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Bengal Provincial style

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Bengal Provincial style

  1. 1. PROVINCIAL STYLE- BENGAL SUBMITTED BY- HIMANSHU VERMA MAHEK GUPTA MOHINI AGARWAL
  2. 2. BENGAL PROVINCIAL ARCHITECTURE •Bengal was established in 1203-1573 AD. •In the 13TH century Arabs invaded the Bengal province and introduced their architecture for the first time in this region. •The strategic center was at the junction of the Ganga and Mahananda now comprising the malda district. •Two major capitals of Mohammedan were Gaur and Pandua. •These Muslim rulers constructed several new cities fortresses, palaces, free-standing victory-towers, citadels, immense land bridges and embankments, etc in this province that included present day Bangladesh and West Bengal in India. •They created the buildings with the locally available building materials combining the regional styles with the typical Muslim features such as domes, arches, the minaret and the mihrab. •This amalgamation resulted into a new and improved technique named as Indo-Islamic architecture, enriched with regional building tradition in Bengal. Three phases of islamic building art of bengal: •Period extending from 1st conquest of country and while the capital was at gaur until it was moved to pandua from 1200-1340 AD. •From the date when the capital was established at pandua until the building of the eklakhi tomb-1340-1430 AD. •During the period from the date of the retransfer of the capital to gaur until the country was acquired by mughals.- 1442 to 1576 AD
  3. 3. 1st Phase(1200-1340 AD) • Mohammedans first established themselves at tribeni then pressed inland occupying area included within present districts of hugli and burdwan. • The lack of building stone in Bengal meant that most construction was carried out in brick, of which there was an abundant supply, and this meant that no building was possible using the usual column-beam construction so characteristic of early Islamic structures.. • Pillars were made of basalt. • Brick thus lends Bengal architecture a style which is distinct, with its pointed arches and finishes so different from those in stone. • Mosques made by dismantling the temples and using their materials. • Quadrangular plan of mosque with a central courtyard surrounded by covered arched aisles. • Multidomed mosque. • The buildings consisting of mosque,tombs and victory tower are almost in a ruined and damaged state.
  4. 4. 2nd Phase(1340-1430 AD) • Mosque became larger in size • Entry not from east but from SE in Adina • New chapel- badhshah ka takht added in Adina • Mihrabs were made in great no. • Mihrabs are slight adaptation of type of niche found at ancient hindu sites of shrines in bengal. • Upper part of building was of brick,substructure of façade composed of finely prepared basalt masonary. • Small domes raised over each bay supported by pendentives.These pendentives were formed of brick built in oversailing courses. Bricks in each course were se diagonally so that their corners project.
  5. 5. ADINA MASJID • Adina Mosque was constructed in the 14th century in medieval period by SikandarShah. •The most striking aspect of its construction is the existence of Hindu influence. •It was constructed after obliterating and super-imposing upon a Hindu construction, •Whole structure measures 507 ft x 285 ft. Main entrance through 3 archways at SE corner. Façade was a rectangular screen of 50ft x 60 ft 3 bay deep aisle on north, east and south. 5 bay deep aisle on west side. High vaulted sanctuary on the western side. Open central Courtyard measures 400 ft x 130 ft. Total 260 pillars within the structure. Screen of 88 arches form a regular façade around the interior. They are surmounted by a parapet 22 ft in height Domes one over each bay amounting to 306 in all. •Plan of adina mosque •West sanctuary of mosque Central nave of the sanctuary is in the form of a well proportioned hall aligned east and west earlier had a barrel vault. In length it is 70 ft and 34 ft across while height from the paved floor to ridge of its pointed roof was probably 50 ft.
  6. 6. To the upper storey is a compartment imposed on the northern aisles of the sanctuary – Badshah-ka- Takht a private chapel for king and ladies of royal household Graceful fluted shafts, expanding lotus capitals Range of arches carried by pillars. Within this royal chapel and all along the inner face of the western wall, alcoves containing mihrab 32 in no. have been inserted ,one opposite the center of each bay, all exquisitely designed and sculptured. Mihrab The pillars are somewhat short ponderous piers, abnormally thick, square above and below and surmount by massive bracket capitals. Badshah-ka- Takht Alcoves containing mihrab Trefoil arch alcove Rectangular framework Recess panelled with hanging lamp of light motif of islam
  7. 7. 3rd Phase(1442-1576 AD) • Structures were built in more moderate proportions. • Structures adapted to indeginous conditions observed from the use of vertical and upright lines and mouldingsthus presenting a naively elementary pattern of rectangles. • Structures had influence of Soil of the terraqueous and deltaic region of Bengal. • Climate of bengal was another factor for the change in style.Curved roof form, no doubt derived from its bent bamboo predecessor to throw off the excess of water during the heavy rainy season was adopted. • Buildings became more elaborated, modified and enlarged according to their functional requirements. • Traditional courtyard plan was discarded,closed in or covered hall was adopted sometimes fronted by an open square due to eavy and incessant rainy seasons. • Long and somewhat low façade. • Façade divided by string courses. • Vaulted ceiling were carved in rich relief decorations • Octagonal turrets terminating in a finial project at each corner. • Glazed tiles used in patterns. • Appearances were more inventive and original.
  8. 8. EKLAKHI TOMB (1425 A.D) • Built by Sultan Jalal-ud-din Mohammed Shah (A.D 1414-31) in Pandua. • Situated in south-west of Adina Mosque. • Important because of three reasons:- 1. It is a structure of marked architectural character in itself. 2. It forms the evolutional landmark as it is the initial building of its kind. 3. It is the prototype of most of the subsequent Islamic architecture of Bengal. Cornice Hemispherical dome Turrets P Stone Doorways 25ft 75ft 25ft 75ft 75ft 75ft PLAN EKLAKHI TOMB • Four stone doorway torn bodily from Hindu temple. • The Pointed arches with lintels crowning the doorjambs span the doorways, a feature derived from the original Hindu temples through architectural style of Tuglaq Dynasty. • Light in the octagonal hall (47ft wide) is being admitted through these doorways as there is no windows or openings in the hall. • The jambs and the lintels are marked by carved Hindu deities that of the lintel of the southern entrance being the figure of Lord Vishnu, and of the Jambs those of Dvarpal, a proof of their appropriation from Hindu temples. • A peculiar feature of the inner spacious room is its four alcoves built at the corners, is often taken as cells for readers of holy Quran. Octagonal Hall Octagonal Turrets
  9. 9. Eklakhi Tomb Exterior Terracotta mouldings Moulding on Turrets The dome (46ft dia) of this mosque, like all other domes of the Sultanate Bengal, appears to be covered with a round rim in the form of a Harmica a Buddhist feature. The hemispherical dome is in fact very much in the shape of the domes of the Great Stupas. The interior of the dome was once ornamented with plaster The ornamentation of the Eklakhi Masjid or mosque consists of braced string mouldings of the corner towers, a divider moulding of the whole external appearance, and the cornice mouldings in three tiers beside the terracotta plaques in panels underneath now broken imitated from the designs of the Adina Mosque.
  10. 10. DAKHIL DARWAJA GAUR.DIST.MALDAH • This impressive gateway built of bricks was probably built by Sultan barbak shah(c.1459-74 AD) in 1465 AD and served as the main entrance on north into citadel of gaur. • It was also called ‘Salami gate’ as salutes were fired from its side, built as a triumphal arch • The gate way represent the height of excellance that the brick masons of Bengal were capable of achieving. • The archway which is 10.35 m high up to apex of the pointed arch is flanked by pylons. • The arch way between the two pylons provides a deep and wide practico containing the arched opening • Intermingling of islamic thought and regional characterstics feactures. Façade of the gate way measure 73’4” in breadth and rises to a height of 60’ Pylon like buttress one on each side of the frontage Beautiful terracotta ornamentation as flaming suns,hanging lamps Rounded bastion at corner built to taper and surmounted by rounded cupolas Vaulted Passage 4.5 m wide through middle. 22.5 m 102.5 m Gaurd room on each side measuring 22.7 m by 2.9 mentrered through 4 entrances and have 2 exits.
  11. 11. TANTIPARA MASJID (1475 A.D.) • Probably built by Mirshad Khan in 1475 AD in Gaur. • The word “tanti” in Bengali means weaver and the mosque must have got its name for a settlement of weavers in the area. • Five pointed archways connected by string-course of a slighter curve than the cornice above, divides it longitudinally into equal two parts. • The arches being occupied by an upright panel containing an ornamental arch surrounded by delicate floral patterns, all in terra-cotta relief. • The interior consists of a fine hall measuring 76ft long and 31ft wide, and is divided into aisles by stone pillars of the square and chamfered variety originally part of Hindu temple. • To the East of the mosque are two tombs, which probably contain the remains of Mirshad Khan, who had the mosque built, and his daughter. Stone pillars 5 Pointed Archways Domes 91 feet by 44ft collapsed in Earthquake. 6 ½ feet thick walls 71ft 44ft PLAN
  12. 12. TANTIPURA MASJID ARCHWAYS WITH UPRIGHT PANELS FLORAL PATTERN DECORATION TERRACOTTA ORNAMENTAION The outer faces are ornamented with flowered borders, each panel being decorated with a pointed arch, under which the usual bell shaped ornament suspended from a long chain. • Faced with bold floral panels and originally covered with ten domes, which have now fallen. • The interior contains terracotta panels with beautiful vegetative patterns.
  13. 13. •Erected possibly by Sultan ‘Yusuf shah’ in 1475 AD.This brick built mosque(damaged) is resting on stone pillars up to height of springing point of its single dome. •The verandah in front noted for use of glazed tiles lending a graceful appearances. •This mosque name is possibly name after the chamkatti community. •It is single dome square mosque,built of bricks. •Its interior show stone facing,specially at the lower course. •The square prayer hall,which measures 7.20m a side internally, •Five entrances •The method adopted is simple, instead of turning the square into an octagon, they use eight stone pillars; one at each angle of the octagon and on them rested the arches and the squinches, which support the dome. Chamkatti masjid GAUR.DIST.MALDAH interior square Prayer hall. verandah three arched entrances Large hemispherical dome covering Hall carried on squinched and further supported by stone pillars. Entrance one each in north and south Single mihrab in west wall, which is gracefully decorated with different types of floral motifs, chain and well motifs also noticed. stone pillars one at each angle of the octagon
  14. 14. • The Bara Sona Majid (literally, "large golden mosque") was built in 1526 AD by Sultan Nusrat Shah (r. ca. 1519–1532). • It is the largest building still standing in Gaur, a ruined city on the border of India and Bangladesh. • It sits at the western side of a raised quadrangle, with eleven arched openings facing an entrance gateway and a lake. • Gateways to the east and north remain, forming an open entrance courtyard of 200 ft diameter. • Forty-four small domes covered the interior. • The verandah leads to a prayer hall of three by eleven bays. The mosque is built of brick, faced in plain stone with no carvings . • Parapet is 20 ft high Bara sona masjid West sactuary plan of masjid Series of 11 pointed arches. 76 ft 168 ft Mihrab opposite each bay Domes covering a verandah to the front of the building remain West sactuary Verandah leading to prayer hall Interior view of west sanctuary having aisles of arches
  15. 15. General view of entrance courtyard from the south Elevated view of the ruined musalla, showing remains of stone pillars that once supported domes Eastern (interior) wall of the ruined musalla, with marks of fallen domes Mosque Two extant entrance gates East gateway Interior roof of the mosque
  16. 16. References- •Percy Brown .Indian Architecture: Islamic Period.Kiran book Agency,Delhi.132pp •http://www.historyofbengal.com/Maldah_article.html •www.history of bengal.com Chandraketugarh Exclusive Articles.htm •www.the Concrete Paparazzi Pandua (Malda) Ruins of a Former Capital.htm •www.Eklakhi Mausoleum, Malda.htm •www.Eklakhi Mausoleum Malda West Bengal & It's History.htm •www.Brick and Bamboo at Bengal by Ashish Nangia.htm •www.the Concrete Paparazzi Pandua (Malda) Ruins of a Former Capital.htm •http://archnet.org/sites/8507/media_contents/91130

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