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05. Contemporary Media Issues - Postmodern Aesthetics

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05. Contemporary Media Issues - Postmodern Aesthetics

  • 1. Contemporary Media Issues Postmodern Media Aesthetics
  • 2.
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  • 13. The Sex Pistols (circa 1976)
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  • 16. Track 4 ‘ Encore’ A clear example of hybridity. A song that borrows from an earlier source. … Jay-Z later releases a version using the lyrics from ‘Encore’ but the melody from Linkin Park’s ‘Numb’? But what’s this… Hmmm. Let’s see - here’s ‘Numb’… And here’s ‘Encore’… It’s another clear example of hybridity yet somehow it all seems a bit of a jumble … HANG ON! Jay-Z (2004) ‘ The Black Album’ Samples John Holt’s ‘I Will’
  • 17. It’s almost like the attributes of the rap song ‘Encore’, itself a hybrid of the earlier reggae song ‘I Will’ has itself been given a quite different meaning when mixed with the stylistic features of the emo-rock of Linkin Park’s ‘Numb’. It’s not a case of ‘bricolage’ is it? Where the eclectic nature of the hybridity – taking music associated with different ethnicities and functions (blacks/whites – dancing/crying in your bedroom) and converted them into a musical statement 'empty' of its original meanings?
  • 18. MIA’s ‘Paper Planes’ (2007) is a hip-hop choon that samples… ‘ Straight to Hell’ (1982) by The Clash It also samples the dreadful Wreckx-n-Effect’s sleazy West Coast rap ‘Rumpshaker’ (1992) The single was unsuccessful on its initial release but being featured in the trailer for ‘Pineapple Express’ (2008) It became a huge hit in The States As a result it was seen by Danny Boyle and used on… Slumdog Millionaire (2009)
  • 19. SO WHERE DOES HYBRIDITY BECOME BRICOLAGE? Hybridity is all about where something comes from. MIA is a Londoner from an Asian background who records a hip-hop song in New York with and American producer with kids from Brixton singing the chorus – that’s a hybrid record right there. ‘ Paper Planes’ is a hip-hop song that is a hybrid of punk-reggae and West coast rap. Bricolage is about what use you put something to. But the song is also associated with the film ‘Slumdog Millionaire’ – itself a hybrid of Hollywood style narrative and Bollywood style aesthetics – throw in the further jumble of a hip-hop tune on the soundtrack playing over a montage of scenes and you’ve got ‘bricolage’
  • 20. Where the eclectic nature of the hybridity - taking music (and films) associated with different ethnicities (white British punk/black American rap/Anglo-Indian singer) and genres (British social realism/Bollywood style hyperrealism) and converted them into a musical/visual statement 'empty' of their original meanings – in the case of the film the song becomes suggestive of a montage sequence at the heart of the narrative… But the song is also associated with the film ‘Slumdog Millionaire’ – itself a hybrid of Hollywood style narrative and Bollywood style aesthetics – throw in the further ‘jumble’ of a hip-hop tune on the soundtrack playing over a montage of scenes and you’ve got ‘bricolage’…
  • 21. The Beatles (1968) The White Album Danger Mouse (2005) The Grey Album Jay-Z (2004) The Black Album
  • 22. So is the Grey Album Hybrid? Bricolage? Parody? Pastiche? Intertextual? Danger Mouse (2005) The Grey Album
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