This document discusses differences between media for interpersonal communication and factors that influence media choice. It covers several theories on how the technological capabilities of different media determine their suitability for different communication tasks and processes. Media with high synchronicity that allow for immediate feedback are well-suited for convergence processes where parties aim to reach a shared understanding, while media with lower synchronicity and capabilities for rehearsal are better for conveyance of new information. The document provides examples of how various media differ in capabilities like transmission speed, symbol sets, and ability to reprocess messages.
Differences between media for interpersonal communication beukeboom
1. Differences between media for
interpersonal communication
and media choice.
Camiel Beukeboom
Dept. of Communication Science
p
VU University Amsterdam
2. Department of Communication Science
Session 7 VU University Amsterdam
Today
Media for interpersonal communication
p
Abundance of media to choose from
Why do people choose certain media?
What exactly are the differences between
What
media?
What
Wh are the consequences of these
h f h
differences?
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Media choice and performance in interpersonal comm.
Before Use During Use After Use
Selecting Medium Outcome
capabilities
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Scenario: Which medium do you choose?
S h h d d h ?
You want to end the romantic relationship
You
with your partner. Your friends think you
should have done this a long time ago. You
didn’t yet, because you find it difficult to find
wo ds e p a w y t s t going we .
words to explain why it isn’t go g well.
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Scenario: Which medium do you choose?
S h h d d h ?
You plan to book a wintersports holiday with
You
three friends. You alsways go to the same spot
in France.
This year a fifth person is joining. You know
him it
hi quite well, b t th others d ’t and you
ll but the th don’t, d
have never been on a holiday with him before.
One of your friends suggests that France may
have good snow and pistes but that Austria has
much better apres-ski bars.
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Today: Technological determinism
How technological capabilities of media determine
g p
media choice and performance.
Important models / theories
Important
Social Presence Theory (Short, Williams & Christy,
1976)
Media Richness Theory (Daft & Lengel, 1986)
Reduced Social Cues approach (Sproull & Kiesler
1986)
986)
Media synchronicity and media choice (Dennis,
Fuller & Valacich, 2009)
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Social Presence Theory (Short, Williams & Christie, 1976)
Social presence ≈ awareness of the other person
p p
Degree of social presence in a medium is determined
by the extent in which physical, visual, auditory
contact is possible
More possible more potential for “presence”
Low social presence High social presence
text audio FtF
Low potential to exercise High potential to exercise
social influence social influence
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Media Richness Theory (Daft & Lengel, 1986)
Bandwidth: The capacity of a medium to transmit signals.
Media differ in the extent that they allow:
Interactivity (capacity for immediate feedback)
The transmission of different types of cues
The use of natural language
A personal focus (social emotional cues)
A
Fit between complexity of the message and medium richness
Complexity of the message:
uncertainty: The absence of information
equivocality: The ambiguity of information
Degree of routine: the (shared) experience with the task
/ message
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Media Richness Theory: Fit
Media richne >
ess
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Media Richness Theory: Fit
Over
chness
edia ric s complication
fit
Me
Over
simplification
low middle high
Complexity of communication
task
Daft & Lengel, Trevino 1987
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Reduced Social Cues approach (Sproull & Kiesler, 1986)
A lack of capacity to transmit different types of cues has
a variety of (both d i bl and undesirable)
i t f (b th desirable nd nd i bl )
consequences
Static cues:
Clothes/ location/ physical properties
Dynamic cues:
Body language/ f i l expression/ tone of voice
B d l / facial i / f i
Consequences of (a lack of) these cues:
Less information about the type of person you’re dealing with
yp p y g
Blurring of hierarchical / expertise differences
Creating uncertainty
Lower persuasive power
anonimity and de-individuation
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Reduced Social Cues approach (Sproull & Kiesler, 1986)
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Up until now:
Media constrain the types of information that can be
yp
transmitted (i.e., bandwidth)
Larger bandwidth (i.e., richer medium):
More social presence (cf, Short, Williams & Christie,
1976)
More complex task (cf, Daft & Lenger, 1986)
(cf Lenger
More attention for the individual (cf, Sproull & Kiesler,
1986)
Fit between task and medium is essential
However, not convincingly shown in research (Dennis et al).
Better look at “communication processes” than “task”.
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Different communication processes (Dennis et al., 2009*)
Conveyance: The transmission of new
Conveyance:
information from person A to person B
Convergence: A
C Agree on th meaning of the
the i f th
information; Reach a shared understanding.
Integration of two perspectives
I i f i
Higher level of interaction neccessary
Back and f h
B k d forth
* Dennis, A. R., Fuller, R. M. & Valacich, J. S. (2009): Media synchronicity and media choice: Choosing media for performance
(Chapt.), In T. Hartmann (Ed.), Media Choice: A theoretical and empirical overview (pp. 247-273). New York: Routledge.
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Different communication processes (Dennis et al., 2009)
Media synchronicity: The extent to which the
y y
capabilities of a communication medium enable
individuals to work together at the same time with a
shared pattern of coordinated behavior.
Ability to receive immediate feedback
Quickly assess and modify messages (even during
Quickly
transmission)
For conveyance processes low synchronicity medium
is beneficial > better performance
For convergence processes high synchronicity
medium is beneficial > better performance
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Media capabilities (Dennis et al., 2009)
d bl ( l
The technological capabilities
g p
(affordances) of a medium determines
its capacity to support synchronicity
synchronicity.
Basic aspect: Copresence (aka co-
location): are person A and B in same
physical environment?
FtF ( ) vs mediated conversations ( )
(yes) di t d ti (no)
Facebook, stay in touch with old friends
Twitter
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@astro_andre
d
‘I went to space and all I got was this lousy T-shirt’
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Media capabilities (Dennis et al., 2009)
d bl ( l
1. Transmission velocity (speed / interactivity)
Subtopics (Clark & Brennan, 1991):
Cotemporality: person B receives at the same time
as person A produces
d
Telephone (yes) vs voicemail, letter (no)
Simultaneity: A and B can send and receive
y
simultaneously (a sender perceives reaction to his
utternance while it is produced)
FtF ( ) vs chat (no)
F F (yes) h ( )
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Media capabilities (Dennis et al., 2009)
d bl ( l
2. Parallelism: the number of simultaneous
transmissions possible (more than 1 person
addressed).
)
1 on 1 vs 1-to-more (e.g., ftf group, what’sapp
group), 1-to-many (e.g. twitter, mass emails, blog,
lecture)
Recipients feel less addressed, not responsible to
answer
High parallelism reduces interaction coherence,
and shared focus: lower synchronicity
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Media capabilities (Dennis et al., 2009)
d bl ( l
3. Symbol sets (multiplicity of cues): Possibility for
(different types) of nonverbal messages (cf. Static cues
and dynamic cues, RSC)
Visibility: A and B are visible to each other
FTF, skype vs. telephone
Body language gestures clothes location physical
language, gestures, clothes, location,
properties, facial expression
Audibility: A and B communicate by speaking
y y p g
Voice mail vs. SMS
tone of voice
Cf. Social presence, media richness
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Media capabilities (Dennis et al., 2009)
d bl ( l
4. Rehearsability (aka editability, revisability):
sender can rehearse or fine tune a message
during encoding, before sending.
Ftf (no) vs email, twitter (yes)
carefully construct message, think about the best
y g
way to formulate it
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Media capabilities (Dennis et al., 2009)
d bl ( l
5. Reprocessability (aka reviewability): recipients
can re-examine / process messages again,
during decoding or later.
Speech in Ftf (no) vs recorded speech (voicemail),
email,
email chat history, twitter, letters (yes)
history twitter
Advantages and disadvantages
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Media capabilities (Dennis et al., 2009)
d bl ( l
5. Reprocessability (aka reviewability):
Rotte vis en andere e-mails uit de Haagse PVV
"We hebben vandaag nog een aantal klachten over het
Verkeerscirculatieplan nodig", zo luidt de tekst van een van de
e mails. Ieder
e-mails. "Ieder een aantal klachtjes typen. 10 minuten werk.
werk."
European Union: stricter laws on internet privacy The right to
privacy.
forget (‘recht op vergetelheid’)
Film: Ipod, Iphone, Iam (12.00-15.26min)
p p ( )
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Media capabilities (Dennis et al., 2009)
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Media capabilities (Dennis et al., 2009)
d bl ( l
Synchronicity is high in media with: high
y y g g
transmission velocity, more symbol sets
Negative effect of: parallelism (distraction), no
rehearsability and no reprocessability (delay)
h bl d b l (d l )
Conveyance process better in media with low
synchronicity,
synchronicity and with rehearsability,
rehearsability
reprocessability
Convergence p
g process better in media that enable high
g
synchronicity
Negative effect of: parallelism, rehearsability and no
reprocessability when th cause d l
bilit h they delays
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It‘s all about …
Technological capabilities of media determine:
g p
how conversations develop (performance /
effectiveness)
media choice: People are expected to choose a
medium that fits the task/ type of conversation at
hand
Knowledge about these issues allow you to
analyze whether a used medium is the best
medium for a given interaction.
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What is the right medium to end a relationship?
h h h d d l h ?
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What i h i h
Wh is the right medium for a lecture?
di f l ?
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It‘s all about …
However, is media choice only determined by
y y
capabilities and expected effectiveness of the
medium?
For tomorrow: what other factors (aside from
medium capabilities) determine your choice of
media (for IPC)? And what other factors
determine the course and outcome of mediated
conversations?
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30. Thank you !
Camiel Beukeboom
Dept. of Communication Science
p
VU University Amsterdam