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THE WHOLE MOVIE BASED INSIDE A HOUSE AND IN DAYLIGHT
SCENE 1: BREAKFAST SCENE
DIFFERENT PARTS OF THE HOUSE IS SHOWNESTABLISHING SHOT:
THE CAMERA IS PANNING TOWARDS THE DINING ROOMPANNING SHOT:
WHILE ALIA COMES IN THE SHOT, SHE KISSES HER MOM ON THE CHEEK
BEFORE SHE SITS IN HER CHAIR.
This shot will be taken from the side of Alia's mom, the
viewer won't be able to get a clear view of her mom but Alia
could be seen properly(which is the main focus)
AN INAUDIBLE CONVERSATION WOULD BE DONE BETWEENMEDIUM SHOT:
THE CHARACTERS WHILE THEY'RE EATING, THEN ROSE PICKS UP THE
NEWSPAPER
ANOTHER SHOT OF ROSE PICKING THE NEWSPAPER.CLOSE-UP:
ROSE IS OPENING THE PAPERALIA'S MUMOVER THE SHOULDER( ):
BEFORE SHE STARTS READING, SHE PICKS UP HER CUP OF TEA.
ALIA IS EATING, AND SHE NOTICES HER MUM ISMEDIUM SHOT:
DRINKING TEA, SO SHE PICKS AN EMPTY CUP TO COPY HER MUM'S
STYLE.
ROSE IS DRINKING TEA WHILE HER EYES ARE IN THECLOSE UP SHOT:
NEWSPAPER.
ALIA IS HOLDING THE CUP IN THE SAME STYLE ASCLOSE UP SHOT:
HER MUMS'. HOWEVER, HER EYES ARE ON HER MUM'S CUP.
THIS WHOLE PROCESS IS SHOWNMEDIUM SHOT:
ROSE NOTICES WHAT ALIA IS DOING AND SHE SLAMSPOINT OF VIEW:
HER CUP DOWN.
THE BANGING OF THE CUP IS SHOWN TO WHICH ALIAMEDIUM SHOT:
FREAKS OUT A BIT.
Rose orders her to go back to her room and Alia grumpily
bangs her cup and leaves the room.
FADE OUT
SCENE 2: ALIA'S ROOM
ALIA'S WHOLE ROOM IS SHOWN IN THIS. SHE WOULD BEWIDE SHOT:
ON THE BED.
3. 2.
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ALIA IS SKIMMING THROUGH A FASHIONPOINT OF VIEW SHOT:
MAGAZINE.
A HAND KNOCKING AND HOLDING THEEXTREME CLOSEUP SHOT:
DOORKNOB TO OPEN THE DOOR IS SHOWN.
ALIA IMMEDIATELY CLOSES THE MAGAZINES AND OPENSMEDIUM SHOT:
HER SCHOOL BOOKS(PRETENDING SHE IS STUDYING)
ROSE ENTERS THE ROOM ANDALIA'S SIDEOVER THE SHOULDER SHOT( ):
ALIA LOOKS AT HER MOM. HER MUM WAVES AT HER TELLING HER SHE
IS GOING TO WORK AND TURNS TO LEAVE.
BUT THEN SHE REMEMBERS SOMETHING AND SO SHECLOSEUP SHOT:
TURNS AROUND.
ROSE TURNS AROUND AND ASKS ALIA,MEDIUM SHOT:
"Have you seen my favourite earrings?
I can't seem to find it for quite a
while now"
ALIA INSTANTLY NODS A NO,ALIA'S MUMOVER THE SHOULDER SHOT( ):
AS IF SHE DOESN'T KNOW A THING.
ROSE NODS DOUBTFULLY AND THEN LEAVES THE ROOM.MEDIUM SHOT:
A SMILE COMES ON ALIA'S FACECLOSEUP SHOT:
FADE-OUT
SCENE 3: FLASHBACK
ALIA IS SEARCHING THROUGH HER MUM'SPOINT OF VIEW:
ACCESSORIES.
ALIA IS VERY HAPPY TO HAVE FOUND WHAT SHECLOSEUP SHOT:
NEEDED. SHE MOUTHS A 'YES'.
SHE IS HOLDING THE HOOP EARRING.OVER THE SHOULDER SHOT:
SHE STUFFS INSIDE HER HOODIE'S POCKET AND LEAVESMEDIUM SHOT:
THE ROOM.
FADE-OUT
SCENE 4: ALIA'S ROOM
Alia transitions back from the flashback.
SHE HAS A WICKED SMILE ON HER FACE.CLOSE UP SHOT:
4. 3.
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SHE CLOSES HER BOOKS AND TAKES OUT A PICTUREPOINT OF VIEW:
OF HER MUM AND STARES AT IT.
SHE CLOSES THE MAGAZINE AND LEAVES HER ROOM.MEDIUM SHOT:
FADE-OUT
SCENE 5: ROSE'S ROOM
ALIA HOLDS THE DOORKNOB AND PUSHESOVER THE SHOULDER SHOT:
THE DOOR.
ALIA ENTERS THE ROOM AND THE WHOLEPANNING SHOT/MEDIUM SHOT:
ROOM IS THEN SHOWN. SHE WALKS TO THE SIDE OF THE BED AND
BENDS DOWN TO TAKE OUT A BOX.
SHE PULLS OUT THE BOX.OVER THE SHOULDER SHOT:
SHE BLOWS OFF THE DUST FROM IT.CLOSE UP SHOT:
SHE SHUFFLES STUFF UNTIL SHE FINDSOVER THE SHOULDER SHOT:
WHAT SHE WAS LOOKING.
SHE TAKES OUT THE CLOTHES AND LOOKS AT IT WITH AMEDIUM SHOT:
SMILE ON HER FACE AND THEN LEAVES THE FRAME TO CHANGE.
FADE-OUT
SCENE 6:DRESSING UP (LAST SCENE)
THE SHOT STARTS FROM THE DRESSING TABLE ANDPANNING SHOT:
THEN TO THE PICTURE OF HER MUM WHICH IS PASTED ON THE MIRROR.
THE CAMERA STARTS TO MOVE BACKWARDS FROM THE PICTURE TO THE
MIRROR, WHERE ALIA IS SEEN POSING THE EXACT POSE AS HER MUM
IN THE PICTURE.
ALIA FURTHER MAKES MORE POSES IN FRONT OF THECLOSE UP SHOT:
MIRROR.
ROSE OPENS THE DOOR TO HER ROOM ANDOVER THE SHOULDER SHOT:
SHE SEES ALIA POSING UNTIL ALIA SEES HER MOM AND FREAKS OUT.
ROSE IS SO SURPRISED TO SEE HEROVER THE SHOULDER SHOT:
DAUGHTER LIKE THIS BUT SOON HER EMOTIONS CHANGES INTO ANGER.
BOTH OF THE CHARACTERS ARE IN THE FRAME NOW ANDMEDIUM SHOT:
ROSE SCREAMS
"ALIA YOU'RE IN DEEP TROUBLE FOR ALL
"OF THIS