This is a textual analysis of the film Love, Rosie. Exploring the Narrative, the theme, the Director of the film, the protagonists, the titles, the mise-en-scene, the camera work, editing and sound.
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2. Narrative
The narrative of the story Love, Rosie is… Rosie and
Alex have been best friends since they were 5, so
they Have known each other for a particularly long
time. When it comes to love, life and making the
right choices, Neither of them excel in this topic.
One awkward turn at 18, and life sends them in
different directions. But somehow, although they
live miles apart and now have completely different
lives, they will find their way back to one another!
3. Theme
The theme of the opening sequence is the
up growing of Rosie and Alex as childhood
friends, this is shown by the bouncy
hoppers they play with, the flirtatious notes
they pass during class, playing in forts in
the bedroom, then passing forward in time
a bit so that it shows their friendships still
blossoming when the get to her 18th
birthday.
4. Director of the film Protagonists
The director of the film Love, Rosie is
Christian Ditter.
Christian Ditter was born in 1977 in Gießen,
Germany. He is a director and producer,
known for “How to Be Single” (2016), “Love,
Rosie” (2014) and “Vicky and the Treasure of
the Gods” (2011).
Lily Collins is also known for her roles
in independent films, such as the
romantic comedy-drama Stuck in
Love (2012), the romantic comedy The
English Teacher (2013), and the
romantic comedy-drama Love, Rosie
(2014). She won the New Hollywood
Film Award and received a Golden
Globe Award nomination for her role
as Marla Mabrey in Rules Don't Apply
(2016).
Samuel George "Sam"
Claflin (born 27 June 1986)
is an English actor. He is
known for portraying
Finnick Odair in the The
Hunger Games film series,
Philip Swift in Pirates of the
Caribbean: On Stranger
Tides and Will Traynor in Me
Before You, Alex in
"Love,Rosie".
5. Titles
0:16-Lionsgate (lasts for 5 seconds)
0:22- Supported By FFF FilmFernsehFonds Boyern FFA Filmfӧrderungsanstalt BKM Der Beauftrage der
Bundesregierung fϋr Kultur und Medien (lasts 5 seconds)
0:31-Constantin Film (Lasts 4 seconds)
0:41- Constantin Film Presents (lasts 4 seconds)
0:45-A Constantin film production (lasts 5 seconds)
0:50- In Association with Canyon Creek Films (lasts 3 seconds)
0:59- In the beginning (lasts 3 seconds)
1.23- Alex’s Weird dreams (lasts 23 seconds)
2.00- One of the happiest days of my life (lasts 4 seconds)
2.26- 12 years earlier Rosie’s 18th birthday (most of which she was too drunk to remember) (lasts 8
seconds)
3:31-Love, rosie (lasts 5 seconds)
6. Mise-En-Scene
There are many Locations used in the opening sequence
including a school, home, night club, a wedding venue and
outside.
The Iconography used in the opening sequence to “Love,
Rosie” Is the bouncy hoppers the children are bouncing on,
the piece of paper they use whilst are passing love letters.
Other Iconography that has been used is shot glasses on her
18th birthday to show what a good drunk time she is having.
The costumes used in the opening sequence is casual
clothing for the flash back shots and party clothes for her 18th
birthday. The scene that is representing the current time is
when she is dressed in a wedding outfit.
Lighting is pretty persistent throughout the whole of the
opening sequence rather natural lighting until the night club
scene when it is very dark with the odd flashing light.
Acting code, the acting code has been represented with
younger children and included no speech until the speech
itself. Other parts of the opening sequence has been
represented with a sad facial expressions.
On every shot in this opening sequence the positioning has
been very similar, the shot always includes the main character
Rosie and in some shots often features her best friend Alex.
7. Camera Work, Editing and Sound.
The camera work is a mix between
Mid shots, for example when
Rosie is sat on the table at the
wedding, long shots when Rosie is
dancing at her 18th Party, close
ups when she is kissing Alex at her
party.
► Sound Involved with this opening sequence
is voices in the background, and music, so
there is a mix of diegetic and non-diegetic
sounds. There is no speaking in the first part
of the opening sequence although it soon
gets incorporated through Alex and Rosie’s
conversations as children.
► The editing is virtually all cuts
and not much variation at all.
They have used people
walking in front of the
camera as a way of changing
the titles on the screen.
8. Conclusion
I have chosen this as my opening sequence because I am doing a coming
of age film, although this film is a rom-com. I thought this would be a
good opening sequence to analyze because the main character, Rosie, is
similar to the character I want to portray in my opening sequence.
Another thing that happens in the opening sequence that I am
considering trying to involve in my opening sequence is when it shows
what happened in Rosie and Alex’s childhood.
