Unity work flow
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1) The document describes Jake Thompson's process of building a 3D game level in Unity using basic tools and textures from the Unity Asset Store. 2) Jake downloaded free assets like terrain textures, objects, and environmental packs to customize his level and add features like a volcano, water pool, and village. 3) He placed objects and used colliders so players couldn't walk through them, and added invisible planes under water to prevent falling through.
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This document summarizes an experiment conducted to create an advergame. It describes the various tools used to create the animation, including the pencil tool, paint bucket, zoom functions, and timeline. Colour blending and duplicate layers were used to add effects and animate objects. The background, barriers, and disk were created first before animating the layers on the timeline. For the final product, the document proposes keeping the gameplay concept but adding features like scoring, changing the disk to a planet shape, modifying the background scenery, and making the disk disappear after a goal for a more futuristic feel. The experiment provided useful ideas and feedback for the final project.
Model Textures
The document describes the texturing process for various 3D models created in Lightwave including a rocket, chair, bed, computer, shuttle door, toilet, sink, and drawers. Key textures included hazard stripes for the rocket engine, a steel texture for the rocket body, and technological textures for computer screens and panels. Realistic textures like silver, red, and typical bedding were used for other objects. The goal was to make the textures suit each model and have a realistic appearance.
6. production reflection(2)
The student created a game background using a large pencil size to color the entire canvas blue and add clouds by duplicating a single cloud shape. Characters were designed without faces to subvert expectations and make the game unique. Platforms, ladders, and towers were created on separate layers and duplicated to populate the level. Enemies were made to look cute against the pastel colors. Music was converted to mp3 and sound effects like doors closing and apples crunching were added. The end screen depicts a boat inspired by the game title and was constructed across multiple layers showing the ocean, boat outline, sails, and logos.
Production Reflection
The student created a game background using a large pencil size to color the entire canvas blue and add clouds by duplicating a single cloud shape. Characters were designed without faces to subvert expectations and make the game unique. Platforms, ladders, and towers were created on separate layers and duplicated to populate the level. Enemies were made to look cute against the pastel colors. Additional elements like doors, apples, and a counter were added to finish the level. Music was found online and converted to mp3 to play continuously in the background. Sound effects for a closing door, apple crunch, and hit were incorporated. Final end screens remained to be added.
Evaluation 4
The document describes the process of creating a video game using various media technologies. The author used Unity to build the 3D game environment and characters. Sketchup was used to model detailed 3D assets of a city that were then imported into Unity. Photoshop was used to design user interfaces, a game magazine, and cover. Sound effects and music were added using YouTube, Movie Maker and Unity's audio tools. Through researching games, learning to code in JavaScript and C++, and using modeling, animation and design software, the author was able to construct a complete 3D video game from initial planning through to publication.
7. production reflection
The document describes Jack Henderson's process for creating an animated forest scene and game. He began by sketching and creating layers based on a stock image to develop the forest scenery. Additional layers were made for trees, grass, and a path. Character designs were challenging due to the walk animations requiring multiple variations. Music was also originally composed to add to different parts of the game. The process involved finding inspiration in other games and stock images while using tools like layers and brush effects to develop the animated elements.
Diary For Adventure Topic
This document outlines the diary entries for a student's adventure project. It describes the process of selecting a film to analyze, developing initial ideas for new film concepts, researching existing related products, planning various elements of the project like color schemes and layouts, creating a demo level for a video game including character and building designs, additional screens for the game like the menu and cut scene, integrating all the game elements, and writing a synopsis for the new film idea. The student worked through each section systematically, researching, brainstorming, designing, testing, and refining their ideas.
Diary For Adventure Topic
This document outlines the planning and development process for a video game project. It describes the key tasks completed, including researching existing products, planning game mechanics like character movement and level design, creating concept art and layouts, and developing the game demo level in Photoshop. Details are provided on designing street backgrounds, buildings, and a character sprite, then animating them. Additional elements like menus, cut scenes, soundtracks and sound effects are also planned and produced to bring the game together. Changes made during the process like adding power-ups and more text frames are noted.
Tasks for Adventure Project
This document outlines the tasks and planning for an adventure project involving creating a video game. It describes developing ideas and storylines, researching existing products, planning layouts and designs, creating a demo level of the game with background streets and a character, designing menu screens and cut scenes, and integrating audio. The planning includes style sheets, advertisements, scripts, sounds, and contingencies. It shows progress on designing game elements in Photoshop and editing them together in Premiere Pro, while refining the design and adding power-ups to break up gameplay.
Diary For Adventure Topic
The document outlines the planning and production process for a video game project called Neon Dash. It describes creating concept art and layouts, designing game levels and characters, developing sound effects and music, and integrating elements in Premiere Pro. It also discusses additional promotional products like a magazine cover, film poster, advertisements, and merchandise to create a cohesive experience. The planning process involved research, style guides, storyboarding, and risk assessments to develop the project from initial ideas to a playable demo level and integrated experience.
Diary For Adventure Topic
The document outlines plans for an adventure film project, including creating a video game demo level, cut scenes, soundtrack, and promotional materials like a magazine cover, posters, and advertisements. Backgrounds and characters were drawn in Photoshop to visualize levels and cut scenes for an endless runner video game. Promotional materials were designed keeping a consistent neon theme across the magazine cover, film poster, bus advert, and billboard. Sound effects and music were recorded and edited to accompany the game sequences.
Diary For Adventure Topic
This document outlines the diary entries for a student's adventure project. It describes the process taken to plan and develop a video game, including: selecting a film to analyze, coming up with initial ideas and storyboards, researching existing products, planning colors, layouts, scripts, sounds, and more. Key parts of development included designing background streets and animating a character for a demo level, creating menu screens, cut scenes, and recording/editing sound effects and music to bring all elements together in the final video game sequence.
Diary For Adventure Topic
This document outlines the diary entries for a student's adventure project. It describes the process taken to plan and develop a video game, including choosing a story idea, researching existing products, planning elements like character designs, backgrounds, and gameplay, creating demo levels in Photoshop, and adding audio/visual elements in Premiere Pro. The student developed a running video game set in Tokyo featuring neon colors and minimal designs, with the goal of the game being to navigate streets and collect trophies before falling into a hole.
Making Story Apps - The Art of Little Red Riding Hood
In March 2013 I gave a short talk about how we make story apps at Nosy Crow. This really focused on the illustration and how we bring it to life with Maya. The original presentation didn't have any text as I was there to talk about it all. To make up for my absence here, I've added comments all the way through, so hopefully it makes sense and helps explain how we go about things.
Diary For Adventure Topic
The document outlines the planning and development process for an adventure video game project. It describes selecting a film for inspiration, developing initial ideas and a story concept through mind mapping. Research on existing products is discussed. Planning includes creating style sheets, layouts, scripts, and sound design. The production log details developing a demo level with animated background streets, character animations, menus, cut scenes, and soundtracks. Changes and additions are made throughout based on feedback and to improve gameplay elements like power ups. A synopsis for the full film is also written after learning how from various websites.
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Making Story Apps - The Art of Little Red Riding Hood
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Task 6 legal and ethical obligations
This document discusses legal and ethical obligations related to games, including copyright which protects original creative works, trademarks which protect brand identities, patents which protect novel inventions, and registered designs which protect novel product designs. It also discusses ethical issues like violence in games, age rating systems to help consumers make informed choices, using games for education though many popular games are not suitable, and the risk of games stereotyping certain groups.
Finished task 1
Games developers are involved in the creation and production of games across various platforms and their work involves design or programming. Games development is a multi-billion pound industry that can take teams of up to 200 professionals up to three years to make a game from concept to finished product. Video game publishers finance development, distribute published games, and perform other functions like deciding on licenses, localization, packaging, and marketing. Console manufacturers serve as gatekeepers that approve games for their platforms and provide support to developers, while having power over what titles get priority marketing.
Presentation script
The scene involves Italian-American gangsters going to collect a package, but the deal goes wrong when another gang starts shooting at them. They manage to grab the package and drive off while returning fire. They later deliver the package to their boss, Craig, who then sends Joel and Tommy to collect another shipment. The characters speak with Italian-American accents and wear tracksuits while carrying out the deal, which goes awry in a hail of gunfire.
What is a sound designer
Jake Thompson discusses the role of a sound designer. A sound designer manages other departments involved in sound production. They focus on recording sound from various sources and modifying existing recordings by editing out background noise to perfect the sound. In their role, sound designers must understand pre-production which involves practice sessions before recording to help capture the best final product.
Jake sound design in computer games analysis work sheet saw 2
The document summarizes sounds used in the video game Saw 2 – Flesh&Blood. It analyzes 4 examples of sounds:
1) The setting introduces crackling TV and talking sounds, which would have been recorded voice overs and Foley artistry.
2) Mood conveys fear and struggling through screaming and movement sounds, which would be voice overs and studio recorded without background noise.
3) Genre is identified as horror/adventure based on pain and atmosphere sounds created by pure silence.
4) Narrative features a voice on TV, moving metal objects, and bad signal sounds created through Foley artistry and voice overs.
Edited sound breakdown
This short document discusses downloading effects to finish a sound and mentions downloading a keyboard screen to create sounds. However, it does not provide enough context or details to generate a meaningful 3 sentence summary.
Pan and volume edit
This document discusses editing a sound file to change the volume over time and pan the sound across headphones from one side to the other to sound further away and moving from side to side. Changes were made to the way the volume changes and the sound pans across headphones.
Cue cards
The document outlines details for a scene involving gangsters collecting a package that goes wrong. It describes the characters as Italian-American mafia members who swear and have deep voices. When they go to pick up the package, another gang starts shooting at them, so they grab the package and drive off while delivering gunfire. Audio for the scene will include gunshots, dialogue in an Italian-American accent, horns, footsteps, cars, rap, hip hop and rock music. Sounds will be recorded using a sound recorder and Foley artistry with objects to replicate needed sounds.
Dead space 3 jake sound design in computer games analysis work sheet
The document provides an analysis of the sounds used in a video game cut scene from DeadSpace 3 between times 3:45 and 9:22. It describes the sounds that establish the setting, mood, game genre, and narrative. For the setting, it notes outdoor sounds of wind and crunching ground that could be snow or cold grass. For the mood, it describes a natural feel outside with wind gusts and a later adrenaline rush with shouting and anger. The game genre of sci-fi/horror is exposed through the sounds. The narrative is created through voice actors, foley artistry to simulate natural sounds, and music from an orchestra.
Learner assessment submission declaration
This document contains a learner assessment submission and declaration form submitted by Jake Thompson for an assignment on game engines. It lists the evidence submitted for each task, including blog posts analyzing game engine components and demonstrating the use of 2D and 3D game engines. Jake Thompson signs the declaration confirming the work is his own.
Y1 gd engine_terminology
1) The document is a glossary of terms related to video game design produced by a student named Jake Thompson. It contains definitions of 20 terms sourced from online research along with images and videos demonstrating each term.
2) The terms defined include things like alpha/beta testing, demos, bugs, game engines, physics, rendering, and more. For each term the student provides a short definition from an online source as well as a description of how the term relates to their own video game production work.
3) The glossary is intended to demonstrate the student's understanding of important technical concepts in video game development through compiled research and real world examples.
Research methods strengths weaknesses
Focus groups are discussions with several people about a topic that usually last 1-2 hours. They allow opinions to be shared and agreed upon by others, but run the risk of arguments if disagreement occurs. Questionnaires involve creating your own set of questions to gather information from customers or competitors through their answers. This allows the researcher to tailor questions, but responses may be limited. Face-to-face interviews are one-on-one and start with general questions before getting more specific, allowing answers to be analyzed. They prevent influence from others but are time consuming since only one viewpoint is obtained at a time.
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Webinar Recording: https://www.panagenda.com/webinars/hcl-notes-and-domino-license-cost-reduction-in-the-world-of-dlau/
The introduction of DLAU and the CCB & CCX licensing model caused quite a stir in the HCL community. As a Notes and Domino customer, you may have faced challenges with unexpected user counts and license costs. You probably have questions on how this new licensing approach works and how to benefit from it. Most importantly, you likely have budget constraints and want to save money where possible. Don’t worry, we can help with all of this!
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Webinar Recording: https://www.panagenda.com/webinars/hcl-notes-und-domino-lizenzkostenreduzierung-in-der-welt-von-dlau/
DLAU und die Lizenzen nach dem CCB- und CCX-Modell sind für viele in der HCL-Community seit letztem Jahr ein heißes Thema. Als Notes- oder Domino-Kunde haben Sie vielleicht mit unerwartet hohen Benutzerzahlen und Lizenzgebühren zu kämpfen. Sie fragen sich vielleicht, wie diese neue Art der Lizenzierung funktioniert und welchen Nutzen sie Ihnen bringt. Vor allem wollen Sie sicherlich Ihr Budget einhalten und Kosten sparen, wo immer möglich. Das verstehen wir und wir möchten Ihnen dabei helfen!
Wir erklären Ihnen, wie Sie häufige Konfigurationsprobleme lösen können, die dazu führen können, dass mehr Benutzer gezählt werden als nötig, und wie Sie überflüssige oder ungenutzte Konten identifizieren und entfernen können, um Geld zu sparen. Es gibt auch einige Ansätze, die zu unnötigen Ausgaben führen können, z. B. wenn ein Personendokument anstelle eines Mail-Ins für geteilte Mailboxen verwendet wird. Wir zeigen Ihnen solche Fälle und deren Lösungen. Und natürlich erklären wir Ihnen das neue Lizenzmodell.
Nehmen Sie an diesem Webinar teil, bei dem HCL-Ambassador Marc Thomas und Gastredner Franz Walder Ihnen diese neue Welt näherbringen. Es vermittelt Ihnen die Tools und das Know-how, um den Überblick zu bewahren. Sie werden in der Lage sein, Ihre Kosten durch eine optimierte Domino-Konfiguration zu reduzieren und auch in Zukunft gering zu halten.
Diese Themen werden behandelt
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5th LF Energy Power Grid Model Meet-up Slides
5th Power Grid Model Meet-up
It is with great pleasure that we extend to you an invitation to the 5th Power Grid Model Meet-up, scheduled for 6th June 2024. This event will adopt a hybrid format, allowing participants to join us either through an online Mircosoft Teams session or in person at TU/e located at Den Dolech 2, Eindhoven, Netherlands. The meet-up will be hosted by Eindhoven University of Technology (TU/e), a research university specializing in engineering science & technology.
Power Grid Model
The global energy transition is placing new and unprecedented demands on Distribution System Operators (DSOs). Alongside upgrades to grid capacity, processes such as digitization, capacity optimization, and congestion management are becoming vital for delivering reliable services.
Power Grid Model is an open source project from Linux Foundation Energy and provides a calculation engine that is increasingly essential for DSOs. It offers a standards-based foundation enabling real-time power systems analysis, simulations of electrical power grids, and sophisticated what-if analysis. In addition, it enables in-depth studies and analysis of the electrical power grid’s behavior and performance. This comprehensive model incorporates essential factors such as power generation capacity, electrical losses, voltage levels, power flows, and system stability.
Power Grid Model is currently being applied in a wide variety of use cases, including grid planning, expansion, reliability, and congestion studies. It can also help in analyzing the impact of renewable energy integration, assessing the effects of disturbances or faults, and developing strategies for grid control and optimization.
What to expect
For the upcoming meetup we are organizing, we have an exciting lineup of activities planned:
-Insightful presentations covering two practical applications of the Power Grid Model.
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In 2024, we are witnessing an explosion of new DeFi projects and protocols, each pushing the boundaries of what’s possible in finance.
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A Comprehensive Guide to DeFi Development Services in 2024
Unity work flow
- 1. Jake Thompson 3D Game Engine Workflow The task I was givenwasto builda3D game level onunityusingthe basictoolsandtextures.Firstwe startedoff makinga fewhillsandpaintingthemwiththe basictexturesandmakingafew cliff edges. Afterwe got usedtousingthe basic textureswe wentonawebsite calledunityassetstore whichwe couldgetdifferenttexturesandadd-onsfromtohelpusmake the level more creative. These images of the centre of the map are where the mainhillsare. https://www.assetstore.unity3d.com/en/#!/category/53/page/1/sortby/popularity On the unityassetstore we wasable to search forthe differenttypesof objectswe wantedinour map withthe searchbar or he differentdropdowns. We couldonlydownloadthe assetsthatwere free.There were lotsof cool assetsthatwere at costs butwe had to findthe free ones.
- 2. Jake Thompson 3D Game Engine Workflow Thisis howmy mapturnedout afterthe differentassetsdownloadedfromthe unityassetstore online.The differenttexturesthatIdownloadedwereacampfire set,alava brickterrainand a few differentstone textures.Ialsodownloadedafew settingslike acampfire pack,treesanda few differenttents. Withthe lavaand stone texturesImade a volcanointhe cornerof my mapand to do thisI had to make the hillsbutwitha sharpertool and thengeta watertexture thenplace alavasurface overthe top of it. The lavaon the insidesandoutof the volcano wasmade witha terrainpaintof the lava brickto give itthe feel of avolcano. So I don’tgo underthe lavainthe volcanoIhad to add an invisible planeone level underneathsoitlookslike youare floatinginit. These are the texturesandterrainsthatcame withthe campfire pack. The thingsthat I usedfromthisare the barrels,campfire woodand a tent.
- 3. Jake Thompson 3D Game Engine Workflow Withthe objectsthatwe placed,we hadto add colliderstothembecause theywere showingonthe map butyou couldjustwalkstraightthroughthem.The collidertool helpedthe objectsappearasa solidsothat I couldnot walkthroughit. I alsohad to add planeswiththe waterpool thatI createdsurroundedwithastone scene.This image showsthe plane selectedandyoucan see thatit isinvisible.The plane canbe setto anylevel but whenitisjustbelowthe wateryoudon’tgo too far underor floatabove it. Thiswaterpool is locatedinthe centre of the maphiddeninthe mountains.
- 4. Jake Thompson 3D Game Engine Workflow Withthe planes,beforeIplacedthemIaddeda texture toit soI could see exactlywhere itwas beingplace assometimesitwouldbe stickingoutthe sidesandI wouldn’tnotice. Inthisscreenshot youcan see the edge of the plane asI textureditandit was stickingoutthe side of the volcano. I alsocreateda village outof the downloadablecontentavailablefromthe assettstore.Itinvolvesa full house set,atentand a campfire.Inside of the tentithasa chair andtable whichwasalsofrom a downloadablepack. All the housesthatI put outin the village came outas a randomspawnand that showswhytheyare all differentshapesandsizes.
- 5. Jake Thompson 3D Game Engine Workflow In thisimage youcan see that I use to have the tentat its original colour,white. The chairs and tablesthatcame inthe pack alsocame witha texture thatyouhad to applywhen placedinthe map as theycame as a plainwhite skin.WhenIwasapplyingthe skin/texture ontothe table andchair I had the tentselectedsoIaccidentlyplaceditonthe tentbut it alsomade the tent lookbetterthanthe original colour.Inthe image below youcansee the inside of the tentwiththe woodentexture thatisalsoplacedonthe table andchair. I was goingto place a fewmore chairsto go aroundthe table butwhentheyare placedintothe map it spawnsbothtable andchair.
- 6. Jake Thompson 3D Game Engine Workflow In thisimage youcan see that whenthe assetisselectedithighlightsitasone itemsothat they cannot be moved separately. Thisimage showsthe whole of the mapthat I have createdusingthe downloadable contentfrom the unityassetstore Volcano Water pool Little village Hillsaround the edge to keepyouin Mountain s A couple of trees