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** Disclaimer:
All of the pictures and pieces of information on this site are the property of the respective owners. I do not hold any copyright in regards to these pictures and information. These pictures have been collected from different public sources including various websites, considered to be in the public domain. If anyone has any objection to display of any picture, image or information, it may be brought to my notice by sending an email (contact me) & the disputed media will be removed immediately, after verification of the claim.
Understanding culture and society
Chapter 1 The social science and the three faces of the social
lesson 1 Key observation
Lesson 2 The social science
Objective
question
what is social science
herbert spencer survival of the fittest
emile dukheim suicide
On the Social Construction of Homosexuality and Trans Identities as Deviancy ...Warren Blumenfeld
Rather than considering homosexuality, bisexuality, and gender diversity merely as emotional, gender, and sexual differences along a broad spectrum of human potential, some sectors of the medical, psychological, political, and religious communities force pathologizing language onto people with same-sex and both-sex attractions, and those who cross traditional constructions of gender identities and expression. This presentation investigates the history of the "medicalization" of LGBT people from without, and the struggles to reclaim the liberty of self-defining themselves from within.
It is related to the state and government. It is taught in Senior high school. In this presentation, you will see the description of banks, and its examples, Corporations, Trade Unions, and examples, Cooperatives and examples, Development Agencies and examples, Transnational Advocacy Groups, International Organization and examples.
Based on Peggy McIntosh’s (1988) pioneering investigations of white and male privilege, we can, by analogy, understand heterosexual and cisgender privilege as constituting a seemingly invisible, unearned, and largely unacknowledged array of benefits accorded to heterosexuals and cisgender people with which they often unconsciously walk through life as if effortlessly carrying knapsacks tossed over their shoulders. This presentation examines the contents of these knapsacks.
CLIENTELE AND AUDIENCES
Individual and groups of people who receive service from various counseling professions constitute of clientele and audiences.
CHARACTERISTICS
Neurotic- a long term tendency to be in a negative emotional state. (Ex. Sad, guilty, worry, fear, etc.)
Psychotic- are severe mental disorder that makes people lose touch with reality cause by abnormal thinking and hallucination.
Personality Disorder- it involves a long-term pattern of unhealthy and inflexible thoughts and behavior.
NEEDS OF CLIENTELE AND AUDIENCES
Be genuinely engaged in therapeutic claims.
Have an unconditional positive regards for the client.
Feel empathy for the client.
Clearly communicate this attitude.
TYPES OF CLIENTELE AND AUDIENCES
People who abuse drugs
People who use tobacco
People who abuse alcohol
Women
Older adults
People with aids
Victims of abuse
Gay men and lesbian women
THE INDIVIDUAL AS CLIENT OF COUNSELING
Most common type of counseling
Individual needs capacitation
Includes those who need help in managing a life changing situation, personal problem or crisis
THE GROUP AND ORGANIZATION AS CLIENT OF COUNSELING
Consist of between five to eight people
To avoid loneliness and isolation of the client’s problem.
Cost less
Shares experience
THE COMMUNITY AS CLIENT OF COUNSELING
Generally conducted to prevent a problem and assist in setting prevention programs in different communities.
A form of counseling in which different counselors work with families, individuals, couples and also communities in one or the other way.
People are not only taught what is right and wrong but also how they can live their lives happily and peacefully.
Introduction slides for Post-Feminism and Queer Theory. This is an over-simplification of the concept, we are mostly interested in how gender and sexuality are represented in the media and how traditional roles can be subverted.
Understanding culture and society
Chapter 1 The social science and the three faces of the social
lesson 1 Key observation
Lesson 2 The social science
Objective
question
what is social science
herbert spencer survival of the fittest
emile dukheim suicide
On the Social Construction of Homosexuality and Trans Identities as Deviancy ...Warren Blumenfeld
Rather than considering homosexuality, bisexuality, and gender diversity merely as emotional, gender, and sexual differences along a broad spectrum of human potential, some sectors of the medical, psychological, political, and religious communities force pathologizing language onto people with same-sex and both-sex attractions, and those who cross traditional constructions of gender identities and expression. This presentation investigates the history of the "medicalization" of LGBT people from without, and the struggles to reclaim the liberty of self-defining themselves from within.
It is related to the state and government. It is taught in Senior high school. In this presentation, you will see the description of banks, and its examples, Corporations, Trade Unions, and examples, Cooperatives and examples, Development Agencies and examples, Transnational Advocacy Groups, International Organization and examples.
Based on Peggy McIntosh’s (1988) pioneering investigations of white and male privilege, we can, by analogy, understand heterosexual and cisgender privilege as constituting a seemingly invisible, unearned, and largely unacknowledged array of benefits accorded to heterosexuals and cisgender people with which they often unconsciously walk through life as if effortlessly carrying knapsacks tossed over their shoulders. This presentation examines the contents of these knapsacks.
CLIENTELE AND AUDIENCES
Individual and groups of people who receive service from various counseling professions constitute of clientele and audiences.
CHARACTERISTICS
Neurotic- a long term tendency to be in a negative emotional state. (Ex. Sad, guilty, worry, fear, etc.)
Psychotic- are severe mental disorder that makes people lose touch with reality cause by abnormal thinking and hallucination.
Personality Disorder- it involves a long-term pattern of unhealthy and inflexible thoughts and behavior.
NEEDS OF CLIENTELE AND AUDIENCES
Be genuinely engaged in therapeutic claims.
Have an unconditional positive regards for the client.
Feel empathy for the client.
Clearly communicate this attitude.
TYPES OF CLIENTELE AND AUDIENCES
People who abuse drugs
People who use tobacco
People who abuse alcohol
Women
Older adults
People with aids
Victims of abuse
Gay men and lesbian women
THE INDIVIDUAL AS CLIENT OF COUNSELING
Most common type of counseling
Individual needs capacitation
Includes those who need help in managing a life changing situation, personal problem or crisis
THE GROUP AND ORGANIZATION AS CLIENT OF COUNSELING
Consist of between five to eight people
To avoid loneliness and isolation of the client’s problem.
Cost less
Shares experience
THE COMMUNITY AS CLIENT OF COUNSELING
Generally conducted to prevent a problem and assist in setting prevention programs in different communities.
A form of counseling in which different counselors work with families, individuals, couples and also communities in one or the other way.
People are not only taught what is right and wrong but also how they can live their lives happily and peacefully.
Introduction slides for Post-Feminism and Queer Theory. This is an over-simplification of the concept, we are mostly interested in how gender and sexuality are represented in the media and how traditional roles can be subverted.
Discourse and Genre (the relationship between discourse and genre) Aticka Dewi
We provide some questions to make the discussion clearer
1. What is discourse?
Discourse is the use of language in text and context
2. What is genre?
Genre in linguistics refers to the type and structure of language typically used for a particular purpose in a particular context.
3. What is relationship between discourse and genre?
Discourse analysis is genre analysis. When we analyze discourses, of course we will specify them into more specific types from the characteristics of each discourse. For exampleThe specific type of discourses is called as genre.
4. Why should we use genre to analyze discourse?
Discourse is language in use. It is huge and almost unlimited. So, when we want to analyze discourses, we need a limitation to limit the unlimited things. Here, we use an analogy for this statement. (slide 11,12)
Genre provides limit in discourse.
That is why genre is used to help us divining and analyzing the discourses.
5. How do we analyze discourse through genre?
Example: text “Forklift fatty Improving”.
----------
The text is taken from the newspaper report. As we see in the language features and structures, we can divine it into recount text. It is non fiction, because it is based on real event. And it is written. So, we can say that this discourse has written non-fiction recount genre.
But, we cannot make sure that a type of discourse always has the same characteristics, because discourse is neither absolutely homogenous nor absolutely heterogeneous. Discourse is sometimes heterogeneous. Here, we provide two videos which have the same genre, but quite different in terms of language features and structures.
---------VIDEO
From the videos, we can feel that the first and the second videos are quite different. The structure in the first video is introduction (addressing, personal value), content (some important issues, e.g: financial issues, goals of America, ), closing (hope for American future, blessing). The language features used in the first video is more formal, present tense. The atmosphere created is formal.
From the second video, the structure is introduction (personal value without addressing), content (some goals), closing (. The language features used in the video is mixing, unclear and needs more understanding. The atmosphere created is a bit humorous.
Although they have different characteristics, they have the same genre in term of purpose, that is political genre.
From those videos, we can conclude that we cannot stick to an idea that a genre of discourse always has the same characteristics. AGAIN, discourse is neither absolutely homogenous nor absolutely heterogeneous.
A revision book to help students embed their understanding of the key theoretical perspectives for A2 Media Studies, including the new topic 'Identities & the Media'.
Family CROSSroad: Lesson 9, "The Sexualization of America"roberthatfield
Family CROSSroads class series, lesson 9
"The Sexualization of America"
Presented Wednesday, October 29, 2014 at the North Charleston church of Christ -- http://northcharlestonchurchofchrist.com
Media Representation of Women- Gender Studies.pptxAshik Mondal
Historically, media representations of women have often been limited to stereotypical roles such as caregivers, homemakers, or romantic interests. Women are frequently objectified and sexualized in media portrayals, reducing them to their physical appearance and reinforcing narrow beauty standards. This can contribute to body image issues, low self-esteem, and unhealthy relationships among women and girls.Women are often underrepresented in media, particularly in leadership roles, STEM fields, and other traditionally male-dominated areas. When they are represented, they may be portrayed as exceptions or tokens rather than as fully developed characters with agency and complexity.Media representations of women often intersect with other aspects of identity such as race, ethnicity, sexuality, and disability. Intersectional analysis reveals how these intersecting identities shape women's experiences and opportunities in media portrayals. Women from marginalized groups may face additional layers of stereotypes and discrimination.Feminist scholars, activists, and media watchdogs have long critiqued the representation of women in media and advocated for more diverse, inclusive, and empowering portrayals. This includes initiatives to increase the visibility of women's voices and stories, challenge stereotypes, and promote media literacy and critical thinking among audiences.Overall, media representation of women plays a powerful role in shaping societal attitudes and perceptions. Efforts to promote more diverse, authentic, and inclusive portrayals of women are essential for challenging gender stereotypes, promoting gender equality, and fostering a more equitable and inclusive media landscape. While there have been some improvements in recent years, including the emergence of strong female characters in film, television, and literature, significant challenges remain. Women continue to face systemic barriers to equal representation and opportunities in media industries, including issues of pay equity, workplace harassment, and lack of access to decision-making roles.
Is your favorite ring slipping and sliding on your finger? You're not alone. Must Read this Guide on What To Do If Your Ring Is Too Big as shared by the experts of Andrews Jewelers.
What Makes Candle Making The Ultimate Bachelorette CelebrationWick & Pour
The above-discussed factors are the reason behind an increasing number of millennials opting for candle making events to celebrate their bachelorette. If you are in search of any theme for your bachelorette then do opt for a candle making session to make your celebration memorable for everyone involved.
Johnny Depp Long Hair: A Signature Look Through the Yearsgreendigital
Johnny Depp, synonymous with eclectic roles and unparalleled acting prowess. has also been a significant figure in fashion and style. Johnny Depp long hair is a distinctive trademark among the various elements that define his unique persona. This article delves into the evolution, impact. and cultural significance of Johnny Depp long hair. exploring how it has contributed to his iconic status.
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Introduction
Johnny Depp is an actor known for his chameleon-like ability to transform into a wide range of characters. from the eccentric Captain Jack Sparrow in "Pirates of the Caribbean" to the introspective Edward Scissorhands. His long hair is one constant throughout his evolving roles and public appearances. Johnny Depp long hair is not a style choice but a significant aspect of his identity. contributing to his allure and mystique. This article explores the journey and significance of Johnny Depp long hair. highlighting how it has become integral to his brand.
The Early Years: A Budding Star with Signature Locks
1980s: The Rise of a Young Heartthrob
Johnny Depp's journey in Hollywood began in the 1980s. with his breakout role in the television series "21 Jump Street." During this time, his hair was short, but it was already clear that Depp had a penchant for unique and edgy styles. By the decade's end, Depp started experimenting with longer hair. setting the stage for a lifelong signature.
1990s: From Heartthrob to Icon
The 1990s were transformative for Johnny Depp his career and personal style. Films like "Edward Scissorhands" (1990) and "Benny & Joon" (1993) saw Depp sporting various hair lengths and styles. But, his long, unkempt hair in "What's Eating Gilbert Grape" (1993) began to draw significant attention. This period marked the beginning of Johnny Depp long hair. which became a defining feature of his image.
The Iconic Roles: Hair as a Character Element
Edward Scissorhands (1990)
In "Edward Scissorhands," Johnny Depp's character had a wild and mane that complemented his ethereal and misunderstood persona. This role showcased how long hair Johnny Depp could enhance a character's depth and mystery.
Captain Jack Sparrow: The Pirate with Flowing Locks
One of Johnny Depp's iconic roles is Captain Jack Sparrow from the "Pirates of the Caribbean" series. Sparrow's long, dreadlocked hair symbolised his rebellious and unpredictable nature. The character's look, complete with beads and trinkets woven into his hair. was a collaboration between Depp and the film's costume designers. This style became iconic and influenced fashion trends and Halloween costumes worldwide.
Other Memorable Characters
Depp's long hair has also been featured in other roles, such as Ichabod Crane in "Sleepy Hollow" (1999). and Roux in "Chocolat" (2000). In these films, his hair added a layer of authenticity and depth to his characters. proving that Johnny Depp with long hair is more than a style—it's a storytelling tool.
Off-Screen Influenc
La transidentité, un sujet qui fractionne les FrançaisIpsos France
Ipsos, l’une des principales sociétés mondiales d’études de marché dévoile les résultats de son étude Ipsos Global Advisor “Pride 2024”. De ses débuts aux Etats-Unis et désormais dans de très nombreux pays, le mois de juin est traditionnellement consacré aux « Marches des Fiertés » et à des événements festifs autour du concept de Pride. A cette occasion, Ipsos a réalisé une enquête dans vingt-six pays dressant plusieurs constats. Les clivages des opinions entre générations s’accentuent tandis que le soutien à des mesures sociétales et d’inclusion en faveur des LGBT+ notamment transgenres continue de s’effriter.
From Stress to Success How Oakland's Corporate Wellness Programs are Cultivat...Kitchen on Fire
Discover how Oakland's innovative corporate wellness initiatives are transforming workplace culture, nurturing the well-being of employees, and fostering a thriving environment. From comprehensive mental health support to flexible work arrangements and holistic wellness workshops, these programs are empowering individuals to navigate stress effectively, leading to increased productivity, satisfaction, and overall success.
4. Deconstructing the Message…
Can you list the ‘meanings’ behind this apparently harmless
advertisement? What is the anchorage text?
5. You May Have Seen…?
What Might be the Cumulative Effect of Such
Advertisements?
Nails/lips –
attractive for
man
Man in suit -
breadwinner
Clinging onto him
- protector
Servant of a
man
Domestic rolePromoting idea of
marriage
6.
7. Peggy Orenstein
Argues that too many toys are
directed and marketed towards
specific genders. This, in turn,
determines their whole future …
From “baby pink” to “hot Barbie
pink” – these narratives tell girls
how they should be behaving,
creating an ideological norm
8. Women and the Media
Research:
The American Psychology Association has found that the more mainstream media girls
consume the more they believe beauty and sexiness to be important.
Most fashion models are thinner than 98% of American women (Smolak 1996).
‘The deception in these images goes largely unnoticed, which leads women down a road of
destructive self-comparison’. (Berberick, 2010)
21. Post-Feminism
This idea suggests that Feminism is no longer relevant/needed as everything in now equal:
* In politics
* In education
* In the home
* In the media
Is this true?
23. So how do we view people who rebel
against this image
https://www.youtube.com/watch?v=KM4Xe6Dlp0Y
https://www.youtube.com/watch?v=prmeYbolXRY
https://www.youtube.com/watch?v=ScxAvd-Md4c
https://www.youtube.com/watch?v=18hBof_NneI
24. Women and the Media
Annual expenditure on books, magazines, special foods, classes and other aids to weight loss:
UK - £11 billion
US – between £40 - £100 billion.
‘We are in the midst of a violent backlash against feminism that uses images of female beauty as a political weapon against women’s
advancement.’ (Naomi Wolf)
See link below for how young US feminists are fighting back.
Q3: In what way might sexist definitions of beauty be used to undermine female ‘advancement’, as Naomi Wolf argues?
https://www.youtube.com/watch?v=5gJrFS_40iA
(Bell, Lawton, Dittmar, 2007): Refer to evidence that after exposure to Barbie dolls, 5 – 7 year olds were found to have a desire to be
skinnier.
Becker et al (2202):In Fiji, a country where dieting has traditionally been discouraged and where disordered eating is rare, researchers
found a significant increase in disordered eating following the introduction of Western TV, to the islands. The percentage of girls
scoring high on tests of disordered eating increased from 12.7 to 29.2, while the proportion of girls who reported that they made
themselves vomit in order to control their weight increased from 0 – 11.3%.
http://news.bbc.co.uk/1/hi/health/2018900.stm
See link below: Why might the male professional panellists have been so surprised about Susan Boyle’s assigning talents? Does their
reaction tell us about anything about how women are judged more broadly?
https://www.youtube.com/watch?v=RxPZh4AnWyk
28. ‘Symbolic Annihilation’ – George Gerbner
http://www.xpowerpoint.com/Cultivation-Theory--University-of-Maryland-College-Park--PPT.html
‘Symbolic annihilation’ is used to highlight the erasure of peoples in popular communication. George Gerbner coined the
term to describe the “absence,” “condemnation,” or “trivialization” ( Tuchman 1978) of a particular group in the media.
Generally applied to women, racial and sexual minorities, symbolic annihilation points to the ways in which poor media
treatment can contribute to social disempowerment and in which symbolic absence in the media can erase groups and
individuals from public consciousness.
To illustrate, popular communication often overlooks, stereotypes, or ridicules black people, who have been confined to
the roles of coons, mammies, jezebels, brutal bucks, etc. ( Bogle 2001 ). The use of language in the media also
contributes to the trivialization and condemnation of racial groups such as black people in popular communication.
For example, in a critical, cultural analysis of the → news , it was concluded that reporters may ignore the effects of
(neo-)colonialism by describing African countries as “third world” and “underdeveloped” rather than “overly exploited.”
Comparatively, the US and western Europe are referred to as “first world” and as “superpowers” ( Moore 1992 ).
29. ‘Symbolic Annihilation’ – George Gerbner
Gaye Tuchman (1978) divided the concept of symbolic annihilation into three aspects: omission,
trivialisation and condemnation. This multifaceted approach to coverage not only vilifies
communities of identity, but work to make members invisible through the explicit lack of
representation in all forms of media ranging from film, song, books, news media and visual art.
“Representation in the fictional world signifies social existence; absence means symbolic
annihilation.” (Gerbner & Gross, 1976, p. 182)
30. Women and the Media
Berberick (2010): ‘The Objectification of Women in the Mass Media’
• Berberick found:
• A clear relationship between the extension of the media’s reach (i.e. the evolution of the internet)
and eating disorders and associated deaths, low self esteem as well as increases in the rates of
plastic surgery.
• In 2010, following a set of three studies that “examined the associations among sexist beliefs,
objectification of others, media exposure and three distinct beauty ideals and practices,”
researcher Viren Swami and colleagues found that sexism exists where beauty ideals and
practices are rigidly consumed and followed, (Swami et al. 2010:367).
• ‘The representation of women in the media has always been exploitative. It has, throughout the
years, reduced women to being nothing more than objects to be won, prizes to be shown off, and
playthings to be abused. It has also created a definition of beauty that women compare themself
to. Also, men compare the women in their lives to what they see on television screens, in
magazines, and on billboards. Both the self and society has suffered because of the objectification,
sexism, exploitation and assessment.’ (Berberick, 2010)
• Q2: In what ways might ‘society’ in general have suffered the consequences of media
representations of women as well as women in particular?
31. And What of Pop Culture?
http://www.rewindreframe.org/
Are Page Three girls just a ‘harmless British tradition?’ https://www.youtube.com/watch?v=k7WHingsuxs
Is ‘Blurred Lines’ actually empowering to women?
Did Lilly Allen get this all wrong? https://www.youtube.com/watch?v=FZfxS7c942I
By portraying an overtly sexualised public persona, is Miley Cyrus striking a blow for gender equality?
32. Women and the Media
http://www.independent.co.uk/news/uk/this-britain/bank-tells-staff-dont-forget-the-lipstick-girls-1522530.html
http://www.telegraph.co.uk/news/uknews/3370562/Female-accountants-sent-on-course-to-learn-how-to-dress-
appropriately.html
Y. Yamamiya et al (2005): just 5 minutes exposure to thin and beautiful images of women leads viewers to feel
more negatively about their body image in comparison to viewing neutral objects.
The same effects have been replicated in studies using music videos and TV commercials. (Bell, Lawton, Dittmar,
2007)
Harper and Tiggemann (2008): A study found that 94% of women’s magazines featured a model/celebrity on
their covers who conformed to the thin ‘ideal.’
- Magazines focused on improving your life by changing appearance
- Implication that thin = lovable, happier, sexier.
- Australia: the researchers found that women who view magazine adverts featuring thin models felt more
dissatisfied and anxious about their bodies, and viewed themselves in more objectified ways.
