Cabaret Essay

Cabaret Essay
'How do the cabaret songs and routines comment on the social issues which are the background for the story of Cabaret?'
Satirical on every level, Bob Fosse's 1972 film Cabaret redefines the previously accepted genre of the musical. Using the songs and routines as cunning
tools of social commentary the musical numbers both predict and interpret the world of Berlin in 1931.
The opening routine, 'Wilkommen', is a powerful introduction to the opposing worlds of the protagonists Brian and Sally and also indicates the
significance all songs in the Cabaret will be instilled with. As the camera moves from the distorted mirror to the grotesquely masked face of the Master
of Ceremonies (Joel Grey) who claims, 'I am your host, wilkommen', the need ... Show more content on Helpwriting.net ...
Indeed, from the beginning Sally is a metaphor for the indistinctive, hedonistic masses of people who long for the glory they observe in others and
claim should be theirs at any cost.
Despite her claims that she is driven by 'divine decadence', Sally uses her costumes and make–up to obscure her inner desires. When she goes to meet
her father she has 'a nun's hands' and it is as this unmasked and vulnerable woman that she and Brian become lovers. In the song 'Maybe this time',
which is intercut with footage of Brian and Sally's relationship, the lyrics and cinematic structure are used to negatively answer the hopeful plea
'Maybe this time I'll win'. As Sally stands on the stage of a near deserted Kit Kat Klub she sings passionately, fully clothed and for the only time not
exaggerating her sexuality. Although she claims that she is a 'lady peaceful, lady happy– that's what i long to be' the bright lights show this 'normal'
Sally as attractive but not extraordinary, something she will ultimately never tolerate.
Likewise the intercuts of footage also reveal in Sally and Brian a relationship which will never last. As their eyes meet across the room, Fosse
deliberately pans back to show the extreme distance between the characters. And although their relationship is now sexual, Brian's echo of Sally's
feminine self concept 'doesn't my body drive you wild with desire?' reflects a man as tentative about his sexuality as Sally is about anonymous
domesticity.
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The Passage Of Time Affects The Memory Of The Holocaust
The passage of time affects our memories of the past by the memory content that we experience in life which shows us that the more changing
experiences we have, the longer subjective duration lasts for. The bigger and more intense memories have a greater impact on the memories that
we tend to hold on to and remember for lifetime. For example, a weekend spent at home doing our usual routines passes very quickly. In contrast,
a weekend when we travel to a new destination with a friend lasts much longer or like in novels that we have read when the Nazi regime took over
Europe and cause 60 million people to lose their lives. By stating this, I understand that we can recall many different, new, and catastrophic events.
This "memory load" expands over time. Also, if we look into Maus when Vladek was once a wealthy man before the war, is brought to having to
garner and reserve even the smallest of items, such as the wrapper from cheese, or the cigarettes from his rations. These items took on a huge
importance to Vladek, and even years later, he feels unable to dispose them cause of what he had to go through. Vladek also has had a tough time
asking for help doing daily chores around the house because of how his skills and determination proved his survival during the Holocaust. The way
these types of memories help us today by remembering the color and tint of them is quite simple. We achieve this by learning from our past
experiences, good or bad, and understanding the way people

Essay on French Neo Classical
The French Neo Classical era of theatre has influenced today's society in a number of ways including woman's fashion, dance, architecture and theatre
performance. We have seen this throughout history and it still has continued into today's society. The term Burlesque is usually thought of as slightly
naughty theatre produced and performed between the 1700s and World War II. Webster defines it as a literary or dramatic work that seeks to mock by
means of bizarre embellishment or comic imitation, mockery usually by caricature or theatrical entertainment of a broadly humorous often earthy
character consisting of short turns, comic skits, and sometimes striptease acts. The word derives from the Italian burlesco, which itself derives... Show
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The French Revolution (1789–1799) was bordered by two artistic styles, Rococo and Neo–classicism. Before and after the French Revolution,
Neo–classicism was the main artistic style in France, Europe and the USA from about 1750 to 1830. This classical revitalization of the later 18th
century was characteristic for its emphasis on archaeological accuracy, the result of the period's unprecedented level of knowledge of the art and
architecture of the ancient world. The heroic phase of Neo–classical painting resulted in Jacques–Louis David's most pivotal works, Death of Marat and
Oath of the Horatii. These works personified the Enlightenment thought of Diderot, Voltaire, and Rousseau, namely the ideas of basic human rights,
modern scientific investigation, rationalism and moral rectitude. In its purest form it is a style principally derived from the architecture of Classical
Greece and the architecture of Italian Andrea Palladio. In form, neoclassical architecture emphasizes the wall rather than separate identities to each of
its parts. In the sixteenth century, France was in turmoil. The Renaissance in France began in a different way than in countries at peace. In France
there was a civil war between Catholics and Protestants. This civil anxiety lasted until 1594 when Henri IV converted

Theory Review Of Laura Mulvey's 'Visual Pleasure And...
Theory Review Laura Mulvey's article "Visual Pleasure and Narrative Cinema" was published in 1975, has set out the concept of visual pleasure
and explain it under a system looks in cinema. Her theory pointed out that men looked at women, men are the subjects of women, look at the object
position; (women ) accept their role of being looked at and creating visual pleasures for men as well as in the social reality. Laura Mulvey pointed out
that the main bias of cinema lies in the obsessive psychological and social assumption. Mulvey used Freud and Lacan's theory to explain: Hollywood
cinema set the audience in subject position/ masculinity, while women on screen is often the object of temptation. Women can be seen as "goddess" to
curiously and... Show more content on Helpwriting.net ...
Mulvey has assert that the being–pushed character on screens as well as the audience both possess "penis", so that they can impose subjective gaze
into the heroine who does not own the "penis" In fact, this can not apply in the case that the being–pushed characters are female and the audience are
also female. As Julia Lesage said in Modleski's The women who knew too much, "Although women's sexuality has been shaped under a dominant
patriarchal culture, clearly women do not respond to women in film" (6). However, we can accept Mulvey's argument by using the "castration" theory
of Freud: woman symbolized the lack of castration penis phobia on their body. In other words, all human beings may be seen as "men", in which
women are considered as "men" who have been castrated the

Liza Minnelli's Biloxi Show
An admittedly "nervous" Liza Minnelli returned to show business this week, after a year–long absence from the stage. Minnelli made her 2015 debut
to a sold–out audience in a Biloxi, Mississippi casino, where fans and performer alike were anxious to see what the evening would hold.
Minnelli teased fans with a vague description of what her Biloxi show entitled "Liza Minnelli in Concert with Billy Stritch" would offer.
"Well, I try and do the things that people like. Like 'New York, New York' and '
Cabaret'...But I also try to put in things that I know people there haven't
heard," she said in an interview with AL.com. "So, it's a big surprise, kids."
And please the audience she did. The show opened Friday with a 30 minute set by musician and Liza's long–time musical director, Billy Stritch. Upon
completion of his set, Liza took the stage. ... Show more content on Helpwriting.net ...
Minnelli's set list included a number of standards such as Liza with a Z, New York, New York, and Cabaret, all the while fans in the audience loudly
professing their admiration of the Emmy, Grammy, Oscar and Tony award
–winning performer, with random shouts of "We love you," and "You're the
best," according to a report in GulfLive.
In keeping with the intimate feel of the evening, fans called out song requests to Minnelli, an action seen more in a bar setting rather than the large
audience of the IP

Sex and the City Review Essay
Unlike many, many, many of you out there that completely HATED this movie, I on the other hand was appeased. Right now, I know you all (that
have seen the movie) probably think I'm nuts, but before you judge me, read my review and explanations.
For those who have not yet seen the movie and plan on it: DO NOT READ THIS!
Now, I think a huge reason why I didn't find this movie so horrible is because I went in with hugely low expectations based on the trailer, so the few
funny and likable parts of the film to me were a huge success. But yes, I do agree with many of those out there, it's still shameful compared to the
series, and even the last film. I don't even understand why they even bothered with a sequel, to me that's beating a dead ... Show more content on
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But that's what I have loved about Sex and the City, I couldn't wait to see what the next crazy outfit these girls would be thrown into.
Oh, a good example, Carrie's sunglasses, A–MAZING!
And I always find the general quipping between the girls pretty funny and kinda love the general cheesiness too, lol.
Now the bad:
The opulence and over indulgence of this film is ludicrous. I mean, did they not think that considering most people have been hit hard by the recession
(especially in the USA) that this over–the–top–ness is just plain tacky? And not chic nor glamorous?
Now the plot, I know there was one in there somewhere, just really tricky to spot, someone let me know when they have found it, please. Oh wait a
sec.....is it when they complain about the petty problems in their over–indulgent lives, and how they deal with it (the poor dears) the story line? Oh yes,
that's it....hmm, somehow I don't see how that spoke to many. So let's examine the so–called "plot":
1) Carrie is feeling humdrum about married life after two years, and meeting and kissing Aiden in Abu Dhabi to realize she is lucky to have a
husband that wants to spend time with her in their home. At least she told him right away this time, and Mr. Big's shrugging off the kiss after a day of
no talking seems unrealistic. Not to mention she now gives an idea that she will never be satisfied, I mean she spends the whole series chasing down

and getting this

John Kander Accomplishments
Music is a work of art and only the one understands the true importance of music can have a successful career in musical world. On March 18,
1927, a legend was born, in the city of Kansas. John Kander who is one of the many legends who realized the real value and significance of music
and devoted his life composing and creating musical masterpiece such as Chicago, Kiss of the Spider Woman and Cabaret. He was interested in the
world of music since his childhood but worked as a conductor and accompanying pianist in his early career. He later became an inspiration and a role
model to thousands of musician all over the globe.
Kander's music resonated strong raging romanticism as seen in stage musicals and theater. In 1962, the producer of 'A Family Affair' hired Kander
and Fred Ebb to open the show in Alvin theater which was not a hit but it solidified their bond. 'Cabaret' which opened on 20 ... Show more content on
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Both Kander and Ebb always complemented each other's raging romanticism and witty cynical work while they worked in the same room which
maintained a perfect balance in their music. Their unique style of musical hasalways been appreciated in music industry. In 2000, they were honored
with Oscar Hammerstein Award for Lifetime Achievement by the York Theater Company of New York City.
Music is a work of art filled with passion and emotion. John Kander did not let go of his love for music ever since his childhood and that passion
for the musical art and his dedication towards it is what led him to a successful career in music industry. Though he worked as a conductor and choral
director in his early days, it supported his passion for music. "For me the real fun is writing, and then, being in the rehearsal room." (John Kander).
Just the pure joy in playing the music and appreciating the beauty of the art is a major motivating factor for someone who is in the music industry and
wants to

Personal Narrative: My Bone Marrow Biopsy
We were blessed to hear some good news today, 1st that my bone marrow biopsy came back clear and 2nd that my ECHO was normal. We are so
thankful for God's grace! As I mentioned, today was also the consultation for the treatment plan. On Friday, I will be having surgery to have my port
implanted. It is a minor surgery but thankfully, done under anesthesia. After the procedure, I will be admitted and prepped for chemo which will
likely start Saturday morning. While in the hospital I will receive chemo each day, all day. During the 2 weeks that I am not in the hospital, I will
need to go for lab work twice weekly plus one day of immunotherapy for 6–8 hours. When I am in the hospital, I will also get 4–6 dozes of preventative
treatment in my spine

M-G-M: Ethel Gumm's Life Story
On June 10th, 1922, a beautiful summer day in Minnesota, I was born. Little did my parents know that I would become one of the most famous
musicians and actresses in history. I would make 35 films, record 22 albums, and win many awards. I also played Dorothy in the popular 1939 film,
The Wizard of Oz. I was married 5 times and had 3 children, and I am known for my lifelong battle with drugs and alcohol.
I was born on June 10th, 1922 in Grand Rapids, Minnesota, and was given the name Frances Ethel Gumm. I was named after both of my parents,
Francis and Ethel Gumm. I had 2 older sisters, Mary Jane and Virginia. I was immediately nicknamed "Baby" by myfamily. Since I shared my family's
interest in music, I started performing very early at the ... Show more content on Helpwriting.net ...
The film was released on September 29, 1954 and was very successful. However, the studio lost money because the film did not make back its cost.
I was nominated for an Academy Award for the film, but I could not attend the ceremony because I had just given birth to my son Joey. An entire
camera crew came to my hospital room preparing to film my acceptance speech because everybody thought I would win. However, the award was
won by Grace Kelly for The Country Girl, and the camera crew was gone before she even made it to the stage. Nobody even said anything to me,
they were just gone. The loss left me devastated. Many people believed that I should have won the award.
In 1962, the first episode of The Judy Garland Show aired. CBS offered me $24 million to make my show a weekly television series. I took the offer,
and the show was very successful. However, the show only lasted one season, which had a very bad effect on me financially.
My last film was titled I Could Go On Singing, in which I co–starred with Dirk Bogarde. I played the character of Jenny Bowman. Songs I performed
in this film include "Hello Bluebird" and "By Myself". The film was released on March 6, 1963, and was very

The two decade period beginning in the late 1940s and...
The two decade period beginning in the late 1940s and concluding in the late 1960s represented the height in popularity for the Hollywood musical.
With every major production proving to be box office gold, the level of critical approval was high establishing the Hollywood musical as a genre.
Born with the coming of sound, the Hollywood movie musical derived from two sources: opera and operetta, brought over by European emigres, and
the American tradition of vaudeville, the inspiration behind so many "backstage" musicals, the plots of which revolved around putting on a show. The
interesting alliance between dream and reality in the musical gave directors, designers, and cinematographers the most creative scope within the
commercial of... Show more content on Helpwriting.net ...
Warner Bros was seen as more economical and down to earth because they contrasted the lives of hard working chorus girls living in cheap apartments
with the lavish productions of shows choreographed by Busby Berkeley in which they appeared. Berkeley created the musical numbers purely in terms
of the one mobile camera, forming kaleidoscopic effects with high overhead shots from a mobile crane. What distinguished the films that burst forth
from MGM in the 1940s and 1950s, mostly under the producer Arthur Freed, was the integration of musical numbers into the film's narrative. In these
features– the best being directed by Charles Walters, George Sidney,Vincente Minnelli, Stanley Donen and Gene Kelly– song, dance, and music no
longer punctuated the plot but actually worked to advance it. In 1951, Vincente Minnelli triumphed withAn American in Paris, and it became
emblematic of the golden era of MGM musicals. An American in Paris traces the exploits of Jerry Mulligan (Gene Kelly), an aspiring American
painter living in Paris, who meets a wealthy heiress named Milo (Nina Foch). Impressed with his work, she offers to help arrange an exhibition for
him. Although he is filled with displeasure when he realizes that the aggressive Milo, who has more money than he does, is romantically attracted to
him, Jerry, nonetheless, agrees to accompany her to a jazz club. While entertaining his unwanted admirer

вЂњOur Relationships with Others Help Define Who We AreвЂќ...
"Our Relationships with others help define who we are" Dylan Mamo
"No relationship is ever a waste of your time. If it didn't bring you what you want, it taught you what you don't want". Primarily, the individuals in our
life shape and mould our personality to construct who we are known as in the most challenging situations of our existence. These situations symbolise
moments of sincerity and in some instances, demonstrate hatred and regret. This essay will highlight why relationships mould who we are, though, on
the other hand, this essay will also highlight how individuality outlines social experience. Furthermore, it will also express the similarities between
these two stances to illustrate 'who we are'.
Social Experience cannot ... Show more content on Helpwriting.net ...
Consider the character of Carl in the film "Yes Man". Carl joins a unique group who are committed in saying the word 'yes' to every situation.
This, in essence, forms his new personality and by this he forms a greater sense of exploration. "The world's a playground. You know that when
you are a kid, but somewhere along the way everyone forgets it". In addition to this, by gaining a sense of individuality we venture away from the
notions of normality and apprehend a further extravagant social experience. This is manifested in the novel 'Bombshells', as Zoe indicates a greater
sense of individuality then most characters in the novel, and by her own venturing of various experiences, she has developed a greater exploration of
life. "I'm really trГЁs chГЁre; I'm a dame with charisma to spare". So, in conclusion, we define who we are by our own sense of individuality and
exploration.
Through the social connections of individuality and affiliation, we become who we are known as. Primarily, we start life with the influence of our
elders. By the time we reach puberty, social awareness comes into play, and our own sense of originality takes flight with what we hear, see and touch
and this, in turn, forms our connection with society. In sequence with this, our affiliation with friends and family form the backdrop of our existence,
while our originality as an individual configures our personality. "Relationships

A Short Story : A Story?
As the warm, pre–dawn breeze promised another sweltering summer's day, Lisa Goddard shivered with dread. She stood at the hangar's side
entrance, her eyes clenched shut, drawing in a deep breathes through her nose, and bolstering her courage to continue. But suddenly, a rustling sound
to her right caught her attention. She strained to look, peering into the gloom. There was nothing there. Only a paper bag. At once, aware her
anxiety was playing tricks on her mind, she shook her head, reached for her keys and unlocked the door. As it eased open, the overhead lighting
poured over her, blinding her senses with an intense white glare like the midday sun. With both hands, she shielded her eyes until her vision adjusted.
The hangar looked empty. The realisation brought a deep sigh of relief, and she started her march towards the waiting ship. "Hey, Lisa. You're up
early today." The call from behind was unexpected, and stopped her in her tracks. Frowning at the intrusion, she searched for an excuse. But then she
smiled. Her arrival before the break of dawn wasn't uncommon, and the remark was more of curiosity than confrontation, so she turned around and
grinned at the large figure in the oil–smeared blue overalls. "Sorry, Harold. Thought the hangar was deserted, or I would have checked in first." "No
bother. I was off to get a coffee. You want one?" As he smiled, his plump, rosy cheeks pushed outwards, and his thin, wiry beard jutted forwards from
his dimpled chin. "I'm OK,

Analysis Of Bob Fosse
Fosse won eight Tony Awards on Broadway for Choreography (The Pajama Game, Damn Yankees, Redhead, Little Me, Sweet Charity, Pippin,
Dancin', Big Deal), and another one for stage direction (Pippin); he won an Oscar for his direction of the film version of Cabaret, and received three
other Academy Award nominations (Lenny, two for All That Jazz). In the original 1975 Broadway production, Chita Rivera played Velma, and
Bob
Fosse's wife, and Broadway queen– Gwen Verdon, played Roxie. This original cast encompassed the essence of what the show is about in all its
uniqueness. In the 1996 revival, the cast is described as "blazing its own trail" (A History Of Chicago). Ann Reinking, who plays Roxie (and is
choreographer of the revival show) added comedic brilliance , and and Bebe Neurwirth,played a "perfect" Velma. Then, in 2002, the film, won the
Academy award for best picture. the cast included; Renee Zellwegger as Roxie and Catherine Zeta Jones as Velma.... Show more content on
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It illustrated through jazz and new age rhythms, laced with Fosse's choreography, which was described as 'visionary'. He interlaced sex with
expressionism into movement, which is now known as his signature style. He truly portrayed the overall feeling of the 1920s, with his own
contemporary flare, this resulted in an original show, like nothing that had been done before. Jack Kroll describes Chicago as "Fosse's best work,
uncompromising and with real strength showing in every idea and image" (A History of

Gentlemen Prefer Blondes Comparative Essay
The musical film Gentlemen Prefer Blondes, which is best known for the infamous show tune Diamonds are a Girl's Best Friend, was filmed in
1953 and stars Marilyn Monroe as Lorelei Lee and Jane Russell as Dorothy Shaw . Lorelei and Dorothy are a couple of attractive ladies and best
friends, who perform in a cabaret show. Lorelei is a diamond hungry, gold digger who uses her looks and sexuality to get what she wants from a man
and she has set her sights on the wealthy but naГЇve Gus Esmond played by Tommy Noonan. Her best gal pal Dorothy is a sassy, clever beauty who
thinks Lorelei is crazy to be so focused on a man's money and could care less whether a man has a dime to his name just as long as he is a stud. After
Esmond purposes to Lorelei... Show more content on Helpwriting.net ...
Both films are musicals about cabaret dancers except Gentlemen Prefer Blondes stars two leading ladies whereas Cabaret only has one leading
lady. Another similarity between the two films is the gold digger aspect, Lorelei being the gold digger in Gentlemen Prefer Blondes are only
interested in materialistic things which is very similar to Sally's interest in a wealthy man except Sally is also interested in what a wealthy man can
do for her acting career. A few of the differences in the two films were that they are filmed during different era's and so being that Gentlemen Prefer
Blondes was filmed in the early fifties, it is much more conservative and even though Cabaret is set in the thirties the film was actually filmed in the
early seventies when it was popular to really push the envelope and so this films plot is much more risquГ©. Another difference with these two
films is that in Cabaret the plot is more dramatic really focusing on the rise of Nazism and the topic of sexual preference by having the three main
characters becoming involved in a love triangle. Gentlemen Prefer Blondes was more of a carefree comedy with not a lot of the plot. Overall I would
have to say that the plot for Cabaret had more substance, therefor keeping me more interested than Gentlemen Prefer Blondes

Judy Garland Research Paper
When people think of classical movies they think of Judy Garland is a name that will pop up for them. Judy Garland was one of the most talented
performs. Throughout her life she made many songs and films. Judy Garland was a singer and actress who will be remembered for her illurios
career, she had a rough life which led her to the end of her career and mainly her life. Garland was born in Grand Rapids, Minnesota in 1922 but her
name wasn't really Judy
Garland, her birth name was Frances Ethel Gumm. She has 2 older sisters name Susie and Jimmie and they begame performing with her. Garland had
nicknames from her acting and singing career when she was young. One nickname was Baby Gumm, another one was Miss Show Business, and the last
... Show more content on Helpwriting.net ...
Mayer leading of the MGM after hearing her singing. When Garland was 37 years she was in near death because of alcohol and pills. Her career
was flatining. She was laying in bed near death in New's Doctors Hospital. From taking pills and alcohol she weighted like 100 pounds. Then she
weighed 180 pounds because she was swollen with fluid and her liver nearly compromised. Her eyes were glazed and her memory failing. The doctor
told her friend that she wasn't going to make it but she has 20 quarts fluid drained from her
Treis 3 body. Her physician told her she will never be able to work ever again (Kaplano). When
Garland got divorced a little after that she broke down. That's when the MGM dropped her contract because of her emotional and physical difficulties.
Garland soon started to take medication to help her sleep but that didn't work so she started to take something else. Garland went to
London in 1969 she had financial problems by this time so she started making some performances at London's Talk of the Town nightclub. She wasn't
that good on stage anymore. She overdosed from pills and alcohol. Her legacy has been carried from her daughters Liza and Lorna as both
Singers (A&E Television

IMC Campaign Objectives And Goals Of Snickers
"Snickers" is a brand name chocolate bar released in 1930, by the founder of Mars, Inc. – Frank Mars, and named after one of his favorite horses. The
chocolate bar's association with a race horse and its high calorie count have prompted Snickers to be identified with sports and providing energy
(Shenron). In fact, the brand's main slogan: "Snickers satisfies" aims to promote that the brand's prime goal is to take care of the customers' hunger,
so that they can "handle the things in life that aren't related to hunger at all" (Snickers). Snickers has become one of the most popular chocolate bars,
however, even though it has always been America's beloved brand, it deviated from its success over time. Changes in communications caused the brand
to become more of a niche market, and intense competition resulted in a significant decline of market share, household penetration, and relevance
(Cannes Lions). IMC Campaign Objectives and Goals IMC or Integrated Marketing Communications is a "concept that recognizes the added value of a
plan that evaluates the strategic roles of various communication disciplines, and combines these disciplines to provide clarity, consistency, and
maximum communication impact". In other words, the goal of IMC is to ensure that all of the messages sent via the different channels have a common
look or feel (Textbook).... Show more content on Helpwriting.net ...
Snickers intends to attract customers by using their needs, specifically – the need for food. By stating the bar's ability to handle hunger, the brand aims
to captivate consumers, since hunger is one of the most relatable topics. Moreover, Snickers is also attempting to get consumers to identify with the
"universal truth" that you feel like a different person when you're hungry. Additionally, by using the powerful word "satisfies" in its main slogan,
Snickers aspires to gain the consumers' trust and confidence in the brand's ability to satisfy their

Stan Gault: A Brief Analysis
News of former first lady Nancy Reagan's death Sunday spurred fond memories from a couple of Wayne County residents who met her. Stan Gault,
who worked with Ronald Reagan at GE long before Reagan became involved in politics, recalled a time when Nancy Reagan called him with
something important. This was before she became first lady. Gault was working out of GE's headquarters in Connecticut, when his secretary
informed him Mrs. Reagan was on the phone, and it was important she talk to him. "Hello, Nancy, what's up," Gault said. She informed him her dryer
wasn't working. "Have you called for service," he asked, to which Nancy Reagan replied, "Yes; he is here." Gault talked with the service technician,
who outlined the problem. "I asked him,... Show more content on Helpwriting.net ...
Marvin Hamlisch served as the master of ceremonies, and the performers for the event were Vic Damone, Liza Minnelli and Bobby Short. The
couple had the opportunity to reconnect with President and Mrs. Reagan. "She was very bright and very protective of the president," Gault said.
Being protective of her husband "turned out to be very fortunate. They had a great marriage, 52 years." Timothy LaBouf of Rittman was living in
Ventura, Calif., when he read Nancy Reagan would be signing copies of her book, "I Love You, Ronnie: The Letters of Ronald Reagan to Nancy
Reagan" at the Ronald Reagan Presidential Library, Simi Valley, Calif. "I thought it would be a wonderful opportunity, a once
–in–a–lifetime
opportunity, for my daughter, Hannah, to meet her," Timothy LaBouf said. When the day came, there was a long line of people waiting to get in to
see the former first lady. Timothy LaBouf said he was disappointed to hear no photographic equipment would be allowed into the area where Nancy
Reagan was signing books. As the father and daughter drew near, Timothy LaBouf said it appeared there would be no time to talk with Nancy
Reagan. Secret Service agents would usher people up, the books were signed, and they were led

Warhol And The Pop Art Movement
Andy Warhol being not simply a Pop artist, but an American artist who was known as the master of Pop Art, and about two of Warhol's most famous
paintings; Coca–Cola and Campbell's Soup Cans. Andy Warhol was an artist and filmmaker, an initiator for the Pop Art movement in the 1960s.
Warhol used mass production techniques to elevate art into the supposed unoriginality of the commercial culture of the United States. Warhol's early
drawings frequently recalls the Anglo–Saxon tradition of nonsense humor, a characteristically childlike exuberance, and the fact that Warhol was
successfully earning a living in the advertising industry at the time was sufficient for many to dismiss his entire artistic output during this period as
"commercial art". Fifty years ago, Pop art captured the spirit of Warhol's young art, but that basic structure has been (to most people) a revealing
profitless movement for years. Pop art was a 1960s movement that focused on everyday objects, comic books and mediated images – now seems quaint
and playful, but not Warhol. In the first part ofAndy Warhol's career he was an iconoclast, in the second, the artist as businessman. In 1960 Warhol's
graphic works underwent a fundamental change in terms of subject matter, accompanied at about the same time by a change in technique. Warhol's
graphic work covers areas not normally associated with the art of the twentieth century, and which might even be considered unique. In Andy Warhol's
paintings and prints of

Character Analysis Of Vincente Minnelli's 'Father Of The...
That Vincente Minnelli made a comedy about the artificial nature of weddings is hardly surprising. In fact, it's a hilariously obvious choice for
Minnelli, a director who made a career out of blending emotions with spectacle and creating characters who strive for beauty. At its core, Father of the
Bride is a comedy; that means the number one goal is to make the audience laugh. Of course, it has all the Minnelli traits you'd expect: beautiful sets,
precise compositions, fluid camera movement, and a focus on character emotion that permeates the frame. But this is all in service of the comedy, and
the comedy completely aligns with Minnelli's sensibilities. In Stanley T. Banks, Minnelli creates a character who initially believed weddings were all
about love. But he quickly learns, much to his chagrin, that they're really just a source of endless chaos and bills. As the film progresses, the
preparations become more chaotic and expensive and Stanley becomes increasingly befuddled and lost. It's hysterical. In Minnelli's musicals and
melodramas, a wedding might be a momentous occasion, full of grandeur and emotion. Here, though, it's a total pain–in–the–ass. Stanley gets so lost in
the proceedings that he can't ever take a step back and think about his daughter's next chapter. A comedy about a beautiful spectacle consuming a
father's life? Now that sounds like Minnelli.
Father of the Bride opens with a track and pan over a catastrophic (and beautifully designed) mess. It's

Analysis Of Michael Patrick King 's ' The City Franchise '
Second edition of Sex in the City franchise by director Michael Patrick King, the girls are settling into their 40's or in Samantha's case her 50's.
Each gal is still looking fabulous but needing a break from the doldrums of daily life, they are invited to Abu Dhabi to experience the newest hotel in
hopes that Samantha's PR firm will endorse it. The bulk of the movie follows the ladies on their awkward vacation in the rigid Middle East and the life
lessons learned there. Sex in the City 2 misses the mark in its latest attempt at the box office by choosing the location of Abu Dhabi of the United Arab
Emirates, scripting a lazy floundering plot line and a movie length that could have been trimmed by more than a few minutes. The first and greatest
downfall of this movie is simply the location. Sending the fully liberated girls to Abu Dhabi is just a stupid mistake for two reasons. First, it's
2010 and America is at war in Afghanistan and Iraq, and so why the writers chose another Muslim country to send their main characters to on a
vacation is beyond me. In a time when we have so many of our brothers and sisters fighting in wars in the Middle East, to glorify Abu Dhabi as a
vacation location can be considered by many as offensive. Second, if the creators were looking for exotic locations, there are many other places to
be found? Paris may not be exotic but it is fashionable and far enough away to be exotic to Holly Housewife who is shelling out the eight dollars to see

Comparison Of Minnelli And Jacques Demy's Les Demoiselles...
Jacques Demy's Les Demoiselles de Rochefort is a whirlwind of color, light, joy, design, and music. It's a visual tour–de–force, a treat for the eyes. It's
also similar, in many respects, to the work of Vincente Minnelli. Minnelli, especially with his musicals, carefully designed every little detail. For him,
the mise–en–scene was paramount, so much so that character development would be expressed through the scenery. For example, Gene Kelly
literally brings color wherever he goes in American in Paris. In Minnelli's world, the worst thing a character can do is bring ugliness. Beauty was
key. But that's not to say that Minnelli's films were light and fluffy. Even his airier films, like The Pirate, had tonal complexity. Demy's musical
world is also highly stylized and designed. Everything looks extremely artificial and character joy matches their outfits. But it's not completely the
same to Minnelli's world. For one, this musical is very happy. Cares and worries are taken away through musical numbers. Characters have a formal
idea of the perfect man or woman. But Demy still manages to achieve tonal complexity, just in a slightly weirder way. Compare Rochefort to
American in Paris. Both films are stunningly beautiful. American in Paris' plot is very light, allowing the relationship between Gene Kelly and Leslie
Caron to be explored. The plot's also kept light to make room for the extended "ballet" sequence at the end. However, compared to Rochefort, the plot
of American in

Comparison Between Hubert De Givenchy And Audrey Hepburn
Prior muses regularly held a more noteworthy impact over outline motivations while today's muses appear to have a greater amount of an impact on
promotion battles, scents and embellishments. Hubert De Givenchy and Audrey Hepburn are apparently a standout amongst the most persuasive
combines in the historical backdrop of the mold muse. Hepburn chose noteworthy pieces from Givenchy's accumulations and breathed life into them
for featuring parts in such notable movies as "Amusing Face" (1957), "Sabrina" (1954) and obviously "Breakfast at Tiffany's" (1961). Audrey trusted
Givenchy's plans gave her acting included profundity and material while Givenchy wondered about the life and vitality the on–screen character gave
his outlines on... Show more content on Helpwriting.net ...
One commentator called him "kissed by the rages." Yet Millicent restrained him with her inimitable way; alleviating, requesting but then
complimenting. She generally got what she requested, and their relationship was viewed as a standout amongst the most well–known and productive
designer customer joint efforts in American form history. His initially plan for her was a robe, a "dishabille" of white and rose organdy trimmed with
trim and bread shaded strips when she was hospitalized with an episode of her repeating heart infirmity. Intuitively he comprehended style and delicacy
as a tonic for her assurance. He made more than 45 unique outlines for Millicent, and her money related support was basic to his business achievement
in the late

Cabaret Movie Analysis
Throughout the history of the world, societies have always tried to imagine a utopian way of life and/or society. But in other cases, the use of raunchy
apparel and countless bottles of alcohol are used to deny the idea of an uprising of a totalitaristic government. This is a brief summary of the
two–hours and four minutes of the musical drama Cabaret, directed by Bob Fosse.
Cabaret was pulled from the pages of The Berlin Stories by Christopher Isherwood and later on adapted into a twelve Tony award winning
Broadway musical in 1966. Later on, after Cabaret became dormant in public eye, Bob Fosse adopted the musical and decided to put in on the big
screens in 1972. Fosse made no mistake of recruiting large names for his movie, such as Liza Minnelli, Michael York and Joel Gray. The Screenplay of
Cabaret would continue on to win eight academy awards, resulting in an almost near sweep of the 1973 oscars, and be named three–hundred and
sixty–seven on Empire's list of greatest five–hundred movies of all time.
Liza Minnelli received the most recognition for her portrayal of socially conflicted Sally Bowles. Minnelli had been lesser known before her role
in Cabaret. Before Cabaret, Minnelli had a few small roles, and had mainly been performing on stage in front of live audiences. She was known for
being the daughter of Judy Garland, the original Dorothy from The Wizard of Oz. Minelli, before hitting the big screen, received the Tony Award for
Best Actress in a Musical for

Loie Fuller's Influence On American Dance
1.INTRODUCTION
"Dance first. Think Later. It's the natural Order"
–Samuel Beckett.
With the onset of 20th century was the beginning of the modern dance. It was born in America due to a reason of an agitation against the two forms
of dance which has been prevailing for a long time, vaudeville and ballet. Loie Fuller, Isadora Duncan, Ruth St. Denis and Ted Shawn were the
forerunners of modern dance in America. Each had a different way of being unique and representing the art form of modern dance in his or her own
way. Where Loie Fuller began experimenting with effects of gas lighting on silk costumes, Isadora Duncan discarded the slippers and adapted a new
kind of dress form more of which will be discussed later and so on.
During the 1920s, ... Show more content on Helpwriting.net ...
For such great compositions, she was awarded a few accolades as stated below.
1957 – Elected as a fellow of the American Academy of Arts and Sciences
1976 – Awarded as the Presidential Medal of Freedom by President Gerald Ford
1987 – Was inducted into the National Museum of Dance's Mr. & Mrs. Cornelius Vanderbilt Whitney Hall of Fame [Cross, Mary (ed). One Hundred
People who Changed 20th–century America. p. 156.]
1998 – Named as 'Dancer of the Century' by Time Magazine.
3.7 Legacy
Martha Graham surely is correctly called as 'Mother of Modern Dance' because of her outstanding and most illustrious career. She has influenced a
layman to a politician with a weapon of dance. She has taken the art – form dance to another level. The amount of work she has done, all of which can't
be mentioned here, she has left enough legacy to support and inspire others and to allow them to have an idea of evolution which she began with. She
lets people interpret and communicate what she is trying to craft from her dance and

Technicolor Monologue
Tra and la! I am smiling a big adopted–orphan smile as I write this. I am embarrassed at how happy I am, like some Technicolor comic of a teenage
girl talking on the phone with my hair in a ponytail, the bubble above my head saying: I met a boy! But I did. This is a technical, empirical truth. I
met a boy, a great, gorgeous dude, a funny, cool–ass guy. Let me set the scene, because it deserves setting for posterity (no, please, I'm not that far
gone, posterity! feh). But still. It's not New Year's, but still very much the new year. It's winter: early dark, freezing cold. Carmen, a newish friend–
semi–friend, barely friend, the kind of friend you can't cancel on – has talked me into going out to Brooklyn, to one of her writers' parties. Now,... Show
more content on Helpwriting.net ...
I have lost Carmen to her host–beau – they are having an intense discussion in a corner of the kitchen, the two of them hunching their shoulders, their
faces toward each other, the shape of a heart. Good. I think about eating to give myself something to do besides standing in the center of the room,
smiling like the new kid in the lunchroom. But almost everything is gone. Some potato–chip shards sit in the bottom of a giant Tupperware bowl. A
supermarket deli tray full of hoary carrots and gnarled celery and a semeny dip sits untouched on a coffee table, cigarettes littered throughout like
bonus vegetable sticks. I am doing my thing, my impulse thing: What if I leap from the theater balcony right now? What if I tongue the homeless
man across from me on the subway? What if I sit down on the floor of this party by myself and eat everything on that deli tray, including the
cigarettes? 'Please don't eat anything in that area,' he says. It is him (bum bum BUMMM!), but I don't yet know it's him (bum–bum–bummm). I know
it's a guy who will talk to me, he wears his cockiness like an ironic T–shirt, but it fits him better. He is the kind of guy

Sally Cabaret Essay
Cabaret starts off with the main character Sally Bowles, who is a burlesque dancer who works at Kit Kat Klub. Sally Bowles' character is based off on
the same Sally Bowlers in "Goodbye to Berlin". I believe the interpretation of Sally Bowles is similar to the book, but I conceived her character is too
overly–sexual in the movie, compared to the book. I think that Sally is over–sexualized in the movie, because she is seen a lot of time in skimpy
clothes. Sally Bowles meets an Oxford student name Brian Roberts, whom she brings to the lodges. I believe that Brian Roberts is derived to the
author, Christopher Isherwood himself. Both Brian and Christopher in the movie and in the novel, both fall in love with Sally for similar reasons.
Brian learns... Show more content on Helpwriting.net ...
Fritz expresses that he wants to get together with Natalia, but when he gets together with Natalia, he doesn't feel any emotion when being with
her. However, Natalia asks Sally to come over to her house and talks about how she likes Fritz, but she don't know how to show him that she loves
him, and doesn't know if she wants to get married either. Fritz also has the same problem, and doesn't know how to show how he loves Natalia,
just like in the book. Natalia explains that she cannot marry Fritz because of their religion. Brian and Sally both admit that they made out with Max.
Max decides to escape to Argentina and writes a letter and apologizes for what he had done. He also gives them some money that they can spend.
Sally finds out that she is pregnant but she doesn't know who the father is. Brian told her not to worry, because he would take care of the baby. Fritz
comes the next day and tells Brian what happened between him and Natalia. Sally decides to have an abortion without telling Brian because she is
worried about what will happen. Both in the book and the movie shows how impulsive she is and she doesn't use her thoughts

Dean Martin Was a Very Inspirational Person
Introduction
Dean Martin was a very inspirational person. If something was wrong he would find a way to fix it and succeed. Dean was one of the most popular
entertainers of all time. He was famous for his comedy but mostly his success in singing. He was very famous in the rat pack.
Childhood
Dean Martin was born June 7, 1917 in Steubenville, Ohio. When he was born his birth name was Dino Paul Crocetti. Dean was born to an Italian
father, Gaetano, and an Italian–American mother, Angela Crocetti. Dean's father was an Italian from Montesilvano, in Abruzzo. His affectionate
grandparents origins are believed to also be from Abruzzo even if it is not clearly known. When Dean was growing up he did have an older brother
named Bill. Dean did only speak Italian until he started school. Dean attended Grant Elementary School in Steubenville, Ohio. Dean was ridiculed
for his broken English and did not speak any English at all until he was five. He spoke an old Abruzzi Italian dialect. When Dean was sixteen years
old he dropped out of high school in 10th grade because he thought he was smarter than his teachers.
Dean then delivered stolen liquor, served as a underground illegal dealer, was a blackjack dealer, worked in a steel mill, and boxed as a welterweight
(a weight class in boxing.) When Dean was fifteen he became a boxer. He billed himself as "Kid Crochet". During his boxing days, he received a
broken nose which was straightened in the future. He also received a scarred lip,

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