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The Art of Ancient Greece   c. 900-31 BCE
Map  of Ancient Greece
Geometric And  Orientalizing Art  c. 900-600 BCE
Geometric amphora, two handled storage jar, 8th Century BCE; From Dipylon
Polyphemos Painter, amphora  675-650 BCE Orientalizing Style
Archaic Art (from the Greek word archaios, meaning “old”)   (c. 600-480 BCE)
Priam Painter, Women at a  Fountain House, c. 520-510 BCE.
Panathenaic Amphora with Runners,  c. 520 BCE, Attributed to Euphiletos painter.
Exekias, amphora Achilles and Ajaxplaying a Board Game 540-530 BCE Archaic Style
Ajax on the right says,Tria“Three.”  And Achilles counters with Tesara  “four.” They are believed to be playing dice.
Exekias, amphora Achilles and Penthesilea 525 BCE Archaic Period
Euphronios (painter) and Euxsitheos (potter), Death of Sarpedon during the Trojan War, c. 515 BCE, From an Italian grave.
Detail of the Death of Sarpedon during  the Trojan War, c.500 BCE
Classical Art  (c.480-400 BCE)
 Berlin Painter, bell krater, showing the Abduction of Europa by Zeus 490 BCE .
New Style, what differences to you see?
Penthesilea Painter, cup interior showing Achilles and Penthesilea 455 BCE Late Archaic Classical
Death of the Children of Niobe, NiobidPainter, c. 455-450 BCE
Late Classical Art (c. 400-350 BCE)
Reed Painter, Warrior by a Grave ( c.410 BCE) Classical period
Hellenistic Period (c.323-30 BCE)
Battle of Issus, from the House of the Faun, Pompeii,  Also known as “Alexander Mosaic,” First Century CE Roman copy from the Hellenistic period in Greece
Alexander the Great
Persian King Darius, from…
Sculpture Orientalizing Style: 900-600 BCE
Terrace of the Lions, Delos, Italy , 7th Century BCE
Sculpture, Archaic Style  c. 600-480 BCE Note: Refer to your sculpture  hand out
New York Kouros from Attica (c. 600 BCE) Archaic Sculpture period
Differences? Similarities?
Kroisos, from Anavysos, Greece, c. 530 New York Kouros  from Attica (c. 600 BCE)
The Kritios Boy, from the Acropolis 480 BCE Early Classical Style
Calf Bearer (Moschophoros), dedicated by Rhonbos on the Acropolis, Athens, c 560 BCE
Dying Warrior from the west pediment of the Temple of Aphaia, Aegina Greece, c 490 BCE
Peplos Kore 530 BCE) Archaic period
Classical Style Sculpture  c. 480-400 BCE (Early and High)
Poseidon/Zeus, found in the sea off Cape Artemision 450 BCE) Early Classical Period
Myron, Diskobolos,  (Disk Thrower), 460-450 BCE Early Classical
Warrior from Riaci (c. 450 BCE) Early Classical Style
Polykleitos, Doryphoras (Spear Bearer)  Classical style Roman  copy from Pompeii, original c. 450-400 BCE
[object Object],Classical Style  Attributed to Polykleitos, Wounded Amazon, c. 430 BCE) Classical Style Why is this Attributed to Polykleitos?
Stele of Hegeso,  ( c. 410-400 BCE) Classical Style
Late Classical Period 400-323 BCE
Praxiteles, Hermes and the infant Dionysos, from the temple of Hera, Olympia, Greece, c. 340, or copy of 0riginal work c. 330-270 by grandson.
Polykleitos, Doryphoras (Spear Bearer)   440 BCE) Compare and contrast Praxiteles, Hermes and the infant Dionysos, (c. 340-270)
Praxiteles, Aphrodite of Knidos. Roman marble copy of an original c 350-340 BCE
Grave Stele of a young hunter found near the Ilissos River, Athens Greece, c. 340-330 BCE Attributed to Skopas
Hellenistic Sculpture  (323-30 BCE)
Lysippos, Apoxyomenos, Roman marble copy of bronze original c. 330 BCE Lysippos, Weary Herakles, Roman marble copy, c. 320 BCE
Dying Gallic Trumpeter (Dying Gaul) Roman copy after the original bronze of 220 BCE
Face detail of the Dying Gallic
 Winged Nike (Winged Victory) From Samothrace,  (c. 190 BCE) Hellenistic period
Aphrodite at Melos (also called Venus de Milo),  (c. 150-125 BCE) Hellenistic Style Revival style of the sensual female from Praxiteles during the Classical Period
 Boxer, Late 2nd to early 1stCentury Hellenistic Period
Laocoön and His Two Sons, 1stcentury CE Laocoön and his son.  Roman copy of a Hellenistic statue adds a son on the left,
The Development  Of  Ancient Greek Architecture  and  Architectural Sculpture Archaic Style  c. 600-480 BCE
Plan of a typical Greek peripteral temple
Doric Order: See Handout and key terms
View of Apollo’s Temple at Corinth, (c. 500 BCE) Archaic architecture, Early Doric
 Reconstruction of the façade of the Siphnian Treasury in the sanctuary of Apollo at Delphi, Delphi Museum.   (530-525 BCE)
Seated gods from the Ionic Frieze of the SiphnianTreasury, 530-525 BCE Archaic style, Ionic
Early and High Classical Style  Architecture  c. 480-400 BCE
Ionic Order: See handout and key terms
The Parthenon- c. 447-438 Temple of Athena Nike What are the two orders Represented here?
Two short films about the Parthenon http://www.mlahanas.de/Greeks/Arts/Parthenon.htm http://www.britishmuseum.org/explore/galleries/ancient_greece_and_rome/room_18_greece_parthenon_scu.aspx
Apollo with Lapith and Centaur, center of the west Pediment of the temple of Zeus at Olympia. 465-457 BCE
Acropolis: Akros meaning higher or upper,  Polis meaning city
The Parthenon Athens, Greece Designed by architects Iktinos and Kallikrates in 448 BCE. Phidias, supervised the sculptures. 448-432 BCE, Classical Style, Doric Order
NedaLeipen and Sylvia Hahn, reconstruction of Phidias’s Athena, Royal Ontario Museum, Toronto. From the naos of the Parthenon
East Pediment depicted the birth of Athena http://employees.oneonta.edu/farberas/arth/ARTH209/Parthenon_gallery.html
West Pediment: contest Between Athena and Poseidon
  Lapith and Centaur, from the south metope XXVII of the Parthenon,  432 BCE Classical Period
Phidias, Equestrian Group from the north Ionic frieze of the Parthenon,  c. 442-439 BCE, Classical style
  Temple of Athena Nike from the east, Acropolis, Athens  Temple of Athena Nike from the east, Acropolis, Athens,  427-242 BCE Classical Style Ionic Order
Nike Adjusting Her Sandal, from the balustrade of the temple of Athena Nike,  Acropolis  410-409 BCE,  Classical period
The caryatid porch of the Erechtheum, south side, Acropolis, Greece , 421-405 BCE, Classical Period, Doric Order
Late Classical Period Hellenic Period  c. 400-323
Corinthian Order: See Handout and Key terms
Temple of Apollo at Delphi 346-320 BCE
Polykleitos the Younger, Cornthian capital, from the tholos, Epidauros, Greece, c. 350
Choragic Monument of, Lysikrates, Athens, Greece, 334 BCE
Polykleitos the Younger, Theatre at  Epidauros, (c. 350 BCE)Late Classical Style
Hellenistic Architecture  (323-31 BCE)
Great Altar of Zeus, west front reconstructed and  restored, from Pergamon, c. 180 BCE, Hellenistic
Athena Battling with Alkyoneus, from the great frieze of the Pergamon altar, East Section,c. 180 BCE, Hellenistic period
Stoa of Attalos II c. 159-138 BCE
Finally,  the end of  Ancient Greek Art after 95 slides!

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Ancient Greek Art History Updated

Editor's Notes

  1. At this Fountain house the women are under the shade of a Doric columned porch. Three women fill hydraie jars while a fourth balances her empty jug on her head as she waits, a fifth woman without a jug seems to be waving to someone, The building is designed like a Stoa-opened on one side with a wall on the other, roof is covered and held up with columns. The circular palmettes (fan shaped petal designs frame the main scenes and suggest a rich and colorful civic center.
  2. .
  3. The center was the naos, or cella, a room with no windows that housed the cult statue or deityNaos is entered from the pronaos, or porch, between two columns Behind the cella is a smaller room , but most temples had a opisthodomos , set against the blank wall of the cella, the purpose was not functional but decorative to satisfy the Greek passion for balance and symmetry.A colonnade was often placed across the front of the temple (prostyle) and across the back (amphiprostyle) or all around the cella to porches to form a peristyle or peripteral a colonnade consisting of a single row of colmuns on all sides, a double row is called a dipteral As in Sculpture, architecture reflected and embodied, the cosmic order, with insistence on proportion
  4. j
  5.  
  6.  
  7.  
  8. Greek intellectTheatreFestival for the God of Wine, DionysosStone Excellent acoustics, everyone could hear the actorsCurved rows of stone seats formed an inverted conical spaceBehind the orchestra (literally a place for dancing) was the rectangular stone backdrop or skene (scene) where actors entered and exited.In the fourth century Phillip II of Macedon, in northeastern Greece, conquered the Greek mainland and his son Alexander the Great extended his empire. Intellectual leaders, Plato and Aristotle, along with playwrights Aeschylos, Sophokles, and Euripides continued to write and perform plays.