Impact Of Globalisation On Indian Music

What Is The Impact Of Globalisation Of Indian Music
Abstract: Globalisation is the process by which earth has really become small. This is the outcome of the human interaction over long distances for the
last so many years. Globalisation is a process of international arising from the interchange of the world views and the other aspects of culture.
Globalisation has its impact on our country too. This article deals with the effect of Globalisation on Indian Music. India has a very rich tradition of
music. This paper throws light on the impact of Indian Music on the lives and interest of music lovers and leaners around the world. Indian Music is
basically a 'classical' tradition having an old but highly developed theoretical base and is also linked to folk and regional styles. Due to ... Show more
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Ravi Shankar, the Central figure in the twentieth century Globalisation of Indian music. Countless Indian musicians made their journey to the west and
have been acting as performers, teachers and professors. Such artists include the Hindustani Instrumentalists– Ali Akbar Khan, Amjad Ali Khan, Nikhil
Banerjee, Zakir Hussain, T. Vishwanathan, T. Rang Nathan, and M.S. Subhalakshmi. Due to the Globalisation of Indian Music, many collaborations in
the west between Indian and Western musicians occurred in the fields of classical music, jazz and popular music. Though the twentieth century
witnessed the establishment of Indian music as global, the interaction between Indian Musicians and Western Musicians has a longer history that
stretches back into the 1800s.
Historical Prospective of the Connection of Indian Music and Western Music:Interaction between Indian Musicians and Western Musicians has a long
history way back to 1800s. The Western Scholar, Sir William Jones, carried out serous studies of Indian Music. Then, in 1834 Captain A.N. Willard
published an important treatise on Indian music. Throughout the 1800s, Western Scholars showed a keen interest in certain aspects of Indian Music,
notable in notation and tuning (Broughton, Simon and Ellingham, Mark 2000,
... Get more on HelpWriting.net ...

Essay About Bharatanatyam
Mind blowing facts about Bharatanatyam
Bharatnatyam dance form is a classical dance form which is immensely popular all over the world and is said to have its origin point in the Tamil
region of South India. There is certain confusion regarding the exact time of origin of this dance form. If we take into consideration various literary
works and ancient manuscripts we can see that this dance form dates back to 2nd century BC. During the early time of the origin of the dance form it
was mainly limited to temple and was regarded as temple dance used to be danced mainly by Deva–Dasis (Servants of God or Temple maiden). This
dance form was considered as a form of worship. Interestingly the name of this dance form was derived from the name Bharata ... Show more content
on Helpwriting.net ...
The female part is known as Lashya, which consititutes slow yet graceful movement of body parts including hand which is very sensual in nature. On
the other hand the male form is known as Tandava which is comparatively swift, rhythmic and is done with masculine vigor Tandava dance is loosely
based on Nataraj avatar of Lord Shiva where he is seen in a Tandava posture.
7)The modern form of this dance form that we generally see is the product of gradual evolution and influences of various cultures. This modern version
of Bharatanatyam is said to take shape from the regime of Maratha Ruler Saraboji II which dates back to 19 th century AD. His Tanjore court saw the
shaping of the modern form of this dance form with the help of experts like Poonia Pillai, Chinmayya Pillai, Vadivelu Pillai and Sivanandama Pillai.
8)Rukmini Devi who is often regarded as the face of the modern form of Bharatnatyam was the first teacher of this dance form who taught this dance
form to both male and female

Chapter 5 Essay
WORLD MUSIC CHAPTER 5 1. Why does the Indian classical tradition dominate the musical image of South Asia in the west? The classical music of
India has gained most of the attention of outsiders probably due to the colonization era that has brought Indo–European invaders (Aryan Civilization)
into their territory between 2000 and 1500 BCE due to the presence of rich resources. However, Indian music, unlike the communal music of Africa and
Southeast Asia, is individual and often virtuosic and can be both vocal and instrumental. The Hindustani one (North) is more appealing to the Western
society as it is more instrumental based, whereas the Carnatic (south) one is more vocally oriented. Another factor that attracts the Western attention...
Show more content on Helpwriting.net ...
Carnatic music is said to have originated in the Karnatak region of south India. On the other hand Hindustani music is said to have originated in
several parts of northern and western India in different times. While Carnatic music is sung and performed in only one style, there are various styles
of singing and performing in Hindustani music. Each style of school is called a 'gharana'. The number of ragas used in Carnatic music is more when
compared to the fewer ragas used in Hindustani music. It is interesting to note that Carnatic music is characterized by the presence of 72–melakarta
raga scheme. Each of the 72 principal ragas is divided into several subordinate ragas. Both the types of music differ in terms of the instruments used in
the playing of music as well. While both types of music use instruments such as violin and flute, Hindustani music extensively employs the use of Tabla
(a kind of drum or a percussion instrument), Sarangi (a stringed instrument), Santoor, Sitar, etc. On the other hand Carnatic music extensively employs
the use of musical instruments such as Veena (a stringed instrument), Mridangam (a percussion instrument), Gottuvadyam, Mandolin, Violin, Flute,
Jalatarangam. 4. How do filmi songs differ from Qawwali songs? For Qawwali

A Brief Look at Bharatanatyam
Introduction
"India's precious heritage of music, drama and dance is one which we must cherish and develop. We must do so not only for our own sake but also for
our contributions to the cultural heritage of mankind. Nowhere is it truer than in the field of art that to sustain means to create. Traditions cannot be
preserved but can only be created afresh. It will be the aim of this Akademi to preserve our traditions by offering them an institutional form..." (Maulana
Azad, 28th January 1953, inauguration of Sangeet Natak Akademi)
India is very rich in the tradition of classical and non–classical dance. It is one of the refined developed systems of dance and is also recorded as far
back as the 9th century, and it was although called the Sadir in the 1900's. The Natya Shastra is one of the oldest surviving texts on stagecraft in the
world and has also been called as the fifth Veda. The other factor which preserved the dance form is the Devadasis (temple dancers) who enjoyed
high status and prosperity and was encouraged by public funds to pursue their arts. Slowly this tradition of the Devadasis fell into disrepute due to
economic and social pressures. Rukmini Devi, a member of the Brahmin family is credited for reviving the art form bringing it back to stage in the
early 1900's. During the initial days of theatre, the artists would mime, the singers/vocalists would sing and the dancer who occupied the central
position would bring out the meaning of the story through hand and

Dance And Religion
Dance is globally presented in religion and culture. Dance has been important for entertainment, rituals, ceremonies and celebrations. In India they
have a god of the dance whose name is Shiva. Shiva is the third God in Hindu triumvirate. Anytime someone is doing a classical Indian dance Shiva is
present. When you are doing a classical Indian dance you learn with one teacher and afterwards you usually have a long term relationship with that
teacher. For hundreds of years Indian dance has been based on sacred text surrounding the inner sanctum within the Hindu temples. Kalanidni
Narayanan says "if you take it as an art, with devotion, it makes a way of, I mean its a path through which you can attain God." In the Yoruba religion
people dance

Indian Classical Music Structure And Sets It Apart
What differences Indian classical music structure and sets it apart in the world's classical traditions? Give examples that highlight structural and
conceptual differences. (For example the shruthi or the drone – how vital is it, and what is the philosophy behind it?)
Indian classical music is one of the oldest forms of music in the world. It is rooted in antiquity, with traces of its origin found in areas such as the
ancient religious Vedic hymns, tribal chants, devotional temple music, and folk music. Indian music is melodic in nature, as opposed to Western music
which is harmonic. The most important point to note is that movements in Indian classical music are on a one–note–at–a–time basis. This progression of
sound patterns along time is the most significant contributor to the tune and rhythm of the presentation, and hence to the melody. Indian music can be
further distinguished into two main streams of Hindustani (Northern Indian) and Carnatic (Southern Indian). The origins and fundamental concepts of
both these types of music are the same, although the prime form of music here is the ancient complex patterns of melody called raga merged with Talas
or rhythm that affects energy centres laying emphasis as a tool of meditation for self–realization.
North Indian music, known as Hindustani Sangeet is usually considered to be a mixture of traditional Hindu musical concepts and Persian performance
practice. North Indian classical music sprang from an amalgamation of musical

Personal Narrative: Dance
Some people dream of success while others wake up and work hard at it. ~ Winston Churchill.
It has been a year since I have joined KDA. And this past year this quote has been my motto I live by. I have spent this past year, devoting myself to
practicing and perfecting my dancing skills, and I hope to continue so. I can never get bored with it because there is always room to improve.To me,
dance is more than just a beautiful art form. Dance is me expressing what I cannot always express in words. As I look back on this past year at KDA, I
would consider myself as an inspired dancer.
Since I lived in America basically my entire life, I have never understood what was the big deal with Indian classical dance. I have never seemed to be
interested

Music And Dance In India
Throughout Indian culture, music and dance are the most distinguished art form within. The range of musical variety in India expands far beyond
simple melodies to intricately formed classical sagas. India is the seventh biggest country in the world and the 3rd largest in the northern hemisphere.
Of the 29 states, it consists of a population of 1.32 billion citizens. Due to its vastly increasing population, it's culture continues to adapt and thrive
within an ever–changing society. The most vital and key ingredient within any Modern society is the ability to adapt to this tool, this segways
towards a wide variety of different sights and sounds flowing all around the area. Despite the fact that Indian culture is well known for its exotic
animals, foods and much more. It is beloved for their art and music. Shortly after the sweet birth of music, came dance; which originally served a
spiritual purpose and described a spiritual energy that connected its people with several figures within the Hindu religion. It wasn't till around 1960
when dance art forms began turning towards more modern and western themes. In 1899 the first Bollywood short film was screened for the first time,
which planted seeds for pop culture to take root within music and redesigned what Hindi music was and will ever be. In a western society like the
United States, Bollywood takes on the role of squashing the many stereotypes that linger and taint the image that defines what exactly Indian

Bharatnatyam
Introduction to Semiotics
Bharatanatyam A journey from temples to the proscenium
An introduction
Bharatanatyam is a Sanskrit word, which means the dance of Bharata (India). True to its name, it is one of the oldest and most popular dance forms of
India. It originated in the temples of Southern India and was later codified and documented as a performing art by the Tanjore Quartet. It is now the
most popular Indian classical dance and is appreciated worldwide. Bharatanatyam is a language in itself. Like Sanskrit language, bharatanatyam follows
strict rules and is technically sound. The grammar of the steps is followed rigorously. It is danced to Carnatic music and the mathematical precision of
the dance equals the Carnatic music measure ... Show more content on Helpwriting.net ...
Many padams (narrative pieces) depicted the love story of a nayak (hero) and a nayika (heroine). In most cases, the nayak was in the form of Lord
Krishna, or Shiva or any other mythological hero. While Shiva was said to be serious, Krishna was full of pathos and love. Thus, the choreographies
mainly concentrated on Sringara rasa (love).
Gradually the devadasi system started getting plagued with several notorious ills. Around this time, it was customary for the Indian people hailing
from royal or aristocratic families to invite a devadasi to a celebration, to sing and dance and perform. The best dancers were invited to the royal
courts to perform, in return which they were provided with a shelter. In this period, the position of the devadasis could be compared to that of an
apsara (celestial nymph) who danced in the courts of the Gods in order to please them. Eventually, the rich men and the aristocrats attracted the
devadasis with good money and luxurious lifestyles and lured them into being their mistresses. The devadasis were easily enticed to the kind of
lifestyle offered to them. Thus, the sringara rasa in their choreographies converted into eroticism and they danced merely to appease the rich men. As
consequence of which, these devadasis who were held at par with the temple priests lost their respect in the society.
By this time, the Europeans had arrived to India. Their

My Accomplishments In Middle School
I have several notable accomplishments, most of them are of academics. Some of the awards/accomplishments that I can recall ever since I was in
middle school are: First position on spelling contest, department award for the most Helpful student, Student of the quarter, Presidential award for
educational excellence (Gold Seal), 4.0 Honor roll, Indian Classical dance, Achieve3000 state winner, department award for "Excellence in English
Language Acquisition," and Academic Excellence Lettering Award. Among all these awards and recognition, I consider Achieve3000 to be the greatest
because it was a state level competition and was moderately competitive to win. In the Achieve3000 program, basically, an individual has to compete
with the students

Golden Age
It was when Gods called a council and realized that there was nothing to occupy their time or grab their attention to that they thought of putting an
end to this situation by retelling stories with the help of gestures and motions. And so came about the art of dance and drama into being. All this
happened approximately in the era which is called the Golden Age or Krita Yuga in Indian mythology. The Golden Age lasted for hundreds of
thousands of years and then according to cosmic laws Krita Yuga was replaced by Treta Yuga and everything in the world underwent great changes.
Ideals, morals, ethics were distorted. It is said that the human body is Shiva's damaru (drum). Shiva always carried a drum because it is symbolic of
the rhythm of life. When we run a race or when we're excited or scared, we hear "dhun, dhun, dhun" in our head. This is the rhythm of the body. The
rhythm of the body is not just in the beat of the heart. Every fiber and every pranic nadi in the body has its own... Show more content on Helpwriting.net
...
Music has been a common phenomenon in every culture on this planet and has always been a stepping stone for a spiritual process. Especially with
Indian classical music, it is a possibility of walking you through creation, and when possible, to touch the Creator. In Indian culture, music, dance or
whatever else you did was not entertainment; it was also a spiritual process. In classical music, the way sound is used – the ragas, the tunes, everything
– is such that if you get deeply involved in it, it will bring meditativeness. Classical Indian music has, to a mathematical precision, recognized which
sound can do what. If you know how to use sounds, a proper arrangement of sounds can do incredible things to people and to the situation. There are
exponents of music who know it by

Indian Classical Dance and Music
"It's only for a section of society. The masses can't really relate to it."; "It's extinct."; "I don't know anything about that. But I can talk to you about
Jazz, if you want." Talk about Classical Music and Dance and these are the replies you get from the people of the country, supposedly so rich in
heritage and culture. Boasting to have strong traditional and cultural roots, our country has always called itself the land of arts. Unfortunately, the
very same country lives in an irony today as its classical arts face an abandonment from the masses. "Who is to be blamed?" is the big question. India
claims to be the land of art and culture. Yet sadly, if we look at the present scenario, we find hardly anyone with genuine interest or
... Show more
The times have changed. And so have the demands of the people. They enjoy a Reshammiya Concert over a Classical Music Night. The basic
thought that Indian classical arts are backward Indian Classical arts instil within you the kind of traditional values that "We take great pride in
talking about our great Indian culture. But who is keeping it alive? It's the ignored artists who are keeping the literature," "The basic interest in
classical traditional art was more. The number of performances have gone up Western influence too much in lifestyle and art. Is the media, people
or the audience? We are making the effort of going out. Institutions are going and trying to create awareness Even if you somehow find the
opportunities, it is disheartening to see the response of the audience. Though, Shovana Narayan has a different story to tell. "After performing in
front of a jam packed crowd at Surajkund, I least expected to have a Haryanvi man coming up to me and telling how much he enjoyed the beauty of
the performance. We judge the intellect of the common man too soon. Given the platform to see quality arts, they will also learn to appreciate it."
Professional Hazard "Every profession has it's own related hazards with it. It's a non glamourous profession and it has and appeal to a select
audience," says Oddissi dancer, Rashi Khanna. "There is so much art in our country. And every art form has

The Power Of Dance: The NY Dance
The students from the NY dance Institute gained knowledge about different aspects around the world.It expose them to new Ideas about cultural
exchanges.They learned how to work together and how to have respect for one another,and about timing and spacing,and learned to express their
feelings from the practices,and rehearsals,and how to express their self,and tell a story while they danced. From the video The power of dance I learned
something new about the dance style Ballet.Ballet expresses an atmosphere of strength,and grace;ballet allows the dancer to express feelings throughout
dancing.Ballet has been russia center of classical dance,and originated In Italty.The dance style Bhangra Is a spiritually and spiritual dance.the dance Is
danced

Research Paper On Anna Pavlova
How did a seven–year–old girl go from being a ballet enthusiast to one of the greatest ballerinas of all time whose influences are still so evidently felt
today? Anna Pavlova is a famous Russian ballerina who is best known for introducing and popularizing ballet around the world, defying the traditional
expectations of ballerinas and her contribution to the modern pointe shoe. Her love for classical ballet, determination, perseverance, and elegance stole
the hearts of people around the world.
At the age of eight Anna Pavlova, born in St. Petersburg, Russia, on 31 January 1881, was amazed by the performance of The Sleeping Beauty at the
Mariinsky Theater and was thereafter determined on becoming a professional ballerina. Despite not having the ideal, strong, muscular and compact
figure of a ballerina at the time, Pavlova was accepted into the Imperial Ballet School in 1891. Pavlova attracted the attention from her teachers and at
the annual graduation performance in 1899, it was announced that Pavlova, after graduating, would join the Imperial Ballet at the Mariinsky Theatre.
Pavlova, with her grace, talent and work ethic, rose through the ranks quickly, she was named coryphГ©e in 1902, premiГЁre danseuse in 1905, and
finally, after her extraordinary performance in Giselle, she was promoted to prima ballerina in 1906.
With her strong stage presence, Pavlova stole the hearts of many across the world, who called themselves the Pavlovitzi. One such person was Michel
Fokine,

Cultural Tourism
Cultural heritage tourism (or just heritage tourism or diaspora tourism) is a branch of tourism oriented towards the cultural heritage of the location
where tourism is occurring. The National Trust for Historic Preservation in the United States defines heritage tourism as "travelling to experience the
places and activities that authentically represent the stories and people of the past," and cultural heritage tourism is defined as "travelling to experience
the places and activities that authentically represent the stories and people of the past and present."
Culture has always been a major object of travel, as the development of the Grand Tour from the 16th century onwards attests. In the 20th century, some
people have claimed, culture ... Show more content on Helpwriting.net ...
As a result heritage tourism can be seen as a blend of education, entertainment, preservation and profit.
Nearly five thousand years back flourished India's first major civilisation along the Indus River valley. The twin cities of Mohenjodaro and Harappa
now in Pakistan were ruled by priests and held the rudiments of Hinduism. These civilisations are known to possess a sophisticated lifestyle, a highly
developed sense of aesthetics, an astonishing knowledge of town planning and an undecipherable script language. The Indus civilization at one point
of time extended nearly a million square kilometres across the Indus river valley. It existed at the same time as the ancient civilizations of Egypt and
Sumer but far outlasted them. Surviving for nearly a thousand years the Indus valley civilisation fell to tectonic upheavals in about 1700 BC, which
caused a series of floods.
The coming of the Aryans around 1500 BC, gave the final blow to the collapsing Indus Valley civilisation. At the dawn of Vedic ages the Aryans came
in from the North and spread through large parts of India bringing with them their culture and religious beliefs. The Four Vedas or the important books
of Hinduism were compiled in this period.
In 567 B.C. the founder of the Buddhist Religion Gautama Buddha was born. During this time lived Mahavira, who founded the Jain Religion. The
Indian subcontinent is full of caves and monuments devoted to these religions and are worth a visit.
Two

The Role Of Women In Bollywood Dance
Bollywood is a dance form originating in India, that has recently been spreading across Western nations and increasing in popularity. I had the
opportunity to take a Bollywood Class at the dance studio where I teach, A Leap Above Dance. While I have a strong dance background in ballet
and jazz, I had never before tried Bollywood. The class had about 15 students, all female, and was taught by Megan Powell, who was a part of the World
Dance Program at BYU, where she had the opportunity to take a course on Indian dance practices. What I witnessed in class, as well as through my
research, has exposed a sexual representation of females within Bollywood dancing. This sexualization can be seen through the costume choices, hip
movements, and the male gaze often featured in Bollywood dances.
Bollywood dance is an art form derived from Indian classical and folk dances that originated in the 1950s's and 60's1. The dance practice involves
fast paced, precise hand movements, each of which has its own unique cultural significance. While many of the hand positions look similar and
were easy for me to mix up, Megan explained that they are very distinct, and it is important to use the correct motion. The word itself comes from a
combination of two names, Bombay (a city in India, now referred to as Mumbai) and Hollywood1. Mumbai hosts what is considered to be the
Hollywood of India, where many of the Bollywood films and dancing occur. It is often considered a film dance, due to the

Bharatanatyam Essay
Bharatanatyam is a dance that is widely popular in India, and especially in the Southern part of India. Bharatanatyam is originated in Tamil Nadu a
southern state in India. Along with basic footwork and hand gestures, Bharatanatyam also has the capacity to tell stories and emote various feelings to
tell a story. The dance stems from a scripture called the Natyashastra, which includes all the guidelines about classical dance and performance
etiquette. According to Sridevi Jagannath, a dance teacher in Cary, North Carolina, and the Director of Laasya School of Dance and Music, "
Bharatanatyam is a dance that connects mind, body, and soul and has the ability to tell a story using expressions called the Navarasas and show
emotions using the mind, body, and soul called Bhavam." In Bharatanatyam, Navarasas and Bhavam play a major role like hand gestures and footwork.
Navarasas are the nine emotions, erotic, humorous, pathetic, terrible, heroic, fearful, odious, wonder, peaceful. In simple words, Bharatanatyam is like
a musical, but incorporates the Jathis, which are items of dance which are about two to three minutes. In Bharatanatyam, dance is not the only thing
you need, but you also need music. Each dance in Bharatanatyam contains, Raga known as the tune of dance and Tala known as the beat or the rhythm
of the dance. In every dance, the Raga and the Tala changes. Six different kinds of Tala. Originally, there are 72 Ragas, but there are always new
compositions that happen. This

Learning Bharatnatyam, An Indian Classical Dance Form
As the music began, I started to move; the pounding of my feet blending in with the melodious sounds of the flute, the ghungaroo(bells) around my
ankles, the mridangham (drums), and the blood rushing into my own heart. With the music and my first movements, the fear of being on stage washes
away and I am focused on my movements and my expressions–using them to tell a story about my culture, my heritage, and me.
Learning Bharatnatyam, an Indian classical dance form, since the age of 5 has taught me perseverance and the importance of hard work
–characteristics that will allow me to achieve my ultimate goal of becoming a doctor. This passion formedicine parallels my early journey through
dance and has been reinforced by memorable experiences along the way. One of my earliest experiences involved a childhood friend who battled a
brain tumor for nearly three years before succumbing to her illness. To me, her loss was heightened by a sense of unfairness–she was too young to
have been robbed of her life before she truly had a chance to live. These thoughts followed me through adolescence as my mother also began to face a
variety of health problems. Seeing how much disease and pain robs an individual of their essential nature frightened me and made me feel helpless.
But out of this helplessness, came a strong desire to help and be involved in medicine. I persevered in the study of sciences, volunteering in clinical
settings, and had research and internship experiences that have

Kathak And Indian Culture And Culture
Cultures around the world express themselves in a variety of forms, and some are more well–known then others. It can take the form of both music and
dance, and Indian culture in particular is very popular around the world, especially concerning their types of dance. One dance style is called kathak,
and it is performed in several countries. Kathak is especially important for Indian culture because it is also a way for the Indian diaspora to connect
with their culture and associate with it. As a result, kathak dance is a part of Indian identity, and strongly influences its individuals as well. It has a rich
culture and history, and is performed in a certain format. Kathak also holds lots of meaning, as it associates with both Hinduism and Islam as well. To
begin with, kathak originated in India, and is a North Indian style of dance. It is considered to be a form of abstract dancing, and dancers use lots
of footwork in their performance, which is called nritta (Sanger, 2016). Kathak is one of the major classical forms of Indian dance and is
performed globally, with a huge range of dancers and performances (Chakravorty, 2015). It used to be performed for royalty, and the dancers would
begin their performances by saluting, which was an Islamic tradition called thata (Chakravorty, 2006). It was mostly performed by Muslim women
who were trained to dance in royal courts, where they were also held in high status (Chakravorty, 2006). The dancers wear a certain type of bells called

American Indian Music Research Paper
Recently there has been a new found interest in music history along with its cultures but the revival or interest in American Indian music is nowhere to
be found. One issue with popularization or revival of American Indian music is its unique use of timbre which most western music lack, along with the
variations on sound, American Indian music is best understood from the context of their culture, past, religion, and spiritual beliefs. When listening to
music today there is a correlation with pitch of the singer's voice along with the instruments complementing these sounds. In many of the cultural song
of the Indians it could be hard for someone in modern day to find a correlation with the pitch and the instruments because at times it seems

My Process Journal Analysis
My process journal is direct evidence of my final product and outcome because every aspect of my online and physical process journal are about
what I hope to do for my final product. All the research questions, were directly related to my final product and it ultimately helped me create my
final product. My process journal is there to help show how I progressed throughout the development of my personal project, to ultimately show my
final project and what has come from it. One of my final entries before going to perform, were the places that I were a social hub in DFW and then
the timings at, which these, places were the busiest. After making a list, I finished by choosing the ones that I would feel most comfortable in and
those were the ones... Show more content on Helpwriting.net ...
I did my best not to beat around the bush, because this problem was not going to go away if I wished it; so there was nothing more efficient and
beneficial to my final outcome as dealing with it. At times, it seemed hopeless; I tried for about 2 months to figure out everything that went into
having my classes at primary and I was really looking forward to it. In the end, however, I was unable to do it and in a way I feel as though my
product now is better for it. For the problems that occurred, I went to my mentor to figure them out and she gave me suggestions; I spoke to others to
see what their opinion was on the matter. In the end, I gathered all the opinions and thought about my options; from all the information I had, I would
then decide what my best move forward would be. I think, my gathering other opinions helped me a lot to not make the wrong decisions and being
able to make the feasible and rational decisions when approaching the problems I

Analysis Of What You Pawn I Will Redeem By Sherman Alexie
1. Primary source
Alexie, S. (2003). What You Pawn I Will Redeem. NEW YORKER
–NEW YORKERMAGAZINE INCORPORATED–, 168–177.
The New York magazine first published the story in April 2003 featuring spiritualist Alexie holding modern sentiments on the neo
–classical quest tale.
The tale speaks of a man named Jackson who took on a journey to recover a family treasure that was stolen from his grandmother. The priceless
object was dance regalia which were placed in a pawn shop after it were stolen. In his quest to reclaim and repossess the family treasure Jackson
reunites with several friends in an attempt to save money that will facilitate the repurchasing of the regalia and get it back to the family. To reclaim
the regalia Jackson was needed to raise an amount of $999 and buy making an initial payment of $20. In his meetings with friends instead of saving the
money to reclaim the dance ... Show more content on Helpwriting.net ...
A. (2008). Dialogue and Discourse Structure: A Speech Move Analysis of Sherman Alexie's Story 'What You Pawn I Will Redeem'. The State of
Stylistics: PALA 26, 5, 303.
The scholastic research paper illustrates a comprehensive framework that is applicable in coursing a fiction dialogue. It intends to exploit the
Halliday's functional approach on the basis of elaboration to initiate a conversational interaction and merged with a traditional discourse analysis to
develop an act for speech theory.
The study has put focus on analytical techniques that provides descriptive apparatus that presents a simple and intricacy and dependency on an
individual's capability to capture the disoriented speech acts. However, course an interactive nature of conversation. Troyer provides a peer reviewed
resource by correlating the connection to the subject issue presenting firsthand. Tentatively, it offer insights concerning Jackson and the building
characters representing the Indian culture and offering diverse perspectives and making it an ideal reference to analyze the quest tale and its

вЂњIndian Classical Dances; Bharatanatyam the Elite FormвЂќ...
There are eight individual and unique classical dances in India. Each has its own distinctive dance movements, make–up, and costumes. The classical
dance forms that have developed in India all have set rules which have been followed traditionally over the years. This set of rules that the classical
dances follow is called the Natya Shastra. This is the ancient text that all Indian classical dances obey by in order for them to be called a "classic". The
eight forms that have succeeded in reaching the conventions of the Natya Shastra are: the Bharatanatyam, Kuchipudi, Kathakali, Kathak, Manipuri,
Odissi, Mohiniyattam, and Sattriya. Among all eight of these dances I argue that Bharatanatyam is the most elite form of all these dances ... Show more
In these works, there is also evidence of the nature of the technique, the presentation style and the response of the audience"(20). Along with Tamil
sources, Bharatanatyam can also be looked back from another basis, Sanskrit texts. "Sanskrit texts and literature reached Tamil Nadu and the Southern
States fairly early" states Vatsyayan. This meaning that the Bharatanatyam could be tracked back to a form explained in the Natysasastra, and there it
was called Ekharya Lasyanga. This form demonstrates a single dancer performing many roles and "Instead of many actors presenting a dramatic story,
the solo actor presents, though the four types of abhinaya, the particular dominate state (sthayibhava)"(20). As I explained earlier, I feel that
Bharatanatyam has a strong sculpture look to it. This sculptural movements can be looked back to the fifth century A.D. to find evidence of them, "it
has been established from what that the position common to classical dance (margi style) was the ardhamandali with the outturned knees."(20). This
position of the performer bent low with the knees turned out, much like in a squat position, has become a popular symbol in dance styles in Indian
Classical dances today. The basic position has influenced "...styles from Orissa to Gujarat and from Khajuraho to Trivandrum"(20). Vatsyayan goes on
to

Culture of India
Culture of India
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Bharatanatyam, one of eight designated classical dance forms of India.
The culture of India refers to the religions, beliefs, customs, traditions, languages, ceremonies, arts, values and the way of life in India and its people.
India's languages, religions, dance, music, architecture, food, and customs differ from place to place within the country. Its culture often labeled as an
amalgamation of these diverse sub–cultures is spread all over the Indian subcontinent and traditions that are several millennia old.[1] Several elements
of India's diverse culture, such as Indian religions, yoga, and Indian cuisine, have had a profound impact across the world. ... Show more content on
Helpwriting.net ...
He is patient, perseverant, and without any impurity in his heart. He is free of delusions, he does not crave for anything. His sense of freedom comes
from his spirit of inquiry. The fruits of his inquiry are his strength, intellect, efficiency and punctuality. He keeps company of wise and enlightened
persons. He is content."
There is significant historical discourse in India on the notion, relevance, and the existence and non–existence of God. Dharmakirti, for example, in 7th
century wrote in Pramanavarttikam:[14][15]
а¤µаҐ‡а¤¦ а¤ЄаҐЌа¤°а¤ѕа¤®а¤ѕа¤ЈаҐЌа¤Їа¤‚ а¤•а¤ёаҐЌа¤Ї а¤ља¤їа¤¤аҐЌ а¤•а¤°аҐЌа¤¤аҐѓа¤µа¤ѕа¤¦а¤ѓ а¤ёаҐЌа¤Ёа¤ѕа¤ЁаҐ‡
а¤§а¤°аҐЌа¤®аҐ‡а¤љаҐЌа¤›а¤ѕ а¤ња¤ѕа¤¤а¤їа¤µа¤ѕа¤¦а¤ѕа¤µ а¤ІаҐ‡а¤Єа¤ѓ|
а¤ёа¤‚а¤¤а¤ѕа¤Єа¤ѕа¤°а¤‚а¤а¤ѓ а¤Єа¤ѕа¤Єа¤№а¤ѕа¤Ёа¤ѕа¤Ї а¤љаҐ‡а¤¤а¤ї а¤§аҐЌа¤µа¤ёаҐЌа¤¤а¤ЄаҐЌа¤°а¤њаҐЌа¤ћа¤ѕа¤Ёа¤ѕа¤‚
а¤Єа¤ћаҐЌа¤љ а¤Іа¤їа¤™а¤—а¤ѕа¤Ёа¤ї а¤ња¤ѕа¤ЎаҐЌа¤ЇаҐ‡||
Believing that the Veda are standard (holy or divine), believing in a Creator for the world,
Bathing in holy waters for gaining punya, having pride (vanity) about one's job function,
Performing penance to absolve sins,
Are the five symptoms of having lost one's sanity.
[edit] Perceptions of Indian culture
Main article: Stereotypes of South Asians
India's diversity has inspired many writers to pen their perceptions of the country's culture. These writings paint a complex and often conflicting picture
of the culture of India.

According to industry consultant Eugene M. Makar, for example, traditional Indian culture is defined by a relatively strict social hierarchy. He also
mentions that from an early age, children are reminded of their roles and places in society.[16] This is reinforced, Makar notes, by the way many believe

The Great Success Of Bahubali In The Telugu Film Industry
The grand success of the Telugu movie, Bahubali, at the box–office has brought the spot–light on to the Telugu film industry. In the past, many popular
Telugu movies were remade, dubbed in Hindi and Tamil, particularly in last few decades; but the success of Bahubali is altogether at a different level.
The movie has set new benchmarks with all time records for a dubbed Hindi version; in two weeks it has already occupied a position in the top five
movies of Indian cinema. The makers plan to release an international version in English and Chinese, the final run could take it to number one position,
which would be remarkable for a movie from the Telugufilm industry, given the limited audience range it catered to so far.
The Telugu language version of Bahubali has already earned more than twice the money of previous biggest blockbuster from the Telugu film
industry; all versions put together grossed Rs 402 crore in 15 days. It opened to record breaking collections in India and overseas, particularly in the US,
where the Telugu immigrant population is ... Show more content on Helpwriting.net ...
This was an era of immense creative energy on the silver screen.
The era produced legendary actors like NT Rama Rao, Nageswara Rao, SV Ranga Rao, Kantha Rao, Rajanala; actresses like Bhanumati, Savitri,
Jamuna, Krishna Kumari, Surekantham; playback singers like Ghantasala, Pendyala, Susheela, Jikki, Janaki; writers like C Narayana Reddy,
Samudrala, Kosaraju. It was a golden era in every sense. The era was a product of an economy that was predominantly agricultural and Telugus very
much rooted, took pride in their language and culture. Most surplus earnings from agriculture and allied sectors went into the film

Exploration to the History of Bollywood Dance
History of World Dance 3813–001
April 7, 2010
An Exploration to the History of Bollywood Dance In 2008, the movie "Slum dog Millionaire" inspired a new dance craze, quickly spreading across
the globe. Due to the movies, popular hit song, "Jai Ho" and the famous choreographed dance shown in a memorable performance during the closing
credits of the film, known as Bollywood dance, has exploded into dance studios, workout facilities, and films worldwide. For decades, the infusion of
song and dance has been a vital element of the Indian and Hindu film industry. Bollywood dance is not an easy topic to discuss because it does not
have exact history, definition, or style associated with it. However, it still is a recognizable dance form,... Show more content on Helpwriting.net ...
The fundamental nature of the ancient text Natya Shastra can be explained as a guide to the traditional Hindu theatre. It describes Bharata Natyam key
elements, such as; mudras, specific hand movements and positions used to convey the stories, facial expressions, body movements and postures.
Additionally, explained in the Natya Shastra, the dancer must use emotions, known as "rasas" to convey her story. There are eight basic rasas; love,
humor, pathos, anger, heroism terror, disgust and wonder, added later was serenity. Families and teachers who taught the devadasis, made a conscience
effort to continue the teachings of this dance for generations through oral tradition. Originally performed for royalty and the wealthy, eventually
devadasis, in some areas, were considered prostitutes and priests were known as pimps. The devadasis reached an all time low when the British began
colonization of India toward the end of the nineteenth century. They were shocked to see women singing in dancing in temples, with very little or no
clothing. In 1927, temple dancing in India was banned. However, it continued to survive, in 1934 Rukmini Devi decided to establish a school,
Kalashektras, in Madras. She paved the way for a more respectable dance movement. When the school was established, Rukmini, changed the name
from Sadir to Bharata Natyam, due to its negative history of being associated with prostitution. Now, exclusively

Sunatya's Involvement
Which of the following doesn't belong? A group of runners speeding along the track, weight lifters setting new personal records, or a gathering of
dancers in red saris, practicing before their big show.
If you answered none of the above, then you are absolutely correct. Through my close involvement in Sunatya, a classical Indian dance team, I strove to
find a niche for myself within the student body. I strongly believe that the most impactful lesson of my undergraduate career was gaining the
appreciation for a diverse community.
While my undergraduate institution highly encouraged pursuit of cultural activities, it was only because of the student community at UC Davis that
this was feasible. My involvement in the Davis community was largely intertwined with cultural activities, and allowed me to form deep connections
on campus and within the town of Davis. I believe that University of Minnesota's goal of promoting excellence through diversity is commendable
because it similarly encourages students to celebrate diversity within their community, and allows the formation of a close–knit, safe environment for
people of all background. ... Show more content on Helpwriting.net ...
I would teach younger students Bharatanatyam, a classical Indian dance form, as a way to stay connected to my South Indian roots. I furthered my
interest in my heritage at UC Davis with my minor in Religious Studies and involvement in Sunatya. The organization not only promoted Indian fine
arts through performance, but also consistently collaborated with other multicultural groups at UC Davis to further our cause of raising awareness of
the importance of diversity to the general student population. I enjoyed the opportunity of learning about others' background, and since the ventures
were regularly driven by word–of–mouth, appreciation for diversity became second

Short Essay On Katha Kahakan Dance
Indian Classical dances have evolved and is still evolving over the years now, and all the classical dances of India have gone through various changes
in terms of form, costumes, gender discourses, recognition etc., over the period of time. Being a Kathak dancer myself from six years now, I have seen
this dance form has given a lot to its people and also have taken a lot from them. While giving recognitions to the dancer, Kathak has been very
choosy rather it has attached prejudices to male and female dancers. Some are known all over the world and some are lost in the crowd. As far as
female dancers are concerned prejudices are specifically attached to them because she is a dancer and her body is under surveillance of her family in
the beginning and then it passes to her husband. This paper will be largely discussing on the prejudices attached to the females kathak dancers and lack
of recognition given to them and the modern day notions attached to male kathak dancers. ... Show more content on Helpwriting.net ...
It is form that has high influence of Bhakti movement and it contains traces of temple and ritual dances, and later after 16th century we see Persian
influence as it started performing in courts. Kathak's emergence has always been attached to what the British called "nautch" and its institutionalization
as an "authentic" Indian tradition in post colonial India. Nautch is a distortion of the word "nach" or "dance" and the women dancers who graced the
courts of the north and the east India were known as nautch dancers or "tawaifs" in the royal courts of north India and "bajis" in 19th century in

Essay On Kuchipudi
Kuchipudi is one altogether the classical dance forms of the South Republic of Republic of India. Kuchipudi derives its name from the Kuchipudi
village of the state. Among the seventeenth century, the Kuchipudi village was given to the Brahmins, international organization agency were
specialists in staging dance and drama. Kuchipudi exhibits scenes from the Hindu Epics, legends and mythological tales through a combination of
music, dance and acting. Like different classical dances, Kuchipudi in addition contains pure dance, mime and histrionics but it is the utilization of
speech that distinguishes Kuchipudi's presentation as a dance drama.
Carrying a fine combination of Natya, Nritya and Nritya, Kuchipudi was never a solo affair and required a spread of performers. Kuchipudi was
performed among the open by performers international organization agency got a filled with life coaching job in abhinaya, music, dance and singing.
In its early kind, the female roles were vied by boys and young men of beautiful look. The director (called Sutradhar) contends the foremost very
important role. He combined the role of conductor, dancer, singer, musician, comedian, all in one. The Kuchipudi performance started with musical
organization music as well as Mridanga, Madala and a attempt of cymbals. To bless the performance invocation of associate immortal was done. All
this was ... Show more content on Helpwriting.net ...
Most of the performances unit of measurement solo, done by female dancers. of late the expressional numbers unit of measurement sung by the
professional dancer herself instead by the vocalists among the background of the stage. The invocation of the immortal 0.5 has in addition been done
away with as Kuchipudi has become further lay in its presentation. Of late there is predominance of 'sringar' or horny essence. Another notable facet of
latest day Kuchipudi is that the dilution of drama

Cultural Appropriation Of Ballet Folklorico
The stage travels, and outbursts, many swirling, dazzling colors, followed by a stampede of footwork accompanying the sound of the mariachi.
Envision it. Mesmerizing isn't it?
Loud, colorful, and live. Three words that describe the engaging form of dance, Ballet Folklorico.
In the 1960's, Ballet Folklorico was founded in the United States by the famous choreographer, Amelia Hernandez. With the combination of her own
heritage and experience of classical ballet, she merged the two, creating Ballet Folklorico. It is traditional Mexican dances and ballet characteristics
with a great emphasis on local folk culture.
But wait! Isn't that appropriating Mexican culture? No.
Cultural appropriation and cultural appreciation. Two very different terms that many individuals have yet to comprehend. It's understandable, it can be
daunting trying to figure out how to please everyone or at a minimum not offend anyone. The difference between the two is not always clear. There is
a very thin line to walk on.
It is not wrong to wear clothing or eat food from cultures different from your own, but the minute credit is not given to the right people is the minute
one's "appreciation" turns into appropriation.
Cultural appropriation is not seen exclusively in dance but rather a multitude of pop culture. For example in fashion. Fashion is a huge part of today's
culture, and many designers created their clothing through the inspiration of other objects and or culture. Appropriation begins to

A Brief Note On Hip Rap And Hip Hop And Rap Industry
Hip Hop In Bollywood Living in the 21st century, one is highly exposed to many different cultures. Due to this high exposure lot of artists gain the
ability to diversify their music. Yo Yo Honey Singh, is a prime example of an artist who used the high exposure to introduce a new and exciting style
of music to the Bollywood industry. Bollywood being the largest movie producing industry in the world, is known for its native and colorful music.
Yo Yo Honey Singh being an Indian rapper and hip hop artist, influenced the Bollywood industry by breaking free from the customary music selection
and introducing a fresh taste. Yo Yo Honey Singh revolutionized the Indian hip hop and rap industry with his syncretic blend of native Hindi and
western rap lyrics into his music. With the uprising of his music throughout India, he single handedly changed the viewership of Indian cinema by
increasing a larger target market throughout the whole world. Bollywood first getting its official name back in the 1970 's, became the largest movie
producing industry topping the American Hollywood movie industry. But in comparison to other movie producing industries in the world, Bollywood
notoriously has established its image for creating a traditional music blend in their movies and creating stories out of them. "Once playback made songs
even more important to cinema, music directors became a huge component of film. The filming of musical scenes became song picturization, a
complex affair. Music

The Cabaret Style Of Bollywood Dance: Kathak And...
One of the outstanding aspects of the Bollywood industry is the style in which the films are portrayed. Unlike Hollywood films, the Bollywood
industry takes influence from many cultural and religious backgrounds and infuses them into their productions. The iconic style of Bollywood lies
mainly in its Musical nature with many films featuring numerous Song and Dance recitals. Classical Indian dance has been around for thousands of
years and still exists to this day. The researcher has been formally trained in the art of Kathak and Bharatanatyam dance and still attends classes on a
weekly basis. These dance forms are the oldest dance forms in the Indian culture. It requires advanced co–ordination between the eyes, hands and feet.
The banging of the... Show more content on Helpwriting.net ...
When the era of colour films had arrived, Indian Cinema was lucky enough to have talented dancers who were fuelled by their passionate
enthusiasm. These performances enthralled viewers and took dance performances to the next level. Bollywood Dance started to evolve in the early
70s. The Cabaret style of dance developed into a greater mainstream and was used in many movies. In later years Disco had taken the place of
Cabaret which was a global spectacle at that stage in time (Rhythm India,2015:Online). After choreographers had experimented with Indian Classical,
Folk, Cabaret & Disco styles of dance there came an era, which presented 'Bollywood Free Style' dancing. It was represented by those who established
their own style of dance (Rhythm India,2015:Online). Ever since the 1980's, Bollywood style of dancing has been influenced by the Western dance
styles. Usually the musical numbers featured in a movie are released prior to a film as separate singles which helps to further advertise the forthcoming
feature (Rhythm

The Classical Music : The Hindustani And The Carnatic
Hindustani Classical Music is a form of Hindu classical music that is believed to have originated before the 13th century (CFCRAT). Before the 13th
century, the Hindu Culture had not split their music into types. But their culture soon pushed to two types of classical music after the 13th century.
This was because of the Islamic takeover of northern portions of the subcontinent that introduced Arab and Persian music (Nettl). The two types of
classical Indian music that were created were the Hindustani and the Carnatic (CFCRAT).
During the 13th century of India, composer, ЕљДЃrngadeva wrote the SangД«taratnДЃkara which is proclaimed to be the most influential piece in
Indian Classical Music (ЕљДЃrб№…gadeva). Within this book, ЕљДЃrngadeva explains both types of Indian music, the Hindustani and the Carnatic.
It is believed that this book had major impacts on many musicians of the 13th century and changed Hindustani Classical Music as a whole
(ЕљДЃrб№…gadeva).
Hindustani music is made up of ragas, which are a form of Hindu music that has melodic form, and rhythm. The music is also comprised of
improvisation and parts of tala rhythmic structures (Nettl). This type of music is primary centered around the soloist but also includes accompanists
(Rao 25). In the culture of India, Hindustani music is also best for a small setting and the listeners will sit on the floor with the artists. This helps add
interaction with the audience and creates verbal interruptions and non–verbal expressions (Rao

Unity in Diversity
Unity and Diversity: Finding the Proper Balance Unity and diversity are both qualities to be desired within society. Both, when balanced with one
another, provide for the strongest form of society in which all are unified under some ideas, but differences are tolerated and accepted. One of the
strongest factors of determining the present status of unity and diversity is the current state of affairs within a community. The current state of affairs
can be altered by a number of issues, some planned and recurring, such as elections years, and some unexpected altogether, such as natural disasters.
Within the global community, the current state of a variety of affairs greatly affects the balance of unity and diversity amongst the global... Show more
Society:
According to Eugene M. Makar, the traditional Indian culture is defined by relatively strict social hierarchy. He also mentions that from an early age,
children are reminded of their roles and places in society. This is reinforced by the fact that many believe gods and spirits have integral and functional
role in determining their life. Several differences such as religion divide culture. However, far more powerful division is the traditional Hindu
bifurcation into non–polluting and polluting occupations. Strict social taboos have governed these groups for thousands of years.In recent years,
particularly in cities, some of these lines have blurred and sometimes even disappeared. Nuclear family is becoming central to Indian culture.
Important family relations extend to as far as gotra, the mainly patrilinear lineage or clan assigned to a Hindu at birth.In rural areas it is common that
three or four generations of the family live under the same roof. Patriarch often resolves family issues.
Among developing countries, India has low levels of occupational and geographic mobility. People choose same occupations as their parents and rarely
move geographically in the society.
Family:
India for ages has had a prevailing tradition of the joint family system. It's a system under which even extended members of a family like one's parents,
children, the children's spouses and their offspring, etc. live together. The

Reflection Of Bugaku And Ballet
Reflections Chapter Fourth: Bugaku and Ballet, from the Royal Courts to Theatrical Dance.
The author, Harriet Lihs begins explaining that It is very difficult to separate religious dance and court dance. because the linking of dance to the
courts of nobility has been inevitable in history of the sacred role of the highest authority. So there's for two reasons, firstly dance vividly provided
displays of power, and secondly dance seeks patrons.
So Court dance is related to folk dance, dance demonstrated hierarchy in relationships, demonstration of power, dance for the king, emperor, monarch,
sultan, etc.
Court Dances explores dance in the royal courts of the world and shows how its function lives on in European ballet, Japanese Bugaku, and the dance of
the Asante kings of Ghana (West Africa).
Bugaku ... Show more content on Helpwriting.net ...
The Empress Catherine the Great brought ballet to Russia, founding the Imperial Ballet (the KIROV) in St Petersburg.
Classical Ballet : Sleeping Beauty
Set during the time period in France of LOUIS XIV, (Created in Russia) By Marius Pepita (French) Moved to russia in 1847 as a dancer, FIRST ballet
for the composer Tchaichovsky, Rose Adagio. Other Classical Ballets by Petipa: Cinderella, Swan Lake, Baydeare, The Nutcracker
Characteristics of Classical Ballet:
Technical Virtuosity. Choreography has form and structure, harmony and order, repetition and symmetry. Similar to court dance. For example: The
Swan Lake has 32 Fouetes, Shortened toutus support virtuosity movement, pointe shoes got harder and wider, pas d'action becomes only a small part.
Narrative tells about Good vs Evil, Hierarchical form.
Characteristics of Romantic within Classical

Narrative: Good vs Evil, Costumes appropriate for era, Village and Forest scenes transfer to Castle and Nature scenes, Sylphs and Willis become
Enchanted Snowflakes and Swans, Love of the Ballerina.
Century 20th : Serge Diaghilev and the Russian Ballet Company (Ballet

Claerbout: A Visual Analysis
I had previously visited the Contemporary Art Museum on my own and seen parts of David Claerbout's work, but I did not know anything about
him or his work. I was intrigued by the explanation behind Claerbout's work; I had not considered the fact that his art is a still image that
simultaneously seems to capture the passage of time and a specific moment. The Elvis piece was one that I was taken by surprise by during the
Perception Studio. I had previously seen the compositional sketch of the piece and sections of the video, but I had not made the connection between
the two. As an art student, I found it fascinating to see Claerbout's planning compared to his final piece. This emphasizes how what the viewer
perceives, especially in relation to contemporary art, may be very different from the artist's intended vision. I think it is important for viewers to both
form their... Show more content on Helpwriting.net ...
One thing that immediately came up was the fact that the dance appeared to be a blend of cultures and styles. This is accurate because USF Naach is
a Bollywood fusion group and so the songs we use include both English and Hindi songs; we also include elements of classical Indian dance styles
(Bharatanatyam), bhangra, raas, contemporary, and hip–hop. I hadn't really considered the cultural blend as much with this particular performance until
I heard others point it out; another dance we do has a storyline that is much more focused on the differing cultural values of India and America and this
is the one I had associated with cultural blending. After the studio I was thinking about how relevant fusion dancing is today in America because many
of us grew up not entirely fitting into either the traditional Indian or American cultural norms, while others grew up in India and experienced a drastic
change when they came to the US. Thus, fusion provides a balance between the two

My Favorite Music
I have been immersed in music for most of my life. My musical home is influenced by both American music–culture and Pakistani music culture. I
grew up listening to Pakistani, Indian, and American music and still do. Along with those cultures, I recently developed a taste in South Korean music.
However, I have never thought about how my musical home and the music culture I grew up in influenced my music preferences. My tastes in music
cannot be labeled as one certain thing. My iPod is filled with music of many different genres and cultures. If I were to break down my music
preference, there are generally three aspects that influence how I resonate with music: the vocalization, the instruments, and the lyrics (if any). Apart
from those aspects, songs that express a certain emotion or story clearly appeal to me.
Vocalization is what most attracts me to a certainsong or style of music. There are some artists whose voices and tones attract me no matter what
genre they sing. Some of my favorite artists are Arijit Singh, Shilpa Rao, Roy Kim, and Yoo Kihyun. Singh has the type of voice that sounds
pleasant no matter what type of song he sings. His song "Ae Dil Hai Mushkil" shows the emotional depth of his voice while his song "Nashe Si
Chadgayi" shows the more playful side of his voice. Rao has a very smooth and soothing voice. Her song "Aaj Jaane Ki Zid Na Karo" mixes her
soothing voice with EDM. It is an interesting combination that is both mellow and exhilarating. Both Singh

What Is Bharatnatyam Essay
BHARATNATYAM– A REVIVED SPECTACLE
By Aishwarya Deshpande (1411)
Tap. Swirl. Pirouette. Move like your body is free from all shackles. With a burning desire in your heart, dance, like your life depends on it. Dance,
like nobody is watching.
When your mind wants to express something, you speak. When your heart wants to express something, your face does the talking. Similarly, dance is
the body's way of expressing itself.
India, with its rich cultural heritage, has plenty to offer. One of the most famous forms of culture that depicts Indian tradition, are the classical dance
forms. The mother of classical dance forms is Bharatnatyam.
HISTORY
Bharatnatyam is presumably the oldest classical dance heritage of India. Conventionally a solo dance performed only by women, it initiated in the
Hindu temples of Tamil Nadu. Eventually, it flourished in South India. The theoretical base for this dance form is the "Natya Shastra", an ancient Hindu
text about the performing arts. Bharatnatyam depicts Hindu religious themes and spiritual ideas, by way of the ... Show more content on Helpwriting.net
...
The nattuvanar can also play the cymbals or any other instrument. Bharatnatyam is mostly associated with Carnatic music. The instruments that
complement a Bharatnatyam performance consist of cymbals, the flute, a long pipe horn called nagaswaram, a drum called the mridangam, and the
veena. The verses recited during a performance are usually in Sanskrit, Tamil, Kannada and Telugu.
Bharatnatyam is a highly revered, and the most difficult dance form to perfect. The poise, grace and precision one learns from this art form, cannot be
matched by any other. If you can master Bharatnatyam, you can master any dance form in the world!
"Let us read, and let us dance; these two amusements will never do any harm to the world."–

Analysis Of The Odissi Dance From Dominican Republic
Luisanny Molina
Professor Damayanthi
Indian Dance
Due : 6 January 2017
Differences Bring You Closer
For centuries upon centuries, dance has been used as a form as expression. Whether it be religiously to please and entertain the gods, or as a form of
entertainment for the townspeople, dance has brought joy to countless people. Because dance doesn't leave a written history trail it is assumed, but
not proven, to have originated over 2500 years ago. However, dance continues to evolve even today. Take for example the odissi dance from India that
is almost two thousand years old versus the bachata dance from Dominican Republic that is only about 50 years old. Both of these dances originated in
complete separate parts of the world at very ... Show more content on Helpwriting.net ...
Odissi dance was held to a very high esteem not only by commoners, for even royalty were expected to be great dancers of this kind. However, as a
sensual dance of great passion, love, and joy, it doesn't come to be a great surprise that after the 17th century odissi dance took a turn for the worse.
The dancers went from being admired to being known as prostitutes and whores; it was a dark time for odissi dance as it came very close to being
extinct. Nevertheless, India Independence Day marked an enormous change due the recognition that culture and dance was essential to unifying India
once again. Many individuals then set out to revive odissi dance for the better (Nirmal). Odissi dance has since then taken on many different forms
and has even split into three different schools: mahari, nartaki, and gotipua. Mahari dance is the traditional form of odissi used in rituals; narthaki
dance was developed in the royal courts; and gotipua dance is the form of odissi where males wear female costumes and assume those roles (Courtney).
One of the main differences between these dances is the purpose and symbolism. While odissi dance has been used for entertainment it is a classical
temple dance. It is used in rituals and has originally been created for the Divine, bachata on the other hand is the complete opposite. It symbolizes
freedom from one of the worst dictatorships Dominican Republic has ever seen and a freedom of speech they

Impact Of Globalisation On Indian Music

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