This document discusses different types of space: physical, psychological, visual, conceptual, and spiritual. It describes how physical space evolved from a basic enclosed area to a more human space by adding openings like doors and windows to connect to the outside world. Windows especially help blur the line between interior and nature by inviting the natural world indoors. Conceptual space is subjective and open to various interpretations. Spiritual space reflects beliefs in the heavens through grand ceiling designs. The document traces the progression from defining space with boundaries to integrating nature and connecting interior and exterior spaces.
it is about designing building by few articulation techniques, for example by altering its corners, or emphasizing its vertical, horizontal, base, roof, ceiling plane to add creativity.
the corners van be altered by cutting it, adding an element to it, curving it, opening it or even giving it a contrasting tone than the other surfaces.
Light as an important architectural element in contemporary architecture..A short dissertation /presentation by..... Atul Pathak ,BIT MESRA..Department of Architecture
A very shortcut presentation, not entirely complete though, but felt like sharing it.
A small group presentation we had to make on Tropical Architecture when we where in year 4 of Architecture College.
it is about designing building by few articulation techniques, for example by altering its corners, or emphasizing its vertical, horizontal, base, roof, ceiling plane to add creativity.
the corners van be altered by cutting it, adding an element to it, curving it, opening it or even giving it a contrasting tone than the other surfaces.
Light as an important architectural element in contemporary architecture..A short dissertation /presentation by..... Atul Pathak ,BIT MESRA..Department of Architecture
A very shortcut presentation, not entirely complete though, but felt like sharing it.
A small group presentation we had to make on Tropical Architecture when we where in year 4 of Architecture College.
Phenomenological research in qualitative research methodology. Architectural Research Methods by Linda N. Groat, David Wang deal with various research methodologies in architecture. This presentation deals with a small part of it
IMMATERIAL - Perceived absence of matter,
Philosophically spiritual rather than physical, Realm of ideas, a formless phenomenon
Immaterial is an idea where material is an object
The richness of the user’s experience of any building depends on awareness of all the senses, but immaterial architecture may trigger a sense more often associated with the immaterial, such as smell and touch
Course ObjectiveExplore architectural space and form in various.docxmarilucorr
Course Objective:
Explore architectural space and form in various cultures.
15 page paper is due May 4, 2018. The 15 pages should not include cover sheet or citations. Double space, 12 point and number each page. You may choose at two cultures to compare/contrast. You may explore only one. Whatever you do, please use several or one philosophy of architecture. Delve into how a culture define space
Your final research paper is to analyze the importance of architectural space, exploring how at least two cultures express space and the importance of architectural space. I read the wonderful discussions that you all wrote about urban space. Now let us narrow our vision to our immediate space and how we react to space. Try to keep the paper to no more than 15 pages including citations.
OVERALL: Minimum of 15.
Introduction. Identify explain how one culture experience space. Compare to another chore to emphasize. Then tell me how you feel about it. The give summary.
187 | SSpace
soft architecture. Sensors that trigger the opening and closing of doors
and windows, the movement of walls, and even the lowering and raising
of floors and ceilings produce the personalized spaces that characterize
soft architecture. Theatrical stages have had this capability for some
time, and thus have a lot to teach the designer seeking to produce soft
architecture.
Traditional Japanese architecture is an early version of soft architecture.
The ability to change the use and “feel” of a space by simply moving a rice
paper screen and rearranging the mats on the floor is a manual, low-tech
version of soft architecture. A more recent manifestation of softness was
attempted with the Centre Georges Pompidou in Paris (1977) (Figure 93).
It was to have an interior in which many walls and floors were movable.
Unfortunately that degree of flexibility was unjustified. Consequently the
building was renovated in 2000 to increase its capacity and efficiency by
“hardening” it.
In soft architecture each force applied to it creates content that has
form, as “water poured into a vase has form” (Ezra Pound). The water-
generated Blur building by Herzog and Meuron poetically illustrates the
new frontier of soft or reflexive architecture. The term now refers to any
architecture that is not finite or fixed.
See also: Blur • Responsive architecture • Flexibility
Figure 93 Pompidou
Center
Space
The classical questions include: is space real, or is it some kind of
mental construct, or an artifact of our ways of perceiving and thinking?
— Oxford Dictionary of Philosophy
If architecture can be understood as the construction of boundaries in
space, this space must be understood as commonsense space, a space
that possesses meaning and speaks to us long before the architect
goes to work. — Karsten Harries
The ethereal thing about architecture is this thing called “space.” Space, as
a central design concern for architects, has the interesting quality of.
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HISTORY: Philippines, and Architecture, into the 21st Century Context (PART 2)ArchiEducPH
History of Architecture 4
Report by: SR
De La Salle-College of Saint Benilde
School of Design & Arts
Architecture Program
1st Term S.Y. 2016-17
December 2016
You could be a professional graphic designer and still make mistakes. There is always the possibility of human error. On the other hand if you’re not a designer, the chances of making some common graphic design mistakes are even higher. Because you don’t know what you don’t know. That’s where this blog comes in. To make your job easier and help you create better designs, we have put together a list of common graphic design mistakes that you need to avoid.
Can AI do good? at 'offtheCanvas' India HCI preludeAlan Dix
Invited talk at 'offtheCanvas' IndiaHCI prelude, 29th June 2024.
https://www.alandix.com/academic/talks/offtheCanvas-IndiaHCI2024/
The world is being changed fundamentally by AI and we are constantly faced with newspaper headlines about its harmful effects. However, there is also the potential to both ameliorate theses harms and use the new abilities of AI to transform society for the good. Can you make the difference?
Transforming Brand Perception and Boosting Profitabilityaaryangarg12
In today's digital era, the dynamics of brand perception, consumer behavior, and profitability have been profoundly reshaped by the synergy of branding, social media, and website design. This research paper investigates the transformative power of these elements in influencing how individuals perceive brands and products and how this transformation can be harnessed to drive sales and profitability for businesses.
Through an exploration of brand psychology and consumer behavior, this study sheds light on the intricate ways in which effective branding strategies, strategic social media engagement, and user-centric website design contribute to altering consumers' perceptions. We delve into the principles that underlie successful brand transformations, examining how visual identity, messaging, and storytelling can captivate and resonate with target audiences.
Methodologically, this research employs a comprehensive approach, combining qualitative and quantitative analyses. Real-world case studies illustrate the impact of branding, social media campaigns, and website redesigns on consumer perception, sales figures, and profitability. We assess the various metrics, including brand awareness, customer engagement, conversion rates, and revenue growth, to measure the effectiveness of these strategies.
The results underscore the pivotal role of cohesive branding, social media influence, and website usability in shaping positive brand perceptions, influencing consumer decisions, and ultimately bolstering sales and profitability. This paper provides actionable insights and strategic recommendations for businesses seeking to leverage branding, social media, and website design as potent tools to enhance their market position and financial success.
White wonder, Work developed by Eva TschoppMansi Shah
White Wonder by Eva Tschopp
A tale about our culture around the use of fertilizers and pesticides visiting small farms around Ahmedabad in Matar and Shilaj.
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5. INTERPRETATION OF PHYSICAL SPACE
• A physical space is a definite space, it’s defined
simply by the Cartesian coordinate system in
the ideology of mathematics and science. It’s
measure using the unit of cubic volume, a
physical unit.
• Hence, we can concluded that the volume of a
physical space is essentially a box form with
four vertical planes and two horizontal planes.
In architecture, it’s basically the volume of air
bounded by the walls, ceiling and the floor of a
room.
6. The lack of light in a physical space will induced fear and despair within anyone trapped or place within it.
Human needs an opening in some ways, when trapped within a enclosed space, one will yearns to get out.
When that is denied, an atmosphere of panic and terror will arise.
7.
8. Hence, a physical space is often utilized as a tool of
punishment or psychological torture. One such example is a
prison cell, which is use a both a confinement for criminal
and at the same time it’s a form of punishment by itself.
When a criminal is serving his/her times, the duration of the
sentence is not so much the punishment but rather the
restriction and the confinement is what that’s punishing.
Black hole of Calcutta
9. A SPACE WITH ONE OPENING
The opening to the outside world
11. THE MAKING OF A HUMAN SPACE
• Since a physical space is not suitable for living,
the making of a more human space is necessary.
• Without an opening a space will remain
inhabitable, as such the door is the first step in
the making of a human space.
• The idea of an entrance that allow one to travel
into and out of a space it’s the first step towards
making it habitable.
12. A door acts as an opening, its allows you to transit between space, it act as an invitation and a barrier at the same time.
13.
14. A door is designed to make it possible for us
to enter/exit a physical space. It's a portal. It
act both as a gateway to the outside world and
at the same time a protection for those within
the space from what’s outside. Hence, we
cannot leave a door open forever, because that
will be no better than keeping a huge hole on
the wall of the space, defeating the purpose of
a door.
17. AN OPEN INVITATION FOR NATURE
• Since a psychological space with a door might not
be always welcoming, we must come up with
another way to perceive and connect ourselves to
the outside world.
• An opening on the wall, brings in the beauty of
nature from the outside into the architectural space
build with man-made beauty. Introducing and
connecting the universe and an man-made space
together is perhaps the most important part of the
designing of a interior space.
18.
19.
20. The use of glass windows extends the wall beyond the
boundaries of the space, in such a way that the line
between a man-made space and the nature is blurred. We
need nature to survive, and it’s evident in the
development of windows, from the classical frame
windows in olden architecture to the frameless corner
or even window walls, we are inviting more and more
nature into our rooms. This is especially true in urban
area, where the natural beauty such as sunset, sunrise
and starlight are lacking, as such we built our buildings
higher and higher in hope to reach for the faraway
nature.
23. A SPACE WITH A SUBJECTIVE BEAUTY
• A conceptual space is a space that is defined
by its quality. Its nature can only be
subjectively identified by the beholder with
the implementation of its physical elements.
• Thus any and all form of decoration,
including but limited to four poles inserted
between two horizontal planes or two
vertical planes placed in parallelism, suggests
a volumetric space.
24.
25. Adding furniture and other decorative is a way off expanding the space around us, we place them in
the right place to add more “space”, we put in just the right amount to beautify a space but not so
many that makes us feels suppressed by the space.
27. THERE ARE MORE TO THE WORLD THEN WHAT OUR EYES SEE
• Spirituality has played a major role in shaping the built
environment, it is the believe that there are more to the
world then what our eyes can see and the willingness to
related to them.
• A spiritual space often refers to the ceiling of an
architectural space, which is build in magnificent details to
represent our respect for the unknown and the heaven. It
represent our our believe in gods and religions but at the
same time the spiritual quality of a space transcends the
religion of its users, as evident from the structure on the
right which have both served as a church and a mosque
during different times.
28.
29.
30.
31. As we progress from olden architectural design into the more modern approach, we no longer see walls as a
boundary for the space we are designing but rather we see them as objects use to decorate the space, we are no
longer trying to separate ourselves from the nature, we now see to connect and merge with the nature to the
greatest possible with our design.
32. SUMMARY
• This presentation is the study of different types of space, and how we try to connect to
nature while still having a private space of our own.
• The first part of the presentation, I discusses the most basic of space the physical space, then I
proceed on about the changes we made to it in the effort of making the space more “human”
from the idea of psychological space to visual space and ultimately the conceptual space.
• The later part of the presentation, I brought up the idea of spiritual space, which is not so
much about making the space more human but rather it’s a form of art in which we celebrate
the beauty and greatest of the heaven above us, at which we reflects and attempt to translate
our feeling and respect for it into our grand design, while allows other to relate without the
limitation of belief and religion.