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The document provides an overview of ancient Greek sculpture from the Archaic period through the Hellenistic period, including many examples of key works and styles. It features summaries of sculptures from temples, tombs, and sanctuaries across Greece from approximately 600 BC to 100 BC, spanning materials from marble to bronze. Key periods and artists mentioned include the Kouroi, Kore, Classical period works by Phidias, Praxiteles, and Lysippos, and Hellenistic developments.
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‘8 Sentence Body Paragraph’ Essay Template (22-sentence)Introducti.docx
‘8 Sentence Body Paragraph’ Essay Template (22-sentence)
Introduction ¶(Includes thesis)
Body ¶ #1
Topic Sentence
Concrete Detail #1 (fact) (For example)
Commentary (explain or comment) (This shows that)
Commentary (explain or comment) (This is because)
Concrete Detail #2 (fact )(In addition,)
Commentary (explain or comment) (This shows that)
Commentary (explain or comment) (This is because)
Concluding Sentence (As a result,)
Body ¶ #2
Topic Sentence
Concrete Detail #1 (fact) (For example)
Commentary (explain or comment) (This shows that)
Commentary (explain or comment) (This is because)
Concrete Detail #2 (fact) (In addition,)
Commentary (explain or comment) (This shows that)
Commentary (explain or comment) (This is because)
Concluding Sentence (As a result,)
Conclusion ¶(Includes summary)
1
Ancient Greek Art
1
2
The Greek World
Map 5-1 The Greek world.
2
3
Geometric krater, from the Dipylon cemetery, Athens, Greece, ca. 740 BCE. 3’ 4 1/2” high. Metropolitan Museum of Art, New York.
Geometric Period
(9th – 8th centuries BCE)
3
DIPYLON PAINTER, Geometric amphora with mourning scene, from the Dipylon cemetery, Athens, Greece, ca. 750 BCE. 5’ 1” high. National Archaeological Museum, Athens.
4
7
Hero and centaur (Herakles and Nessos?), from Olympia,Greece, ca. 750–730 BCE. Bronze, 4 1/2” high. Metropolitan Museum of Art, New York (gift of J. Pierpont).
7
8
Mantiklos Apollo, statuette of a youth dedicated by Mantiklos to Apollo, from Thebes, Greece, ca. 700–680 BCE. Bronze, 8” high. Museum of Fine Arts, Boston.
8
Eleusis Amphora – front, 675-650 BCE
10
Corinthian black-figure amphora with animal friezes, from Rhodes, Greece, ca. 625–600 BCE. 1’ 2” high. British Museum, London.
Observe the creatures on this black-figure amphora. Are there any precedents for such composite creatures?
Orientalizing Period (7th century BCE)
10
11
Lady of Auxerre, from Crete, probably Eleutherna, Greece, ca. 650–625 BCE. Limestone, 2’ 1 1/2” high. Musée du Louvre, Paris.
11
12
kouros (male youth)/kouroi (pl.)
kore (maiden)/korai (pl.).
Archaic Period (6th century BCE)
12
13
Kouros, from Attica, possibly Anavysos, Greece, ca. 600 BCE. Marble, 6’ 1/2” high. Metropolitan Museum of Art, New York.
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14
14
15
Kroisos, from Anavysos, Greece, ca. 530 BCE. Marble, 6’ 4” high. National Archaeological Museum, Athens.
Why did Greek artists render the male form in the nude?
15
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Calf Bearer, dedicated by Rhonbos on the Acropolis, Athens, Greece, ca. 560 BCE. Marble, restored height 5’ 5”; fragment 3’ 11 1/2” high. Acropolis Museum, Athens.
16
17
Peplos Kore, from the Acropolis, Athens, Greece, ca. 530 BCE. Marble, 4’ high. Acropolis Museum, Athens.
Notice traces of encaustic paint on the Peplos Kore. Most Greek stone statues were painted.
Notice also that the Peplos Kore is clothed.
17
18
Kore in Ionian dress, from the Acropolis, Athens, Greece, ca. 520–510 BCE. Marble, 1’ 9” high. Acr.
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Ancient Greece was the birthplace of Western civilization between 900-30 BCE. Some of the defining aspects of Greek culture included democratic city-states, a human-centered worldview, and the worship of many gods. Over time, Greek art evolved from geometric to naturalistic styles, with an increasing focus on idealized human and mythological figures. Major periods included the Archaic, Classical, and Hellenistic eras. The Parthenon exemplified Classical Greek architecture and sculpture at its height under Pericles in Athens. Works depicted gods, heroes, and important myths, often with balance, symmetry, and mathematical proportions. As Greek culture spread, it had lasting influence on Western art, philosophy, and society.
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Ancient Greece evolved through several artistic periods from 900 BCE to 30 BCE. Geometric and Orientalizing art from 900-600 BCE featured abstract, schematic figures on pottery and small bronzes with Eastern influence. The Archaic period from 600-480 BCE saw the first life-size statues with the "Archaic smile" and temples with Doric and Ionic columns. Art depicted humans, gods, mythology and the Trojan War. Kouroi were nude male statues and korai were female statues that followed Egyptian conventions. The Classical period saw the Parthenon and refined human proportions before the Hellenistic period featured emotional, violent sculptures and hybrid temple designs.
The timelessness of ancient greek sculpture through the harmonically fit body
The document discusses a cross-curricular teaching project between physical education and arts lessons for 2nd grade students in Greece. Students analyzed ancient Greek sculptures and the idealized physiques depicted. They learned how exercise shaped bodies and minds in ancient Greece. Students selected sculptures to research and some posed to simulate the sculptures. The project used sculptures to link physical fitness to the arts across subjects.
Old Kingdom Egypt: Non-Royal Tombs
1. Common ancient Egyptians were also able to achieve eternal life after death through non-royal tombs and the use of Books of the Dead.
2. Books of the Dead contained spells and images to guide the deceased through judgment before Osiris to gain access to the afterlife.
3. Wealthier individuals could afford elaborate decorated scrolls while poorer people used ready-made scrolls.
4. Non-royal tombs like mastabas contained burial chambers, serdabs to hold ka statues, false doors, and offering scenes to ensure the deceased's ka was sustained.
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The timelessness of ancient greek sculpture through the harmonically fit body
The timelessness of ancient greek sculpture through the harmonically fit body
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Ancient greek sculpture
Ancient Greek sculpture began around 4000 years ago with simple white marble figures on the Greek islands. Over time, sculpture evolved from stiff, stylized works to highly naturalistic pieces that captured accurate proportions and movement in media like marble and bronze. Early Minoan and Mycenaean works were few, while Archaic sculptures from 700-500 BCE depicted gods and people in stiff poses. The Classical period from 480-336 BCE saw further realism and lifelike details. Finally, Hellenistic sculpture from 336-146 BCE was highly expressive and exaggerated emotions, showing the pinnacle of ancient Greek artistic achievement.
‘8 Sentence Body Paragraph’ Essay Template (22-sentence)Introducti.docx
‘8 Sentence Body Paragraph’ Essay Template (22-sentence)
Introduction ¶(Includes thesis)
Body ¶ #1
Topic Sentence
Concrete Detail #1 (fact) (For example)
Commentary (explain or comment) (This shows that)
Commentary (explain or comment) (This is because)
Concrete Detail #2 (fact )(In addition,)
Commentary (explain or comment) (This shows that)
Commentary (explain or comment) (This is because)
Concluding Sentence (As a result,)
Body ¶ #2
Topic Sentence
Concrete Detail #1 (fact) (For example)
Commentary (explain or comment) (This shows that)
Commentary (explain or comment) (This is because)
Concrete Detail #2 (fact) (In addition,)
Commentary (explain or comment) (This shows that)
Commentary (explain or comment) (This is because)
Concluding Sentence (As a result,)
Conclusion ¶(Includes summary)
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Ancient Greek Art
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The Greek World
Map 5-1 The Greek world.
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Geometric krater, from the Dipylon cemetery, Athens, Greece, ca. 740 BCE. 3’ 4 1/2” high. Metropolitan Museum of Art, New York.
Geometric Period
(9th – 8th centuries BCE)
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DIPYLON PAINTER, Geometric amphora with mourning scene, from the Dipylon cemetery, Athens, Greece, ca. 750 BCE. 5’ 1” high. National Archaeological Museum, Athens.
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Hero and centaur (Herakles and Nessos?), from Olympia,Greece, ca. 750–730 BCE. Bronze, 4 1/2” high. Metropolitan Museum of Art, New York (gift of J. Pierpont).
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Mantiklos Apollo, statuette of a youth dedicated by Mantiklos to Apollo, from Thebes, Greece, ca. 700–680 BCE. Bronze, 8” high. Museum of Fine Arts, Boston.
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Eleusis Amphora – front, 675-650 BCE
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Corinthian black-figure amphora with animal friezes, from Rhodes, Greece, ca. 625–600 BCE. 1’ 2” high. British Museum, London.
Observe the creatures on this black-figure amphora. Are there any precedents for such composite creatures?
Orientalizing Period (7th century BCE)
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Lady of Auxerre, from Crete, probably Eleutherna, Greece, ca. 650–625 BCE. Limestone, 2’ 1 1/2” high. Musée du Louvre, Paris.
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kouros (male youth)/kouroi (pl.)
kore (maiden)/korai (pl.).
Archaic Period (6th century BCE)
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Kouros, from Attica, possibly Anavysos, Greece, ca. 600 BCE. Marble, 6’ 1/2” high. Metropolitan Museum of Art, New York.
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Kroisos, from Anavysos, Greece, ca. 530 BCE. Marble, 6’ 4” high. National Archaeological Museum, Athens.
Why did Greek artists render the male form in the nude?
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Calf Bearer, dedicated by Rhonbos on the Acropolis, Athens, Greece, ca. 560 BCE. Marble, restored height 5’ 5”; fragment 3’ 11 1/2” high. Acropolis Museum, Athens.
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Peplos Kore, from the Acropolis, Athens, Greece, ca. 530 BCE. Marble, 4’ high. Acropolis Museum, Athens.
Notice traces of encaustic paint on the Peplos Kore. Most Greek stone statues were painted.
Notice also that the Peplos Kore is clothed.
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Kore in Ionian dress, from the Acropolis, Athens, Greece, ca. 520–510 BCE. Marble, 1’ 9” high. Acr.
ARTID111 Ancient Greek Art - Part 1
The document provides an overview of ancient Greek art from the 9th century BCE to the Hellenistic period. It discusses the major periods and styles of Greek art including Geometric, Orientalizing, Archaic, Classical, and Hellenistic. The forms of art discussed include architecture, sculpture, painting, pottery, and jewelry. Key works and developments are described for each period.
Early greek thru early classical
The document provides an overview of ancient Greek history from the collapse of the Mycenaean civilization in the 11th century BCE through the Peloponnesian Wars in the 5th century BCE. It describes the transition from the Mycenaean and Minoan periods to the Greek Dark Ages. Key periods discussed include the Geometric, Orientalizing, and Archaic periods. Major city-states like Athens and Sparta are mentioned. Important sites, artworks, and structures on the Acropolis like the Parthenon are summarized. The document also outlines philosophical thinkers and developments in science during this time period in Greece. It concludes with details about the Peloponnesian Wars between Athens and Sparta.
The Aegean (Bronze Age) (Presentation) Author De Anza College
The Aegean (Bronze Age) (Presentation) Author De Anza College
Para compreender melhor a idade do Bronze, com base científica, para trabalhos académicos
Ancient Greek Art
Ancient Greek art focused on humanism, seeking perfection of the body and mind. It greatly influenced Western culture. The Archaic, Classical, and Hellenistic periods are covered. Examples shown include the Kouros and Kore sculptures, works by Polykleitos like the Doryphorus, and the Venus de Milo. Greek pottery styles like black figure and red figure are described. Architecture like the Parthenon and its columns are analyzed using the Golden Ratio. The Parthenon's pediments and metopes are examined.
Greek Art in Munich at Glyptothek
King Ludwig I, an enthusiastic admirer of antiquity, assembled while still Crown Prince a collection of Greek and Roman sculpture of international importance. In order to make this collection available to a wide public, he had the Munich Glyptothek built by Leo von Klenze opened it in 1830.
Ancient greek civilization art and architecture
The document discusses ancient Greek architecture, art, and civilization. It describes the three Greek architectural orders of Doric, Ionic, and Corinthian and some of the most important structures built in this classical style on the Athenian Acropolis, including the Parthenon, Erechtheion, and Athena Parthenos statue. It also mentions Greek pottery, sculpture, and the development of art from the Archaic to Classical periods depicting humans in a increasingly realistic and natural style.
GREECE part 3 de Beaufort
The document summarizes major developments in Greek art and thought during the Late Classical period (404-338 BCE) following the Peloponnesian War. It discusses how Greek art began to focus more on realism and individual subjects rather than idealism. Key artists from this period like Praxiteles and Lysippos are mentioned for introducing naturalism, emotion, and contrapposto poses into their sculptures. The Hellenistic period that followed is summarized as a time of cultural blending and the rise of new dynastic states after Alexander the Great's conquests.
Week6 mediterranean greek_part2
mediterranean, greek, classical, helenistic, sculpture, ancient, egyptian, art, art appreciation, art history
Greek, Etruscan, Roman Lecture
This document provides an overview of the history and development of art and architecture in ancient Greece and Rome from approximately 1000 BCE to 330 CE. It features descriptions and analyses of over 80 images of artifacts from this period, including sculptures, paintings, buildings, and other works. The images showcase the evolution of styles from Geometric to Classical to Hellenistic periods in Greece and Etruscan, Republican, and Imperial periods in Rome.
GREECE part 2 de Beaufort
The document summarizes key events and developments in ancient Greece during the Classical period from 480 BCE to 323 BCE. It describes how the Greeks defeated the Persians at the Battle of Salamis in 480 BCE, saving Greece from Persian rule. This victory allowed Athens to emerge as a powerful city-state and ushered in the Classical period, a time of intellectual, artistic, and architectural achievements. The document focuses on Athens' cultural flowering under the patronage of Pericles, including the rebuilding of temples on the Acropolis such as the Parthenon with its sculptures and architectural refinements that embodied the ideals of balance, proportion, and order.
New microsoft office power point presentation
The document provides an overview of Greek art and architecture from 2500 BC to 100 BC. It discusses the three classical orders of Greek architecture - Doric, Ionic, and Corinthian - and some of their most famous structures, including the Parthenon. The Parthenon was built on the Acropolis in Athens between 447-432 BC and was a temple to the goddess Athena built using precise measurements. The document also briefly describes some of the most renowned works of Greek sculpture, including the Venus de Milo and Apollo Belvedere.
Classical art
1. The document provides an overview of classical art from ancient Greece and Rome, covering major periods, styles, and works.
2. It describes the transition from Geometric to Archaic styles in Greek art, highlighting works like the Dipylon Vase and Kore figure.
3. Classical Greek art is discussed in depth, including the Parthenon and sculptures by Phidias, seen as the peak of Greek artistic achievement.
Greece Pottery and Sculpture
This document provides an overview of ancient Greek art from 1000 BC to the 1st century BC, organized chronologically. It summarizes key periods like the Geometric, Orientalizing, and Black Figure styles between 1000-600 BC. It then highlights important works like the Dipylon Vase, François Vase, and the Riace Bronze Warriors. The document also focuses on Classical Greek art like the Parthenon sculptures and works by Phidias, Myron, and Praxiteles. It concludes with the Hellenistic period and sculptures like the Dying Gaul and Winged Victory of Samothrace.
Chapter 2 - 3 Greek and Romans
1) The document provides an overview of ancient Greek and Roman history from 3000 BCE to 500 CE. It covers major civilizations like Minoans, Mycenaeans, and describes Greek art, architecture, philosophy and the rise and fall of the Roman Empire.
2) Key aspects highlighted include the rise of Athenian democracy and Greek drama/theatre, the influence of philosophers like Socrates and Plato, and famous artworks from periods like Archaic, Classical and Hellenistic.
3) Roman contributions discussed include engineering feats, the rise of the Roman Republic and Empire under figures like Julius Caesar and Augustus, as well as architectural styles like Doric, Ionic and Corinthian orders
Artreview Part1b
The document provides an overview of ancient Greek and Roman art from the Geometric period through the Roman empire. It describes key styles, time periods, artistic mediums, notable works, and influential artists. Major developments included the emergence of contrapposto in classical sculpture, black and red figure pottery styles, architectural orders like Doric and Ionic, and imperial Roman art used for propaganda like the Ara Pacis and Trajan's Column.
2011 survey late_classical_and_hellenistic_periods
The document summarizes the Late Classical period and Hellenistic period in Greece. In the Late Classical period (ca. 400-323 BC), Athens was defeated by Sparta in the Peloponnesian War and Plato and Aristotle founded schools of philosophy in Athens. The Hellenistic period (ca. 323-31 BC) began with the defeat of Greek city-states by Phillip II of Macedon and the rise of Alexander the Great's empire. After Alexander's death, successor states fell and Rome's power grew as it gradually conquered the Greek world.
1Ancient Egyptian Art12Ancient Egypt2.docx
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Ancient Egyptian Art
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Ancient Egypt
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People, boats, and animals, detail of a watercolor copy of a wall painting from tomb 100 at Hierakonpolis, Egypt, Predynastic, ca. 3500–3200 BCE. Paint on plaster, entire painting 16’ 4” X 3’ 7 3/8”. Egyptian Museum, Cairo.
Predynastic, Early Dynasties, and the Old Kingdom
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Stylistic Conventions of Egyptian Art
Palette of Narmer: a blueprint for a formula for figure representation and other conventions seen in Egyptian art for nearly 3000 years.
Palette of King Narmer (left, back; right, front), from Hierakonpolis, Egypt, Predynastic, ca. 3000–2920 BCE. Slate, 2’ 1” high. Egyptian Museum, Cairo.
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Early Funerary Architectural Forms
Section (top), plan (center),and restored view (bottom) of typical Egyptian mastaba tombs.
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IMHOTEP, Stepped Pyramid and mortuary precinct of Djoser, Saqqara, Egypt, Third Dynasty, ca. 2630–2611 BCE.
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Restored view (top) and plan (bottom) of the mortuary precinct of Djoser, Saqqara, Egypt, Third Dynasty, ca. 2630–2611 BCE.
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Columnar entrance corridor to the mortuary precinct of Djoser, Saqqara, Egypt, Third Dynasty, ca. 2630–2611 BCE.
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Detail of the facade of the north palace of the mortuary precinct of Djoser, Saqqara, Egypt, Third Dynasty, ca. 2630–2611 BCE.
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Aerial view of the Fourth Dynasty pyramids (looking north), Gizeh, Egypt. From bottom: Pyramids of Menkaure, ca. 2490–2472 BCE; Khafre, ca. 2520–2494 BCE; and Khufu, ca. 2551–2528 BCE.
The Pyramids
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Section of the Pyramid of Khufu, Gizeh, Egypt, Fourth Dynasty, ca. 2551–2528 BCE.
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Model of the pyramid complex, Gizeh, Egypt. Harvard University Semitic Museum, Cambridge. 1) Pyramid of Menkaure, 2) Pyramid of Khafre, 3) mortuary temple of Khafre, 4) causeway, 5) Great Sphinx, 6) valley temple of Khafre, 7) Pyramid of Khufu, 8) pyramids of the royal family and mastabas of nobles.
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Khafre enthroned, from Gizeh, Egypt, Fourth Dynasty, ca. 2520–2494 BCE. Diorite, 5’ 6” high. Egyptian Museum, Cairo.
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Sculptors at work, detail of the south wall of the main hall of the funerary chapel of Rekhmire, Thebes, Egypt, 18th Dynasty, ca. 1425 BCE.
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Great Sphinx (with Pyramid of Khafre in the background at left), Gizeh, Egypt, Fourth Dynasty, ca. 2520–2494 BCE. Sandstone, 65’ X 240’.
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Menkaure and Khamerernebty(?), from Gizeh, Egypt, Fourth Dynasty, ca. 2490–2472 BCE. Graywacke, 4’ 6 1/2” high. Museum of Fine Arts, Boston.
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Seated scribe, from Saqqara, Egypt, Fourth Dynasty, ca. 2500 BCE. Painted limestone, 1’ 9” high. Musée du Louvre, Paris.
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Ti watching a hippopotamus hunt, relief in the mastaba of Ti, Saqqara, Egypt, Fifth Dynasty, ca. 2450–2350 BCE. Painted limestone, 4’ high.
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Goats treading seed and cattle fording a canal, reliefs in the mastaba of Ti, Saqqara, Egypt, Fifth Dynasty, ca. 2450 – 2350 BCE. Painted limestone.
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Middle Kingdom
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Greek and Etruscan Art
The document provides an overview of ancient Greek art from the Geometric period through the Late Classical period. It discusses the evolution of sculpture and architecture, including the development of the human form in art and the rise of temples like the Parthenon. Key artists and their styles are also mentioned, such as Praxiteles, Lysippos, and Polykleitos.
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The document discusses works by American hyperrealist artists Richard Estes and Robert Cottingham from the 1970s, as well as hyperrealist sculptures by Duane Hanson from the 1960s-1980s. It provides information on each work such as the title, date, materials, dimensions, and location. The works depicted everyday scenes and objects in photorealistic detail, from city streets and buildings to shoppers and tourists.
7. postminimaalkunst –maakunst
The document discusses several land artists from the 1960s-70s including Walter de Maria, Christo, Robert Smithson, and Merille Hommik. Some of their notable works mentioned are Walter de Maria's Lightning Field in New Mexico consisting of 400 stainless steel poles, Christo's Running Fence installation in California, and Robert Smithson's Spiral Jetty, an earthwork sculpture formed in a Utah saltwater lake. These artists helped pioneer the land art movement using the natural environment as their medium.
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This document provides information on several op art and kinetic art artists including Victor Vasarely, Bridget Riley, Jesús Rafael Soto, and Alexander Calder. It includes the titles, dates, materials, and locations of many of their artworks. Images are included of works by each artist, both to illustrate their artistic styles and some of the key pieces discussed.
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Syllabus
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Chapter 3
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