SlideShare a Scribd company logo
1 of 19
Sreejaya School’s Of
Classical Dance
(SSCD)
TO
 INTRODUCTION
 ABOUT – SSCD
 DANCE FORMS
1. BHARATNATYAM
2. MOHINIYATTAM
3. KUCHIPUDI
 CONTACT US
 The main objective of this school is to develop and
nurture the authentic traditions of classical
Bharatnatyam and produce performers, teachers and
choreographers who will preserve and spread the art
form in its purest form. The students are trained in a
wide-range of programs like the Adavus - Steps,
Hastas – Hand Gestures, Abhinaya – Expressions,
dance items – Ranga Pooja, Alarippu, Pushpanjali,
Jathiswaram, Ganesha Stuthi, Shabdam, Padam,
Keerthanam, Devarnamam, Varnam, Javali and
Thillana. Currently the school has many students over
various age groups and different levels of training.
The school regularly presents “Nrithya Sandhya”
(evening of dance), a stage performance by its
students.
"For us dance is passion and a celebration of varied
emotions."
 The main objective of this school is to develop
and nurture the authentic traditions of classical
Bharatnatyam and produce performers, teachers
and choreographers who will preserve and
spread the art form in its purest form. The
students are trained in a wide-range of programs
like the Adavus - Steps, Hastas – Hand Gestures,
Abhinaya – Expressions, dance items – Ranga
Pooja, Alarippu, Pushpanjali, Jathiswaram,
Ganesha Stuthi, Shabdam, Padam, Keerthanam,
Devarnamam, Varnam, Javali and Thillana.
Currently the school has many students over
various age groups and different levels of
training. The school regularly presents “Nrithya
Sandhya” (evening of dance), a stage
performance by its students.
 Bharatnatyam
1. About Bharatnatyam
2. History Of Bharatnatyam
3. Symbolism Of Bharatnatyam
 Mohiniyattam
1. About Bharatnatyam
2. History Of Bharatnatyam
3. Symbolism Of Bharatnatyam
 Kuchipudi
1. About Bharatnatyam
2. History Of Bharatnatyam
3. Symbolism Of Bharatnatyam
 Bharatnatyam originated in Tamil Nadu and the
word Bharatnatyam is derived from the word
"Bharata" and thus associated with the
Natyashastra. Though the style of Bharatnatyam
is over two thousand years old, the freshness and
richness of its essence has been retained even
today. The technique of human movement which
Bharatnatyam follows can be traced back to the
fifth Century A.D. from sculptural evidence. This
classical dance has a mesmerizing effect as it
uplifts the dancer and the beholder to a higher
level of spiritual consciousness. It is a dancing
style that comprises of Bhava, Raga, Tala, and
Natya which reflect the real meaning of
Bharatnatyam.
 The origin and tradition of Bharatnatyam is
appealing and enlightening. This dance form was
nurtured in the temple by the Devadasis,
servants of the God. It was taken to the princely
courts and the Chola and the Pallava kings were
believed to be the great patrons of this art. The
contributions of the South Indian saint-poets and
musicians cannot be ignored. Bhakti or
devotional cult was infused into the tradition by
these poets. The literary content of
Bharatnatyam was provided by them and their
musical compositions determined the repertoire
of this dance form.
 The theoretical foundations of Bharatanatyam are
found in Natya Shastra, the ancient Hindu text of
performance arts. Natya Shastra is attributed to the
ancient scholar Bharata Muni, and its first complete
compilation is dated to between 200 BCE and 200 CE,
but estimates vary between 500 BCE and 500 CE. The
most studied version of the Natya Shastra text
consists of about 6000 verses structured into 36
chapters. The text, states Natalia Lidova, describes
the theory of Tandava dance (Shiva), the theory of
rasa, of bhāva, expression, gestures, acting
techniques, basic steps, standing postures – all of
which are part of Indian classical dances. Dance and
performance arts, states this ancient text, are a form
of expression of spiritual ideas, virtues and the
essence of scriptures.
 The solo or the sadir nritya is the direct
descendant of this tradition. Besides the rich
history of Bharatnatyam, another
mythological tale is also attached to the
origin of this dance. It is believed that
Goddess Parvati taught this dance form to
Usha, daughter of Banasura, a demon. Usha
taught the same to the Gopikas of the city of
Dwaraka, birth place of Lord Krishna. This is
how the spiritual dance form Bharatnatyam
was introduced to mankind.
 Mohiniyattam is a traditional South Indian dance
from Kerala. The credit for reviving the
Mohiniyattam dance in the nineteenth century
goes to the Tamil nattuvanar (dance master)
Vadivelu, one of the Thanjavur Quartet and
Swathi Thirunal. He was an enlightened ruler of
Travancore (Southern Kerala) and promoted the
study of Mohiniyattam. Swati Tirunal composed
many of the music arrangements and vocal
accompaniments that provide musical
background for the Mohiniyattam dancers. The
noted Malayalam poet Vallathol, who established
the Kerala Kalamandalam dance school in 1930,
played an important role in reviving the
Mohiniyattam dance form.
 Mohiniyattam is a traditional South Indian dance
from Kerala. The credit for reviving the
Mohiniyattam dance in the nineteenth century
goes to the Tamil nattuvanar (dance master)
Vadivelu, one of the Thanjavur Quartet and
Swathi Thirunal. He was an enlightened ruler of
Travancore (Southern Kerala) and promoted the
study of Mohiniyattam. Swati Tirunal composed
many of the music arrangements and vocal
accompaniments that provide musical
background for the Mohiniyattam dancers. The
noted Malayalam poet Vallathol, who established
the Kerala Kalamandalam dance school in 1930,
played an important role in reviving the
Mohiniyattam dance form.
 In the second story Vishnu appears as Mohini to
save Lord Shiva from the demon Bhasmasura.
The name Mohiniyattam may have been coined
after Lord Vishnu; the main theme of the dance
is love and devotion to God, with usually Vishnu
or Krishna being the hero. Devadasis used to
perform this in temples. It also has elements of
Koothu and Kottiyattom. Mohiniyattam is a
drama in dance and verse.The dance involves
the swaying of broad hips and the gentle
movements of erect posture from side to side.
This is reminiscent of the swinging of the palm
leaves and the gently flowing rivers which
abound Kerala, the land of Mohiniyattam.
 It is one of the eight Indian classical dance
forms. It is considered a very graceful dance
meant to be performed as a solo recital by
women. The term Mohiniyattam comes from the
words "Mohini" meaning a woman who enchants
onlookers and "aattam" meaning graceful and
sensuous body movements. The word
"Mohiniyattam" literally means "dance of the
enchantress". There are two stories of the Lord
Vishnu disguised as a Mohini. In one, he appears
as Mohini to lure the asuras (demons) away from
the amrita (nectar of immortality) obtained
during the churning of the palazhi or Ocean of
Milk
 The Kuchipudi performance usually begins with
an invocation. Then, each costumed actor is
introduced, their role stated, and who then
performs a short dance prelim to music
(dharavu). Next, the performance presents pure
dance (nritta).This is followed with expressive
part of the performance (nritya), where
rhythmic gestures as a sign language mime the
play. Vocalists and musicians accompany the
artist, with the song recited in Telugu language,
and the tala and raga set to (Carnatic music).The
typical musical instruments in Kuchipudi are
mridangam, cymbals, veena, flute and the
tambura.
 Kuchipudi is one of the eight major Indian
classical dances. It originated in a village
named Krishna district in the Indian state of
Andhra Pradesh.
Kuchipudi is a dance-drama performance art,
with its roots in the ancient Hindu Sanskrit
text of Natya Shastra. It developed as a
religious art linked to traveling bards,
temples and spiritual beliefs, like all major
classical dances of India.Evidence of
Kuchipudi's existence in an older version are
found in copper inscriptions of the 10th &
15th century such as the Machupalli Kaifat.
 Kuchipudi, like other classical dance forms in
India, traces its roots to the Natya Shastra, a
foundational treatise on the performing arts
attributed to the ancient scholar Bharata
Muni. Its first complete compilation is dated
to between 200 BCE and 200 CE, but
estimates vary between 500 BCE and 500 CE.
The most studied version of the Natya
Shastra text consists of about 6000 verses
structured into 36 chapters.
 Kuchipudi is a team performance, with roots in
Hindu religious festivals. The drama-dance
involves extensive stage movements and
exacting footwork, wherein the underlying
drama is mimed by expressive gestures of hand
(mudras), eye and face movements.The
expressive style is through a sign language that
follows the classical pan-Indian Sanskrit texts
such as Natya Shastra, Abhinaya Darpana and
Nrityararnavali.The dance is accompanied with
Carnatic music, while the recital is in Telugu
language.Just like the Carnatic music style,
Kuchipudi shares many postures and expressive
gestures with Bharatanatyam, such as the
Ardhamandali (half seating position or a partial
squat, legs bent or knees flexed out).
91-8884648100
THANK YOU
THANK YOU

More Related Content

What's hot

History of Dance in India Part 2
History of Dance in India Part 2History of Dance in India Part 2
History of Dance in India Part 2JMUNGOPPS
 
Socio-Cultural Dynamics of Indian Classical Dance By: Archana Ganapathi
Socio-Cultural Dynamics of Indian Classical Dance By: Archana GanapathiSocio-Cultural Dynamics of Indian Classical Dance By: Archana Ganapathi
Socio-Cultural Dynamics of Indian Classical Dance By: Archana GanapathiAnupama Krishnan
 
Indian classical dances 123
Indian classical dances 123Indian classical dances 123
Indian classical dances 123Rishirao Rishi
 
Performing arts of India Classical and Folk dances
Performing arts of India Classical and Folk dancesPerforming arts of India Classical and Folk dances
Performing arts of India Classical and Folk dancesMohit Gupta
 
CLASSICAL & FOLK DANCES IN INDIAN CULTURE
CLASSICAL & FOLK DANCES IN INDIAN CULTURECLASSICAL & FOLK DANCES IN INDIAN CULTURE
CLASSICAL & FOLK DANCES IN INDIAN CULTUREYogacharya AB Bhavanani
 
Indian classical danc style
Indian  classical  danc styleIndian  classical  danc style
Indian classical danc styleMakarand Patil
 
INDIAN Dancesforms part 2
INDIAN Dancesforms part 2INDIAN Dancesforms part 2
INDIAN Dancesforms part 2ChelJo
 
A complete list of folk and tribal dance in india
A complete list of folk and tribal dance in indiaA complete list of folk and tribal dance in india
A complete list of folk and tribal dance in indiaHidden Treasures of India
 
Kathak presentation1
Kathak presentation1Kathak presentation1
Kathak presentation1Anuja Khaire
 
classical dance itinenary
classical dance itinenaryclassical dance itinenary
classical dance itinenarynupursakshi
 
India music-paintings-dance
India   music-paintings-danceIndia   music-paintings-dance
India music-paintings-dancesabumt
 
History Of Bharata Natyam
History Of Bharata NatyamHistory Of Bharata Natyam
History Of Bharata Natyamgueste23715
 
Classical dances in India
Classical dances in IndiaClassical dances in India
Classical dances in Indiacidroypaes
 

What's hot (20)

Dance
DanceDance
Dance
 
History of Dance in India Part 2
History of Dance in India Part 2History of Dance in India Part 2
History of Dance in India Part 2
 
Socio-Cultural Dynamics of Indian Classical Dance By: Archana Ganapathi
Socio-Cultural Dynamics of Indian Classical Dance By: Archana GanapathiSocio-Cultural Dynamics of Indian Classical Dance By: Archana Ganapathi
Socio-Cultural Dynamics of Indian Classical Dance By: Archana Ganapathi
 
Kathakppt
KathakpptKathakppt
Kathakppt
 
Danc efinal
Danc efinalDanc efinal
Danc efinal
 
History dance ppt
History dance pptHistory dance ppt
History dance ppt
 
Indian classical dances 123
Indian classical dances 123Indian classical dances 123
Indian classical dances 123
 
Performing arts of India Classical and Folk dances
Performing arts of India Classical and Folk dancesPerforming arts of India Classical and Folk dances
Performing arts of India Classical and Folk dances
 
CLASSICAL & FOLK DANCES IN INDIAN CULTURE
CLASSICAL & FOLK DANCES IN INDIAN CULTURECLASSICAL & FOLK DANCES IN INDIAN CULTURE
CLASSICAL & FOLK DANCES IN INDIAN CULTURE
 
Indian classical danc style
Indian  classical  danc styleIndian  classical  danc style
Indian classical danc style
 
INDIAN Dancesforms part 2
INDIAN Dancesforms part 2INDIAN Dancesforms part 2
INDIAN Dancesforms part 2
 
A complete list of folk and tribal dance in india
A complete list of folk and tribal dance in indiaA complete list of folk and tribal dance in india
A complete list of folk and tribal dance in india
 
Kathak presentation1
Kathak presentation1Kathak presentation1
Kathak presentation1
 
classical dance itinenary
classical dance itinenaryclassical dance itinenary
classical dance itinenary
 
Kuchupudi
KuchupudiKuchupudi
Kuchupudi
 
India music-paintings-dance
India   music-paintings-danceIndia   music-paintings-dance
India music-paintings-dance
 
Kuchipudi
KuchipudiKuchipudi
Kuchipudi
 
History Of Bharata Natyam
History Of Bharata NatyamHistory Of Bharata Natyam
History Of Bharata Natyam
 
Classical dances in India
Classical dances in IndiaClassical dances in India
Classical dances in India
 
Indian folk dance
Indian folk danceIndian folk dance
Indian folk dance
 

Similar to Classical Dance Classes In Bangalore - SSCD

Similar to Classical Dance Classes In Bangalore - SSCD (20)

Khajuraho mahotsav
Khajuraho mahotsavKhajuraho mahotsav
Khajuraho mahotsav
 
BHARATANATYAM 2222.pdf
BHARATANATYAM 2222.pdfBHARATANATYAM 2222.pdf
BHARATANATYAM 2222.pdf
 
Dance
DanceDance
Dance
 
Dance
DanceDance
Dance
 
Indian Classical Dance forms - Rich Heritages
Indian Classical Dance forms - Rich HeritagesIndian Classical Dance forms - Rich Heritages
Indian Classical Dance forms - Rich Heritages
 
Living world
Living worldLiving world
Living world
 
Kathak
KathakKathak
Kathak
 
ASHISH 3-4 WEEK.pptx
ASHISH 3-4 WEEK.pptxASHISH 3-4 WEEK.pptx
ASHISH 3-4 WEEK.pptx
 
Major Performing Arts of India.pdf
Major Performing Arts of India.pdfMajor Performing Arts of India.pdf
Major Performing Arts of India.pdf
 
Indian dance form
Indian dance formIndian dance form
Indian dance form
 
Dance
DanceDance
Dance
 
Kathak and odissi
Kathak and odissiKathak and odissi
Kathak and odissi
 
Indian Dance Forms
Indian Dance FormsIndian Dance Forms
Indian Dance Forms
 
Dance
DanceDance
Dance
 
Dancing Architecture: The parallel evolution of Bharatanātyam and South India...
Dancing Architecture: The parallel evolution of Bharatanātyam and South India...Dancing Architecture: The parallel evolution of Bharatanātyam and South India...
Dancing Architecture: The parallel evolution of Bharatanātyam and South India...
 
Dance forms of India.ppt
Dance forms of India.pptDance forms of India.ppt
Dance forms of India.ppt
 
21.3.2021 DANCES OF INDIA-FULL SET
21.3.2021  DANCES OF INDIA-FULL SET21.3.2021  DANCES OF INDIA-FULL SET
21.3.2021 DANCES OF INDIA-FULL SET
 
Leher Leher Kabir - Yogi Arwind Foundation
Leher Leher Kabir - Yogi Arwind FoundationLeher Leher Kabir - Yogi Arwind Foundation
Leher Leher Kabir - Yogi Arwind Foundation
 
Maximum India - Cultural Festiveal in Washington DC, USA
Maximum India - Cultural Festiveal in Washington DC, USAMaximum India - Cultural Festiveal in Washington DC, USA
Maximum India - Cultural Festiveal in Washington DC, USA
 
Devadasi
DevadasiDevadasi
Devadasi
 

Recently uploaded

Call Girls in Faridabad 9000000000 Faridabad Escorts Service
Call Girls in Faridabad 9000000000 Faridabad Escorts ServiceCall Girls in Faridabad 9000000000 Faridabad Escorts Service
Call Girls in Faridabad 9000000000 Faridabad Escorts ServiceTina Ji
 
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcE
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcEViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcE
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcEApsara Of India
 
fmovies-Movies hold a special place in the hearts
fmovies-Movies hold a special place in the heartsfmovies-Movies hold a special place in the hearts
fmovies-Movies hold a special place in the heartsa18205752
 
Amil baba in Pakistan amil baba Karachi amil baba in pakistan amil baba in la...
Amil baba in Pakistan amil baba Karachi amil baba in pakistan amil baba in la...Amil baba in Pakistan amil baba Karachi amil baba in pakistan amil baba in la...
Amil baba in Pakistan amil baba Karachi amil baba in pakistan amil baba in la...Amil Baba Company
 
Real NO1 Amil baba in Faisalabad Kala jadu in faisalabad Aamil baba Faisalaba...
Real NO1 Amil baba in Faisalabad Kala jadu in faisalabad Aamil baba Faisalaba...Real NO1 Amil baba in Faisalabad Kala jadu in faisalabad Aamil baba Faisalaba...
Real NO1 Amil baba in Faisalabad Kala jadu in faisalabad Aamil baba Faisalaba...Amil Baba Company
 
Call Girls in Najafgarh Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Najafgarh Delhi 💯Call Us 🔝8264348440🔝Call Girls in Najafgarh Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Najafgarh Delhi 💯Call Us 🔝8264348440🔝soniya singh
 
Call Girls Ellis Bridge 7397865700 Independent Call Girls
Call Girls Ellis Bridge 7397865700 Independent Call GirlsCall Girls Ellis Bridge 7397865700 Independent Call Girls
Call Girls Ellis Bridge 7397865700 Independent Call Girlsssuser7cb4ff
 
Fun Call Girls In Goa 7028418221 Call Girl Service In Panaji Escorts
Fun Call Girls In Goa 7028418221 Call Girl Service In Panaji EscortsFun Call Girls In Goa 7028418221 Call Girl Service In Panaji Escorts
Fun Call Girls In Goa 7028418221 Call Girl Service In Panaji EscortsApsara Of India
 
LE IMPOSSIBRU QUIZ (Based on Splapp-me-do)
LE IMPOSSIBRU QUIZ (Based on Splapp-me-do)LE IMPOSSIBRU QUIZ (Based on Splapp-me-do)
LE IMPOSSIBRU QUIZ (Based on Splapp-me-do)bertfelixtorre
 
Cash Payment Contact:- 7028418221 Goa Call Girls Service North Goa Escorts
Cash Payment Contact:- 7028418221 Goa Call Girls Service North Goa EscortsCash Payment Contact:- 7028418221 Goa Call Girls Service North Goa Escorts
Cash Payment Contact:- 7028418221 Goa Call Girls Service North Goa EscortsApsara Of India
 
Call Girls Nikol 7397865700 Ridhima Hire Me Full Night
Call Girls Nikol 7397865700 Ridhima Hire Me Full NightCall Girls Nikol 7397865700 Ridhima Hire Me Full Night
Call Girls Nikol 7397865700 Ridhima Hire Me Full Nightssuser7cb4ff
 
Call US '' 8377087607'' !! Call Girls In Model Town Metro (Delhi NCR)
Call US '' 8377087607'' !! Call Girls In Model Town Metro (Delhi NCR)Call US '' 8377087607'' !! Call Girls In Model Town Metro (Delhi NCR)
Call US '' 8377087607'' !! Call Girls In Model Town Metro (Delhi NCR)dollysharma2066
 
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607dollysharma2066
 
Authentic No 1 Amil Baba In Pakistan Authentic No 1 Amil Baba In Karachi No 1...
Authentic No 1 Amil Baba In Pakistan Authentic No 1 Amil Baba In Karachi No 1...Authentic No 1 Amil Baba In Pakistan Authentic No 1 Amil Baba In Karachi No 1...
Authentic No 1 Amil Baba In Pakistan Authentic No 1 Amil Baba In Karachi No 1...First NO1 World Amil baba in Faisalabad
 
Kolkata Call Girl Howrah 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Howrah 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Howrah 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Howrah 👉 8250192130 ❣️💯 Available With Room 24×7Riya Pathan
 
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7Riya Pathan
 
Private Call Girls Bansdroni - 8250192130 | 24x7 Service Available Near Me
Private Call Girls Bansdroni - 8250192130 | 24x7 Service Available Near MePrivate Call Girls Bansdroni - 8250192130 | 24x7 Service Available Near Me
Private Call Girls Bansdroni - 8250192130 | 24x7 Service Available Near MeRiya Pathan
 
Udaipur Call Girls 9602870969 Call Girl in Udaipur Rajasthan
Udaipur Call Girls 9602870969 Call Girl in Udaipur RajasthanUdaipur Call Girls 9602870969 Call Girl in Udaipur Rajasthan
Udaipur Call Girls 9602870969 Call Girl in Udaipur RajasthanApsara Of India
 
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near MeBook Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Meanamikaraghav4
 
Call Girl Price Andheri WhatsApp:+91-9833363713
Call Girl Price Andheri WhatsApp:+91-9833363713Call Girl Price Andheri WhatsApp:+91-9833363713
Call Girl Price Andheri WhatsApp:+91-9833363713Sonam Pathan
 

Recently uploaded (20)

Call Girls in Faridabad 9000000000 Faridabad Escorts Service
Call Girls in Faridabad 9000000000 Faridabad Escorts ServiceCall Girls in Faridabad 9000000000 Faridabad Escorts Service
Call Girls in Faridabad 9000000000 Faridabad Escorts Service
 
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcE
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcEViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcE
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcE
 
fmovies-Movies hold a special place in the hearts
fmovies-Movies hold a special place in the heartsfmovies-Movies hold a special place in the hearts
fmovies-Movies hold a special place in the hearts
 
Amil baba in Pakistan amil baba Karachi amil baba in pakistan amil baba in la...
Amil baba in Pakistan amil baba Karachi amil baba in pakistan amil baba in la...Amil baba in Pakistan amil baba Karachi amil baba in pakistan amil baba in la...
Amil baba in Pakistan amil baba Karachi amil baba in pakistan amil baba in la...
 
Real NO1 Amil baba in Faisalabad Kala jadu in faisalabad Aamil baba Faisalaba...
Real NO1 Amil baba in Faisalabad Kala jadu in faisalabad Aamil baba Faisalaba...Real NO1 Amil baba in Faisalabad Kala jadu in faisalabad Aamil baba Faisalaba...
Real NO1 Amil baba in Faisalabad Kala jadu in faisalabad Aamil baba Faisalaba...
 
Call Girls in Najafgarh Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Najafgarh Delhi 💯Call Us 🔝8264348440🔝Call Girls in Najafgarh Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Najafgarh Delhi 💯Call Us 🔝8264348440🔝
 
Call Girls Ellis Bridge 7397865700 Independent Call Girls
Call Girls Ellis Bridge 7397865700 Independent Call GirlsCall Girls Ellis Bridge 7397865700 Independent Call Girls
Call Girls Ellis Bridge 7397865700 Independent Call Girls
 
Fun Call Girls In Goa 7028418221 Call Girl Service In Panaji Escorts
Fun Call Girls In Goa 7028418221 Call Girl Service In Panaji EscortsFun Call Girls In Goa 7028418221 Call Girl Service In Panaji Escorts
Fun Call Girls In Goa 7028418221 Call Girl Service In Panaji Escorts
 
LE IMPOSSIBRU QUIZ (Based on Splapp-me-do)
LE IMPOSSIBRU QUIZ (Based on Splapp-me-do)LE IMPOSSIBRU QUIZ (Based on Splapp-me-do)
LE IMPOSSIBRU QUIZ (Based on Splapp-me-do)
 
Cash Payment Contact:- 7028418221 Goa Call Girls Service North Goa Escorts
Cash Payment Contact:- 7028418221 Goa Call Girls Service North Goa EscortsCash Payment Contact:- 7028418221 Goa Call Girls Service North Goa Escorts
Cash Payment Contact:- 7028418221 Goa Call Girls Service North Goa Escorts
 
Call Girls Nikol 7397865700 Ridhima Hire Me Full Night
Call Girls Nikol 7397865700 Ridhima Hire Me Full NightCall Girls Nikol 7397865700 Ridhima Hire Me Full Night
Call Girls Nikol 7397865700 Ridhima Hire Me Full Night
 
Call US '' 8377087607'' !! Call Girls In Model Town Metro (Delhi NCR)
Call US '' 8377087607'' !! Call Girls In Model Town Metro (Delhi NCR)Call US '' 8377087607'' !! Call Girls In Model Town Metro (Delhi NCR)
Call US '' 8377087607'' !! Call Girls In Model Town Metro (Delhi NCR)
 
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
 
Authentic No 1 Amil Baba In Pakistan Authentic No 1 Amil Baba In Karachi No 1...
Authentic No 1 Amil Baba In Pakistan Authentic No 1 Amil Baba In Karachi No 1...Authentic No 1 Amil Baba In Pakistan Authentic No 1 Amil Baba In Karachi No 1...
Authentic No 1 Amil Baba In Pakistan Authentic No 1 Amil Baba In Karachi No 1...
 
Kolkata Call Girl Howrah 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Howrah 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Howrah 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Howrah 👉 8250192130 ❣️💯 Available With Room 24×7
 
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bagbazar 👉 8250192130 ❣️💯 Available With Room 24×7
 
Private Call Girls Bansdroni - 8250192130 | 24x7 Service Available Near Me
Private Call Girls Bansdroni - 8250192130 | 24x7 Service Available Near MePrivate Call Girls Bansdroni - 8250192130 | 24x7 Service Available Near Me
Private Call Girls Bansdroni - 8250192130 | 24x7 Service Available Near Me
 
Udaipur Call Girls 9602870969 Call Girl in Udaipur Rajasthan
Udaipur Call Girls 9602870969 Call Girl in Udaipur RajasthanUdaipur Call Girls 9602870969 Call Girl in Udaipur Rajasthan
Udaipur Call Girls 9602870969 Call Girl in Udaipur Rajasthan
 
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near MeBook Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
 
Call Girl Price Andheri WhatsApp:+91-9833363713
Call Girl Price Andheri WhatsApp:+91-9833363713Call Girl Price Andheri WhatsApp:+91-9833363713
Call Girl Price Andheri WhatsApp:+91-9833363713
 

Classical Dance Classes In Bangalore - SSCD

  • 2.  INTRODUCTION  ABOUT – SSCD  DANCE FORMS 1. BHARATNATYAM 2. MOHINIYATTAM 3. KUCHIPUDI  CONTACT US
  • 3.  The main objective of this school is to develop and nurture the authentic traditions of classical Bharatnatyam and produce performers, teachers and choreographers who will preserve and spread the art form in its purest form. The students are trained in a wide-range of programs like the Adavus - Steps, Hastas – Hand Gestures, Abhinaya – Expressions, dance items – Ranga Pooja, Alarippu, Pushpanjali, Jathiswaram, Ganesha Stuthi, Shabdam, Padam, Keerthanam, Devarnamam, Varnam, Javali and Thillana. Currently the school has many students over various age groups and different levels of training. The school regularly presents “Nrithya Sandhya” (evening of dance), a stage performance by its students. "For us dance is passion and a celebration of varied emotions."
  • 4.  The main objective of this school is to develop and nurture the authentic traditions of classical Bharatnatyam and produce performers, teachers and choreographers who will preserve and spread the art form in its purest form. The students are trained in a wide-range of programs like the Adavus - Steps, Hastas – Hand Gestures, Abhinaya – Expressions, dance items – Ranga Pooja, Alarippu, Pushpanjali, Jathiswaram, Ganesha Stuthi, Shabdam, Padam, Keerthanam, Devarnamam, Varnam, Javali and Thillana. Currently the school has many students over various age groups and different levels of training. The school regularly presents “Nrithya Sandhya” (evening of dance), a stage performance by its students.
  • 5.  Bharatnatyam 1. About Bharatnatyam 2. History Of Bharatnatyam 3. Symbolism Of Bharatnatyam  Mohiniyattam 1. About Bharatnatyam 2. History Of Bharatnatyam 3. Symbolism Of Bharatnatyam  Kuchipudi 1. About Bharatnatyam 2. History Of Bharatnatyam 3. Symbolism Of Bharatnatyam
  • 6.  Bharatnatyam originated in Tamil Nadu and the word Bharatnatyam is derived from the word "Bharata" and thus associated with the Natyashastra. Though the style of Bharatnatyam is over two thousand years old, the freshness and richness of its essence has been retained even today. The technique of human movement which Bharatnatyam follows can be traced back to the fifth Century A.D. from sculptural evidence. This classical dance has a mesmerizing effect as it uplifts the dancer and the beholder to a higher level of spiritual consciousness. It is a dancing style that comprises of Bhava, Raga, Tala, and Natya which reflect the real meaning of Bharatnatyam.
  • 7.  The origin and tradition of Bharatnatyam is appealing and enlightening. This dance form was nurtured in the temple by the Devadasis, servants of the God. It was taken to the princely courts and the Chola and the Pallava kings were believed to be the great patrons of this art. The contributions of the South Indian saint-poets and musicians cannot be ignored. Bhakti or devotional cult was infused into the tradition by these poets. The literary content of Bharatnatyam was provided by them and their musical compositions determined the repertoire of this dance form.
  • 8.  The theoretical foundations of Bharatanatyam are found in Natya Shastra, the ancient Hindu text of performance arts. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tandava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures.
  • 9.  The solo or the sadir nritya is the direct descendant of this tradition. Besides the rich history of Bharatnatyam, another mythological tale is also attached to the origin of this dance. It is believed that Goddess Parvati taught this dance form to Usha, daughter of Banasura, a demon. Usha taught the same to the Gopikas of the city of Dwaraka, birth place of Lord Krishna. This is how the spiritual dance form Bharatnatyam was introduced to mankind.
  • 10.  Mohiniyattam is a traditional South Indian dance from Kerala. The credit for reviving the Mohiniyattam dance in the nineteenth century goes to the Tamil nattuvanar (dance master) Vadivelu, one of the Thanjavur Quartet and Swathi Thirunal. He was an enlightened ruler of Travancore (Southern Kerala) and promoted the study of Mohiniyattam. Swati Tirunal composed many of the music arrangements and vocal accompaniments that provide musical background for the Mohiniyattam dancers. The noted Malayalam poet Vallathol, who established the Kerala Kalamandalam dance school in 1930, played an important role in reviving the Mohiniyattam dance form.
  • 11.  Mohiniyattam is a traditional South Indian dance from Kerala. The credit for reviving the Mohiniyattam dance in the nineteenth century goes to the Tamil nattuvanar (dance master) Vadivelu, one of the Thanjavur Quartet and Swathi Thirunal. He was an enlightened ruler of Travancore (Southern Kerala) and promoted the study of Mohiniyattam. Swati Tirunal composed many of the music arrangements and vocal accompaniments that provide musical background for the Mohiniyattam dancers. The noted Malayalam poet Vallathol, who established the Kerala Kalamandalam dance school in 1930, played an important role in reviving the Mohiniyattam dance form.
  • 12.  In the second story Vishnu appears as Mohini to save Lord Shiva from the demon Bhasmasura. The name Mohiniyattam may have been coined after Lord Vishnu; the main theme of the dance is love and devotion to God, with usually Vishnu or Krishna being the hero. Devadasis used to perform this in temples. It also has elements of Koothu and Kottiyattom. Mohiniyattam is a drama in dance and verse.The dance involves the swaying of broad hips and the gentle movements of erect posture from side to side. This is reminiscent of the swinging of the palm leaves and the gently flowing rivers which abound Kerala, the land of Mohiniyattam.
  • 13.  It is one of the eight Indian classical dance forms. It is considered a very graceful dance meant to be performed as a solo recital by women. The term Mohiniyattam comes from the words "Mohini" meaning a woman who enchants onlookers and "aattam" meaning graceful and sensuous body movements. The word "Mohiniyattam" literally means "dance of the enchantress". There are two stories of the Lord Vishnu disguised as a Mohini. In one, he appears as Mohini to lure the asuras (demons) away from the amrita (nectar of immortality) obtained during the churning of the palazhi or Ocean of Milk
  • 14.  The Kuchipudi performance usually begins with an invocation. Then, each costumed actor is introduced, their role stated, and who then performs a short dance prelim to music (dharavu). Next, the performance presents pure dance (nritta).This is followed with expressive part of the performance (nritya), where rhythmic gestures as a sign language mime the play. Vocalists and musicians accompany the artist, with the song recited in Telugu language, and the tala and raga set to (Carnatic music).The typical musical instruments in Kuchipudi are mridangam, cymbals, veena, flute and the tambura.
  • 15.  Kuchipudi is one of the eight major Indian classical dances. It originated in a village named Krishna district in the Indian state of Andhra Pradesh. Kuchipudi is a dance-drama performance art, with its roots in the ancient Hindu Sanskrit text of Natya Shastra. It developed as a religious art linked to traveling bards, temples and spiritual beliefs, like all major classical dances of India.Evidence of Kuchipudi's existence in an older version are found in copper inscriptions of the 10th & 15th century such as the Machupalli Kaifat.
  • 16.  Kuchipudi, like other classical dance forms in India, traces its roots to the Natya Shastra, a foundational treatise on the performing arts attributed to the ancient scholar Bharata Muni. Its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters.
  • 17.  Kuchipudi is a team performance, with roots in Hindu religious festivals. The drama-dance involves extensive stage movements and exacting footwork, wherein the underlying drama is mimed by expressive gestures of hand (mudras), eye and face movements.The expressive style is through a sign language that follows the classical pan-Indian Sanskrit texts such as Natya Shastra, Abhinaya Darpana and Nrityararnavali.The dance is accompanied with Carnatic music, while the recital is in Telugu language.Just like the Carnatic music style, Kuchipudi shares many postures and expressive gestures with Bharatanatyam, such as the Ardhamandali (half seating position or a partial squat, legs bent or knees flexed out).