Task 6 track 1 annotation
•Download as DOCX, PDF•
0 likes•178 views
The document describes using the TAL NoiseMaker Plugin preset "Dark Bass" to create ominous yet silly sounds, similar to what would be heard as the theme for evil villains' henchmen plotting in an 8-bit game. It also explains that the NoiseMaker instrument was inserted on a MIDI track, so that clicking keys on the MIDI tool plays the sound, and notes can be dragged out or double clicked to adjust duration.
Report
Share
Report
Share
Recommended
IG3 Task 2
Lewis describes the process of adding sound effects to objects in Game Maker. The key steps are:
1. Create a "Sounds" folder and convert any sound files to .wav format to be recognized by Game Maker.
2. Double click on an object to open its event editor, drag the "speaker" icon from the sidebar into the action grid to make the object play a sound.
3. Select the sound file by double clicking the speaker icon and choosing it from the files.
4. Test that the sounds play correctly when the objects are used in the game.
Ig3 task 2
The document describes the process of adding sound effects to objects in a Game Maker game. It involves:
1. Creating a "Sounds" folder and converting any sound files to .wav format to be recognized by Game Maker.
2. Double clicking an object to open its properties, then dragging a "speaker" icon from the actions menu to link a sound effect to play when the object is used.
3. Browsing and selecting the desired sound file through the speaker icon to designate which audio file will play for that object.
4. Testing the sounds during game play to confirm they play at the appropriate times with the targeted objects.
Evidence of Programming Sounds into 2D Games
The document discusses programming sound into a 2D game made with Game Maker. It describes loading a custom science fiction soundtrack sound file created in Reaper into the game's sound properties. It then details adding an event to the "play" button in room 2 to both advance to the next room and play the loaded sound when clicked, testing it to confirm it works during gameplay.
Programming Sound Into 2D Game
The document discusses programming sound into a 2D game in Game Maker. It describes loading a custom science fiction soundtrack sound file created in Reaper. It then details adding an event to the "play" button in room 2 to both advance to the next room and play the sound when clicked, testing it to confirm it works during gameplay.
Evidence of Programming Sound into a 2D Game
The document discusses how to add sound effects to a 2D game created in Game Maker. It describes loading a science fiction soundtrack sound file created in Reaper into the game's sound properties. It then details adding an event to the "play" button in room 2 of the game to both advance to the next room and play the loaded sound when clicked, testing to confirm it works during gameplay.
Programming sounds to my game task 11
The programmer added laser and missile sound effects to their game by double clicking the sound tools and uploading new sound effects they created. They then coded the missile and laser objects to play the correct sounds when used in the game.
Programing the sounds into my game
To program sounds into a game, select the audio file to replace in the game maker sound tab, open the sound properties to browse and select the audio file, then program the audio into the game so it can be played with all other sounds added and exported.
IG3 PROGRAMMING ANNOTATIONS
Elliot loaded a pre-made top-down shooter level and replaced the original sounds with custom sounds. They created a background music object to play the music on a continuous loop until the player dies. Elliot also added a death sound to the player explosion object and sounds to other objects to play when activated. However, the background music would play multiple times when restarting levels, so Elliot added an event to stop the music when the player dies.
Recommended
IG3 Task 2
Lewis describes the process of adding sound effects to objects in Game Maker. The key steps are:
1. Create a "Sounds" folder and convert any sound files to .wav format to be recognized by Game Maker.
2. Double click on an object to open its event editor, drag the "speaker" icon from the sidebar into the action grid to make the object play a sound.
3. Select the sound file by double clicking the speaker icon and choosing it from the files.
4. Test that the sounds play correctly when the objects are used in the game.
Ig3 task 2
The document describes the process of adding sound effects to objects in a Game Maker game. It involves:
1. Creating a "Sounds" folder and converting any sound files to .wav format to be recognized by Game Maker.
2. Double clicking an object to open its properties, then dragging a "speaker" icon from the actions menu to link a sound effect to play when the object is used.
3. Browsing and selecting the desired sound file through the speaker icon to designate which audio file will play for that object.
4. Testing the sounds during game play to confirm they play at the appropriate times with the targeted objects.
Evidence of Programming Sounds into 2D Games
The document discusses programming sound into a 2D game made with Game Maker. It describes loading a custom science fiction soundtrack sound file created in Reaper into the game's sound properties. It then details adding an event to the "play" button in room 2 to both advance to the next room and play the loaded sound when clicked, testing it to confirm it works during gameplay.
Programming Sound Into 2D Game
The document discusses programming sound into a 2D game in Game Maker. It describes loading a custom science fiction soundtrack sound file created in Reaper. It then details adding an event to the "play" button in room 2 to both advance to the next room and play the sound when clicked, testing it to confirm it works during gameplay.
Evidence of Programming Sound into a 2D Game
The document discusses how to add sound effects to a 2D game created in Game Maker. It describes loading a science fiction soundtrack sound file created in Reaper into the game's sound properties. It then details adding an event to the "play" button in room 2 of the game to both advance to the next room and play the loaded sound when clicked, testing to confirm it works during gameplay.
Programming sounds to my game task 11
The programmer added laser and missile sound effects to their game by double clicking the sound tools and uploading new sound effects they created. They then coded the missile and laser objects to play the correct sounds when used in the game.
Programing the sounds into my game
To program sounds into a game, select the audio file to replace in the game maker sound tab, open the sound properties to browse and select the audio file, then program the audio into the game so it can be played with all other sounds added and exported.
IG3 PROGRAMMING ANNOTATIONS
Elliot loaded a pre-made top-down shooter level and replaced the original sounds with custom sounds. They created a background music object to play the music on a continuous loop until the player dies. Elliot also added a death sound to the player explosion object and sounds to other objects to play when activated. However, the background music would play multiple times when restarting levels, so Elliot added an event to stop the music when the player dies.
Edited annotationss
The document summarizes the process of programming sounds into a top-down shooter game. The key steps included: removing original sounds, adding custom sounds, creating a background music object to play on a loop until player death, adding a death sound to the player explosion object, and adding object-specific sounds to play when activated. Additionally, an event was created to stop the background music when the player dies to prevent overlapping music on level restart.
Game maker sound info
The document describes creating sounds in Game Maker called "level start" and "level end" and loading an unnamed sound from a USB drive to those sounds. It then shows using the "level start" and "level end" sounds in an object to play when a character enters or exits a level, so the sound from the USB drive will play at those points.
Sound programme process
Robert Hillard-Linney describes the process of adding sound effects to a game created in Game Maker. He first creates sound files and attaches them to sound beds. Then, he programs specific sounds to play when objects like buttons or walls are interacted with by adding code to their scripts. This allows sounds to play only when triggered by certain events rather than continuously throughout the game.
Programming sounds into my game
Jake Hyatt inserted sounds into their game by right clicking the sounds tab and creating sound files, giving them appropriate names. They added code to play specific sounds when rooms start and end, enemies and players die upon contact, and when enemies and players shoot. The code plays single instances of sounds to avoid overlapping or looping that could become irritating to listeners.
Game audio 4 Retro Adventure
This document summarizes a musical composition created for a video game using a virtual MIDI keyboard and audio effects. The track was meant to convey the impression of a classical adventure game, with a happy protagonist traveling. To create the sounds, the composer used the KTGranulator effect to provide a retro adventure feel, and Mr. Alias Pro to add elements of travel and delight to the composition.
Programming sounds into my game annotation
1) The document describes Amy Brockbank adding 6 sounds to her game, including explosions, lasers, hits and ambient music.
2) For each sound, Amy adds it to the game's sound library, renames it, selects compression options, and codes it into the game using audio commands to specify when it plays.
3) Amy tests each sound to ensure it works properly in the game, such as explosions playing for enemy hits and lasers firing when the player shoots. The ambient music loops as background music.
Iain game maker
The document discusses programming different sounds into a game made with Game Maker. It describes adding a sound to play when an arrow is created to signify an archer firing, adding background music to play on game start and loop while the player is alive, scripting a sound to play when an enemy is defeated, coding a sound to play when the character jumps, and adding two sounds to play when the character shoots flames on pressing the attack button.
Iain game maker
The document discusses programming different sounds into a game made with Game Maker. It describes adding a one-time sound to play when an arrow is created to signify an archer firing, adding background music to loop from the start of the game tied to the player's alive status, using code to play a sound when an enemy is defeated, playing a sound on each jump, and playing two sounds when an attack button is pressed - a flame noise and a triple hit noise for firing 3 fireballs.
Game maker audio editing
The document discusses editing audio in a game maker demo game. It has simple mechanics where the goal is to destroy blocks by bouncing a ball. The audio can be edited by double clicking sounds to open a menu, then browsing files to replace the current sound with a new one recorded or edited by the user. For example, the breaking block sound was replaced with a metallic sound. Repeating this allows all sounds to be swapped for custom audio.
Effect manipulation annotation 4
The document discusses using the REFLEX audio effect plugin to modify a sound track by adjusting the depth, rate, input, and decay settings to create a more atmospheric feel. It also describes using the Dblue Glitch plugin to manipulate an audio track, using the Tapestop and Retrigger effects to generate sounds like an alien weapon mixing with explosions.
Game interface
The game controls use the SPACE bar to jump and ENTER to shoot. These keys were chosen because they are in natural positions and commonly used for jumping and shooting in other games. When the player collides with an obstacle or falls, they are taken to a death page where they can press SPACE to restart. The game is designed for computer only since the controls are easier to use on a bigger screen compared to mobile. When hit, the music stops and a slashing sound plays, while a bullet sound notifies the player when they fire their shot.
VST Produced Sound Effect 1
The creator used the virtual instrument noisemaker to add an alien sound effect to a clip, making it sound like a futuristic communication. They also used the virtual midi keyboard to type in the notes used in the sound clip, holding down keys to stretch the sounds out into echoes.
Ig1 task 2 analysis work sheet (7)
The document provides an analysis of the sound design and soundtrack of the video game Watch Dogs. It examines how the sounds establish the setting of a technologically advanced Chicago and represent the game's genres of action. The mood and pace of the soundtrack changes to correspond with the changing moods in the game, such as faster music during action scenes, which was achieved through sound editing software. Effects like gunshots were prerecorded and imported into the game to help portray the action genre. The voice acting in cutscenes helps set the tone and narrative of the game by giving a sense of the characters and story.
6. Production Reflection
The document describes Spencer Fox's process of creating animation for a video game. Some key points:
- Spencer created the background, sprites, enemies, collectible items, and HUD elements for the first level.
- Menu screens like the pause menu, abilities list, loading screen, main menu, and level select were also designed.
- Each section was animated in Photoshop then compiled into a video with Premiere Pro, adding sound effects and music composed in Beepbox.
- The full project was exported and uploaded to YouTube to share the final animated video game experience.
7. production reflection
The document describes the process taken by Josh Brownsword to create an animated character and background for a game. It discusses developing the character's stance and color scheme. It then describes creating the background by drawing a road, lamps, and buildings. Various animation and sound effects were added, including walk and run cycles for the character. Interface elements like buttons and an inventory screen were also created. Finally, an intro scene with a disco ball effect and stars was made to introduce the game. Music and sound effects were integrated by loading the project into video editing software.
Ig1 task 2 analysis work sheet (2)
World of Warcraft: Warlords of Draenor expansion. The setting includes various locations in Azeroth and other in-game worlds, with themes that range from magical to dark and scary. The sounds match the settings. The mood conveyed in the video ranges from calm to exciting, with the sounds reflecting the mood. The game genre includes RPG, MMO and adventure, with sounds related to magic and battles. The narrative is told by a powerful character describing events in the World of Warcraft to set the scene and expectations for the game.
Replika Presentation
Replika is a cyberpunk action/strategy game coming to PlayStation 3 and XBOX360. It uses the Phyre Engine and will have native stereoscopic 3D support. The game is part of a larger cross-media franchise that will include a movie and comic books. Gameplay involves manipulating and rotating the levels in different axes to progress through puzzles and platforms.
Ig1 task 2 analysis worksheet
The document summarizes sound elements from the video game Halo 4. It describes the game's narrative as taking place on a Forerunner planet where the player's character awakens an evil alien named the Didact who plans to destroy Earth. It notes the game's genre is a first-person shooter with sounds of gunfire, vehicles, and aliens that enhance the sci-fi feel. It states the mood of the soundtrack uses instruments in different ways to create feelings of both sadness and happiness depending on what is happening in cut scenes, and that voice actors bring out emotions to match the mood.
Soundtrack printscreens for annotation shootout in mall
The document describes editing a soundtrack by layering six sound tracks to create a dramatic situation, fading the end of the last clip for a cleaner cut, and using control panels to play, edit, and manipulate the soundtrack by cutting tracks, zooming in and out, and looping playback.
FMP Evaluation
Over 8 weeks, the author created a map for the game Rust using Newtek's Modeller and Layout software. At first, using the programs was difficult, but the author gathered evidence on why a new map was needed and ideas came easily. A survey of Rust players provided feedback that most wanted a city-like map. Though initially unfamiliar with the software again, the tools became clearer and the author was able to include detailed features within the 8 week deadline. The final map included a range of buildings and explorable areas that met the target audience's wants.
Mt. Crested Butte Multi-Family Land For Sales
This flat building site will allow up to 51,223 sq. ft. per the High Density Multi-Family zone. This 1.96 Acre (85,372 sq. ft.) parcel is located on the bus loop and short walking distance to both the base area and future home of the Mt. Crested Butte Performing Arts Center.
More Related Content
What's hot
Edited annotationss
The document summarizes the process of programming sounds into a top-down shooter game. The key steps included: removing original sounds, adding custom sounds, creating a background music object to play on a loop until player death, adding a death sound to the player explosion object, and adding object-specific sounds to play when activated. Additionally, an event was created to stop the background music when the player dies to prevent overlapping music on level restart.
Game maker sound info
The document describes creating sounds in Game Maker called "level start" and "level end" and loading an unnamed sound from a USB drive to those sounds. It then shows using the "level start" and "level end" sounds in an object to play when a character enters or exits a level, so the sound from the USB drive will play at those points.
Sound programme process
Robert Hillard-Linney describes the process of adding sound effects to a game created in Game Maker. He first creates sound files and attaches them to sound beds. Then, he programs specific sounds to play when objects like buttons or walls are interacted with by adding code to their scripts. This allows sounds to play only when triggered by certain events rather than continuously throughout the game.
Programming sounds into my game
Jake Hyatt inserted sounds into their game by right clicking the sounds tab and creating sound files, giving them appropriate names. They added code to play specific sounds when rooms start and end, enemies and players die upon contact, and when enemies and players shoot. The code plays single instances of sounds to avoid overlapping or looping that could become irritating to listeners.
Game audio 4 Retro Adventure
This document summarizes a musical composition created for a video game using a virtual MIDI keyboard and audio effects. The track was meant to convey the impression of a classical adventure game, with a happy protagonist traveling. To create the sounds, the composer used the KTGranulator effect to provide a retro adventure feel, and Mr. Alias Pro to add elements of travel and delight to the composition.
Programming sounds into my game annotation
1) The document describes Amy Brockbank adding 6 sounds to her game, including explosions, lasers, hits and ambient music.
2) For each sound, Amy adds it to the game's sound library, renames it, selects compression options, and codes it into the game using audio commands to specify when it plays.
3) Amy tests each sound to ensure it works properly in the game, such as explosions playing for enemy hits and lasers firing when the player shoots. The ambient music loops as background music.
Iain game maker
The document discusses programming different sounds into a game made with Game Maker. It describes adding a sound to play when an arrow is created to signify an archer firing, adding background music to play on game start and loop while the player is alive, scripting a sound to play when an enemy is defeated, coding a sound to play when the character jumps, and adding two sounds to play when the character shoots flames on pressing the attack button.
Iain game maker
The document discusses programming different sounds into a game made with Game Maker. It describes adding a one-time sound to play when an arrow is created to signify an archer firing, adding background music to loop from the start of the game tied to the player's alive status, using code to play a sound when an enemy is defeated, playing a sound on each jump, and playing two sounds when an attack button is pressed - a flame noise and a triple hit noise for firing 3 fireballs.
Game maker audio editing
The document discusses editing audio in a game maker demo game. It has simple mechanics where the goal is to destroy blocks by bouncing a ball. The audio can be edited by double clicking sounds to open a menu, then browsing files to replace the current sound with a new one recorded or edited by the user. For example, the breaking block sound was replaced with a metallic sound. Repeating this allows all sounds to be swapped for custom audio.
Effect manipulation annotation 4
The document discusses using the REFLEX audio effect plugin to modify a sound track by adjusting the depth, rate, input, and decay settings to create a more atmospheric feel. It also describes using the Dblue Glitch plugin to manipulate an audio track, using the Tapestop and Retrigger effects to generate sounds like an alien weapon mixing with explosions.
Game interface
The game controls use the SPACE bar to jump and ENTER to shoot. These keys were chosen because they are in natural positions and commonly used for jumping and shooting in other games. When the player collides with an obstacle or falls, they are taken to a death page where they can press SPACE to restart. The game is designed for computer only since the controls are easier to use on a bigger screen compared to mobile. When hit, the music stops and a slashing sound plays, while a bullet sound notifies the player when they fire their shot.
VST Produced Sound Effect 1
The creator used the virtual instrument noisemaker to add an alien sound effect to a clip, making it sound like a futuristic communication. They also used the virtual midi keyboard to type in the notes used in the sound clip, holding down keys to stretch the sounds out into echoes.
Ig1 task 2 analysis work sheet (7)
The document provides an analysis of the sound design and soundtrack of the video game Watch Dogs. It examines how the sounds establish the setting of a technologically advanced Chicago and represent the game's genres of action. The mood and pace of the soundtrack changes to correspond with the changing moods in the game, such as faster music during action scenes, which was achieved through sound editing software. Effects like gunshots were prerecorded and imported into the game to help portray the action genre. The voice acting in cutscenes helps set the tone and narrative of the game by giving a sense of the characters and story.
6. Production Reflection
The document describes Spencer Fox's process of creating animation for a video game. Some key points:
- Spencer created the background, sprites, enemies, collectible items, and HUD elements for the first level.
- Menu screens like the pause menu, abilities list, loading screen, main menu, and level select were also designed.
- Each section was animated in Photoshop then compiled into a video with Premiere Pro, adding sound effects and music composed in Beepbox.
- The full project was exported and uploaded to YouTube to share the final animated video game experience.
7. production reflection
The document describes the process taken by Josh Brownsword to create an animated character and background for a game. It discusses developing the character's stance and color scheme. It then describes creating the background by drawing a road, lamps, and buildings. Various animation and sound effects were added, including walk and run cycles for the character. Interface elements like buttons and an inventory screen were also created. Finally, an intro scene with a disco ball effect and stars was made to introduce the game. Music and sound effects were integrated by loading the project into video editing software.
Ig1 task 2 analysis work sheet (2)
World of Warcraft: Warlords of Draenor expansion. The setting includes various locations in Azeroth and other in-game worlds, with themes that range from magical to dark and scary. The sounds match the settings. The mood conveyed in the video ranges from calm to exciting, with the sounds reflecting the mood. The game genre includes RPG, MMO and adventure, with sounds related to magic and battles. The narrative is told by a powerful character describing events in the World of Warcraft to set the scene and expectations for the game.
Replika Presentation
Replika is a cyberpunk action/strategy game coming to PlayStation 3 and XBOX360. It uses the Phyre Engine and will have native stereoscopic 3D support. The game is part of a larger cross-media franchise that will include a movie and comic books. Gameplay involves manipulating and rotating the levels in different axes to progress through puzzles and platforms.
Ig1 task 2 analysis worksheet
The document summarizes sound elements from the video game Halo 4. It describes the game's narrative as taking place on a Forerunner planet where the player's character awakens an evil alien named the Didact who plans to destroy Earth. It notes the game's genre is a first-person shooter with sounds of gunfire, vehicles, and aliens that enhance the sci-fi feel. It states the mood of the soundtrack uses instruments in different ways to create feelings of both sadness and happiness depending on what is happening in cut scenes, and that voice actors bring out emotions to match the mood.
Soundtrack printscreens for annotation shootout in mall
The document describes editing a soundtrack by layering six sound tracks to create a dramatic situation, fading the end of the last clip for a cleaner cut, and using control panels to play, edit, and manipulate the soundtrack by cutting tracks, zooming in and out, and looping playback.
What's hot (19)
Soundtrack printscreens for annotation shootout in mall
Soundtrack printscreens for annotation shootout in mall
Viewers also liked
FMP Evaluation
Over 8 weeks, the author created a map for the game Rust using Newtek's Modeller and Layout software. At first, using the programs was difficult, but the author gathered evidence on why a new map was needed and ideas came easily. A survey of Rust players provided feedback that most wanted a city-like map. Though initially unfamiliar with the software again, the tools became clearer and the author was able to include detailed features within the 8 week deadline. The final map included a range of buildings and explorable areas that met the target audience's wants.
Mt. Crested Butte Multi-Family Land For Sales
This flat building site will allow up to 51,223 sq. ft. per the High Density Multi-Family zone. This 1.96 Acre (85,372 sq. ft.) parcel is located on the bus loop and short walking distance to both the base area and future home of the Mt. Crested Butte Performing Arts Center.
Product Catalogue
warehouse rack, conveyor, used forklift, industrial carousel, pallet jack, warehouse engineering, distribution center equipment, carts, used equipment dealer, warehouse liquidation, bulk storage rack, pallet truck, material handling system, boltless shelving, hoists, cranes, lift equipment, storage bins, stretch wrap equipment & supplies, steel hoppers, ladders, safety equipment, pallet racking, pallet racking, pallet racks, pallet racks, pallet rack, pallet rack, used pallet racks, used pallet racking, pallet racking used, pallet racks used, racking, pallet, racks, warehouse racks, warehouse pallet racking, warehouse storage rack, pallet racking, warehouse storage, pallet rack, pallet racks, pallet racking, used pallet rack, used pallet racking, steel shelving, chrome shelving, span track, heavy duty pallet racks, pallet racking, used pallet racking, used steel shelving, pallet racks, pallet rack, industrial racking, racking, light duty pallet racking, light duty pallet rack, bulk storage rack, warehouse racking, USP pallet racking, usp teardrop pallet racking, usp teardrop pallet rack, interlake pallet rack, interlake racking, interlake rack, pallet rack, pallet racking, pallet racks, used pallet racks, used pallet racking, used pallet racks, used warehouse pallet rack, pallet racking, pallet racks, pallet racking, steel shelving, frick gallagher pallet rack, frick gallagher shelving, frick gallagher steel shelving, installation pallet rack, installing pallet racking, installing pallet rack, installing warehouse racking, installing warehouse rack, racking, rack, racks, pallet racking, pallet rack, used pallet rack, used pallet racking, teardrop pallet rack, teardrop racking, teardrop, industrial storage rack, pallet racking, pallet rack
E Tech Presentation Final
Presented by Traci Buckner and Maryann Wolowiec at eTech Ohio on Feb. 1, 2010. This presentation is about the planning and core values that were implemented at the National Inventors Hall of Fame School...Center for Science, Technology, Engineering and Mathematics Learning in Akron, OH. For more information please visit http://www.akronschools.com/scienceschool/
Viewers also liked (6)
More from Gladeatorkid
Fmp production log_02
Macauley Kavanagh is a student at Salford City College working on their final major project for a BTEC Level 3 Extended Diploma in Creative Media Production in Games Design. They began their production log by starting a game scenario and contacting potential developer partners. They also spent time researching effective sound recording techniques by reviewing videos from a YouTuber called Kaamos Sounds.
Fmp production log_03
Macauley Kavanagh is producing a final major project for their BTEC Level 3 Extended Diploma in Creative Media Production in Games Design. Over several dates, they contacted game developers for feedback, researched sound recording techniques and free sound effects online, and scheduled a pitch for next week which will include research on target audience statistics.
Fmp production log_04
Macauley Kavanagh, a student at Salford City College, is working on their final major project for a BTEC Level 3 Extended Diploma in Creative Media Production in Games Design. Over several weeks, they researched various game developers to collaborate with, learned techniques for recording sound effects from online videos, decided on a cut scene for their project, and planned to research and record sound effects as well as statistics to help pitch their project the following week.
Fmp production log_05
Macauley Kavanagh is producing a final major project for their BTEC Level 3 Extended Diploma in Creative Media Production in Games Design. Over the course of several weeks, they researched sound recording techniques, decided on a cut scene, planned a pitch which was delayed due to illness, acquired video footage, and sent emails to game development companies seeking feedback.
Fmp production log_06
Salford City College Eccles Sixth Form Centre BTec Level 3 Extended Diploma in Creative Media Production Games Design Final Major Project Production Log documents Macauley Kavanagh's progress on their final major project, including researching sound recording techniques, deciding on a cut scene, scheduling a pitch which was later delayed due to illness, acquiring video footage, and borrowing a sound recording kit to record sound effects.
Fmp production log_07
The document is a production log for a student's final major project creating a game for a BTEC Level 3 Extended Diploma in Creative Media Production. Over the course of several months, the student researched sound recording techniques, contacted game developers for information, planned a cut scene and pitch for their project, borrowed a sound recording kit to create sound effects, and worked on formatting video footage to edit in Adobe Premiere for their game.
Fmp production log_08
Macauley Kavanagh is creating a final major project for a BTEC Level 3 Extended Diploma in Creative Media Production in Games Design. Over several months, Macauley researched sound recording techniques, communicated with game developers, borrowed college sound recording equipment, edited sound effects, and synced audio to video footage, despite delays from illness and issues with file formats. The pitch for the project was rescheduled twice and is now scheduled for March 14th, 2014.
Fmp production log_01
Macauley Kavanagh, a student at Salford City College, began working on their final major project for a BTEC Level 3 Extended Diploma in Creative Media Production in Games Design. They started developing a scenario and reached out to game developers for feedback, receiving replies from Wolf Fire Games who said they were too busy to assist and from Peppy, the developer of Osu!, who said he would try to review the final materials of the project.
Fmp production log_11
The document is a production log for a student's final major project creating a game for a creative media course. It outlines the student's progress over several months, including researching sound recording techniques, acquiring footage and sound effects, editing assets, delaying and rescheduling a pitch, and adding finishing touches before submitting the final project and blog work. The student borrowed college recording equipment, sent emails to game developers, recorded ambient sounds, synced audio and video, and created additional tutorial videos to demonstrate their process.
Fmp production log_13
The document is a production log for a student's final major project creating a game design for a creative media course. It details the student's progress over several months, including researching sound recording techniques, borrowing equipment to record sound effects, scheduling and delivering a pitch, and adding finishing touches before submitting the final project. The student worked on planning sound assets needed, recording audio samples, syncing sounds to video, and responded to feedback by further expanding different tasks in the blog.
Fmp production log_12
The document is a production log for a student's final major project creating a game for a BTEC Level 3 Extended Diploma in Creative Media Production. It details the student's progress over several months, including researching sound recording techniques, borrowing equipment to record sound effects, scheduling and rescheduling a pitch, editing sounds, syncing audio to video, and receiving feedback to improve the project. The student worked on planning sound assets needed, explained the sound acquisition process, and reflected on lessons learned from the project.
Fmp production log_09
Macauley Kavanagh is creating a final major project for their BTEC Level 3 Extended Diploma in Creative Media Production in Games Design. Over several months, Macauley researched sound recording techniques, decided on a cut scene, borrowed college sound recording equipment, researched target audience statistics, acquired video footage, sent emails to game development companies, recorded sound effects, and edited sounds to sync with video footage, in preparation for their pitch which was rescheduled multiple times and will take place on March 14th, 2014.
Ig2 task 1 work sheet
This document contains a glossary of terms related to sound design and production for computer games. It includes definitions for terms like Foley artistry, sound libraries, file formats like .wav and .mp3, audio limitations such as memory and processors, recording systems like analog and digital audio tape, and more. For each term, the student provided an internet definition source and described how the term relates to their own production practice, such as using sound libraries to store recorded sounds and rendering files into different formats for various uses.
Presentation
The document discusses the concept for a new PC game called "Dragons Fall". It would be a dark, gritty action RPG that combines elements of Dark Souls and Diablo. The game would focus on story and characters and incentivize playing on higher difficulties by unlocking new quests and storylines. Initial market research with 15 people found most interest from male students around age 20, with 68% wanting the game on consoles beyond PC.
Task 2 - Ideas generation
The document discusses potential recording methods and sources for various sound effects and voices needed for a project. It mentions recording ambient sounds like wind and a controlled fire from nearby locations. Voice acting may use the author and friends' voices with editing adjustments. Weapon sound effects will try to record interactions with large objects but may need to source from online. General sound effects like footsteps and cloth can be recorded, while weather-dependent sounds like rain need suitable conditions, and effects like explosions and lightning will likely be sourced from free online videos.
Ig2 task 1 work sheet
The document is a glossary assignment for a BTEC Extended Diploma in Games Design course. It contains definitions for various terms related to sound design and production. The student was asked to research definitions and provide details on how each term relates to their own production practice. The glossary covers terms such as foley artistry, sound libraries, audio file formats, limitations of audio hardware, recording and sampling techniques, and software used.
Unit 73 ig3 assignment programming sound assets to a game 2013_y2
The assignment brief tasks the student with programming sound assets they have produced into a computer game for a submission deadline of June 6th. They must select sounds to embed in blog posts along with explanations, produce annotated screenshots documenting their programming process, and include their programmed sounds and music in a gameplay video clip. The goals are to apply sound assets to a game following industry practice and standards at a good technical level, with imagination and independence.
Unit 73 ig3 assignment programming sound assets to a game 2013_y2
The assignment brief tasks the student with programming sound assets into a computer game. Specifically, the student must: 1) select sounds produced for their game and upload them to SoundCloud with descriptions; 2) produce screenshots documenting the process of programming sounds into their game via Unity or Game Maker and upload to SlideShare; and 3) capture gameplay footage including programmed sounds and upload to YouTube. The deadline is June 6th. The purpose is to apply sound assets to a game following industry practice.
Fmp production log_10
Macauley Kavanagh created a production log for their final major project creating a game design for a creative media production course. The log documents research conducted on sound recording techniques and acquiring free sound effects online. It also notes scheduling and rescheduling a pitch for the project, issues encountered with video formatting, editing recorded sounds, syncing audio to video, and completing additional recording and final tasks before the project deadline.
Task 6 track 4 annotation
This VST provides a short, upbeat victory theme suitable for playing at the end of achieving something positive. It uses eSLineString with Viola, Trumpet, and Horn preset to Brass to create a happy sound. The notes alternate between high and low pitches then high again.
More from Gladeatorkid (20)
Unit 73 ig3 assignment programming sound assets to a game 2013_y2
Unit 73 ig3 assignment programming sound assets to a game 2013_y2
Unit 73 ig3 assignment programming sound assets to a game 2013_y2
Unit 73 ig3 assignment programming sound assets to a game 2013_y2
Task 6 track 1 annotation
- 1. I used TAL NoiseMaker Plugin with the preset “Dark Bass” to create a slightly ominous yet silly set of sounds. This kind of music is what I’d expect to see in some kind of 8bit style game and it’d be the theme of the evil villains’ henchmen when they’re plotting something stupid. Below is the tool I used to create the sound, by double clicking on a MIDI track you get this up, the instrument I inserted (Noisemaker) plays when I click a key on this tool. You can drag out notes to make them last longer or double click to make small ones.