Greece Pottery and Sculpture
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This document provides an overview of ancient Greek art from 1000 BC to the 1st century BC, organized chronologically. It summarizes key periods like the Geometric, Orientalizing, and Black Figure styles between 1000-600 BC. It then highlights important works like the Dipylon Vase, François Vase, and the Riace Bronze Warriors. The document also focuses on Classical Greek art like the Parthenon sculptures and works by Phidias, Myron, and Praxiteles. It concludes with the Hellenistic period and sculptures like the Dying Gaul and Winged Victory of Samothrace.
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The document provides an overview of the Romantic era in Western civilization. Some key aspects discussed include a focus on emotion over reason, interest in nature and the supernatural, and criticism of the industrial revolution through works like Wordsworth's poetry and Shelley's Frankenstein. Major romantic artists and thinkers featured include Wordsworth, Coleridge, Keats, Goethe, Shelley, and painters who captured the sublime in nature with expressive brushstrokes.
Romanesque art
Between the 11th and 13th centuries, Romanesque art developed with a style similar to Roman art. Romanesque architecture featured stone churches built in a Latin cross floor plan with barrel vaults and buttresses. Interior walls, columns, and windows were decorated with paintings on plaster showing biblical scenes to educate the largely illiterate population. Sculptures carved into architectural elements like capitals and altars depicted religious figures and were often colored. Romanesque art focused on religion through the architecture and decoration of churches and monasteries.
5 01 roman architecture
The Pantheon in Rome was commissioned in 118-126 CE and has remained remarkably well preserved. It has a large central dome with an oculus opening and a diameter of 43.3 meters. The dome is the world's largest unreinforced concrete dome. The Pantheon was an important architectural achievement due to its geometric proportions and use of concrete construction techniques.
Greece
HISTORY OF ARCHITECURE AND CULTURE 1_GREEK_Landscape and culture of Greece – Minoan and Mycenaean cultures – Hellenic and Hellenistic
cultures – Greek character – Greek polis and democracy – Greek city planning – architecture in the
archaic and classic periods – Domestic architecture; Public Buildings: Agora, stoas, theaters,
bouletrion and stadias – Greek temple: evolution and classification – Parthenon and Erection –
orders in architecture: Doric, lonic, Corinthian – optical illusions in architecture.
Western Civilization Lecture 10
The document discusses Charles Darwin and the impact of his theory of evolution through natural selection. It summarizes Darwin's key ideas and then discusses some of the major implications, including how Social Darwinism was used to justify imperialism, racism, and laissez-faire capitalism. It also provides brief overviews of Impressionism and Post-Impressionism in art, focusing on key artists like Monet, Degas, Cézanne, Gauguin, and Van Gogh.
Greek&roman sculpture
This document provides a summary of ancient Greek art from 1900 BCE to the 4th century CE. It covers major periods including the Mycenaean civilization, Archaic age, Classical age, and Hellenistic period. Key developments are outlined such as the emergence of Greek culture with epic poetry and temple architecture. Early sculptures like Kouroi and Kore depicted idealized human forms with some Egyptian influence. As styles evolved, sculptures attempted more naturalism and conveyed qualities like nobility. Famous works mentioned include the Kritios Boy and sculptures depicting motion like the Dying Gaul. Portraiture developed through pieces like the busts of Cato and emperors Marcus Aurelius and Constantine.
Purism
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egypt civilization
The document provides an overview of ancient Egyptian civilization from 3300 BC to 30 BC. It discusses the geography of Egypt and the importance of the Nile River in enabling agriculture. It also summarizes Egyptian religion, government as a monarchy led by pharaohs, daily life, and architectural and artistic achievements including pyramids, temples and tombs. Key figures mentioned include Imhotep, Khufu, and various pharaohs and gods.
The Parthenon, Acropolis of Athens, Greek.
The Parthenon was a large 5th century BC temple on the Acropolis in Athens dedicated to the goddess Athena. It was commissioned by Pericles as both a temple and national treasury after Athens had been destroyed by the Persians. Considered one of the greatest cultural achievements of Ancient Greece, the Parthenon was precisely constructed using optical refinements and golden ratios. However, it suffered damage over the centuries due to wars and the removal of sculptures to England in the 19th century. Reconstruction efforts continue today to restore this important symbol of Athenian democracy.
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Early greek thru early classical
The document provides an overview of ancient Greek history from the collapse of the Mycenaean civilization in the 11th century BCE through the Peloponnesian Wars in the 5th century BCE. It describes the transition from the Mycenaean and Minoan periods to the Greek Dark Ages. Key periods discussed include the Geometric, Orientalizing, and Archaic periods. Major city-states like Athens and Sparta are mentioned. Important sites, artworks, and structures on the Acropolis like the Parthenon are summarized. The document also outlines philosophical thinkers and developments in science during this time period in Greece. It concludes with details about the Peloponnesian Wars between Athens and Sparta.
section4(Geo-Archaic).ppt
The document summarizes the major periods of ancient Greek art from 900 BCE to 31 BCE. It provides examples of artworks characteristic of each defined period including the Geometric, Orientalizing, and Archaic periods. The examples show the evolution of Greek art from simple geometric designs to more naturalistic human and animal forms that incorporated new techniques, materials, and subject matter over time.
Ancient greek sculpture
Ancient Greek sculpture began around 4000 years ago with simple white marble figures on the Greek islands. Over time, sculpture evolved from stiff, stylized works to highly naturalistic pieces that captured accurate proportions and movement in media like marble and bronze. Early Minoan and Mycenaean works were few, while Archaic sculptures from 700-500 BCE depicted gods and people in stiff poses. The Classical period from 480-336 BCE saw further realism and lifelike details. Finally, Hellenistic sculpture from 336-146 BCE was highly expressive and exaggerated emotions, showing the pinnacle of ancient Greek artistic achievement.
ARTID111 Ancient Greek Art - Part 1
The document provides an overview of ancient Greek art from the 9th century BCE to the Hellenistic period. It discusses the major periods and styles of Greek art including Geometric, Orientalizing, Archaic, Classical, and Hellenistic. The forms of art discussed include architecture, sculpture, painting, pottery, and jewelry. Key works and developments are described for each period.
The Aegean (Bronze Age) (Presentation) Author De Anza College
The Aegean (Bronze Age) (Presentation) Author De Anza College
Para compreender melhor a idade do Bronze, com base científica, para trabalhos académicos
Post2385+greek+2 archaic+and+early+class2010
The document provides an overview of archaic and classical Greek art from around 600 BCE to 323 BCE, including the development of architectural styles like the Doric, Ionic and Corinthian orders. It describes key works like the Temple of Aphaia on Aegina, kouros and kore sculptures, and the transition from archaic to early classical styles seen in works like the Kritios Boy and the Charioteer of Delphi. Major figures of the high classical period discussed include Polykleitos and his canon of proportion.
Ap art history test 3
This document provides summaries of several artworks from ancient Greece including:
1) A funerary vase from 750 BCE depicting a cremation ceremony and the emotional reactions of mourners.
2) A pitcher from 600 BCE decorated with silhouetted animals and rosettes in the Orientalizing style.
3) The Temple of Hera from 550 BCE, one of the earliest standing temples in Paestum with a peripteral design.
4) Several other Greek sculptures are briefly summarized including the Dying Warrior, Kouroi figures, and the Parthenon.
Coa 2241 greek
The document describes the evolution of Greek art and architecture from the Geometric period through the Classical period. It begins with grave markers from the Dipylon Cemetery dating to around 750 BC and notes the geometric schemata used. It then discusses the increasing naturalism and use of movement seen in kouroi such as the Kritios Kouros from 480 BC and the Diskobolos by Myron from 450 BC, which show contrapposto. Major classical temples discussed include the Temple of Artemis from around 600 BC and the Temple of Aphaia from 490-480 BC, which features the Doric order and sculptural reliefs.
Ancient greek civilization art and architecture
The document discusses ancient Greek architecture, art, and civilization. It describes the three Greek architectural orders of Doric, Ionic, and Corinthian and some of the most important structures built in this classical style on the Athenian Acropolis, including the Parthenon, Erechtheion, and Athena Parthenos statue. It also mentions Greek pottery, sculpture, and the development of art from the Archaic to Classical periods depicting humans in a increasingly realistic and natural style.
2011 survey early_and_archaic_greece
The document discusses early and archaic Greece from the 8th century BC to the early 5th century BC. During this period, the Greeks developed geometric art styles seen on vases and kraters. Sculpture also advanced with the creation of kouros and kore statues. Temple architecture began with simpler structures like the Temple of Hera before culminating in the Parthenon in Athens. Overall, the period saw growth in Greek artistic and architectural achievements that would influence Western traditions.
Greek
This document provides an overview of classical Greek art from approximately 900 BCE to 30 BCE. It begins with the Geometric period and progresses through the Orientalizing, Archaic, Severe, Classical, and Hellenistic periods. Key developments discussed include the evolution of the human form in art, the emergence of architectural styles like Doric and Ionic, and masterworks from prominent artists and sites such as the Parthenon, Temple of Athena Nike, and sculptures of Phidias, Praxiteles, and Lysippus. The document traces how Greek art progressed from more rigid, symbolic works to increasingly naturalistic and emotionally expressive pieces that placed greater emphasis on the human body and experience.
Art and Culture - 04 - Classic Greece
Fourth module for GNED 1201 (Aesthetic Experience and Ideas). This one covers Greek art and culture during the archaic and classical time periods (roughly 700 - 400 BCE).
This course is a required general education course for all first-year students at Mount Royal University in Calgary, Canada. My version of the course is structured as a kind of Art History and Culture course. Some of the content overlaps with my other Gen Ed course.
Art of classical greece upload
The document provides an overview of classical Greek art from 480-323 BCE, known as the Early Classical, High Classical, and Late Classical periods. It discusses important sculptures, architectural works, and artistic styles that developed during this time, including the Kritios Boy, works by Polykleitos and Lysippos, and major buildings on the Acropolis like the Parthenon and Erechtheion.
Week 6 classic greece
The document provides an overview of ancient Greek art from the Classical period. It describes important temples like the Parthenon in Athens and sculptures found there. Key works discussed include the pediment sculptures and friezes from the Parthenon showing scenes like the birth of Athena. Famous sculptures of the era portrayed idealized human forms in a natural style, exemplified by the Riace bronzes, Charioteer of Delphi, and works by Phidias, Polykleitos, and Myron.
How Art Works: Week 6 Classicism Case Studies: Greek and Roman Canons
The document provides an overview of classicism in Greek and Roman art. It discusses how Greek artists in the 5th-4th centuries BCE established ideals of beauty that emphasized symmetry, proportion and the human form. Key Greek sculptors like Polykleitos developed canons of proportion based on the ideal human body. The Greeks also captured perfection in their representations of gods. Roman art emulated and spread these classical ideals throughout their empire.
Greek pottery upload
This document provides an overview of Greek pottery from 600-31 BCE. It discusses the major periods (Archaic, Classical, Hellenistic) and techniques (black figure, red figure, white ground). Key terms are defined. Several examples of pottery are listed from different periods with their painters/potters and styles. Reasons for studying Greek pottery are given. The chronology of pottery production is outlined from clay collection to firing. Common decorative motifs are shown. Everyday scenes like symposiums, fetching water, and the toilette are depicted. Mythological scenes from literature are also common subjects. Questions are posed about the importance and uses of Greek vases.
ARTH 101 TEST 2 GEOMETRIC - HELLENISTIC
This document provides a summary of the format and content for Test 2 in the ARTH 101 course on Geometric and Hellenistic art. The test will include 5 slides identifying artworks from these time periods with relevant facts about the artist, date, culture, and significance. It will also include 1-2 mystery slides requiring comparison to another work, as well as 5-10 vocabulary terms connected to works of art. Finally, there will be 3-5 short essay questions requiring students to discuss 4 or more related artworks in their responses. Examples of sample test questions are provided to demonstrate the expected format and level of analysis.
Ancient Greek Sculpture 2.0
I remember well of my visit to the National Archaeological Museum in Athens. I stood in front of one of the Kouros (Archaic Youth) statue, feeling a bit small when confronted with thousands of years of history before me. I was captivated by his mesmerising and charming smile. I could see that the statue can be quite easily mistaken as a real person. I never quite understand what really drove the Greek to create these wonderful sculptures. They were simply thousands of year ahead of other civilisations, in sculpture.
This Powerpoint slideshow presentation briefly sketches the development of sculpture in ancient Greece, from its humble beginning in the Greek islands to its zenith in the Hellenistic age. It maps out the milestones and advances made in stages, with the help of images of Greek masterpieces, like the Sulky Kore, the Kritios Boy, the Artemision Bronze, the Riace Bronzes etc. The Ancient Greece is unique amongst the ancient civilizations to develop such very level high of naturalism, with its expressive and life-like sculptures. According to some art historians they were driven largely by the spirit rooted in the belief that man is a free, indeed an exalted, being or simply their idea and love of beauty.
Art1204 pursuing perfection classical greek art
This document summarizes the major periods of Classical Greek art from 480-31 BCE. It describes the Early Classical period from 480-450 BCE which saw advances in bronze sculpture after victories over Persia. The High Classical period from 450-400 BCE is characterized by works like the Parthenon and innovations like contrapposto posing. The Late Classical period from 400-323 BCE introduced the Corinthian order and saw sculptors like Praxiteles further refine proportions. The Hellenistic period from 323-31 BCE marked the spread of Greek influence throughout Alexander the Great's empire.
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The document provides information on various artworks from ancient civilizations spanning from Egypt, Mesopotamia, Minoan Crete, Mycenaean Greece, Archaic and Classical Greece, and Persia. The artworks discussed include sculptures, reliefs, and frescoes created between 2551 BCE to the 5th century BCE using materials such as limestone, marble, bronze, and ceramics. Many of the pieces depict important figures, deities, and narratives from the respective cultures and were featured in temples, tombs, and other monumental architectural settings.
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- 4. Black Figure Francois Vase by Exekias 700 BC Corinth
- 5. Dionysos in a Sailboat, Exekias, black figure kylix, 550 BC
- 6. Red Figure Krater Death of Sarpedon by Euphronois
- 7. * Amphora-two handled vase used for storage and transport * Krater- used for mixing wine with water *Kylix- drinking cup *Lekythos- used for oils and perfumes and for pouring funeral libations * Hydria- used for carrying water
- 12. Battle of the Gods and Giants frieze from the Siphnian Treasury Delphi 530 BC
- 13. Dying Warrior, Temple at Aphaia 600 BC Late Archaic
- 14. Critias Boy, Acropolis, Athens 480 BC end of Archaic period beginning of Classical period
- 15. Phidias- “Chief overseer of all artistic enterprises sponsored by Pericles” All sculpture from the pediments of the Parthenon reflect the “Phidian Style.” This style dominated Greek art until the 5th century BC. Lord Elgin- British Ambassador to Turkey and Greece, who in 1800 received permission to take “any stone” from the Parthenon site in the early 1800’s. The pieces were taken to London and placed in the British Museum where they reside today. All the marbles from the Parthenon and called the ELGIN MARBLES.
- 16. There are 92 Metopes on the Parthenon. North side represents the Trojan War South side represents Lapiths and Centars CCA England Trip 2014
- 17. East Side Metopes- Gigantomachy- The Giants West Side Metopes- Amazonomachy- The Amazons * detail is from west side
- 18. The Inner frieze of the Parthenon 500 ft. in length and depicts the Panathenaic Procession in low relief. There are actually 6 horses shown side by side in relief on the frieze. CCA England trip 2014
- 19. West Pediment- competition between Athena and Poseidon for patronage of Athens.
- 20. East Pediment-Three goddesses CCA England Trip 2007 and 2014
- 21. CCA England trip 2007 with the Three Goddesses at the British Museum
- 23. Reconstructed view of massive chryselephantine (gold and ivory) statue of Athena, originally in the cella of the Parthenon. It did not survive.
- 24. Bronze Zeus of Atemesium 450 BC Bronze pieces are lighter than marble and allow for a variety of poses to show movement.
- 25. Charioteer of Delphi 470 BC
- 26. Discobolos, by Myron (Roman copy) 450 BC Transitional Period
- 27. Doryphorus or Spear-Bearer by Polykleitos Roman copy 450 BC Discus thrower and Spear bearer only survive in marble copies. Doryphorus stands in CONTRAPPOSTO position which represents the ideal proportions of the human body. Polykleitos wrote a book about this called “THE CANON”
- 28. Riace Bronze Warriors, 460 BC Severe Style
- 29. Riace Bronze Warrior with silver teeth 460 BC
- 30. Hermes and Dionysos By Praxiteles 4th c BC Elongated body, in contropposto pose. Body makes an “S” curve.
- 31. Aphrodite of Cnidos by Praxiteles 4th c BC known only through copies.
- 32. Alexander the Great by LYSIPPUS Lysippus was Alexander’s personal sculptor. Created this style image to represent the leader. Tousled hair and eyes looking upward.
- 33. Apoxyomenos (the scraper) known only from copies
- 34. Hellenistic Period 323 BC Sculpture is more dramatic and emotional than the Classical period, harsh diagonal lines and movement. Realism- for the first time the elderly and unattractive are portrayed.
- 35. Dying Gaul Roman copy, Hellenistic Period 240 BC
- 36. Winged Victory (Nike) of Samothrace, 190 BC CCA trip to France 2009
- 37. Laocoon group 1st c. BC (from CCA Italy trip 2010)