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19TH CENTURY ART 
Art Nouveau was a movement that swept through the decorative arts and 
architecture in the late 19th and early 20th centuries. Generating enthusiasts 
throughout Europe and beyond, the movement issued in a wide variety of styles, 
and, consequently, it is known by various names, such as the Glasgow Style, or, in 
the German-speaking world, Jugendstil. Art Nouveau was aimed at modernizing 
design, seeking to escape the eclectic historical styles that had previously been 
popular. Artists drew inspiration from both organic and geometric forms, evolving 
elegant designs that united flowing, natural forms with more angular contours. The 
movement was committed to abolishing the traditional hierarchy of the arts, which 
viewed so-called liberal arts, such as painting and sculpture, as superior to craft-based 
decorative arts, and ultimately it had far more influence on the latter. The 
style went out of fashion after it gave way to Art Deco in the 1920s, but it 
experienced a popular revival in the 1960s, and it is now seen as an 
important predecessor of modernism. Romanticism is one of the 19th 
century art. I t first defined as an aesthetic in literary criticism around 
1800, gained momentum as an artistic movement in France and 
Britain in the early decades of the nineteenth century and flourished 
until mid-century. With its emphasis on the imagination and emotion, 
Romanticism emerged as a response to the disillusionment with the 
Enlightenment values of reason and order in the aftermath of the 
French Revolution of 1789. In Romantic art, nature—with its 
uncontrollable power, unpredictability, and potential for 
cataclysmic extremes—offered an alternative to the ordered world 
of Enlightenment thought. The violent and terrifying images of nature 
conjured by Romantic artists recall the eighteenth-century aesthetic 
of the Sublime. In French and British painting of the late eighteenth 
and early nineteenth centuries, the recurrence of images of 
shipwrecks (2003.42.56) and other representations of man's struggle 
against the awesome power of nature manifest this sensibility.

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19th century art

  • 1. 19TH CENTURY ART Art Nouveau was a movement that swept through the decorative arts and architecture in the late 19th and early 20th centuries. Generating enthusiasts throughout Europe and beyond, the movement issued in a wide variety of styles, and, consequently, it is known by various names, such as the Glasgow Style, or, in the German-speaking world, Jugendstil. Art Nouveau was aimed at modernizing design, seeking to escape the eclectic historical styles that had previously been popular. Artists drew inspiration from both organic and geometric forms, evolving elegant designs that united flowing, natural forms with more angular contours. The movement was committed to abolishing the traditional hierarchy of the arts, which viewed so-called liberal arts, such as painting and sculpture, as superior to craft-based decorative arts, and ultimately it had far more influence on the latter. The style went out of fashion after it gave way to Art Deco in the 1920s, but it experienced a popular revival in the 1960s, and it is now seen as an important predecessor of modernism. Romanticism is one of the 19th century art. I t first defined as an aesthetic in literary criticism around 1800, gained momentum as an artistic movement in France and Britain in the early decades of the nineteenth century and flourished until mid-century. With its emphasis on the imagination and emotion, Romanticism emerged as a response to the disillusionment with the Enlightenment values of reason and order in the aftermath of the French Revolution of 1789. In Romantic art, nature—with its uncontrollable power, unpredictability, and potential for cataclysmic extremes—offered an alternative to the ordered world of Enlightenment thought. The violent and terrifying images of nature conjured by Romantic artists recall the eighteenth-century aesthetic of the Sublime. In French and British painting of the late eighteenth and early nineteenth centuries, the recurrence of images of shipwrecks (2003.42.56) and other representations of man's struggle against the awesome power of nature manifest this sensibility.