiety colored with emotional charges between the place that I came
from," (Didion 200). Didion's life was not a hard one, but there was always a tension present. This
brings me back to Winterson's essay because her book was a vocalized way for her to break the
silence of her past. While her mother wants her to change her ways and is upset with her for
vocalizing her differences, Winterson chooses to be happy with herself for being vocal, stating "I
needed words because unhappy families are conspiracies of silence. The one who breaks the silence
is never forgiven. He or she has to learn to forgive him or herself," (Winterson 700). Staying silent
about issues makes the issues spread to other parts of life. People are unhappy with their families
because of the issues they remained silent about. This could explain why Didion was

Summary Of The World And Other Places By Jeanette Winterson
In the story "The World and Other Places" Jeanette Winterson, writes about a boy transitioning into
manhood. In this small passage, the man is till trying to find the piece of himself that others around
him found already, or are too afraid to face. While reading, the narrator meets a plethora of
characters ranging from different backgrounds and personalities. In one specific part of the story, the
narrator meets a man who has reached his own frontier, a frontier that the main character still has
not faced but will like to. The man reached his own frontier by finding happiness in what he loves,
as would the other two characters the narrator mentioned in the story. By finding love, not the
romantic kind, happiness will come to you in any shape or form. It could come in forms hope, flying
across the sky, or just by being with your dog. That is what it means to reach your own frontier, to
find the love and happiness in the things that you do, without being afraid to. The main character
grows up in a poor household where imagination was key when it came to entertainment. His family
all played along, which contributed to his adoration of airplanes and flying. His family was happy
regardless of anything, but there was still something in his heart that told him, he needed to really
find himself, "That night, I knew I would get away, better myself. Not because I despised who I was,
but because I did not know who I was. I was waiting to be invented. I was waiting to invent myself'
(Winterson 285). The narrator still could not point out who he wanted to be as a boy, and he brought
it with him into adulthood. Flying and airplanes are clearly the man's passion; he joined the air force
because of it. However, traveling and flying couldn't make the man come to terms with the type of
person he wanted to become. The narrator was lost, but soon realizes that he is the one holding
himself back from reaching his own frontier. One person who the narrator seems to aspire to be is
the pilot with the Cessna. He has found romance, not in a woman but in flying; with that he found
his own frontier. One that he is the only one experiencing, "' If the whole world were flying beside
me I would still be flying alone" (Amy

Jeanette Winterson Boating for Beginners
According to David Lodge realistic literature is based on " their obsession with form to neglect the
content and the third person omniscient mode is more often used to assert or imply the existence of
society or history, than of heaven and hell. Therefore, modernist fiction eschews the straight
chronological ordering of realistic material and the use of reliable omniscient intrusive narrator". In
her novel, Jeanette Winterson uses a "method of multiple points of view" and her novel "tends
towards a fluid and complex handling of time, involving much cross–reference backwards and
forwards across the chronological span of the action". We can reinforce this idea by quoting Linda
Hutcheon, who says: "the postmodern artist was no longer the ... Show more content on
Helpwriting.net ...
(37)
The Biblical characters become actors playing their own roles in their pre–written story. (...)
It is clear Noah who masters the discourse. Because the revision of the Genesis is presented in a
dialogue between Bunny Mix and Noah, Noah using the first person and Bunny Mix the second
person singular. Noah revises Genesis for posterity, in collaboration with Bunny Mix (137–138). As
Author, film director and inventor of the whole story, he is perfectly conscious of his power.
Not only Jeanette Winterson re–writes the story of the bible using puns and metaphors, but she also
succeeds in caricatures all the characters of the Bible, which make the reader laugh from beginning
to end. We can say that fact and fiction interact. Real life is a text and the language and discourse
come first. History follows no divine plan. History is the great metanarratives of man history. Man is
not progressing in a linear faction. For Eileen Wanquet, " not only is linear time destabilised by a
dizzying contortion, but space also is decentred". And Linda Hutcheon adds that:
" Nevertheless, it seems reasonable to say that the postmodern's initial concern is to de–naturalize
some of the dominant features of our way of life; to point out that those entities that we unthinkingly
experience as "natural" are in fact" cultural"

Essay Role of Women in Oranges Are Not The Only Fruit
Role of Women in Oranges Are Not The Only Fruit
In the novel Oranges Are Not The Only Fruit, by Jeanette Winterson, most of the important,
decision–making, characters are female. Jeanette, the female protagonist, is greatly influenced by
her mother, a strong, overbearing, eccentric woman, and by Elsie, a prominent member of the family
parish who becomes Jeanette's only friend and closest confidant. Elsie and Jeanette's mother act as
polar forces in Jeanette's life, with the mother encouraging suppression of "unholy" or "unnatural"
feelings and thoughts, and Elsie encouraging expression of feelings and accepting oneself for who
one really is.
Jeanette's mother, referred to by name only once in the novel, is probably the second ... Show more
content on Helpwriting.net ...
White, to believe that the people next door are making love. She and Ms. White "slithered up and
down the skirting board" (page 53), trying eagerly to hear what "the heathen" were doing. However,
at the same time as Mother's natural interest peeked through, she suppressed them by condemning
Next Door's behavior.
Throughout the book, many attempts are made by Jeanette's mother to make Jeanette suppress her
feelings and sexual orientation. When Mother finds out that Jeanette is a lesbian, she kicks her out of
the house, saying, "You'll have to leave, I'm not havin' demons here."(Page 136). That incident,
however, happens only after Mother and the Pastor try many times to make Jeanette repent and
renounce her sexual feelings toward women, including trying to make her feel guilty and shameful,
sending away her sexual partners, and locking her in a room for thirty–six without food or light.
Elsie, on the other hand, offers a different approach to life, and serves as a counterexample to
Mother's repressive influences. Elsie is a member of the church who befriends Jeanette and
understands her problems, and is one of the only people with whom Jeanette feels open and
comfortable. The manner in which Elsie encourages Jeanette to express herself can be seen when the
young protagonist skillfully crafts a sampler which her teachers criticize sharply for it's text, which
reads "the summer is ended and we are not yet saved."(Page 39). When

The Glass Castle Response
Individuals can be seen responding to the circumstances they endure in many different ways. The
way they choose to respond to issues can determine whether the effect of their exposure will end up
to be a positive strengthen to their character. In the memoir The Glass Castle written by Jeannette
Walls, we see the effects of past experiences on Jeannette and we see how she uses those situations
to shape the person that she becomes. Jeannette is a focal point to the life of success that a person
can live even after growing up in an unorthodox family. She goes to prove that even with the
strangest life she lives, she had the passion to pursue her goals is significant and her desire achieves
the life she wants while her dreams were being ... Show more content on Helpwriting.net ...
Even with those disadvantages Jeannette ensures that she excels in all that she does and puts all
possible effort into what she wants to become. Even at a young age she makes sure that she joined a
newspaper club at her school and though she is treated poorly and it judged harshly by those around
her, she works her way up to becoming the editor and key writer if her high school newspaper.
Jeannette works hard to become the editor of her high school newspaper and proves herself that she
is a capable writer. Over the years Jeannette continues to ensure that she strives for what she wants
without any inhibitions from the life she has lived. Long after high school success when she finally
moves to New York, Jeannette sees that she again is doing what will help her achieve her desire
while also proving that she can have success even after living such a peculiar life. She is even able
to get a job for The Phoenix. "I've never been happier in my life." (Walls, 248) Jeanette 's displays
exuberance at having achieved what she desires and continues to achieve more as she climbs the
ladder to reach her final goals. Jeannette is bringing herself up from the rubble of a life that she has
lived to achieve her goals. With hard work and a steely determination Jeannette proves that no
matter what you've come

Analysis Of ' Oranges Are Not The Only Fruit '
Both Walker ('The Colour Purple') and Winterson ('Oranges are Not the Only Fruit') present strong
female protagonists who face various gender restrictions throughout the novels. For example both
characters have their choice of partner controlled. In 'The Colour Purple' Walker constrains her
protagonist (Celie) by entering her into an arranged marriage, in which she has little say as "I can't
let you have Nettie... But I can let you have Celie". Similarly, in 'Oranges are Not the Only Fruit'
Winterson limits her protagonists (Jeanette) freedom by dictating that "romantic love for another
women is a sin". While it could be argued that the two protagonists are presented as defying these
traditional gender roles through their sexuality and newfound independence, it could also be argued
that they simply behave in ways that maybe be considered unsterotypical of their gender.
One key technique both writers use to highlight their protagonists personal growth is distinct
language styles. Arguably, Walker's use of the Epistolary form is significant as one feminist critic
has noted "Celie, a poor, uneducated Black woman writes letters that illustrate her poignant attempt
to make sense of her oppressed life." For example, Walkers first letters could be seen as purely
matter of fact, with the events of Celie's tragic rape being described with no emotion or feeling –
"He start to choke me." One reading of this could suggest that Walker uses language in this way to
emphasise how Celie

Essay Disputing the Canon
Disputing the Canon
I was in the best of settings when I realized that Shakespeare was indeed great. My freshman year in
high school, I had English class with an esteemed teacher, Mr. Broza–hailed as the Paul D.
Schreiber High School Shakespeare aficionado, founder of Schreiber's Annual Shakespeare Day,
and, perhaps most heart–warming of all, a self–proclaimed Shakespeare lover whose posters of The
Bard could be found as wallpaper in his small office. How lucky I thought I was. Indeed, if I wanted
to appreciate Hamlet, I was in the right hands.
But how misled I actually was–at least, in Walker Percy's eyes. In his essay, "The Loss of the
Creature," Percy recalls a scene from The Heart Is a Lonely Hunter:
...the girl hides in the bushes ... Show more content on Helpwriting.net ...
After sitting by a tree and reading the text front–to–back, perhaps then I would be able to "see"
Shakespeare in Percy's sense of the word.
Percy's noble task is to open our minds to the possibility that we are not the masters of what we
know–that, in part, what we know and what we see, when approached passively, have a lot more to
do with "preformed symbolic complex" than with ourselves (512). Percy's exploration achieves one
of the main goals of all philosophy–to change the way we think about things. He changes the
meaning of many concepts human beings tend to take for granted. Sight is no longer the mere act of
seeing, but "a struggle," an act of understanding and appreciation (523). "Sovereignty," in relation to
things, is no longer some abstract concept of "power," but an ability to interpret for oneself (517).
Education–or perhaps more specifically, its dynamic–is reshaped, for it is no longer a passive act
(i.e. "being taught to") but an action that relies much more upon the student, who "may have the
greatest difficulty in salvaging the creature itself from the educational package in which it is
presented" (519). These concept–alterations are thus meant to alter our reality; they aim to help us
rediscover in art what he calls in his opening paragraph an island, "Formosa." This previously
untouched island is beautiful to its discoverer

The Patriarchal Church
Although Jeanette's mother agrees with the dominance of the patriarchal church, she dominates the
home front, which Woolf cites as the "domestic arts" (134). Once Jeanette was revealed to be a
lesbian, Jeanette's mother blamed Jeanette's preaching and activism in the church as the cause since
it was thought that preaching was a masculine job. In Oranges, Jeanette states:
The real problem, it seemed, was going against the teachings of St Paul, and allowing women power
in the church. Our branch of the church never thought about it, we'd always had strong women, and
the women organized everything. Some of us could preach, and quite plainly, in my case, the church
was full because of it. There was an uproar, then a curious thing happened. My ... Show more
content on Helpwriting.net ...
Her father willingly caves to her mother's will like Christians follow God's will and women follow
the patriarchy's will. Each dominating factor is based on religious ideologies that are disseminated
by religious education. In a religious society, people use religion to justify actions that subject the
populace to servitude. If one were to question the power that commits society into classes of the
ruled and the rulers, they would be dismissed as perverted, immoral agitators. Simply questioning
the power structure will lead to the outcasting of an individual, analogous to what happened to
Jeanette after her sexuality was revealed and she refused to give the church its due power by not
repenting. She was cast out of the community and rejected by her mother; her church family; and, as
she felt, her God. Jeanette's mother can be read as a metaphor of the duality of religious ideologies
and the hypocrisy and contradictions presented in the Christian Bible. These contradictions allow for
many things to be justified by citing a verse of scripture while neglecting to mention another that
counters it because societal pressure does not allow for the questioning of the accuracy of the
scripture's relevance or its interpretation. In other words, in religious societies, scripture is final and
the only thing needed

The Loss Of The Creature By Percy Walker
Not going to lie, but I put an immense amount of trust into other's experiences and allow them to
dictate my own. I have travelled to different places for the sole purpose of "reliving" another
person's experience only to be disappointed when I get there. The ideas expressed in Walker Percy's,
"The Loss of the Creature" parallel my adventures towards misfortune. As Percy Walker writes in
his essay, "The thing as it is, has been appropriated by the symbolic complex which has already been
formed in the sightseer's mind" (Percy 472). Percy argues that having preconceived notions about
places or ideas, creates a "symbolic complex" in our minds. I have always been told that Disney
World Florida is "The most magical place in the world." I ... Show more content on Helpwriting.net
...
Once they have been separated, it can be referred to as being an instance, which is "it." He defines
this term as an experience resulting in personal growth, as something being "authentic." He refers
the first "discovery" of the Grand Canyon by Garcia Lopez de Cardenas as authentic, so it seems the
best way to discover "it" would be means through exploration.
Last Sunday, I went to the Museum of Fine Arts and walked through the marble corridors in pursuit
of Percy's "it." I was accompanied by a friend who was in pursuit of taking candid photos. I came in
with a set of expectations as Percy writes, "the sightseer measures his satisfaction by the degree to
which the [museum] conforms to the preformed complex" (473). When I entered the museum, the
quietude of the atmosphere caused me to become drowsy and I quickly looked for the café to drink
coffee. Feeling energized, I wandered aimlessly for close to an hour, amazed by the museum's
architecture and rustic paintings displayed. However, being surrounded by great artistic pieces of
history, I did not gain the sense of being enriched or enlightened. Due to the nature of the
assignment, I was not nearly as interested and felt that I could have been lost in the moment if I had
entered on my own free will. That was until I stumbled upon the "Showdown! Kuniyoshi vs.
Kunisada" art

Oranges Are Not The Only Fruit
The act of betrayal is to disappoint ones trust or reliance, deliberately or upon knowing that it will.
The book "Oranges are not the only fruit written by a British writer, Jeanette Winterson. Jeanette
was born in 1959, and 5 month after her birth, she became an adopted child of Winterson family. As
she became six, she became Christian, and when she is sixteen, she realized that she is a lesbian, and
left her house. After graduating the university of Oxford, in 2006, she wrote "Orenges are not the
only fruit" based on her life. The novel follows the story of Jeanette retelling her life from when she
is seven, living in England as adopted child. Her mother strongly follows the telling as Christian.
Jeanettes mother educates Jeanette to be a servant of god, by making her read a bible and always be
devoted to the god. When she is seven years old, she damages her healing and goes to a hospital and
sees a outside world, like she learned the poets from Elsie, that she had never knew from her
mothers restriction. At school, her friend takes a distance from her, by the reason of Jeanette being
too obsessed to the bible. As growing up, she starts to have a interest in love and romance, but also
have negative image to men. She then meets a girl called Melanie and starts to spend more ... Show
more content on Helpwriting.net ...
The debate whether brain death is a death or not, is an example. In the previous world, alive and
death were completely separated thing; and "alive" was more important than "death". However, by
the medical technology, the situation where the heart is beating but brain isn't working, came up.
Before, the "line" of separation between these two were clear, so we didn't decided the absolute
border to it. However, now, because the border wasn't set, facing up to a "brain death", we still can't
assert whether brain death is "alive" or "death". Another example of the corruption of the "duality"
is, the gender

Analysis Of Written On The Body By Jeanette Winterson
Written on the Body, a novel by Jeanette Winterson, utilizes a genderless narrator to describe their
encounters with various lovers, that ultimately combines sex and literature together to form a style
of loving another person. Winterson's protagonist remaining genderless allows the reader to
recognize certain ideologies that in using the theory of Feminist Criticism is clearly influenced by
certain patriarchal beliefs. These beliefs affect the reading of the narrator as genderless as the reader
often oscillates between trying to assign the gender of the narrator as more masculine or feminine
based on behavior that fits the patriarchal ideals of those gender roles. The narrator is further used in
this novel to portray Winterson's view of both sex and literature and their intertwining: through a
close reading of certain passages, it is obvious that the narrator often equates sex as a form of saying
"I love you". The narrator also often will use text and literary imagery when trying to recreate past
physical romances. This view of literature and sexual attraction as a form of loving another person,
helps the reader piece together how Winterson wishes to depict the narrator's limited view of love.
Through the theories of both New Criticism and Feminist Criticism, Winterson is able to portray the
limits one puts on themselves when adopting the ideologies of patriarchal roles and physical
attraction over emotional connection. Winterson flips the patriarchal ideology through the

Imperialist Patriarchy
The Battle Between an Imperialist White–Supremacist Capitalist Patriarchy and Subversive
Language in Jeanette Winterson's Written on the Body
In an attempt to address the foundational "interlocking political systems" of Western society,
American feminist and author, bell hooks uses the phrase "imperialist white–supremacist capitalist
patriarchy"(Understanding Patriarchy). I feel there is a need to address this phrase when trying to
understand the usage of language and the influence culture has on the development of discourse
because it is within this system that language is given authority. With this particular master narrative
so deeply embedded in discourse it is nearly impossible to escape the hierarchical binaries that live
within each ... Show more content on Helpwriting.net ...
This initial sentence is important to analyze for two reasons. First, we are introduced to the
importance of binary oppositions and the idea that in order to meaningfully define something it must
be in direct opposition with a definable other. Furthermore, by introducing binary oppositions,
which is rooted in Saussurean structuralist theory, Winterson introduces her first reference to a male
dominated discourse and the unavoidable intertextuality of the language of love. Second, this line
illustrates the battle between a subversive language of love and an imperialist white–supremacist
capitalist patriarchy. On one hand we can see this historically male dominated discourse in poetic
juxtaposition with aesthetically fueled language, thus successfully crafting a "textual and artistic
recreation" of language (Finney 30). However, on the other hand, the embedded systems of
patriarchy remain undefeated, with this diction leaving the loved one (and binary other) as
something quantifiable, something "measure[able]" by "loss" (Winterson

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