4. U T O P I A N S O C I A L D E S I G N
• using social work interventions as a model for social design
that would turn design from a market-oriented discipline to
something that serves “people with low incomes or special
needs due to age, health, or disability”.
• good design should not be the prerogative of the rich North
only.
• designers focus on improving situations they face without
paying attention to the larger structures that create those
situations in which they normally act, often to their
disadvantage.
5.
6. M O L E C U L A R S O C I A L D E S I G N
• First, it was driven by the then emerging idea of
“collaborative design” and its aim of improving the
lives of a specific group of people.
• Second, this demonstrates that such molecular
projects can lead to massive changes given the right
conditions.
• The growth of design education, but few designers
find jobs in traditional design.
7.
8. S O C I O L O G I C A L S O C I A L D E S I G N
• It builds on sociological theory.
• Central to this pursuit is a focus on the relationship between
people and things, the traditional concerns of both
sociologists and designers, but this time through the lens of
social interaction or the “actor-network theory” of Bruno
Latour.
• The analytical power of social theory, specifically sociology,
underpins the critical position taken up by “sociological”
designers and thereby informs design(s) that respond to
these so often invisible and inaccessible forces.
9.
10. T O WA R D S D E S I G N S O C I O L O G Y
• sociology of design: devoting attention to the ideas, design
artefacts and other material objects designers use in their
working practices, as well as the spaces and places in which
they work.
• sociological research through design: that is, by using
design methods and concepts as research devices to
generate insights into other topics.
• sociology with design: collaborating with design
researchers, ideally offering both disciplines new research
methods and perspectives that can enrich them both.