The Post War Period Of Italy

The Post War Period Of Italy
The post war period in Italy represents a time of cultural, economic and political instability, as the nation tried to re–create the social bonds broken by
the war and attempted to understand, and take advantage of, the effects of mass industrialisation and urbanisation thanks to the 'economic miracle'. It
was during this time from 1945 to 1960, with the people increasingly disenchanted with the ability of the camera to truly portray the turmoil of recent
history, that a new form of popular, neorealist cinema emerged to reflect social reality and "expand the viewer's moral, cultural and geographic
perspectives". This instability and new cinematographic outlook was the backdrop for two pertinent Italian films: Rossellini's Roma CittГ Aperta, an
authentic depiction of the daily lives of Italians in Nazi occupied Rome, and Visconti's Rocco e i Suoi Fratelli, the journey of one Southern Italian
family as they migrate to the North during the economic boom in search of prosperity. For both of these films, the ideas of resistance and struggle are
two closely linked themes which play an integral part in the portrayal of this period of Italian history. In order to gain a more insightful understanding
of how each of these are conveyed in Roma CittГ Aperta and Rocco e i Suoi Fratelli, it is beneficial to analyse these films with reference to two
sub–themes: resistance to oppression and economic struggle. This approach will make evident the comparisons between the two
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What Is The Similarities Between Notorious And North By...
Every good movie has a way of being remembered by. Both movies, Notorious and North by Northwest, entertain the idea of spies. With the films
taking place nearly thirteen years apart, the secretive atmosphere in Notorious is altered to have a more thriller–like feel in North by Northwest. North
by Northwest creates a world of confusion and disorientation. Devlin has an air of cleverness, while Thornhill in North by Northwest is lost and
confused. Similar to the women counterparts, Alicia and Eve, the lack of knowledge of the situations remains the same. The carefully and strategically
placed lighting from the ending scene in Notorious to the airport scene in North by Northwest depict the effect they give off to the audience. Similar to
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Each play an important factor in the story–telling. Both movies hold an important conference scene in the beginning. In Notorious the group of
detectives hold a meeting to discuss the Nazis. The camera starts off with a medium shot with a slightly high angle focusing on the main man and
slowly panning out so the audience can see who he is talking with. Once all the characters are on screen we get a full shot, being able to look at
their conversation and body language. We then are sent back to see the whole room. The room is very closed off and tight with symmetrical objects
framing both sides of the room. Then we are pulled back to the end of the table. This long shot with a slight high angle lets us see what Hitchcock's
view on the whole conversation is. Similar in North by Northwest, the 'script–writers' of the movie hold a meeting as well. The scene starts off in the
same way with the camera's focus on the head of the table, panning out to the whole table. In this high key lighted scene we are met with numerous
over–the–shoulder shots, as well as close–ups and medium/two shots. Once the camera pans and shows the whole table, we see two symmetrical
lamps lining the back equally once again. The scene comes to a close when a high angle, almost nearly a birds eye view shot over the characters.
With Hitchcock being the director, he is given the last say in the script making process and this is his way of

Charlie Chaplin The Gold Rush Analysis
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Charlie Chaplin The Gold Rush , is a silent comedic film about going after the American dream and the hardships one must endure while trying to
survive against all odds. As usual Chaplin plays his famous character , the tramp , a dim–witted under dog. He is a lone prospector who falls in love
with a dance hall girl. Chaplin effectively used mise–en–scene for cinematic communication in server scenes in this film. In this film, viewers see
hardship through the perspective of disillusion and starved gold hunters that travel to Alaska in search of riches . Chaplin's effectively uses
mise–en–scene with using the right mixture actors/actresses, background sets, costumes, camera angles, and editing styles.
When the lights fade at the theatre , the title of the film shows up on the screen. The font uses bold characters which are outlined or shadowed to
create a 3–d effect. This can be compared how Chaplin's character lived in his whole world that was sometimes fantasy. Editing techniques such as
credits texts fading in and out , and the color and umbre of text were constantly being used in this film. Creating smaller film dimesions then the screen
it been shown on and filling it with black background made the credits test stand out . Using an establishing shot Chaplin delivered his prologue of an
iris–in

The Military During World War One
James Frances Ryan is a private of the military during World War One. After his mother has receive condolences letters stating that three of her
four sons have been killed in combat, there is an urgent need to save private Ryan and bring him home. Throughout this entire film, I felt a sense
of pride and uneasiness. I felt pride because of the fact that our country took into consideration the way that this mother has to feel after losing
three of her four children and the need to save her last child so that he can return home to comfort her. I felt a sense of uneasiness because I knew
that despite the fact that they were doing this out of the good in their hearts, it wouldn't be an easy task to complete because lives would be lost
since they are still at war. Not only to they have to fight for their lives but also try to find another person who they've never met and get him back
safely. There are 3 specific scene throughout this film that I believe are crucial to the understanding and the emotions I felt while watching it. The
opening scene of this film definitely sets the tone for what is about to happen throughout this entire movie. While they are on the ship approaching
the shore of Omaha Beach you can sense the tension and fear of the soldiers. They are shaking, throwing up, saying prayers all before they have to
unload the ship and begin the war. The shots of this scene are very close up. They rarely show long shots of the entire group of soldiers, they had
close up

Film Analysis Of Mommy And Ida
Xavier Dolan's Mommy (2014) and Pawel Pawlikowski's Ida (2013) epitomize visual masterpieces. Mommy won the Jury Prize at the Cannes Film
Festival and competed as a nomination for the Palme d'Or; Ida won the Academy Award for Best Foreign Language Film. In relation to the synopsis,
the films are dichotomous, the former depicts the relationship between a single mother and her teenage son; the latter follows a young nun and the
legacy of the Holocaust in post–World War II Poland. Also, in terms of color and visual style the films diverge, Mommy utilizes bright colors and
multiple closeups, whereas and Ida is in black–and–white and uses a multitude of cinematographic techniques. Both films represent divergent styles,
but contain myriad elements for a visual analysis. Mommy is ultimately about an intense mother/son relationship. At the beginning of the film, Diane
DesprГ©s picks up her son Steve from a juvenile detention facility, from which he had been expelled. Steve's impulsive and violent behavior led to his
temporary incarceration. Throughout the 2 hour and 19 minute run time, Diane and Steve attempt to rebuild their fraught relationship, with the major
barrier being Steve's behavior and Diane's inability to provide him assistance. The introduction of the DesprГ©s neighbor, Kyla, attempts to heal the
relationship; however, the film concludes in an act of impulsively suicidal desperation. Pawlikowski's Ida takes place in Poland in the 1960s, with the
effects of the

Cannibal Holocaust: One of the Greatest Cinematography...
Ruggero Deodato's 1980 Cannibal Holocaust is arguably the most controversial film to date. The film's plot consists of two distinct stories that are
continually presented differently than their actual timeline; however, directly influence each other. The movie follows the demise of four ruthless
documentary filmmakers: Alan Yates, Faye Daniels, Jack Anders and Mark Tomaso, as they adventure into the Amazon Rainforest in order to capture
footage of primitive cannibal tribes. As the audience finds out in the beginning of the film, the documentarians have yet to return, prompting the second
and present timeline of the movie, the story of New York University anthropologist, Dr. Harold Monroe. Dr. Monroe leads a rescue party into the
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Both Cannibal Holocaust's set and setting are in the Amazon to depict a sense of realism; however, the set was not actually inhabited by cannibalistic
tribes. The film has a continuous theme in which it attempts to present itself as a real experience, for example, the entire 16mm footage uses natural
lighting. The four cinema veritГ© filmmakers have specific responsibilities during their journeys. Alan's role as the director is to narrate the situation
for the camera. Naturally, having that job, Alan has the most amount of time pictured in the film of the four. Faye's role was the least conducive to the
group; she in charge of scripting and both her and Alan were romantically involved. Jack and Mark, the final two members were the cameramen, using
16mm cameras, they usually filmed together simultaneously, in different perspectives allowing the sequence to be viewed from different distances,
angles and depth of fields. Alan, being in charge of the operation, was a negative influence on his entire team as he constantly encouraged them to act
savagely. Along with Alan, Jack and Mark repeatedly commit immoral acts when opportunities permit. In watching the sequences of the plot, the
properties of mise–en–scГЁne are disturbing, but when in conjunction with the cinematography, show the progression of the

A Medium Close Up Shot
With an increasing in life expectancy from the medication comes the increase in quality of life according to the documentary. In a medium close up
shot the documentary introduces a Bwalya Margaret Liteta an 11–year–old girl living with HIV/AIDS. She speaks about how she loves school but is
unable to attend and or see her friends due to her illness. This is done to show how HIV/AIDS also affects the lives child and without an education
this little girl will be stuck in the cycle of poverty. Bwalya is later interviewed post ARV looking health and playing with her friends. This shows
the audience that with ART the quality of life for this little girl has improved for she is able to play with her friends and get an education. They
also interview Concillia Muhau who speaks on her state before and after ART, "The way I was feeling in May, it was like I was already dead...there
was nothing that I could do for myself. I could not feed myself properly, I wasn't able to do anything for my daughter" (The Lazarus Effect 2010,
14:11). While speaking on her state pre–treatment the documentary used cutaway shot of someone sitting next to her handing her her purse. This was
done to show the reality of what she was saying. Live with HIV/AIDS and not on medication Concillia was unable to take care of her daughter let
alone herself and therefore had reply on others. But post ARV everything changed. "...And after I started my medication, it was like I was being
resurrected from the bed I was

The Lives of Others Essay
Florian Henckel von Donnersmarck's film The Lives of Other's (2005) is set in East Berlin during the socialist reign from November 1984, up until
the fall of the Berlin wall in 1989. The political context plays a significance role not only in the film's subject matter but also in its cinematography,
which exploits the voyeuristic tendencies of the audience, reflecting the surveillance of the Stasi Secret Police officers. The film follows a loyal
socialist and playwright, Georg Dreyman who becomes subject (along with actor girlfriend Christa–Maria Sieland) to extensive Stasi surveillance due
to his association with subversive artists such as Paul Hauser and Albert Jerska. Hauptman Gerd Weisler is the accomplished Stasi officer assigned to...
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Similarly, Sieland stares into the bathroom mirror after a shower and taking her medication following her sexual encounter with Culture Minister
Hempf as she attempts to uncover and justify her own life. Weisler has a very similar experience as he washes his face in front of the mirror
before his experience with a prostitute. After Sieland's initial allegations, Grubitz probes Weisler "Are you still on the right side?" This is
accompanied by a mid shot followed by a swish pan to a close up Weisler in profile. Within the swish pan, the audience can briefly see the reflection
of Grubitz in the mirror, although this registers as a blurry, ominous figure, which in turn creates a sense of the conversation being overlooked. The
close up of Weisler's face reveals an expression of nervousness and panic, whilst we hear off–screen Grubitz say "don't screw it up again." adding to
this sense of omniscience. Supplementary to this, Grubitz becomes even more suspicious when he learns Weisler has left the interrogation swiftly,
"Call Weisler for me! – Col. Weisler has left

The Evolution of Film Essay example
In the early times of narrative cinema there was litter pressure on the filmmakers for the evolution of film forms before nickelodeons (Salt, 31) as
cinema had not become a mass cultural product and film was still just a novelty expected to die out like rock n roll. And so the demand was low and
so the supply could remain unoriginal. Mary Jane's Mishap was made in 1903 when 'multi–scene films were becoming popular' (Salt, 32). Mary Jane's
Mishap is notable for its use of experimental and inventive shot transitions. It used a vertical wipe to instead of 'separate successive scenes' (Salt, 32)
(as it cuts to a shot width a wider frame of the same locale) but to change the zoom level. This frame is essentially an insert and borderline... Show more
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In big bold letter 'PARRAFIN' the flammable oil. Without this shot the viewer would be perplexed as to why she exploded and allows the narrative to
flow as it could be water or any other fluid for all they know as cleverly Smith used this mise–en–scene to explain the narrative instead of an intertitle
before the explosion which would have removed all suspense, tension and mystery especially after she moved to the cameras to show her gesturing a
bright idea. Though this close–up could also be argued by Gunning of being of the cinema of attractions as 'For a time [in cinema] close–ups were only
used as an attraction to see an images but larger than life but 'inciting visual curiosity' (Gunning, pg 58) rather being evolutionary towards narrative
cinema. The close–ups heighten the 'only [tool they] they have at their disposal, a language of gestures' (Burch, 224) musser idea
Mary Jane's Mishap combined the cinema of attraction trick film with the viewers want for narrative. 'The decline in their [trick films] commercial
importance was already evident by 1906' (Salt, 40) Smith used a jump cut to create the illusion of Mary Jane exploding into smoke by subtracting her
and adding smoke in the successive shot. He also uses superimposition to create a ghost liken creature. Like an avatar for its day. This shows narratives
cinema still being influenced by the cinema of attractions as to make an entertaining film.
The acting

Medium Range Shots In Photojournalism
1.Why is photojournalism said to be at a crossroads in modern society?Photojournalism is said to be at crossroads in modern society because
photography can be easily edited in different ways which makes people wonder if the photo is real or if the photographer took away from the image.
2.What is an overview shot? Why do photojournalists use this type of photograph? An overview shot is when the viewer can have an overall view of
what is happening and photojournalists use this to make it easy for viewers to see what is going on in the picture
3.What is the purpose of medium range shots in photojournalism?The purpose of medium range shots in photojournalism is to tell the story of what is
going on in the picture
4.How can photojournalists

The Lord Family Mansion At The Beginning Of The Film
When I see the locations of the Lord family mansion at the beginning of the film, I observe that there has a yard in front of the Lord family mansion.
Different kinds of flowers and trees are planted in the yard. Besides, on the right side of the Lord family mansion, there has a lake or sea. Undoubtedly,
the location of the Lord family mansion is very good. Based on the location and the look of the mansion, I believe the family, which owns this
mansion, is a wealthy family. In the film, I see that there are many luxurious and ornamental decorations in the lord family mansion. For instance, the
classical clock and the beautiful plates in the living room are quite luxurious and ornamental. Also, the family owns many valuable possessions. For
example, the private car that parking in front of the mansion seems very expensive and valuable. When Tracy and her sister are going outside, they
have their own driver to drive them out. Overall, it clearly tells us that they are a wealthy family. I learn about them through the settings of the film,
the plots, and the production design in the film. The producer introduces the major characters through their actions, says and what they own. First, at
the beginning of the film, Tracy cracks Dexter 's golf 's instrument and throws it away. It is an impolite behavior. As a polite lady, Tracy should give
Dexter back his stuffs politely no matter how angry she is. Through what Tracy did, audience will think that Tracy is a brutal and impolite

Thelma And Louise Compare And Contrast
The two movies I am going to compare are Thelma &Louise and North Country. The sexual harassments to women both happened in these two movies,
but the solutions of the main characters were different, and the outcomes of them were disparate, therefore, I wondered how did the main characters in
each movie responded to the sexual harassment, and if it is different, why was it? By focusing on the different situations and personalities of the
characters, especially Thelma and Josey, I'm going to compare and analyze the motivations that lead them to make such decisions and the ways that
they dealt with the harassments. Firstly, I want to compare the scenes that happened before Thelma and Josey were sexually harassed and analyze their
similarities. ... Show more content on Helpwriting.net ...
In Thelma &Louise, Thelma escaped further and discovered herself more, the hue of the film became lighter at the same time. In the last scene, under
the azure sky, Thelma and Louise seated in the car of the bright sunshine, surrounded by police cars (Thelma &Louise, 02:05:27). The director used
close–up shots to show how steadfast Thelma and Louise's determination was (Thelma &Louise, 02:02:34). Meanwhile, the melodious and free main
title music rose when Thelma and Louise clutched each other's hand (Thelma &Louise, 02:05:27). Finally, the shot frozen in the moment where their
car flew off the cliff (Thelma &Louise, 02:05:35). At the end of North Country, when the case of the sexual harassment fell into the dilemma, Gloria
showed the support to Josey. Then, more and more spectators stood up to show the supports to Josey when the soothing background music rose (North
Country, 01:56:28). At the same time, the director used close–ups to show how touched and appreciative Josey was at that time. Besides, Josey also
expressed a feeling that every effort was

Analysis of the Movie Out of the Past
The movie Out of the Past directed by Jacques Tourneur fits within the traditions of film noir because it has some similar themes associated with it,
such as doomed love. Robert Mitchum plays the doomed, double–crossed , ex–private eye as Jeff Markham. The femme fatale is played by Jane Greer
as Kathie Moffat, who is trying to escape her future. Kirk Douglas as Whit Sterling plays the ruthless gangster czar in the film. The formal cinematic
elements in the movie are used to vividly describe the movie. You can see that the lighting is very shadowy and dark. The composition of the film
leaves the audience feeling trapped within Jeff's problems. For example, when Jeff starts his journey from Mexico to San Francisco we the audience
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Also, throughout the film shadow's are splashed over Jeff like a deadly visual benediction, showing doomed fate. Flashback Analysis Throughout
the movie Jeff tells us the story through the flashback. He is telling his flashback to Ann, a girl he's in love with. The time period is set three years
back and is narrated by Jeff. The flashback is the backbone of the movie because it shows the audience how the whole situation started and ended.
Over half the movie is told through the flashback which is important because it shows that the character chooses to focus on the past instead of the
present. The flashback is told because Jeff is going to Lake Tahoe to handle some unfinished business and he decides to let Ann in on the truth. Jeff
was working for Whit and was assigned to find the girl who stole Whit's money. The flashback goes into great detail throughout the whole situation.
The theme passion is shown when Jeff meets up with Kathie. Soon enough he forgets all about getting the forty grand and returning Kathie to Whit.
Jeff fell for Kathie so they ran away to San Francisco. The characters in the flashback are shown to be a litte edgy. Fore example, when Kathie first
meets Jeff, she plays hard to get, pretending she is uninterested in him. On the other hand, Jeff plays it smooth and doesn't let it faze him. The whole
flashback sets us up for the ending and

Context: The film begins in Moscow, Russian where we learn...
Context: The film begins in Moscow, Russian where we learn of Veronika and Boris. It is evident that the two are clearly in love. The characters a
both extremely happy and display a sense of unity and passion for one another. This part of the film is essential because is displays the lives of the
characters prior to the war. It sets up the contrasting elements displayed later within the film. Overall, the characters are happy and in love. They have
made plans for their lives together.
Scene: In order to properly discuss and describe the various techniques the film utilizes, it is essential that a specific scene is analyzed. In the opening
scene, we are introduced to the main characters. We follow the characters as they happily and... Show more content on Helpwriting.net ...
They camera then shifts back to the wet couple. In the next shot of the scene, the camera focuses on the feet of the characters as they skip on the
ground through a close shot. The camera then zooms outward to a medium shot where we view the characters skipping (full body). The scene closes
with a medium shot of the clock tower. The compilation of these various angles to produce on scene help clarify the other elements embedded within
the film (lighting). Without such vivid, continually shifting camera work, it would be difficult to clearly understand what was occurring and the
emotions of the characters. Medium shots clearly show the the characters are very happy and loving towards one another.
Lighting: While the scene appears simplistic, it actually conveys several emotional and symbolic references. When the scene opens, the couple is
skipping alongside the river. The sky is angelically cast as a bright white. The characters are also cast in this same light. The lighting is directly
hitting the faces of the characters making them appear young, flawless, and happy. Though it is not apparent the film yet, this lighting is symbolic of
several things. First, the lighting of the characters in a bright environment with flawless skin projects a feeling of peace, love, and comfort. From the
lighting alone, viewers know that these individuals are very much in love and are extremely happy. They are satisfied with their lives and are

Children Of Men By Alfonso Cuaron
Children of Men is a thought–provoking dystopian film directed by Alfonso Cuaron. It explores the idea of mankind's own impermanence. Nearly two
decades of human infertility have left society on the brink of collapse. There are many important scenes that help to develop the film. The last scene
particularly intriguing as it left questioning viewers to come to their own conclusions
Children of Men explores the key ideas of hope and faith in the face of futility and despair. The dystopian film is set on 2027, in a futuristic society
in which humans are unable to reproduce. In the novel from which the movie is based author P.D James says, "It is reasonable to struggle, to suffer,
perhaps to even die, for a more just, and more compassionate society, but not in a world with no future, where all to soon the very words 'justice',
'compassion', 'society', 'struggle', 'evil' would be unheard echoes on an empty air." It is evident from this that hope depends on the survival of future
generations. Without hope, lives are disregarded, and bodies disposed of by any means possible.
There is war, but in this war there are no winners. The reliability of even the existence of the "Human Project" is unknown to viewers; talk of it is
all circumstantial, as we are never offered evidence of its existence. The Human Project is supposedly a group organised to experiment ways to cure
infertility and make an end to this shattered society, but what is does for Kee and her baby is provide hope.

'City of God' (2002) Represents Violence and Poverty as...
Some scholars criticise Cidade de Deus / City of God (2002) on the grounds that the film represents violence and poverty as a 'spectacle' and fails to
relate these issues to the wider socio–political context of contemporary Brazil. Is this criticism justified?
'There are...two kinds of film makers: one invents an imaginary reality; the other confronts an existing reality and attempts to understand it, criticise
it...and finally, translate it into film'
Fernando Biri, 1979[1]
Fernando Meirelles's City of God (2002) has provoked critical discussion concerning its representation of the Brazilian working class since its
release[2]. The film has been described as both disturbing and electrifying for its brutal realism and inspired ... Show more content on Helpwriting.net ...
The spectator is thrown into the reckless and expeditious world of the characters, creating a sense of hedonistic abandon and excitement. The chase
leads to the first of the dramatic scenes within City of God. A heavily armed stand–off between Lil' ZГ©'s gang, and the police ensues and we are
introduced to Rocket who is caught between the two. It is here that the shot rotates 360 degrees, spinning us into the past, leaving the spectator keen to
understand more. It is this exhilarating sequence of editing and camera work that has led some viewers to brand the film an indulgent exhibition of
romanticized ghetto life. However, the producers of the film claim that the effects are present in order to assist the telling of a universally human story
and are intended to capture its realism[9]. KГЎtia Lund commented on the rotation shot and remarked that "the critics would say this is a film from
Hollywood, they're doing The Matrix, these fancy shots. And the cost of the shot was...$20. Just a guy pulling a dolly"[10].
There are three central sections within the film. Although they are consistent in character and often in circumstance, they should be seen as separate
narratives. Each narrative represents the changing nature of the favela over a decade and contains its own visual style and mise–en–scene. It is through
this structure that I

Analysis Of ' Kill A Mockingbird ' By Robert Mulligan
Based on Harper Lee's To Kill a Mockingbird published in 1960, Robert Mulligan's 1962 film adaptation employs the use of several nonverbal
elements to emphasize emotions that dialogue fails to portray or evoke reactions from viewers. In Lee's novel, Scout is narrating past events of her
childhood that seem to accurately portray the characters and their personalities. The children, Jem Finch, played by Philip Alford, Jean Finch or
Scout, played by Mary Badham, and Dill, played by John Megna, are very curious and adventurous. They are mature for their age due to the way in
which they were raised, yet their childlike curiosity sparks a desire to find out if the rumors about Boo Radley are true. This curiosity leads to them
sneaking into the... Show more content on Helpwriting.net ...
The children are ignorant of these horrors until Atticus takes the Tom Robinson case, but then the children are able to understand that Boo is not a
monster and he is in fact very wise to stay to himself. Then, before they enter the Radley's yard, the adaptation shows the children stop and crouch
down next to the fence. The camera gets a medium shot from a low angle to get on the children's level and add suspense, for the children's expressions
show reluctance and fear to going up to the Radley house, especially after the children hear a loud thud while discussing their course of action. The
camera switches to a view of the front porch where the wind is blowing, and it appears that the wind has caused the swing on the porch to bump the
wall creating the thud. This causes the children to relax slightly, as they have not been caught or the sound was not created by anything other than the
wind. Then the camera goes back to an extreme long shot to show the house in the darkness and covered in shadows while a suspenseful series of
piano notes plays to recreate an eerie feeling and get back to the action taking place. The scene dissolves into the children crawling on the ground to
the fence they are going to crawl under to get into the Radley yard. The eerie music then changes to a light and childlike melody with a few undertones
of occasional eerie notes. This childlike melody exemplifies the children's inevitable curiosity, the

Motivational Essay
Motivational Essay for Editing
Synopsis: Truant A young man (Andy) and a young woman (Jess) are lost at a university and are late for the same lecture. They bump into each
other and notice they have the same textbooks. They initially decide to look for the venue but ultimately decide to skip it. Andy and Jess proceed to
bond with one another and meet an old friend (Zola) of Andy's, who tells them that he just came back from the lecture and he tells them where the
venue was. He leaves and Andy and Jess agree to go on a date.
Introduction
In this essay I will be mentioning the main theory I will be implementing. There are several styles based of my research that I will be using as
references. The first few come from the book, Editing ... Show more content on Helpwriting.net ...
This is followed by close ups of their shoulders. We then cut to a close up on the mentioned before shoulders (albeit in the same shot this time) as the
two students bump into each other. The only specifics he mentioned outside h script he would like are transitions that work tandem with the
cinematograph. After the first scene ends He would like it took as though the movement of the camera is continuing into the next scene. I will keep this
in mind as I edit this project.
Ropafadzo Pswarai Motivational Essay & Journal 21600254 Editing theories
The main theory I want to utilize is that of D. W. Griffith's "Dramatic Construction". D. W. Griffith in its modern sense is the acknowledged father of
film editing (Dancyger, 2001:5). When it comes to full range of dramatic construction: the variation of shots for impact, including the extreme long shot
, the close–up, the cutaway, and the tracking shot; parallel editing; and variations in pace his contributions cover all of these (Dancyger, 2001:5).
Griffith learned how to make the juxtaposition of shots have a far greater dramatic impact than his predecessor (Dancyger, 2001:5). Griffith
experimented with the fragmentation of scenes. His goal was to enhance his audience's emotional involvement with his films (Dancyger, 2001:5). I
would like to use this theory because when dealing with our films concept. I want the audience to be emotionally involved with Andy and Jess
throughout their journey in the film. To achieve this I will

Film Analysis: Cobb Comes Home
The last scene of the film "Cobb comes home" uses effective camerawork to show Cobb's ultimate wish all along of returning home. The techniques
appeared in this scene are mid and long shots, and zooming. The scene starts as a mid shot of Cobb in the Los Angeles airport, his hometown. After
he crosses the border, the camera then cuts to a mid shot of Cobb receiving his luggage, and saying his goodbyes one by one to his friends, causing a
joyful, but sad emotional reaction in the audience, as this is the end of their mission, which is time for everyone to return home now. Another aspect
that causes emotion within the audience is the heroic music. The heroic music highlights the fact that Cobb has achieved his mission, and has got his
reward... Show more content on Helpwriting.net ...
He used many genre conventions such as setting, iconography (lighting, recognizable characters, props), symbolism, film techniques, and sub–genres
(open–mystery) to enhance the genre of mystery/sci–fi. These scenes include many film techniques such as camera shots, camera angles, camera
movement, lighting, sound, and cinematography in order to enhance the scenes to bring out different factors of the genre. For example, in the "Rules
of the Dream World" scene, the director contains dialogue, camera shots, slow motion, and sound to show the audience the initial storyline and how
the film will go, as this is the scene that explains how Cobb enters ones subconscious. The director uses close ups, mid shots, long shots, hyperbolic
sound, and slow motion to enhance the setting of a dream, in order to make the audience know between reality and dreams. The "zero gravity" scene
heavily brings out the genre of mystery/sci–fi, as the director uses camera shots and angles, and lighting to symbolize the genre. The concept of zero
gravity fits into the genre of sci fi, as it links to futuristic science and technology. The director uses mid and long shots, and dim lighting of the
characters in a "zero gravity" setting in order to give the audience the mystery/sci–fi genre by using zero gravity to emphasize the sci–fi aspect of this
film, and dim lighting to emphasize the mystery aspect of this film. The ending scene, also known as "Cobb comes home", is a scene that creates a lot
of different emotions within the audience such as joy, happiness, relief, and suspense. This scene shows Cobb returning home, which has been his wish
shown throughout this whole film. Therefore, when Cobb finally returns home to see his children, this creates a very moving emotion to the

The Third Man Film Techniques
'The Third Man' is a 1949 film–noir written by Graham Greene and directed by Carol Reed. The film narrates the escapades of Holly Martins,
portrayed by Joseph Cotton, in occupied Vienna. Martins is an American writer who moves to Vienna in search of an employment opportunity
offered by his friend Harry Limes (Orson Welles). However, on arriving in Vienna, Martins discovers that Lime is dead. At Lime's funeral Martins
encounters Major Calloway (Trevor Howard) and Sergeant Paine (Bernard Lee). The two British Military Police inform Martins that his college
friend is a criminal and advice Martins to leave town. Harry Lime had a romantic relationship with a woman known as Anna (Alida Valli) from whom
Martins seeks answers behind the mystery death and criminal reputation of his friend. Martins soon discovers that Lime is alive, and the allegations
against him are factual. Major Calloway reveals to Martins that Lime steals penicillin from... Show more content on Helpwriting.net ...
Lime is unaware of Martins collaboration with the military police and escapes arrest after Anna warns him of the police ambush. Lime gets away
and attempts to lose the military police beneath Vienna as police reinforcements chase after him in the underground maze of sewers. The sequence
plays a significant role in the larger background of the narrative as it acts as a build up to the climax of the film. The chase sequence is well crafted
and located and is effective in advancing the plot of the movie (Kiplange). Lime's escape into the underground is also symbolic of a rat in a maze as
the police who enter the sewer from different tunnels, outnumber Lime. The sequence is fast paced and builds up the climax, as the capture of Lime
seems eminent. The depiction of Lime as a rash individual shooting indiscriminately at the police foreshadows the probable demise of Lime under
police gunfire.

Analysis Of Singing In The Rain
The film, Singing In The Rain, directed by Stanely Donen and Gene Kelly, uses many themes, camera angles, and overall simple techniques to engage
its audience within the movie and yet still manage to symbolize plentiful acts. The movie mainly focuses on the new era of 'talking pictures' and how it
affected Cosmo's career and film, The Dueling Cavalier. Within the many scenes, I chose to focus upon the famous, " Good Morning," scene/melody.
Throughout the scene, I noticed two recurring themes; first being the idea of a new day means a fresh start or a chance to reset. Within the first 10
seconds of the film, Cosmo states, "Today s my Lucky day!,"; soon after Cosmo chimes in stating March 24th is actually his lucky day for its past
midnight, the new day. Moreover, I believe the sense of daylight symbolizes the struck of joy each character has because of a new chance in fixing
the mess of the film he performed with Lina Lamont. The scene also plays along with this idea by implementing different greeting of 'good morning'
such as Bonjour, Buenos Dias, Muchas FrГas
Bongiorno, Montichorno, Guten Morgen, Blakich Morgen, and etc; rather than meaning good morning, it's a metaphor of joy being expressed in
various languages.
The second theme signifies the importance of hope; the idea of how a negative event can become positive if one manages to maneuver around it.
For example, I noticed the rainstorm playing as background sound among the scene. At a certain point Debbie exclaims, ".. And what a lovely day!"
which lead me to interpret a signified an ironic moment. Even though it was raining, Debbie still smiled while stating it was a beautiful day. In
another instance, Cosmo states he will turn dramatic, failed, silent film of the Dueling Cavalier into a musical; from his mishap of a terrible film
which would have ended his career, he gave it hope. Hope is key to resolve all conflicts.
Within the excerpt, the directors began with a medium shot. I understood the importance of making the viewer feel a part of the trio, therefore the
condensed shot caused this; also, it allowed the musical announcement to have a greater emphasis on joy by beginning at a medium shot then zooming
outwards as the characters spread apart. Once

The Crop Duster Sequence Of North By Northwest
In This essay I will discuss the use of camera movements, framing and the editing devices in the crop–duster sequence of North by Northwest (Alfred
Hitchcock, USA, 1959) By focusing on these three techniques I hope to establish what effect they have on us and how that effect is achieved? I will
look closely and analyse certain shots in this sequence, which I feel are significant in creating suspense. By dissecting the layers of each shot, I hope to
reveal the technique and intentions behind them.
The first significant shot I will discuss is just after Eva Marie Saint's face dissolves. This extreme aerial shot established the vast area in which Cary
Grant faces. The camera stays in its fixed high angle as a bus approaches with Grant. The bus drives off and the camera angle and frame do not
change. This establishes the setting for the viewers. "Such extreme high angle shots make characters into pawns" (E. Roger, 2008, 4). In other words it
evokes the insignificance of a single human being in such a vast and secluded area.
With nothing around the slow pacing in the beginning of this sequence can be seen as a tantalising build up of suspense, not knowing what to expect. It
cuts to a long shot and low angle as Grant waits by the side of the road. This emphasises the space he is in and "establishes the characters level of
power and control" (Class notes, Introduction to Cinema)
A medium shot of Grant by the sign met with an eyeline match of approaching cars, which Kaplan

Death's Marathon Shot0By-Shot Analysis Essay
Shot–by–shot Analysis of
"Death's Marathon" dir. D.W. Griffith. (1913)
Shot 1(straight–on angle): White text on black background written, " To find his friend before he losses all" (2 seconds). Cut to
Shot 2 (medium long shot, slightly low angle): Front of house, with stairs slightly to the right of shot and potted plant on either side of stairs. Friend
(man) enters from right and walks up stairs (2 seconds). Cut to
Shot 3 (medium shot, straight–on angle): Interior of living room where foreground is pretty vacant but background has a study and a desk with a vase
with flowers in it. There are three ladies standing: Two nurses on either side of the wife. wife asks maid on left something (1 second) then turns back...
His drivers drives him away, exit right of shot (4 seconds). Cut to.
Shot 15 (medium long shot, straighten angle) shot of husband walking on the street along shops, one which has "rokers" written on window on the left
of screen. He walks towards the shop, pauses to stare at it and then walks in (4 seconds). Cut to.
Shot 16 (medium shot, straight on) interior of 'Rokers' shop. There is a desk with a telephone on it, and chair in the foreground. The background though
is more cluttered with a study, stacks of books, a rocking chair and cabinets . Husband enters through door on the right of shot. inspects the space, takes
his hat off then unbuttons his jacket, pulls a gun that he's been keeping in his pocket out and sits down on chair and is inspecting the gun (21 seconds).
Cut to.
Shot 17 (long shot, slightly high angle) shot of exterior of house (like shot 2). Friend's car drives in from right of screen and parks in front of steps
leading up to house front door. Friend gets off car and walks briskly into the house (5 seconds). Cut to.
Shot 18 (medium long shot, slightly high angle): interior of room (like shot 3), wife sitting on chair on the right side of the foreground. Then enters
maid with friend. Cut to.

Shot 19 (medium shot, straight on) interior of room (like shot 16). Husband sitting on chair, leaning against table with telephone near his elbow.
Husband looks at gun, chuckles then looks at telephone and picks it up (8

Suspense and Tension in The Others Essay
Suspense and Tension in The Others
In the film "The Others", there are three scenes, which are particularly good because they show different types of shots, how the director controls the
audience and various other features. Also featuring in these scenes is how music along with shots creates tension in a scene. The director Alejando
Ameriabar also has techniques where he is in control of the audience this is very powerful in a film like this as it can bring up the rating of the film.
The three scenes, which contain these qualities, are: The scene where Grace the mother hears a child crying, The scene where Grace hears the piano
playing and The scene where Nicholas the son and Anne the ... Show more content on Helpwriting.net ...
Anne hears her mother and says I'm not finished yet, Grace then asks are you all right? Anne says "yes" when Grace first entered the room with Anne
there is a low angle on Anne but at the same time Grace is in the shot, This shows the audience both Grace and Anne's actions. At this point the
audience feels tense because even they are waiting to see who and why there are was mysterious crying.
Grace asks Anne why she was crying? Anne said, "I'm not". Grace then said there was a reason to be ashamed. Anne said, "If I was crying I'd tell
you". Grace then said "oh so I was imagining it then". Anne said, "No it was that boy". Grace sits on a stool "what boy?" The camera uses a high
angle on both Anne and Grace when Grace sits on the stool. Anne replied "Victor" Anne then explained how the boy was just there a minute ago.
Grace said, "Where is he now then?" Anne said "he must have been upstairs viewing the house with his parents."
Then Grace explains how can a boy get in and out of a room if it is locked, she turned to the door the director used a mid shot of the door which was a
little bit open! Then there is a mid shot of grace whose breath was taken away as she had closed that door. In this scene the director uses long shots
when grace is opening doors, this is so that we can

Analysis Of The Documentary ' Armadillo ' Essay
The Dutch documentary Armadillo (2010) directed by Janus Metz Pedersen takes its audience into the world of the platoon of Dutch soldiers as they
complete a tour of duty in Afghanistan against the Taliban. Majority of the dialogue in the film was spoken in Dutch, as well as Arabic spoken by the
Afghanistan citizens, the use of English subtitles translated for understanding. The documentary begins with 4 men and then the introduction of other
comrades, the documentary moves forward as the actions and effects of war is put into focus. This is some of the few decisions made by the film maker,
as the message intended for the audience is made through the structure decided by the director. The narrative structure of a documentary can be
explained through several modes that can be present within the documentary. Modes include Actuality, Expository, Observational, Rhetoric and
Participatory. The use of camera work, editing, and sound can help with the narration and better understanding of the overall documentary. All of the
modes, supported by the use of visual and oral techniques, help the director express his perspective of the Dutch troop duty tour of the Afghanistan and
the intended message.
Actuality mode of the documentary emphasises the importance of realism and facts within the footage. The purpose is to expose the audience to the
real world, or some would say 'the harsh truth' which in the case of Armadillo, is the war and violence present. A scene in that was edited to

The Film Analysis Of The Movie Forrest Gump
The blockbuster movie Forrest Gump was made in the year 1994, and it was anAmerican comedy–drama film that won multiple awards and
nominations, includingawards won from the 67th Academy Awards, 1995 Golden Globe Awards, 1995 MTVMovie Awards, 1995 Peoples
Choice Awards, 2005 American Film Institute Awards andvarious other ones. It was an adaption of a novel of the same name, by Winston
Groom.Robert Zemeckis was the director of the movie, and he made great decisions about thecamera techniques to be used in each scene. In
1996, a restaurant with the name Bubba Gump was open in honor of the movie, and surprisingly there is one in the peak Galleria in Hong
Kong!The opening scene of the movie is filmed very beautifully, especially with thefeather floating in the air, because it creates the mood of the
whole piece. Also, the music and sounds were chosen to accompany the opening scene, contributes to the tone of the entire movie.From right the
beginning of the film, the feather is already floating around in theair. This white feather is a symbolic object that counts as a sign. The whiteness of
it seems to show the purity and innocence Forrest has, and his enthusiastic personality, where he is determined to do whatever it takes to fulfill his
own, and his friends and families dreams. It also seems to symbolize the famous quote that his mom always said, Life is like a box of chocolates.
You never know what youre gonna get. With thefeather floating to random places, e.g. on top of cars, on peoples shoulders, on thefloor It shows how
random life can be, and how no one ever knows what lies in theirpath of life, what obstacles they will have to overcome, and what their destiny is.A
very interesting effect the feather is shot from in the opening scene is that it is extreme long shot of different parts of the town, allowing the audience to
adapt the setting of the film into their minds, whilst the feather is shot from multiple angles, sometimes close up, and sometimes using medium shots.
With the words and the town background, the feather interestingly is still the focal point of the whole shot, and unintentionally, your eyes follow
wherever it is going even when the background is changed drastically.When the feather is shot

Film Reflection
This summer has been an eye opener. Throughout this course, I have learned to look at films through a new perspective. My new perspective will
forever change how I look at films. Before this class, I watched movies for their content as well as for entertainment and enjoyment. This summer, I
have learned that you must analyze films to fully appreciate the work. I will no longer watch films for enjoyment, but I will watch them for all that
they are worth. When watching films, my perspective has changed, causing me to analyze the camera work elements, and how the film ties into
American life and culture.
Before this class, I never knew that there was so much work and detail put into producing films. The camera work was put into these films for a
specific reason, and when I realized this my thought process changed. I realized that in many cases the camera work is what made the movie, not the
plot. Once, I had this understanding, I started to break down the camera work into the many different elements that composed it. By doing so, I could
fully appreciate and understand the purpose of each element. The camera shot that is visible on screen was thoughtfully designed. The type of shot
used, whether it was a closeup, medium shot, American shot, or long shot had a reasoning behind it. The director had to decide whether he wanted to
focus on the character or specific details about the character's actions or emotions as well as how much of the background to feature. The usage of only

Film Analysis Of Don Lockwood's'singin 'In The Rain'
"If you've seen one, you've seen them all," remarks Kathy Selden about movies after first meeting silent film star Don Lockwood in the beginning
of Singin' in the Rain (Singin' in the Rain 17:38). While Kathy was slightly off base when saying that all movies are the same, movies belonging to
the same genre often do share certain conventions which author Bernard F. Dick discusses in his book Anatomy of Film and Tim Dirks confirms in
his assessment of the genre for the American Movie Classics Company. What do one of the best musicals ever made and the newest musical to receive
raving reviews have in common? With 64 years separating Singin' in the Rain (1952) and La La Land (2016), the advancements in film technology are
apparent, but the... Show more content on Helpwriting.net ...
In Singin' in the Rain, one of the best examples of the plot motivating a song or dance happens a little over halfway through the movie. Don, Kathy,
and Cosmo have just returned from the test premiere of Don's newest movie and first talkie. The audience hated the movie, and Don now feels
like his career is over. While Kathy and Cosmo try to cheer him up, they come up with the idea of turning his movie into a musical. As they
celebrate this new idea, they realize it is past midnight which brings about "Good Morning." 1:01:00 This number gives the characters a physical
and verbal way of showing their glee concerning the idea of turning the movie into a musical. When speaking specifically about Singin' in the
Rain, Dick says, "The other musical numbers in the film also advance the plot and are not merely occasions for an actor to break into a song or
dance" (Dick 123). "Good Morning," like the other numbers in Singin' in the Rain, advances continues to drive the plot. Likewise, in La La Land
as Dom walks Mia to find her car after they meet at a party, Dom begins singing about what a lovely night it is which evolves into a full on song and
dance. 33:20 The dance comes to a close as the pair comes face to face, and Mia's cellphone ringing breaks the moment. These numbers, like other
numbers in integrated musicals, can make a normal part of the plot more exciting and memorable to the audience by showing how the characters are

Unsympathetics Or Advisors
Unsympathetics or Advisors?
The pictures of the deceased we all love decorating the walls of our homes on this special day is known as the Day of the Dead. This day is for
commemorating our loved ones who have sadly abandoned us in this dimension we call life. It's a tradition to place the favorite objects of our loved
ones near their tombstone and celebrate the fact they existed . I pray along with my family while remembering my grandfather's anecdotes and life
lessons. We speak of the tragedy of our beloved father, uncle, brother and to me grandfather that has left us. Tears and heartaches fill our souls, the
remembrance of our sweet old man cause us pain that's impossible to explain. It's the day where we freely speak of his death without ... Show more
content on Helpwriting.net ...
I personally am not skeptical about mediums but I am skeptical about deceivers. I'm aware that there is people who feed on the agony and yearning
of others and I would loathe to be the victim of a fraud. I'm grateful that god has placed several fascinating human beings who can assist us on
overcoming the death of our beloved by granting us an opportunity of a lifetime of one last time communicating with them. I appreciate the
presence of these remarkable human beings, but I also find it intolerable when they abuse of the beautiful gift god has granted them and utilize it as
a business possibility. In my opinion the desire of speaking to your beloved shouldn't have a price tag. I ask god how we can distinguish between
truth and false, but I sadly I have not received a response. I suppose that if I ever locate a medium that my instinct will let me distinguish if it's true or
false. I think that by paying close regard to my instinct god will finally respond to my

Shall We Dansu Essay
The film Shall We Dansu? (1995), directed by Masayuki Suo, is a heart–warming and a slice of life film that has touched the lives of everyday people.
It is one of the films that has gained an exceptional popularity across the Japanese cinema along with great reviews given by prominent film critics
across the globe. In this paper, I will focus on analyzing the cinematic techniques of one particular scene in the film and how they affect the
development of the story. The scene that I will focus on is at the end of the film when Mai teaches dance sequences to Sugiyama and Toyoko to prepare
them for the amateur dancing competition. There are multiple cinematic techniques used in this scene: medium and long shots, warm lighting, diegetic
sounds of Mai's voice overlapped by the non–diegetic sound of orchestra music, and complex camera work that follows along the dance sequences.
These film techniques help understand Mai's character in more depth, set colorful and buoyant atmosphere and put emphasis on the overall themes of
the film. After breaking down the scene into individual frames, both medium and medium close–up shots are frequently used to emphasize Mai's
emotional development. The medium shot is a framing that shows the upper half body ... Show more content on Helpwriting.net ...
The medium close–up shots of Mai's decisive and smiling faces, warm lighting, and diegetic sound of her voice indicates that she has overcome her
past discouragement through dancing. Her smiling face in Fig. 1C depicts that she has clearly regained her confidence and true passion in dancing to
continue her dream as a dancer. Her smile looks more illuminated with the help of lighting and the medium close–up shot distinctly captured her
emotion, drawing the audience deeply into Mai's disposition, thoughts, and

Tv Production Process.
1.1 Overview of the Television Production process Typically the audiovisual production should start from an idea and go till the circulation stage
covering different stage of production, process of refinement in between. The audiovisual production process is broadly divided into following three
stages. 1)Pre production, 2)Production, and 3)Post production Pre Production stage includes work on idea / concept, plan about the budget and the
format for shooting, treatment, and research and script development, story board preparation, developing the shooting script. Production stage includes
work on the actual shooting part, recording the narration, voice over. The post production work includes mainly the processing work of logging the...
2 does my idea inform? If the answer to both these questions is 'yes' you are essentially on the right track. If the answer is no to either or both
these questions, then it may be worth reevaluating your idea. The programme must be well thought through and constructed. Keep it short and to
the point, make sure your idea is lively and imaginative, and that the direction is logical and properly argued. By following these basic rules you
are far more likely to communicate your ideas to an audience. Target your programme at a particular audience and establish early on the
programmer's objective. Decide in advance how you are going to develop your idea. Try to produce a written outline, thinking visually all the time.
Research your subject thoroughly becoming an expert on it. Your research should include people and locations, as well as the general concepts
surrounding your idea. A poorly researched idea is as likely to ruin your programme as badly directed one. Write your script and visualize it by
producing a storyboard. Link the script to the pictures as you move from sequence to see if the combination works. Finally if you are working with a
group develops your ideas and shares them together. Everybody's ideas are worth considering and more often than not they will add a new and
interesting dimension to the film. At A Glance 1.Make sure your film both entertains and informs. 2.Keep it fresh and interesting 3.Think visually all
the time. You are not writing

Film Analysis: Eternal Sunshine of the Spotless Mind
Michel Gondry's 2004 film Eternal Sunshine of the Spotless Mind, deals with themes of memory, identity and love. The film focuses on a lonely man
named Joel Barish and his progressively dysfunctional relationship with Clementine Kruczynski. As their relationship deteriorates, they both decide
individually to get the memories of each other erased from their minds at Lacuna Inc. Throughout the film, Joel demonstrates to the viewer, that
although he is thoroughly unhappy, he begins to regret his agreement to the procedure and desperately tries to cling onto the happiest moments of his
life. The scene directly before the sequence I have chosen is a memory of the first and only time that Joel was so happy he could "die right now";
lying on the... Show more content on Helpwriting.net ...
This removal of Clementine introduces the idea of there being a controller of the deletion of his memories, taking her away from him after one of
the happiest points in his life. The viewer is next shown a mid shot of Joel looking regretful in the darkness and lying on the ice of the frozen
Charles. Joel voices his emotions saying, "I wanna call it off" as he looks upwards. It next cuts to a bird's eye or God's view shot looking down upon
him. Here, Joel shows his hope in that the God–like Lacuna workers can hear him by saying, "I'll give you a sign!" Here, Joel is on his knees and he
scrunches his face in silent prayer in hope that the procedure does not carry on. The bird's eye view and a profile shot of Joel switches a number of
times to form a conversation–like event but only this time, when he says "I don't want this anymore, I wanna call it off!" Joel is pleading and no one
is listening or caring, which is shown through the empty echo of his last words. The ignorance of the Lacuna technicians is shown next, through a cut
to a one shot of Joel in bed. Here he is hooked up to the memory deletion device and the camera tilts to a mid shot of the two Lacuna employees, Mary
and Stan, drunkenly dancing in their underwear to The Willowz's "Something". This shot establishes where Joel really is– conscious in his dreams, but
not actually being paid attention to. The pair dance in a domestic, dim pink light, which immediately contrasts to a

Cinematography And Mise En Scene Of Edward Scissorhands
Analysis of Cinematography and Mise–en–scene of the film Edward Scissorhands (1990) In this essay, I will analyze the use of cinematography and
mise–en–scene in a five–minute extract from Tim Burton's 1990's dark fantasy film Edward Scissorhands. The film is set in 1990 and follows a
young man named Edward, an unfinished creation exploring the world for the first time. In the scene I have chosen, the audience establishes
difference between the suburban street and the gothic mansion and does it through the use of colour, deep focus and the use of props such as the
dead branches or the gargoyles. The function of the scene is to introduce the character Peg. Tim burton does this by presenting a close up of a mirror
at the start of the scene so... Show more content on Helpwriting.net ...
The gothic iconography of the gargoil obscures her car as it moving towards it and everything is backlit, all in sillhouette so the lighting adds to the
darkness. The camera moves from an area that is bright, to an area that is dead, dark and decayed. The mise en scene changes and the use of the
deep focus, camera exposure enables the audience to acknowledge the comparison. It cuts to a reverse crane shot of the gothic mansion that moves
up and again the audience sees Peg's yellow car foregrounded against this huge ornate gothic piece of architechure with huge spires but begins at a
low angle to enccentruate the size of this place.The director then uses an extreme low angle mid shot to make the character Peg seem inferior to it's
size. The entrance gate seems almost like a

Titanic Essay
Titanic Essay
Many people across the world watch films. It is so popular because it puts a story on the screen and into life so that people can see it.
People watch films for the entertainment value, or are simply too lazy to read and enjoy the magic of a book.
The advantages of watching a film at the cinema rather than on video is the bigger screen, and the surround sound, also the atmosphere. This all adds
up and creates a bigger impact than a video.
People make films to tell a story or get a message across, such as "Pearl Harbour," which tells us the story of a real historical event through the eyes of
a fictional love story, very much like "Titanic." Or "Shrek," which puts a message ... Show more content on Helpwriting.net ...
An example of this on "Titanic" is when they go from the back of the boat to the front.
They also use Sound Effect to make what is happening sound more real, such as an explosion or band. They also use backing tracks, which can be
used to emphasise the emotion a character is feeling. For example, if it was sad, they might use a love song.
They use costume to show you what time something was set it, or the class of the people, particularly shown in "Titanic," as Jack is very poor and
Rose is rich. The characters who wear the costumes are also very important. They have to look the part and sound the part, not just be able to read the
lines. They have to act the way a person of that time would.
For my GCSE coursework, I will be writing a Media essay on "Titanic," which was directed by James Caremon. It was made in 1997, and was the most
expensive film made at the time. It won many awards, and is one of the great love stories told, based on a real historical event.
The Titanic was quoted as being "Titanic, wasn't just another ship, it was bigger, faster, and more luxurious than any other ship before her." She had
two sister ships, The Olympic and The Britannic, all of which were owned by White Star Line, a series of very luxurious ships. It was built in Harland
and WolffShipyard, and was 882 ft 6 inches, by 92 ft 6 inches. It had 2212 people onboard, 20 lifeboats, which only had

Does Michael Moore Use A Standard Medium Shot In Bowling...
On April 20th, 1999 at Columbine High School, Colorado, Two students: Eric Harris and Dylan Klebald stormed the school grounds with two
semi–automatic rifles and home made explosives, killing 12 students and a teacher, as well as injuring 21 others. The pair then committed suicide. This
event was the inspiration for Michael Moore's documentary Bowling For Columbine. In this film he tackles the issue of gun control in America and
why they are so different to other countries around the world.
Bowling for Columbine is a documentary style film which uses a standard medium shot throughout the entirety of the film. Medium shots are used in
documentaries to give the viewer a sense of realism. These shots are used to imply that the film is ... Show more content on Helpwriting.net ...
This film takes the gun control issue to another level and attempts to show some of America's lesser points by showing you that although the
American populace was aware of the severity of the situation; they weren't willing to do something about it. In the years since the films release, a lot
has changed as far as gun control and gun laws go in America. This includes K–mart ceasing the sale of ammunition at their stores nationwide and
stricter gun laws in America. Although the flim may not be the exact reason for future law changes, it may very well have been the eye opener that the
country

Analysis Of The Film ' The Feather '
ening scene, contributes to the tone of the entire movie.From right the beginning of the film, the feather is already floating around in theair. This white
feather is a symbolic object that counts as a sign. The whiteness of itseems to show the purity and innocence Forrest has, and his enthusiastic
personality,where he is determined to do whatever it takes to fulfill his own, and his friends andfamiliesоЂЃ dreams. It also seem to symbolize the
famous quote that his mom always said,оЂ‚Life is like a box of chocolates. You never know what youоЂЃre gonna get.оЂѓ With thefeather floating to
random places, e.g. on top of cars, on peopleоЂЃs shoulders, on thefloorоЂ„ It shows how random life can be, and how no one ever knows what lies in
theirpath of life, what obstacles they will have to overcome, and what their destiny is.A very interesting effect the feather is shot from in the opening
scene is that it isa extreme long shot of different parts of the town, allowing the audience to adapt thesetting of the film into their minds, whilst the
feather is shot from multiple angles,sometimes close up, and sometimes using medium shots. With the words and the townbackground, the feather
interestingly, is still the focal point of the whole shot, andunintentionally, your eyes follow wherever it is going even when the background ischanged
drastically.When the feather is shot in the sky, it is from a low angle, which shows theimportance of it as a sign, so it feels as if the feather is superior
to the

Techniques In Yojimbo
In Tanaka and Kurosawa's (1961) Yojimbo, I like how the cinematography and the editing work together in showing the dark comedy behind humanity's
inhumanity. I appreciate the camerawork's use of shots and angles that expose the pitiful characteristics of corrupted human identities. When Sanjuro
Kuwabatake meets the Ushitora's goons, the contrast between the true warrior and the superficial ones makes me laugh and feel disgusted at the same
time. As a samurai, Sanjuro is confident in his sword fighting skills, whereas the bandits have to brag about their tattoo and criminal histories. The
medium long shot reveals the forced swagger of the goons, clearly trying hard to hide their true nature, their cowardice, in comparison to Sanjuro, who
is calm and assured of his abilities. Furthermore, Kurosawa uses the swipe to depict transitions between scenes. I like the swipe because it feels like a
storybook, and turning one page after another prepares the audience for the next scene.
Besides the cinematography, I approve of the music chosen to portray the characters' emotions in the ... Show more content on Helpwriting.net ...
Sanjuro offers an example of good acting. Toshiro Mifune is Kuwabatake Sanjuro in the sense that he does not act anymore. I like how he walks,
moves, and talks like a Samurai, peaceful yet wise, noble, and strong. He moves swiftly and talks sparsely. His face reveals what he wants to say
inside. For example, when Orin, Seibei's wife, talks about killing a man like it is as simple as peeling a banana, Sanjuro looks appalled but not
thoroughly surprised. In fact, instead of killing the family outright, he smiles and stays composed because he already has a plan. He remains focused
on the plan and it is seen in his composure. The antagonist Isuzu Yamada as Orin is also extraordinary. I believe she can make a great wife for Satan
himself. A great film has excellent actors that the audience can learn to love or

A Core Element Of The Film Western
A core element of the film western is the struggle between the civilizing forces of society and the resistance of the wilderness. This has been used as a
common thematic element in the narrative structure of Westerns, and can be seen in the films' portrayal of society's expansion to the west. In these
films, this expansion, which is a part of the movement to tame the Wild West, is a conflict that is played out as a battle of oppositions on the American
frontier. In director John Ford's My Darling Clementine, this fundamental aspect of the genre comes across in the main character, Wyatt Earp's, conflict
with the Clanton family, whom the audience ultimately finds out are the ones who shot and killed the youngest Earp brother. While Wyatt Earp's
status as the town marshal symbolizes the civility and order of society, the Clantons–a violent, uncivilized family in which the father uses primitive
methods of discipline, such as whipping, against his own four sons–represent the wilderness of the untamed West. The symbolic importance of the
characters in My Darling Clementine is also connected to Ford's use of setting and locale. Given the manner in which Wyatt Earp enters the town and
sets about bringing justice to it, his character can be seen as the embodiment of the process of civilization of the West. From a cinematographic
standpoint, the shots of locations within the town differ from those of the wilderness beyond the town site. The film makes use of its visual style to

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