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社 會 設 計
W H Y A N D H O W ?
U T O P I A N S O C I A L D E S I G N
• using social work interventions as a model for social design
that would turn design from a market-oriented discipline to
something that serves “people with low incomes or special
needs due to age, health, or disability”.
• good design should not be the prerogative of the rich North
only.
• designers focus on improving situations they face without
paying attention to the larger structures that create those
situations in which they normally act, often to their
disadvantage.
M O L E C U L A R S O C I A L D E S I G N
• First, it was driven by the then emerging idea of
“collaborative design” and its aim of improving the
lives of a specific group of people.
• Second, this demonstrates that such molecular
projects can lead to massive changes given the right
conditions.
• The growth of design education, but few designers
find jobs in traditional design.
S O C I O L O G I C A L S O C I A L D E S I G N
• It builds on sociological theory.
• Central to this pursuit is a focus on the relationship between
people and things, the traditional concerns of both
sociologists and designers, but this time through the lens of
social interaction or the “actor-network theory” of Bruno
Latour.
• The analytical power of social theory, specifically sociology,
underpins the critical position taken up by “sociological”
designers and thereby informs design(s) that respond to
these so often invisible and inaccessible forces.
T O WA R D S D E S I G N S O C I O L O G Y
• sociology of design: devoting attention to the ideas, design
artefacts and other material objects designers use in their
working practices, as well as the spaces and places in which
they work.
• sociological research through design: that is, by using
design methods and concepts as research devices to
generate insights into other topics.
• sociology with design: collaborating with design
researchers, ideally offering both disciplines new research
methods and perspectives that can enrich them both.
設 法社 研
︖
Sociologists have not been trained to
think in “designerly” ways.
每樣事物必須以某種方式「接合起來」︐
本來零散的要素要能凝聚在一起︐
否則新東西就不會問世。
產 品 會 陪 伴 我 們 多 久 ︐ 端 看 造 就
它 的 多 樣 要 素 持 續 存 在 多 久 ︖
人 被 延 攬 進 物 的 計 畫 中
物 件 與 行 動 之 間 持 續 互 相 琢 磨 ︐
讓 東 西 在 互 動 中 穩 定 下 來
物 件 的 功 效 是 穩 住 意 義
Play
Station
Wii
social design why and how
social design why and how
social design why and how
social design why and how

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social design why and how

  • 1. 社 會 設 計 W H Y A N D H O W ?
  • 2.
  • 3.
  • 4. U T O P I A N S O C I A L D E S I G N • using social work interventions as a model for social design that would turn design from a market-oriented discipline to something that serves “people with low incomes or special needs due to age, health, or disability”. • good design should not be the prerogative of the rich North only. • designers focus on improving situations they face without paying attention to the larger structures that create those situations in which they normally act, often to their disadvantage.
  • 5.
  • 6. M O L E C U L A R S O C I A L D E S I G N • First, it was driven by the then emerging idea of “collaborative design” and its aim of improving the lives of a specific group of people. • Second, this demonstrates that such molecular projects can lead to massive changes given the right conditions. • The growth of design education, but few designers find jobs in traditional design.
  • 7.
  • 8. S O C I O L O G I C A L S O C I A L D E S I G N • It builds on sociological theory. • Central to this pursuit is a focus on the relationship between people and things, the traditional concerns of both sociologists and designers, but this time through the lens of social interaction or the “actor-network theory” of Bruno Latour. • The analytical power of social theory, specifically sociology, underpins the critical position taken up by “sociological” designers and thereby informs design(s) that respond to these so often invisible and inaccessible forces.
  • 9.
  • 10. T O WA R D S D E S I G N S O C I O L O G Y • sociology of design: devoting attention to the ideas, design artefacts and other material objects designers use in their working practices, as well as the spaces and places in which they work. • sociological research through design: that is, by using design methods and concepts as research devices to generate insights into other topics. • sociology with design: collaborating with design researchers, ideally offering both disciplines new research methods and perspectives that can enrich them both.
  • 12. Sociologists have not been trained to think in “designerly” ways.
  • 13.
  • 14.
  • 16.
  • 17. 產 品 會 陪 伴 我 們 多 久 ︐ 端 看 造 就 它 的 多 樣 要 素 持 續 存 在 多 久 ︖
  • 18. 人 被 延 攬 進 物 的 計 畫 中
  • 19. 物 件 與 行 動 之 間 持 續 互 相 琢 磨 ︐ 讓 東 西 在 互 動 中 穩 定 下 來
  • 20. 物 件 的 功 效 是 穩 住 意 義
  • 21.