Romanticism
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The document discusses works by several Romantic era artists including Goya, Gericault, Delacroix, Constable, Turner, and Cole. It also mentions architectural works by John Nash and the Eiffel Tower. The works highlighted include paintings depicting political and historical events as well as landscapes, and structures like the Royal Pavilion and Eiffel Tower.
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Dostoevsky's Notes from the Underground and Decadent Romanticism
This document lists various artworks from the 19th century that depict scenes from ancient Roman and Greek history, including works by Dostoevsky, Delacroix, Cole, Briullov, Franque, Filla, Gautier, Stanzione, Tiepolo, Gérôme, Moreau, and Cabanel. Many of the artworks illustrate decadent or tragic moments involving figures like Cleopatra, Sardanapalus, and Attila the Hun. The artworks reflect the 19th century interest in the decline of ancient empires and decadent romanticism found in works like Dostoevsky's Notes from the Underground.
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ART102Art History IIUnit 5 LectureAge of Enlightenment.docx
ART102
Art History II
Unit 5 Lecture
Age of Enlightenment
1750-1793
Age of Romanticism
1793-1848
David’s painting is the quintessential example of
Neo-Classicism, a style of severe realism, precise
details, and subject matter derived from antiquity.
The subject is based on a story of betrayal, where
three men must fit to the death, and their women
react and mourn. It is a powerful image inspired by
the Revolutionary atmosphere of France.
Age of Enlightenment
1750-1793
The Oath of Horatii
Voltaire
Cupid and Psyche
The Death of Marat
The Death of
General Wolfe
Jaques-Louis David
The Oath of Horatii
Ca. 1783-1784
Oil on canvas
Musee du Louvre, Paris
Age of Romanticism
1793-1848
Voltaire, a NeoClassical writer and philosopher, was
a key element to the shift in power in France during
the French Revolution.
These leaders believed in meritocracy over privilege,
and rule by democracy instead of aristocracy.
Here, Voltaire is portrayed near the end of his life,
wearing a ancient Roman-style toga, symbolizing the
role models of Ancient philosophers like Socrates
and Aristotle.
Jean-Antoine Houdon
Voltaire
Ca. 1781
Terra cotta for marble original
Musee Voltaire, Switzerland
Age of Enlightenment
1750-1793
The Oath of Horatii
Voltaire
Cupid and Psyche
The Death of Marat
The Death of
General Wolfe
Age of Romanticism
1793-1848
In the Neoclassical tradition, Canova creates a
stunning sculpture of Cupid and Psyche in the
ancient Roman tradition. The figures are rendered to
perfection, and the moment depicted is emotional
and powerful.
Antonio Canova
Cupid and Psyche
Ca. 1787-1793
Marble
Musee du Louvre, Paris
Age of Enlightenment
1750-1793
The Oath of Horatii
Voltaire
Cupid and Psyche
The Death of Marat
The Death of
General Wolfe
Age of Romanticism
1793-1848
David returns and becomes a powerful voice for the
Revolution in France. This is an image of a Marat, a
Revolutionist murdered in his bathtub.
He is no longer using ancient Roman references
or styles, but instead leading the way into a new
approach to painting.
This is considered to be one of the first truly
modern paintings, because David is taking the
politics of his day and revealing the horror behind it.
Jacques Louis David
The Death of Marat
Ca. 1793
Oil on canvas
Royal Museums of Fine Arts, Belgium
Age of Enlightenment
1750-1793
The Oath of Horatii
Voltaire
Cupid and Psyche
The Death of Marat
The Death of
General Wolfe
Age of Romanticism
1793-1848
In America, historical paintings were using
contemporary events as their subject. Benjamin
West, an English painter, shows the people wearing
modern clothes instead of ancient costumes, and
the public was initially outraged because they
aren’t wearing Roman costumes. West defined
the contemporary history painting by defying the
Neoclassical tradition.
Benjamin West
The Death of General Wolfe
Ca. 1770
Oil on canvas
National Gallery of Canada, Ottowa
Age ...
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This document discusses the English Romantic landscape painters John Constable and J.M.W. Turner. It provides biographical details about each artist, including that Constable was known for depicting ordinary daily life and rural scenes from Dedham Vale, while Turner was nicknamed "the painter of light" and was fascinated by shipwrecks, fires, and the power of the sea in his works. The document also summarizes each artist's techniques, with Constable doing full-scale preliminary sketches directly from nature and Turner using transparent oils and watercolor techniques to depict light, skies, and fires.
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- Asher B. Durand's 1849 painting Twilight in the Wilderness portrayed an awe-inspiring natural scene with no human presence, idealizing nature.
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Theodore Gericault (1791-1824) was a French artist educated in classical figure painting who is best known for his paintings "The Raft of the Medusa" and portraits of the insane. He left school to study at the Louvre and was an avid horse rider until injuries from riding led to health problems. Though his career was short due to his early death at 32, Gericault produced several famous works and spent his final years studying compositions involving historical and social themes like the Spanish Inquisition and African slave trade.
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The document summarizes Romanticism in painting, sculpture and architecture between 1800-1810. In painting, key artists like Géricault, Delacroix and Goya expressed intense emotions and dramatic compositions. Landscape painting became popular as artists expressed admiration for nature. Romantic sculpture focused on the human and natural world, with Francois Rude and Barye as leading sculptors. Gothic Revival or Neo-Gothic architecture featured castellated buildings to imitate medieval castles, with Charles Barry and James Renwick as prominent architects who used this style.
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The document discusses various art styles and movements from the 18th and 19th centuries, including Neoclassical Art, Romanticism, Realism and the Birth of Photography, Impressionism and Post-Impressionism, Other Late 19th Century Art Styles, and 19th Century Architecture. Each section provides multiple paragraphs about the defining characteristics, major artists, and historical context of these different eras and approaches to visual art over two centuries.
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The document describes the architectural style of Baroque buildings, including rounded arches, domes, carved or painted ceilings, decorated walls often painted with real gold, spiral columns, and colored marble. It then provides details about the Palais Garnier opera house, including its cruciform shape with an elongated nave in the style of a Latin cross. Key dimensions are given such as its length, width, heights and diameters of the large central dome.
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The document provides an overview of Baroque art in 17th century Europe, highlighting prominent artists and works from Italy, Spain, Flanders, Holland, and France. In Italy, artists like Bernini promoted the Catholic Counter-Reformation through works commissioned by the Roman Catholic Church. Caravaggio and Gentileschi developed a tenebrist style. In Spain, artists focused on religious scenes of martyrdom and death. Rubens was a leading painter in Flanders. Dutch artists like Rembrandt and Vermeer captured the Protestant middle class through portraits and genre scenes. In France, classical influences were seen in works by Poussin, while Versailles was constructed under Louis XIV. English Baroque architecture, led
Arts of the Romantic Period 1800-1810) (Goya, Delacroix, Gericault) For Grade...
A lesson on the Arts of the Romantic Period (1800-1810)
Artists: Francisco Goya (Spain), Eugene Delacroix (France), Jean Louis Theodore Gericault (France)
Paintings:
Goya: The third of May, The Burial of Sardine, Saturn devouring his son
Delacroix: Liberty Leading the People
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This document provides an overview of Classicism and Romanticism. Classicism, also known as the Age of Reason, valued logic, order, and restraint of imagination. It upheld tradition and resisted change. Romanticism emphasized emotion, individual expression, imagination, nature, the past, and the inner depths of human nature. It supported social progress and individual freedom. Key differences included Classicism focusing on reason and society versus Romanticism focusing on imagination and the personal or individual.
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Examples of art and architecture from romantic period
The document defines Romanticism as an artistic movement from 1798-1832 characterized by imagination, intuition, idealism, inspiration, and individuality. It discusses that Romantic art was emotional, deeply felt, individualistic, and exotic, contrasting it with earlier Neoclassical art which was rigid, severe, and unemotional. Examples of Romantic art discussed include paintings depicting landscapes, shipwrecks, and historical events by artists such as Turner, Constable, Goya, Delacroix, and Friedrich which showcase the movement's emphasis on emotion, nature, and individual expression.
The Romantic Period
This presentation was prepared in order to introduce The Romantic Period in England for undergraduate students who want to become an English Teacher.
Baroque n rococo
The document discusses the Rococo art style that flourished in France and Germany in the early 18th century. Rococo art focused on depicting the carefree lifestyle of the aristocracy rather than grand historical themes. It was characterized by free flowing movement, delicate colors, and playful use of line. Jean-Antoine Watteau and Jean Honoré Fragonard were two prominent Rococo artists known for their paintings of fêtes galantes and romantic scenes.
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Examples of art and architecture from romantic period
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Similar to Romanticism
Chapter12romanticism
Romanticism was an aesthetic and intellectual movement that emphasized nature, emotion, and individualism. It revolted against order and rationalism and occurred in the late 18th and early 19th centuries. Some key figures that heralded Romanticism included Napoleon, William Blake, and Friedrich. Romantic art and literature featured more emotional expressions and themes of nature, the sublime, and the exotic.
Chapter12romanticism
Romanticism emerged in the late 18th century as a reaction against the ideals of the Enlightenment and Industrial Revolution. It valued emotion, nature, and the individual. Key figures included the English poets William Wordsworth and Lord Byron, the painters J.M.W. Turner and Caspar David Friedrich who depicted nature romantically, and composers such as Beethoven, Berlioz, and Wagner who incorporated programmatic elements into their music. The movement also saw a rise in nationalism across Europe and expressions of political liberty.
Turner
Turner was an English Romantic painter known for his landscape paintings and mastery of light. Some of his most famous works include "The Fighting Temeraire" which depicts a retired naval ship being towed to the scrapyard to be broken up. He is also known for paintings such as "Rain, Steam and Speed" which captures the industrial revolution and advancement of technology. Turner worked primarily in oil and watercolor paintings and is considered a pioneer of Impressionism with his use of light, color, and atmospheric effects in his landscape works.
Romanticism
The document features artworks from the Romantic era in Europe between the late 18th and mid-19th centuries. It discusses key characteristics of Romanticism like an emphasis on emotion, nature, and the irrational. Major Romantic artists featured include Goya, Delacroix, Friedrich, Turner, and Gericault. The document also covers developments in architecture like Gothic Revival and styles influenced by other cultures. Early photography pioneers like Daguerre and Cameron are highlighted.
Constable e Turner
The document provides information on various landscape paintings, including the artist, title, date, medium, and location in collection. It includes works by Constable, Turner, Lorrain, Corot, Friedrich and others. The paintings depict rural and coastal landscapes, gardens, ruins and other outdoor scenery. Many are held in major art museums in London, New York, and elsewhere.
Constable e Turner
This document provides information on 27 landscape paintings and drawings from the 18th and 19th centuries by artists such as Constable, Friedrich, Lorrain, and Corot. It includes the title, artist name, date created, medium, dimensions and current location for each work. The works depict a variety of landscapes including rural countryside, gardens, coastal scenes and mountainous terrain. The document serves as a reference for important landscape works held in collections around the world.
ART102Art History IIUnit 5 LectureAge of Enlightenment.docx
ART102
Art History II
Unit 5 Lecture
Age of Enlightenment
1750-1793
Age of Romanticism
1793-1848
David’s painting is the quintessential example of
Neo-Classicism, a style of severe realism, precise
details, and subject matter derived from antiquity.
The subject is based on a story of betrayal, where
three men must fit to the death, and their women
react and mourn. It is a powerful image inspired by
the Revolutionary atmosphere of France.
Age of Enlightenment
1750-1793
The Oath of Horatii
Voltaire
Cupid and Psyche
The Death of Marat
The Death of
General Wolfe
Jaques-Louis David
The Oath of Horatii
Ca. 1783-1784
Oil on canvas
Musee du Louvre, Paris
Age of Romanticism
1793-1848
Voltaire, a NeoClassical writer and philosopher, was
a key element to the shift in power in France during
the French Revolution.
These leaders believed in meritocracy over privilege,
and rule by democracy instead of aristocracy.
Here, Voltaire is portrayed near the end of his life,
wearing a ancient Roman-style toga, symbolizing the
role models of Ancient philosophers like Socrates
and Aristotle.
Jean-Antoine Houdon
Voltaire
Ca. 1781
Terra cotta for marble original
Musee Voltaire, Switzerland
Age of Enlightenment
1750-1793
The Oath of Horatii
Voltaire
Cupid and Psyche
The Death of Marat
The Death of
General Wolfe
Age of Romanticism
1793-1848
In the Neoclassical tradition, Canova creates a
stunning sculpture of Cupid and Psyche in the
ancient Roman tradition. The figures are rendered to
perfection, and the moment depicted is emotional
and powerful.
Antonio Canova
Cupid and Psyche
Ca. 1787-1793
Marble
Musee du Louvre, Paris
Age of Enlightenment
1750-1793
The Oath of Horatii
Voltaire
Cupid and Psyche
The Death of Marat
The Death of
General Wolfe
Age of Romanticism
1793-1848
David returns and becomes a powerful voice for the
Revolution in France. This is an image of a Marat, a
Revolutionist murdered in his bathtub.
He is no longer using ancient Roman references
or styles, but instead leading the way into a new
approach to painting.
This is considered to be one of the first truly
modern paintings, because David is taking the
politics of his day and revealing the horror behind it.
Jacques Louis David
The Death of Marat
Ca. 1793
Oil on canvas
Royal Museums of Fine Arts, Belgium
Age of Enlightenment
1750-1793
The Oath of Horatii
Voltaire
Cupid and Psyche
The Death of Marat
The Death of
General Wolfe
Age of Romanticism
1793-1848
In America, historical paintings were using
contemporary events as their subject. Benjamin
West, an English painter, shows the people wearing
modern clothes instead of ancient costumes, and
the public was initially outraged because they
aren’t wearing Roman costumes. West defined
the contemporary history painting by defying the
Neoclassical tradition.
Benjamin West
The Death of General Wolfe
Ca. 1770
Oil on canvas
National Gallery of Canada, Ottowa
Age ...
English art
This document discusses the English Romantic landscape painters John Constable and J.M.W. Turner. It provides biographical details about each artist, including that Constable was known for depicting ordinary daily life and rural scenes from Dedham Vale, while Turner was nicknamed "the painter of light" and was fascinated by shipwrecks, fires, and the power of the sea in his works. The document also summarizes each artist's techniques, with Constable doing full-scale preliminary sketches directly from nature and Turner using transparent oils and watercolor techniques to depict light, skies, and fires.
Romanticismo Europeo
The Romantic movement began in the late 18th century as a reaction against Enlightenment ideals. Romantics valued emotion and individualism over reason, and found inspiration in nature, the supernatural, and the exotic. They expressed these themes through poetry, novels, and paintings that depicted subjects like lonely wanderers in the wilderness, ruins from the past, and scenes of terror. The Romantic movement had a profound influence on literature, art, and political thought in the 19th century.
Romanticism
This document provides an overview of the Romantic movement between 1790-1850. Some key aspects discussed include the rise of individualism and alienation from industrialization. Romantic artists and thinkers rejected Enlightenment ideas and reason, instead valuing emotion and subjectivity. Nature was glorified in artworks from this period. Characteristics of Romanticism included the engaged artist, emphasis on the individual, supernatural themes, and exoticism. Major Romantic works included poetry, novels, and paintings that depicted these ideals. The movement ultimately reinforced both liberal and conservative political ideas across Europe.
Romanticism
The document discusses the key characteristics and themes of Romanticism between 1790-1850. Some of the major themes discussed include the rise of the individual and alienation from industrialization, a distrust of reason and embrace of emotion and subjectivity, a glorification of nature, and an interest in the supernatural. The movement saw a revival of past artistic styles like Gothic and embraced dark, dramatic subjects. Major Romantic artists and writers discussed include William Blake, Caspar David Friedrich, John Constable, Eugene Delacroix, Lord Byron, and Mary Shelley.
William Turner 2.0
Turner was a British painter born in 1775 who became famous for his landscape paintings and seascapes depicting the effects of light and weather. He was influenced by Romanticism and sought to portray nature's power through dramatic depictions of storms, fires, shipwrecks, and other disasters. Turner's style evolved over his career to use bolder colors and looser brushwork focused more on light than physical forms. He is now seen as a precursor to Impressionism and one of the greatest artists of the 19th century.
Romanticism
An overview of the Romantic period,providing examples of the arts, literature and music that was influenced by the ideology of the time.
Romanticism
Romanticism was an artistic and intellectual movement that emerged in the late 18th century. It emphasized emotion, individualism, and nature over reason. Key characteristics included glorification of nature, interest in the exotic, and the idea of the artist as a rebel against society. Romantic artists and writers explored themes like the power of the individual, the destructiveness of industrialization, and the supremacy of emotion over logic. The movement influenced literature, art, music, and politics in the 19th century.
Art of the late eighteenth & nineteenth centuries
This document summarizes art movements from the late 18th and 19th centuries including Neoclassicism, Romanticism, Realism, and Impressionism. Key points include Jacques-Louis David leading the Neoclassical movement focusing on noble causes, Thomas Jefferson designing the iconic home Monticello blending classical and modern styles, the Romantic movement flourishing in landscape paintings like The Oxbow, photography emerging as an art form through photographers like Watkins and Nadar, Realism depicting ordinary life in paintings such as The Horse Fair, and Impressionism beginning as artists like Monet and Degas sought to paint visual impressions rather than realistic scenes.
Art of the late eighteenth & nineteenth centuries
This document summarizes art movements from the late 18th and 19th centuries including Neoclassicism, Romanticism, Realism, and Impressionism. Key points include Jacques-Louis David leading the Neoclassical movement focusing on noble causes, Thomas Jefferson designing the iconic home Monticello blending classical and modern styles, the Romantic movement flourishing in landscape painting like Turner's "The Burning of the Houses of Lords and Commons", photography developing as an art form through artists like Carleton Watkins, Realism depicting ordinary life in paintings such as Rosa Bonheur's "The Horse Fair", and Impressionism emerging as artists like Monet and Degas sought to capture fleeting visual impressions rather than
Art of the late eighteenth & nineteenth centuries
This document summarizes art movements from the late 18th and 19th centuries including Neoclassicism, Romanticism, Realism, and Impressionism. Key points include Jacques-Louis David leading the Neoclassical movement focusing on noble causes, Thomas Jefferson designing the iconic home Monticello blending classical and modern styles, the Romantic movement flourishing in landscape paintings like The Oxbow, photography evolving from a threat to painting to new creative possibilities, Realism depicting ordinary life like Rosa Bonheur's The Horse Fair, and Impressionism beginning as brief "impressions" of light and color in paintings such as Monet's Impression: Sunrise.
222 final review w15
This document provides descriptions of various artworks from different periods including Baroque, Rococo, Neo-Classicism, Romanticism, Impressionism, Cubism, Futurism, Surrealism, Abstract Expressionism, Pop Art, and Postmodern art. It includes brief information about the artist, title, date, and movement for each work. The artworks span from the 17th century up to the late 20th century and feature both paintings and sculptures from artists such as Thomas Smith, John Singleton Copley, Jean-Honore Fragonard, William Hogarth, Benjamin West, Jacques-Louis David, John Constable, Claude Monet, Vincent van Gogh, Pablo Picasso, Umber
Fall15, Module 3.2
- Diego Velázquez painted portraits of ordinary people like his studio assistant Juan de Pareja with the same dignity as portraits of noblemen. He also included soldiers in his painting Surrender of Breda.
- Later artists like Manet painted scenes of everyday life, like a waitress serving in a café.
- The Impressionists like Monet captured effects of light and atmosphere in paintings of landscapes and city scenes. Turner and Whistler's works pushed toward abstraction.
- Picasso and Duchamp experimented with collage and incorporating real objects into their works, questioning the boundaries between art and reality. This helped pave the way for more abstract and conceptual art.
Rococo & Neoclassicism In Early 18th Century
The document provides an overview of Rococo and Neoclassicism in 18th century Europe. It discusses the political context and shifts in power from French royalty to aristocrats. Rococo began as an architectural style featuring undulating forms and spread to painting and sculpture. Neoclassicism emerged in response to Enlightenment ideals and was inspired by the ruins of Pompeii. It featured simpler, more structured compositions with references to Greek and Roman antiquity. The document summarizes key works of Rococo artists like Fragonard and Boucher and Neoclassical artists like David, West, and Ingres.
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Early Expressionism
This document provides an overview of early Expressionist art movements in Europe and the Americas between 1893-1983. It features works from Edvard Munch, Henri Matisse, Georges Rouault, Paula Modersohn-Becker, Kathe Kollwitz, Ernest Ludwig Kirchner, Emil Nolde, Franz Marc, Wasily Kandinsky, Diego Rivera, David Alfaro Sequeiros, Frida Kahlo, and Judy Baca. The works span a variety of mediums including oil paintings, woodcuts, lithographs, frescoes, and murals. They cover subjects such as portraits, landscapes, religious scenes, and political themes.
Post Impressionism
Post Impressionism Seurat, Cezanne, Toulouse-Lautrec, van Gogh, Gauguin. The document lists several Post-Impressionist artists such as Georges Seurat, Paul Cezanne, Henri de Toulouse-Lautrec and their notable works including Seurat's A Sunday on La Grande Jatte-1884 and Cezanne's Mont Sainte-Victoire from 1904. It also mentions Toulouse-Lautrec's paintings Jane Avril Leaving the Moulin Rouge from 1892 and his Moulin Rouge poster from 1891.
Impressionism
This document provides an overview of key Impressionist artists including Claude Monet, Edouard Manet, Camille Pissarro, Berthe Morisot, Edgar Degas, Pierre-Auguste Renoir, Mary Cassatt, James Abbott McNeil Whistler, Auguste Rodin, and Camille Claudel. It features over 30 works from these artists spanning the mediums of oil painting, pastels, prints/etchings, sculptures in bronze and terracotta from the 1860s to the early 20th century. The works cover a wide range of subjects from landscapes and cityscapes to portraits and scenes of everyday life.
Realism
This document lists 13 artworks by 7 realist artists from the mid-19th century including Rosa Bonheur, Camille Corot, Jean Francois Millet, Honore Daumier, Gustav Courbet, Winslow Homer, and Thomas Eakins. It provides the title, date, and medium for each piece, focusing on oil paintings from the 1850s-1870s that depict scenes of everyday life, landscapes, and people.
Neoclassicism
This document discusses various artists and architects from the Neoclassical period including Jacques-Louis David, Dominique Ingres, Elizabeth Vigee-Lebrun, Jean Antoine Houdon, and references some of their notable works. It also mentions Thomas Jefferson's Monticello home and the US Capitol Building as examples of Neoclassical architecture from that time period.
Early 18th Century Baroque And Rococo
This document lists and provides details on works created by various 18th century artists from several European countries and the United States. It includes paintings, frescoes, engravings and architectural works by artists such as Watteau, Tiepolo, Canaletto, Wren, Hogarth, Reynolds, Gainsborough, Copley, West, Johnson and others. The works cover a variety of genres including portraiture, landscapes, history paintings and more.
Begin Material For Quiz #4
The document discusses Baroque art in Holland and Spain, focusing on works by Rembrandt, Velasquez, Murillo, and Zurbaran. It features several self-portraits and major works by Rembrandt, including The Night Watch and The Mill. Key paintings by Velasquez discussed are Las Meninas and portraits of the Infanta Margarita and Don Sebastian. It also mentions still life and religious works by Zurbaran and Murillo's Immaculate Conception.
Baroque In Flanders And Holland
This document provides information on Dutch Baroque artists such as Judith Leyster, Peter Paul Rubens, Rachel Ruysch, Frans Hals, and Jan Vermeer through brief descriptions of some of their paintings from the early 1600s to late 1600s, including self-portraits, landscapes, still lifes and allegorical works. The paintings highlighted span subjects from lion hunts and gardens to portraits and flower arrangements.
Baroque In France
This document lists important Baroque artists and architectural works in 17th century France, including painters Georges de La Tour, Nicolas Poussin, and Claude Lorrain, known for religious scenes. It also mentions the expansive Palace of Versailles designed by Louis Le Vau and Jules Hardouin-Mansart between 1669-1685, featuring the Hall of Mirrors and formal gardens, as well as Claude Perrault's east facade of the Louvre in Paris.
Baroque In Italy, Germany, And Austria
The document lists important Baroque artists and architects from Italy and Germany, along with key works. In Italy, Bernini, Caravaggio, Gentileschi, Maderno and Borromini are mentioned, with Bernini's Piazza of St. Peter's in Rome from 1657 highlighted. In Germany, Prandtauer and Zimmerman are noted designers, with Prandtauer's Benedictine Abbey in Melk, Austria from 1702 and Zimmerman's Die Wies from 1746-1754 mentioned.
Northern Renaissance, Part 2
This document provides an overview of Northern Renaissance art in the Low Countries, Germany, England, France, and Spain. It features works by prominent artists of the time period like Pieter Bruegel, Albrecht Durer, Matthias Grunewald, Hans Holbein, Juan Bautista De Toledo, Jean Fouquet, Jean Clouet, Pierre Nepveu, and Pierre Lescot. The works shown include paintings, sketches, architectural plans and diagrams of structures like El Escorial and the Chateau de Chambord.
Mannerism
The document lists notable artists and artworks from the Mannerism period between 1525-1600, including paintings by El Greco, Rosso Fiorentino, Tintoretto, Veronese, and Sofonisba Anguissola. It also mentions sculptures by Cellini and Giambologna, and architectural works by Palladio, including Villa Capra in Vicenza, Italy. Additional references are made to Thomas Jefferson's Monticello home and the Rotunda at the University of Virginia, inspired by Palladio's designs.
High Renaissance
This document highlights works by two prominent Renaissance artists, Leonardo da Vinci and Michelangelo Buonarrotti, during the High Renaissance period between 1495-1527. It lists Leonardo's famous works such as the Vitruvian Man drawing, Virgin of the Rocks painting, The Last Supper mural, and Mona Lisa painting. For Michelangelo, it mentions his early masterpiece Pieta sculpture and his iconic David statue, as well as his marble sculpture of Moses.
Early Renaissance Part 2
This document summarizes important early Renaissance artists such as Donatello, Masaccio, Fra Angelico, Uccello, della Francesca, Botticelli, Mantegna, and Bellini and some of their key works. It describes Donatello's bronze statues of David and Gattamelata. It also mentions Masaccio's fresco of Tribute Money and works by Fra Angelico, Uccello depicting battles of San Romano, della Francesca's fresco of the Discovery and Proving of the True Cross, and Botticelli's paintings of The Birth of Venus and Adoration of the Magi. Additionally, it includes Mantegna's painting of Dead Christ and Bellini's
Early Renaissance
This document discusses important early Renaissance artists in Florence, Italy including Filippo Brunelleschi, Lorenzo Ghiberti, and Donatello. It notes Brunelleschi's dome for the Florence Cathedral completed between 1420-1436, Ghiberti's bronze Baptistry doors known as the "Gates of Paradise" from 1425-1452, and Donatello's bronze David statue from 1430-1432, highlighting some of the key works and innovations of these pioneering Renaissance sculptors and architects in Florence.
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Romanticism
- 1. Romanticism Goya, Gericault, Delacroix, Constable, Turner, Cole, and Architecture
- 2. Francisco Goya, The Sleep of Reason Produces Monsters (from Los Caprichos) , 1794-1799, Oil on Canvas
- 3. Francisco Goya, Third of May, 1808, 1814, Oil on Canvas
- 4. Theodore Gericault, Raft of the “Medusa”, 1818-1819, Oil on Canvas
- 6. Eugene Delacroix, Liberty Leading the People, 1830, Oil on Canvas
- 7. Eugene Delacroix, The Lion Hunt, 1861, Oil on Canvas
- 8. John Constable, Stoke-by-Naylan, 1836, Oil on Canvas
- 9. John Constable, The Hay Wain, 1821, Oil on Canvas
- 10. JMW Turner, Sun Rising Through Vapor: Fishermen Cleaning and Selling Fish,
- 11. JMW Turner, Snow Storm: Steam-Boat off a Harbor’s Mouth, 1824, Oil on Canvas
- 12. Thomas Cole, View on the Catskill, Early Autumn, 1837, Oil on Canvas
- 13. John Nash, Royal Pavilion, 1815-1818, Brighton, England
- 14. John Nash, Dining Hall of the Royal Pavilion, 1815-1818, Brighton, England
- 15. Alexandre-Gustave Eiffel, Eiffel Tower, 1889, Iron, Paris, France