This document discusses different types of architectural space and spatial organizations. It describes enclosure as using four vertical planes to define a space. The degree of enclosure impacts spatial perception. Common spatial relationships include spaces within spaces, adjacent spaces, interlocking spaces, and spaces linked by a common intermediate space. Key spatial organizations are centralized around a central space, linear as a sequence, radial extending from a center, and clustered grouping similar spaces.
it is about designing building by few articulation techniques, for example by altering its corners, or emphasizing its vertical, horizontal, base, roof, ceiling plane to add creativity.
the corners van be altered by cutting it, adding an element to it, curving it, opening it or even giving it a contrasting tone than the other surfaces.
it is about designing building by few articulation techniques, for example by altering its corners, or emphasizing its vertical, horizontal, base, roof, ceiling plane to add creativity.
the corners van be altered by cutting it, adding an element to it, curving it, opening it or even giving it a contrasting tone than the other surfaces.
barch_1st sem_anna univ. affl._msajaa_INTRODUCTION TO ARCHITECTURE_ELEMENTS OF ARCHITECTURE_ELEMENTS OF ARCHITECTURE – FORM_ELEMENTS OF ARCHITECTURE – SPACE_PRINCIPLES OF ARCHITECTURE
it is about dimensional, subtractive, additive, centralised, radial, clustered, grid forms.
it is about the design procedure and how can we make an innovative design follow ing a few simple transformation steps.
barch_1st sem_anna univ. affl._msajaa_INTRODUCTION TO ARCHITECTURE_ELEMENTS OF ARCHITECTURE_ELEMENTS OF ARCHITECTURE – FORM_ELEMENTS OF ARCHITECTURE – SPACE_PRINCIPLES OF ARCHITECTURE
it is about dimensional, subtractive, additive, centralised, radial, clustered, grid forms.
it is about the design procedure and how can we make an innovative design follow ing a few simple transformation steps.
Space, place and site in critical spatial arts practicecharlesrobb
An overview of the key ideas of Rendell, J. (2008). Space, place and site in critical spatial arts practice. In C. Cartiere & S. Willis (Eds.), The Practice of Public Art (0 ed., pp. 33–55). Routledge. https://doi.org/10.4324/9780203926673
Presentation delivered in the Workshop on Art and Architecture. Second Annual SHARE Conference London, 11-12 May 2012. Hosted by CCW Graduate School, University of the Arts London. More information at:http://arc.housing.salle.url.edu/share_workshop_transdisciplinarity/
White wonder, Work developed by Eva TschoppMansi Shah
White Wonder by Eva Tschopp
A tale about our culture around the use of fertilizers and pesticides visiting small farms around Ahmedabad in Matar and Shilaj.
Between Filth and Fortune- Urban Cattle Foraging Realities by Devi S Nair, An...Mansi Shah
This study examines cattle rearing in urban and rural settings, focusing on milk production and consumption. By exploring a case in Ahmedabad, it highlights the challenges and processes in dairy farming across different environments, emphasising the need for sustainable practices and the essential role of milk in daily consumption.
Book Formatting: Quality Control Checks for DesignersConfidence Ago
This presentation was made to help designers who work in publishing houses or format books for printing ensure quality.
Quality control is vital to every industry. This is why every department in a company need create a method they use in ensuring quality. This, perhaps, will not only improve the quality of products and bring errors to the barest minimum, but take it to a near perfect finish.
It is beyond a moot point that a good book will somewhat be judged by its cover, but the content of the book remains king. No matter how beautiful the cover, if the quality of writing or presentation is off, that will be a reason for readers not to come back to the book or recommend it.
So, this presentation points designers to some important things that may be missed by an editor that they could eventually discover and call the attention of the editor.
Can AI do good? at 'offtheCanvas' India HCI preludeAlan Dix
Invited talk at 'offtheCanvas' IndiaHCI prelude, 29th June 2024.
https://www.alandix.com/academic/talks/offtheCanvas-IndiaHCI2024/
The world is being changed fundamentally by AI and we are constantly faced with newspaper headlines about its harmful effects. However, there is also the potential to both ameliorate theses harms and use the new abilities of AI to transform society for the good. Can you make the difference?
Dive into the innovative world of smart garages with our insightful presentation, "Exploring the Future of Smart Garages." This comprehensive guide covers the latest advancements in garage technology, including automated systems, smart security features, energy efficiency solutions, and seamless integration with smart home ecosystems. Learn how these technologies are transforming traditional garages into high-tech, efficient spaces that enhance convenience, safety, and sustainability.
Ideal for homeowners, tech enthusiasts, and industry professionals, this presentation provides valuable insights into the trends, benefits, and future developments in smart garage technology. Stay ahead of the curve with our expert analysis and practical tips on implementing smart garage solutions.
Expert Accessory Dwelling Unit (ADU) Drafting ServicesResDraft
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Theory of architecture unit 04
1. THEORY OF ARCHITECTURE B.Arch, First Year
THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 1
2. UNIT 04: ELEMENTS OF ARCHITECTURE – SPACE
THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 2
Understanding perceptual effects of specific configuration of architectural spaces –
Enclosure – Internal and External, Continuous spaces – Spatial relationship and its
types, Spatial organisation: Centralized, Linear, Radial Clustered, Grid – built form
and open space relationships.
3. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 3
SPACE : ENCLOSURE
Four vertical planes encompassing a field of space
is probably the most typical, and certainly the
strongest, type of spatial definition in architecture.
Since the field is completely enclosed, its space is
naturally introverted.
To achieve visual dominance within a space or
become its primary face, one of the enclosing
planes can be differentiated from the others by its
size, form, surface articulation, or by the nature of
the openings within it.
4. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 4
SPACE : ENCLOSURE
In an urban context, a defined field of space can organize
a series of buildings along its perimeter.
The enclosure may consist of arcades or gallery spaces
that promote the inclusion of surrounding buildings into their
domain and activate the space they define.
ST.MARKSSQUARE,VENICE,ITALY
CHAMPSELYSEES,PARIS
5. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 5
SPACE : DEGREE OF ENCLOSURE
The degree of enclosure of a space, as determined by
the configuration of its defining elements and the
pattern of its openings, has a significant impact on our
perception of its form and orientation.
6. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 6
SPACE : DEGREE OF ENCLOSURE
NOTRE DAME DU HAUT, RONCHAMP, FRANCE, AR. LE CORBUSIERCHURCH OF LIGHT, AR. TADAO ANDO
7. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 7
SPACE : DEGREE OF ENCLOSURE
GLASS HOUSE, PHILIP JOHNSONBARCELONA PAVILION, AR. MIES VAN DER ROHE
8. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 8
SPACE : ORGANIZATION OF FORM & SPACES
Two spaces may be related to each other in several fundamental ways.
Space within a Space
A space may be contained within
the volume of a larger space.
Adjacent Spaces
The field of a space may overlap
the volume of another space.
Interlocking Spaces
Two spaces may abut each other
or share a common border.
Spaces Linked by a Common Space
Two spaces may rely on an intermediary
space for their relationship.
9. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 9
SPACE : SPACE WITHIN A SPACE
A large space can envelop and contain a smaller
space within its volume.
Visual and spatial continuity between the two spaces
can be easily accommodated, but the smaller,
contained space depends on the larger, enveloping
space for its relationship to the exterior environment.
10. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 10
SPACE : INTERLOCKING SPACES
An interlocking spatial relationship results from the
overlapping of two spatial fields and the emergence
of a zone of shared space.
When two spaces interlock their volumes in this
manner, each retains its identity and definition as a
space. But the resulting configuration of the two
interlocking spaces is subject to a number of
interpretations.
11. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 11
SPACE : ADJACENT SPACES
Adjacency is the most common type of spatial
relationship.
It allows each space to be clearly defined and to
respond, each in its own way, to specific functional or
symbolic requirements.
The degree of visual and spatial continuity that occurs
between two adjacent spaces depends on the nature
of the plane that both separates and binds them
together.
12. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 12
SPACE : SPACES LINKED BY A COMMON SPACE
Two spaces that are separated by distance can be linked or
related to each other by a third, intermediate, space.
The visual and spatial relationship between the two spaces
depends on the nature of the third space with which they
share a common bond.
The intermediate space can differ in form and orientation
from the two spaces to express its linking function.
13. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 13
SPACE : SPATIAL ORGANIZATIONS
14. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 14
The following section lays out the basic ways we can arrange and
organize the spaces of a building. In a typical building program, there
are usually requirements for various kinds of spaces. There may be
requirements for spaces that
Have specific functions or require specific forms
Are flexible in use and can be freely manipulated
Are singular and unique in their function or significance to the building
organization
Have similar functions and can be grouped into a functional cluster or
repeated in a linear sequence
Require exterior exposure for light, ventilation, outlook, or access to
outdoor spaces
Must be segregated for privacy
Must be easily accessible
SPACE : SPATIAL ORGANIZATIONS
15. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 15
SPACE : SPATIAL ORGANIZATIONS
Centralized Organization
A central, dominant space about which a number of secondary spaces are grouped
Linear Organization
A linear sequence of repetitive spaces
Radial Organization
A central space from which linear organizations of space extend in a radial manner
Clustered Organization
Spaces grouped by proximity or the sharing of a common visual trait or relationship
Grid Organization
Spaces organized within the field of a structural grid or other three-dimensional framework
16. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 16
SPACE : CENTRALIZED ORGANIZATIONS
A centralized organization is a stable,
concentrated composition that consists
of a number of secondary spaces grouped
around a large, dominant, central space.
Centralized organizations whose forms are
relatively compact and geometrically regular
can be used to:
• establish points or places in space
• terminate axial conditions
• serve as an object-form within a defined
field or volume of space
17. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 17
SPACE : CENTRALIZED ORGANIZATIONS
TAJ MAHAL
HUMAYUNS TOMB
18. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 18
SPACE : CENTRALIZED ORGANIZATIONS
PANTHEON, ROME
19. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 19
SPACE : CENTRALIZED ORGANIZATIONS
GUGGENHEIM MUSEUM, AR. FRANK LLOYD WRIGHT
20. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 20
SPACE : CENTRALIZED ORGANIZATIONS
NATIONAL ASSEMBLY BUILDING, DACCA, BANGLADESH, AR.LOUIS KAHN
21. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 21
SPACE : CENTRALIZED ORGANIZATIONS
22. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 22
SPACE : CENTRALIZED ORGANIZATIONS
23. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 23
SPACE : LINEAR ORGANIZATIONS
• A linear organization consists essentially of a
series of spaces.
• These spaces can either be directly related to
one another or be linked through a separate
and distinct linear space.
• A linear organization usually consists of
repetitive spaces which are alike in size, form,
and function.
• It may also consist of a single linear space that
organizes along its length a series of spaces
that differ in size, form, or function. In both
cases, each space along the sequence has an
exterior exposure.
24. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 24
SPACE : LINEAR ORGANIZATIONS
• The form of a linear organization can relate to
other forms in its context by:
• linking and organizing them along its length
• serving as a wall or barrier to separate them
into different fields
• surrounding and enclosing them within a field of
space
25. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 25
SPACE : LINEAR ORGANIZATIONS
UNITED D'HABITATION, AR. LE CORBUSIER
26. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 26
SPACE : LINEAR ORGANIZATIONS
HOUSE 10, AR. JOHN HEJDUK
27. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 27
SPACE : LINEAR ORGANIZATIONS
BAKER HOUSE, AR. ALVAR AALTO
28. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 28
SPACE : LINEAR ORGANIZATIONS
29. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 29
SPACE : RADIAL ORGANIZATIONS
• A radial organization of space combines
elements of both centralized and linear
organizations.
• It consists of a dominant central space from
which a number of linear organizations extend
in a radial manner.
• Whereas a centralized organization is an
introverted scheme that focuses inward on its
central space, a radial organization is an
extroverted plan that reaches out to its context.
• With its linear arms, it can extend and attach
itself to specific elements or features of its site.
30. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 30
SPACE : RADIAL ORGANIZATIONS
HERBERT F. JOHNSON HOUSE, AR. FRANK LLOYD WRIGHT
31. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 31
SPACE : RADIAL ORGANIZATIONS
SECRETARIAT BUILDING, UNESCO HEADQUARTERS, AR.MARCEL BREUER
32. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 32
SPACE : RADIAL ORGANIZATIONS
GUGGENHEIM MUSEUM, BILBAO, SPAIN, AR. FRANK GEHRY
33. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 33
SPACE : RADIAL ORGANIZATIONS
34. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 34
SPACE : CLUSTERED ORGANIZATIONS
• A clustered organization relies on physical
proximity to relate its spaces to one another. It
often consists of repetitive, cellular spaces that
have similar functions and share a common
visual trait such as shape or orientation.
• A clustered organization can also accept within
its composition spaces that are dissimilar in size,
form, and function, but related to one another
by proximity or a visual ordering device such as
symmetry or an axis.
35. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 35
SPACE : CLUSTERED ORGANIZATIONS
36. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 36
SPACE : CLUSTERED ORGANIZATIONS
HABITAT MONTREAL, 1967, AR. MOSHE SAFDIE
37. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 37
SPACE : CLUSTERED ORGANIZATIONS
HABITAT ISRAEL, JERUSALEM, 1969, MOSHE SAFDIE
38. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 38
SPACE : CLUSTERED ORGANIZATIONS
FALLING WATER, AR. FRANK LLOYD WRIGHT
39. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 39
SPACE : CLUSTERED ORGANIZATIONS
40. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 40
SPACE : GRID ORGANIZATIONS
• A grid organization consists of forms and
spaces whose positions in space and
relationships with one another are regulated by
a three-dimensional grid pattern or field.
• A grid is created by two, usually perpendicular,
sets of parallel lines that establish a regular
pattern of points at their intersections.
• Projected into the third dimension, the grid
pattern is transformed into a set of repetitive,
modular units of space.
41. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 41
SPACE : GRID ORGANIZATIONS
42. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 42
SPACE : GRID ORGANIZATIONS
NAKAGIN CAPSULE BUILDING, AR. KISHO KUROKAWA
43. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 43
SPACE : GRID ORGANIZATIONS
GANDHI ASHRAM MUSEUM, AHMEDABAD, INDIA, AR. CHARLES CORREA
44. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 44
SPACE : GRID ORGANIZATIONS
KIMBALL ART MUSEUM, AR. LOUIS KAHN
45. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 45
SPACE : GRID ORGANIZATIONS
46. UNIT 05: PRINCIPLES OF ARCHITECTURE
THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 46
Understanding fundamental principles such as proportion, scale, balance,
symmetry/asymmetry, rhythm, axis, hierarchy, datum, unity, harmony, dominance,
climax – Movement with reference to the architectural form and space – detailed
study of relationship between architectural form and circulation – Types of circulation
– Building approach and entrance, path configuration and form, path space
relationship, orientation.
47. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 47
PRINCIPLE: PROPORTION & SCALE
48. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 48
PRINCIPLE: MATERIAL PROPORTION
49. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 49
PRINCIPLE: STRUCTURAL PROPORTION
CROWN HALL, AR. MIES VAN DER ROHE
50. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 50
PRINCIPLE: MANUFACTURED PROPORTION
51. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 51
PRINCIPLE: PROPORTION
Whole Part
52. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 52
PRINCIPLE: PROPORTION
Whole Part
• Proportion is the equality between two ratios in
which the first of the four terms divided by the
second equals the third divided by the fourth.
53. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 53
PRINCIPLE: PROPORTION
Theories of Proportion:
• Golden Section
• Classical Orders
• Renaissance Theories
• Modulor
• Ken
• Anthropometry
• Scale
54. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 54
PRINCIPLE: PROPORTION : GOLDEN SECTION
• The Golden Section can be defined as the ratio
between two sections of a line, or the two
dimensions of a plane figure, in which the lesser
of the two is to the greater as the greater is to
the sum of both.
• It can be expressed algebraically by the
equation of two ratios:
55. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 55
PRINCIPLE: PROPORTION : GOLDEN SECTION
THE PARTHENON, ATHENS
56. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 56
PRINCIPLE: PROPORTION : GOLDEN SECTION
THE PARTHENON, ATHENS
57. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 57
PRINCIPLE: PROPORTION : CLASSICAL ORDER
• To the Greeks and Romans of classical antiquity,
the Orders represented in their proportioning
of elements the perfect expression of beauty
and harmony.
• The basic unit of dimension was the diameter of
the column.
• From this module were derived the dimensions
of the shaft, the capital, as well as the pedestal
below and the entablature above, down to the
smallest detail.
58. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 58
PRINCIPLE: PROPORTION : CLASSICAL ORDER
59. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 59
PRINCIPLE: PROPORTION : CLASSICAL ORDER
TUSCAN ORDER
60. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 60
PRINCIPLE: PROPORTION : CLASSICAL ORDER
TUSCAN ORDER
61. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 61
PRINCIPLE: PROPORTION : CLASSICAL ORDERDORIC ORDER
62. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 62
PRINCIPLE: PROPORTION : CLASSICAL ORDER
IONIC ORDER
63. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 63
PRINCIPLE: PROPORTION : CLASSICAL ORDERCORINTHIAN ORDER
64. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 64
PRINCIPLE: PROPORTION : RENAISSANCE THEORIES
S. MARIA NOVELLA, FLORENCE, ITALY.
65. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 65
PRINCIPLE: PROPORTION : MODULAR
MODULAR MAN, AR. LE CORBUSIER
66. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 66
PRINCIPLE: PROPORTION : KEN
JAPANESE METHOD
67. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 67
PRINCIPLE: PROPORTION : ANTHROPOMETRY
68. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 68
PRINCIPLE: PROPORTION : ANTHROPOMETRY
69. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 69
PRINCIPLE: PROPORTION : ANTHROPOMETRY
70. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 70
PRINCIPLE: PROPORTION : ANTHROPOMETRY
71. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 71
PRINCIPLE: PROPORTION : SCALE
While proportion pertains to an ordered set of
mathematical relationships among the
dimensions of a form or space, scale refers to
how we perceive or judge the size of something
in relation to something else. In dealing with the
issue of scale, therefore, we are always
comparing one thing to another.
72. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 72
PRINCIPLE: PROPORTION : SCALE
73. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 73
PRINCIPLE: PROPORTION : SCALE
74. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 74
PRINCIPLE: PROPORTION : SCALE
75. THEORY OF ARCHITECTURE | PRESENTATION BY: AR. GEEVA CHANDANA 75
PRINCIPLE: PROPORTION : SCALE